Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

After my last book, "Grandad Boats", I have been asked by a lot of fishermen to write another. But you only have one life, so you only have one story. But I have noticed that of all the books on the subject of fishing that I have read, the type of fishing that was done with the ropes was almost never mentioned. So with the help of the men that have been there and done that, I hope that I have now laid that to rest.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

It was about six years ago that I started to put this book together. Initially, it was the pubs and inns in Crowland - there were about 32 - so I started to find the landlords from about 1829 to 1913. I found a few pictures of them but not many as most of them have now disappeared. Then I came across a picture of the Abbey Hotel and went to see the landlord, who found a picture of the floods in Crowland. This then set me off on a trail to find out more about the 1947 floods in and around Crowland. I spent hours in Peterborough library finding details about the floods. Then I found some pictures of the floods on e-Bay and was talking to the person who I purchased them from. He told me he had about 20-30 pictures of Crowland during the floods. He said he would send them to me on a disc. Some weeks later it arrived and to my amazement there were over 80, not only of the flood but of people, parties, carnivals, events and lots more. So then I started the long trail to put it all together into a book. Finally, six years later it was finished; I do hope that it will bring back memories of 1947 to many people and hopefully that they can remember some of the places and people in the book.

By bringing evidence from heraldry, DNA and place names to bear and by insisting on feasible time lines this two volume work (with accompanying CD) exposes many of the myths which still mask the origin stories of so many Scottish Clans - and offers far more interesting, exciting and accurate replacements. The specific political situations which made the creation of these myths necessary or desirable are explained. In order to achieve all this a fresh understanding of the "clan" has been required - and is provided - and radical theories have been developed regarding Pictish place names and the origins of heraldry, while the Norse Sagas have been placed in a new and viable timeframe, with many contradictions and errors resolved. Shakespeare's "MacDuff" is identified, as is the Orkneyinga Saga's "Karl Hundisson". To aid understanding the accompanying CD includes a family tree showing the inter-relationships of the participants and a library of Google Earth placemarks allowing the reader to find all the key locations - many of them quite obscure - effortlessly. Full colour illustrations of Heraldic arms add to the richness of the experience while the Bibliography benefits from being "searchable". The work focuses on the period of the "House of Canmore" dynasty (and does not extend beyond 1316), but ancestral lines are traced back, in some cases nearly 1000 years further. The ancestors of the Siol Alpin clans are discussed in detail back to the year 810. Names considered in this Volume: Colquhoun Comyn Crawford Dunbar Grant Johnston Kirkpatrick Livingston(e) MacGregor MacNab MacAulay Mack Mackinnon MacFie MacQuarrie Maguire, Duffy (in Ireland) MacAlpine Maxton Maxwell Mitchell (in Scotland) Moffat Montalt/Mohaut (in England) Mowat Ruthven

By bringing evidence from heraldry, DNA and place names to bear and by insisting on feasible time lines this two volume work exposes many of the myths which still mask the origin stories of so many Scottish Clans - and offers far more interesting, exciting and accurate replacements. The specific political situations which made the creation of these myths necessary or desirable are explained. In order to achieve all this a fresh understanding of the "clan" has been required - and is provided - and radical theories have been developed regarding Pictish place names and the origins of heraldry, while the Norse Sagas have been placed in a new and viable timeframe, with many contradictions and errors resolved. Shakespeare's "MacDuff" is identified, as is the Orkneyinga Saga's "Karl Hundisson". To aid understanding, the CD accompanying Volume 2 includes a family tree showing the inter-relationships of the participants and a library of Google Earth placemarks allowing the reader to find all the key locations - many of them quite obscure - effortlessly. Full colour illustrations of Heraldic arms add to the richness of the experience while the Bibliography benefits from being "searchable". The work focuses on the period of the "House of Canmore" dynasty (and does not extend beyond 1316), but ancestral lines are traced back, in some cases nearly 1000 years further. The ancestors of the Siol Alpin clans are discussed in detail back to the year 810. Names considered in this Volume: Colquhoun Comyn Crawford Dunbar Grant Johnston Kirkpatrick Livingston(e) MacGregor MacNab MacAulay Mack Mackinnon MacFie MacQuarrie Maguire, Duffy (in Ireland) MacAlpine Maxton Maxwell Mitchell (in Scotland) Moffat Montalt/Mohaut (in England) Mowat Ruthven

By bringing evidence from heraldry, DNA and place names to bear and by insisting on feasible time lines this two volume work (with accompanying CD) exposes many of the myths which still mask the origin stories of so many Scottish Clans - and offers far more interesting, exciting and accurate replacements. The specific political situations which made the creation of these myths necessary or desirable are explained. In order to achieve all this a fresh understanding of the "clan" has been required - and is provided - and radical theories have been developed regarding Pictish place names and the origins of heraldry, while the Norse Sagas have been placed in a new and viable timeframe, with many contradictions and errors resolved. Shakespeare's "MacDuff" is identified, as is the Orkneyinga Saga's "Karl Hundisson". To aid understanding the accompanying CD includes a family tree showing the inter-relationships of the participants and a library of Google Earth placemarks allowing the reader to find all the key locations - many of them quite obscure - effortlessly. Full colour illustrations of Heraldic arms add to the richness of the experience while the Bibliography benefits from being "searchable". The work focuses on the period of the "House of Canmore" dynasty (and does not extend beyond 1316), but ancestral lines are traced back, in some cases nearly 1000 years further. The ancestors of the Siol Alpin clans are discussed in detail back to the year 810. Names considered in this Volume: Abernethy Bisset Calder Campbell Chattan Davidson Farquharson Fraser of Lovat Lamont MacArthur MacBain MacDonald MacDougall MacDowall MacDuff MacGillivray Macintyre Mackay Mackenzie Mackintosh MacLaren Maclean of Dochgarroc MacPhail MacQueen Macpherson MacMillan MacSween McThomas Munro Oliphant Shaw Stewart Wemyss Also examined and explained in a very new way: Pictish Placenames The Origins of the Clan System The Origins of Heraldry The early life of St Patrick The History of Norway, Orkney and Normandy (700-1030) Scottish Politics (800-1057) Manuscript 1467

By bringing evidence from heraldry, DNA and place names to bear and by insisting on feasible time lines this two volume work (with accompanying CD) exposes many of the myths which still mask the origin stories of so many Scottish Clans - and offers far more interesting, exciting and accurate replacements. The specific political situations which made the creation of these myths necessary or desirable are explained. In order to achieve all this a fresh understanding of the "clan" has been required - and is provided - and radical theories have been developed regarding Pictish place names and the origins of heraldry, while the Norse Sagas have been placed in a new and viable timeframe, with many contradictions and errors resolved. Shakespeare's "MacDuff" is identified, as is the Orkneyinga Saga's "Karl Hundisson". To aid understanding the accompanying CD includes a family tree showing the inter-relationships of the participants and a library of Google Earth placemarks allowing the reader to find all the key locations - many of them quite obscure - effortlessly. Full colour illustrations of Heraldic arms add to the richness of the experience while the Bibliography benefits from being "searchable". The work focuses on the period of the "House of Canmore" dynasty (and does not extend beyond 1316), but ancestral lines are traced back, in some cases nearly 1000 years further. The ancestors of the Siol Alpin clans are discussed in detail back to the year 810. Names considered in this Volume: Abernethy Bisset Calder Campbell Chattan Davidson Farquharson Fraser of Lovat Lamont MacArthur MacBain MacDonald MacDougall MacDowall MacDuff MacGillivray Macintyre Mackay Mackenzie Mackintosh MacLaren Maclean of Dochgarroc MacPhail MacQueen Macpherson MacMillan MacSween McThomas Munro Oliphant Shaw Stewart Wemyss Also examined and explained in a very new way: Pictish Placenames The Origins of the Clan System The Origins of Heraldry The early life of St Patrick The History of Norway, Orkney and Normandy (700-1030) Scottish Politics (800-1057) Manuscript 1467

This is the life story of Mark Middleton, born in Stamford, Lincolnshire, in 1841, died in 1883. He was a mail cart driver for the Royal Mail but had an accident on Peterborough Town Bridge and after a long illness died in Lincoln Asylum, aged 42. This all started by reading an article in the local paper by Percy Hall which was shown to me by Mick Masters from records kept by his late wife. I contacted Mrs M. Cary. Percy Hall was her father. She showed me all the documents her father kept on Mark Middleton. After seeing these I suggested that it should be turned into a book. Having been given permission in writing and with the consent of living relatives, I have started to write this book. So this is the life of Mark Middleton.

No description available

Here are the voices of London - rich and poor, native and immigrant, women and men - witnessed by Craig Taylor, an acclaimed journalist, playwright and writer, who spent five years exploring the city and listening to its residents. From the woman whose voice announces the stations on the London Underground to the man who plants the trees along Oxford Street; from a Pakistani currency trader to a Guardsman at Buckingham Palace - together, these voices and many more, paint a vivid, epic and wholly fresh portrait of Twenty-First Century London.