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Arts & Crafts > Fine Art Supplies > Brushes
Da Vinci Spin-Synthetics are a series of watercolour brushes with a very smooth texture. They are made of light brown synthetic fibres held in plastic quills with transparent lacquered handles. These brushes are well suited to use with liquid colours, especially for watercolour paint and silk paint.
Da Vinci Spin-Synthetics are a series of watercolour brushes with a very smooth texture. They are made of light brown synthetic fibres held in plastic quills with transparent lacquered handles. These brushes are well suited to use with liquid colours, especially for watercolour paint and silk paint.
Extra strong white synthetic bristles, short length.Rust-proof steel ferrule.Short blue polished handles, rust-proof steel ferrule.Width 20, 30, 40, 50, 60, 150 and 200mm.
Extra strong white synthetic bristles, short length.Rust-proof steel ferrule.Short blue polished handles, rust-proof steel ferrule.Width 20, 30, 40, 50, 60, 150 and 200mm.
Extra strong white synthetic bristles, short length.Rust-proof steel ferrule.Short blue polished handles, rust-proof steel ferrule.Width 20, 30, 40, 50, 60, 150 and 200mm.
Extra strong white synthetic bristles, short length.Rust-proof steel ferrule.Short blue polished handles, rust-proof steel ferrule.Width 20, 30, 40, 50, 60, 150 and 200mm.
The Da Vinci Cosmotop-Spin is a golden fibred brush. These fibres are held in place by a seamless nickel-plated brass ferrule with a short red lacquered handle.
The Da Vinci Cosmotop-Spin is a golden fibred brush. These fibres are held in place by a seamless nickel-plated brass ferrule with a short red lacquered handle.
The Da Vinci Cosmotop-Spin is a golden fibred brush. These fibres are held in place by a seamless nickel-plated brass ferrule with a short red lacquered handle.
The Da Vinci Cosmotop-Spin is a golden fibred brush. These fibres are held in place by a seamless nickel-plated brass ferrule with a short red lacquered handle.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handle with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Flats and brights for area work.These bristles are double-boiled so they are not too stiff and to give them extra spring and life. This allows for maximum stroke control that is not possible with overly stiff bristles.
Medium length bristles.So-called silver ferrule.Long red handles with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Filbert and Fresco shape for painting on wet, plastered surfaces and for mural painting on dry stucco.The bristle brush series in filbert shape, is made of bristles which are worked deeply into the ferrule. Only through such bristle length can the positive and enduring effect of the interlock production come fully into its own, which is crucial for the elasticity, springiness and longevity of this bristle artist brush.
Medium length bristles.So-called silver ferrule.Long red handles with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Filbert and Fresco shape for painting on wet, plastered surfaces and for mural painting on dry stucco.The bristle brush series in filbert shape, is made of bristles which are worked deeply into the ferrule. Only through such bristle length can the positive and enduring effect of the interlock production come fully into its own, which is crucial for the elasticity, springiness and longevity of this bristle artist brush.
Medium length bristles.So-called silver ferrule.Long red handles with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Filbert and Fresco shape for painting on wet, plastered surfaces and for mural painting on dry stucco.The bristle brush series in filbert shape, is made of bristles which are worked deeply into the ferrule. Only through such bristle length can the positive and enduring effect of the interlock production come fully into its own, which is crucial for the elasticity, springiness and longevity of this bristle artist brush.
Medium length bristles.So-called silver ferrule.Long red handles with black ends.English/American sizes No. 1 to No. 12 as well as sizes 16, 20, 24 and 30.Filbert and Fresco shape for painting on wet, plastered surfaces and for mural painting on dry stucco.The bristle brush series in filbert shape, is made of bristles which are worked deeply into the ferrule. Only through such bristle length can the positive and enduring effect of the interlock production come fully into its own, which is crucial for the elasticity, springiness and longevity of this bristle artist brush. |
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