The term 'cityscaping' is here introduced to characterise the creative process through which the image of the city is created and represented in various media - text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients' spatial imagination; another is to inquire into the semantics and functions that are ascribed to the image of a city as constructed in various media. The examples of ancient texts and works of art, and modern literature and films, are used to elucidate the artistic potential of images of the city and the techniques by which they are semanticised. With its interdisciplinary approach, the volume for the first time makes clear how strongly mental images of urban space, both ancient and modern, have been shaped by the techniques of their representation in media.

This book aims to provide the reader of Homer with the traditional knowledge and fluency in Homeric poetry which an original ancient audience would have brought to a performance of this type of narrative. To that end, Adrian Kelly presents the text of Iliad VIII next to an apparatus referring to the traditional units being employed, and gives a brief description of their semantic impact. He describes the referential curve of the narrative in a continuous commentary, tabulates all the traditional units in a separate lexicon of Homeric structure, and examines critical decisions concerning the text in a discussion which employs the referential method as a critical criterion. Two small appendices deal with speech introduction formulae, and with the traditional function of Here and Athene in early Greek epic poetry.

There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The yearbook" The Medieval Chronicle" aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. "The Medieval Chronicle" is published in cooperation with the "Medieval Chronicle Society."

Enchanted with novelty and obsessed with power, control, and efficiency, technocrats eagerly and imprudently plow under what they deem anachronistic relics. Utility and ease are their passwords, and the poor individual with sole recourse to personal resources and ingenuity is viewed as a waste of time and energy. What this means for education is that uniformity, predesigned programs, and abdication to an elite corps of experts have come to dominate and characterize our institutions. As antidotes for the technological age, Kuhlman suggests motifs and imagery from the classical world, such as agon, arete, and paideia. He reminds us of the agonies of the artist in the gestation of the great, soul-fulfilling creations of our past. He wonders if truly great accomplishments are possible without the pain and agony of individual struggle. He suggests that the individual psyche is withering on the vine because it is not expected to undergo the suffering necessary to transform it into an educated self.

It is not the aim of this book to add to the extensive literature on Alcibiades' life and career. Instead the author focuses on the explosive mix of fear and fascination excited by Alcibiades in his contemporaries and in particular in key literary texts: Thucydides, the mysterious pseudo-Andocides 4, the encomium of Isocrates 16, the final scene of Plato's Symposium. The book is about the acute tension between the classical city and the individual of superlative power, status, and ambition. It looks at the way Alcibiades is approximated to archetypes of the individual 'outside' the city: the tyrant, the athletic victor, the ostracism victim, the scapegoat, the barbarian. Whereas modern discussions of ancient Athens and Athenian civic texts stress collective ideology, this study focuses on the opposing strand in tension with this dominant ideology: the fascination with the powerful individual. The book is thus at once a contribution to the study of civic ideology, and also to that of the individual and of the role of the individual in classical texts - rhetoric, the historiography of Thucydides, the Platonic dialogue. The book also considers the development of the post-classical depiction of Alcibiades, concluding with a study of Plutarch's reaction both to this tradition and to the classical texts.

This volume continues the critical exploration of fundamental issues in the medieval and early modern world, here concerning mental health, spirituality, melancholy, mystical visions, medicine, and well-being. The contributors, who originally had presented their research at a symposium at The University of Arizona in May 2013, explore a wide range of approaches and materials pertinent to these issues, taking us from the early Middle Ages to the eighteenth century, capping the volume with some reflections on the relevance of religion today. Lapidary sciences matter here as much as medical-psychological research, combined with literary and art-historical approaches. The premodern understanding of mental health is not taken as a miraculous panacea for modern problems, but the contributors suggest that medieval and early modern writers, scientists, and artists commanded a considerable amount of arcane, sometimes curious and speculative, knowledge that promises to be of value and relevance even for us today, once again. Modern palliative medicine finds, for instance, intriguing parallels in medieval word magic, and the mystical perspectives encapsulated highly productive alternative perceptions of the macrocosm and microcosm that promise to be insightful and important also for the post-modern world.

H.G. Liddell and R. Scott's Greek-English Lexicon (revised and augmented by H.S. Jones in 1940) has been the essential tool of advanced Greek scholars for 150 years; in order to update it a new Supplement has been published (OUP 1996) replacing that of 1968. In this provocative reconsideration both of its lexicographical principles and of individual articles, John Chadwick examines the need for further revision and expansion of the volume through a re-examination of the classical Greek vocabulary. A series of notes are presented, making important and stimulating contributions to the study of classical Greek lexicography, and offering many new interpretations of passages from familiar authors based upon a lexicographical approach. Essential reading for all scholars of classical Greek.

Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the seemingly parallel notion of intervisuality has only recently begun to appear in classical studies. In fact, intervisuality still lacks a clear definition and scope. Unlike intertextuality, which is consistently used with reference to the interrelationship between texts, the term 'intervisuality' is used not only to trace the interrelationship between images in the visual domain, but also to explore the complex interplay between the visual and the verbal. It is precisely this hybridity that interests us. Intervisuality has proved extremely productive in fields such as art history and visual culture studies. By bringing together a diverse team of scholars, this project aims to bring intervisuality into sharper focus and turn it into a powerful tool to explore the research field traditionally referred to as 'Greek literature'.

From the stories suggested by the great cave paintings of the Paleolithic period to the thought experiments of modern scientists, From Olympus to Camelot provides a sweeping history of the development of the rich and varied European mythological tradition.

David Leeming, an authority on world mythology, begins with a general introduction to mythology and mythological terms, and then turns to the stories themselves. Discussing well-known figures such as Zeus, Aphrodite, Thor, and Cuchulainn, and less familiar ones such as Perun, Mari, and the Sorcerer of Lescaux, Leeming illustrates and analyzes the enduring human endeavor to make sense of existence through deities and heroes.

Following an initial exploration of the Indo-European sources of European mythology and the connections between the myths of Europe and those of India and Iran, the book proceeds to survey the major beliefs of Greek, Roman, Celtic, Germanic, Baltic, and Slavic cultures, as well as the mythologies of non-Indo-European cultures such as the Etruscans and the Finns. Among its contents are introductions to the pantheons of various mythologies, examinations of major mythological works, and retellings of the influential mythical stories. This work also examines European deities, creation myths, and heroes in the context of Christian belief, and considers the translation of traditional stories into the mythologies of modern European political, scientific, philosophical, and economic movements.

European mythology is the core mythology of Western civilization. This wide-ranging volume offers a lively and informative survey, along with a provocative new way of understanding this fundamental aspect of European culture.

The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date.

This book introduces students to the chief disciplines, methods and sources employed in 'doing' ancient history, as opposed to 'reading' it. The book:
Encourages readers to engage with historical sources, rather than to be passive recipients of historical tales
Gives readers a sense of the nature of evidence and its use in the reconstruction of the past
Helps them to read a historical narrative with more critical appreciation
Encourages them to consider the differences between their own experience of ancient sources, and the use of these objects within the everyday life of ancient society
A concise bibliographical essay at the end of each chapter refers to introductions, indices, research tools and interpretations, and explains scholarly jargon
Written clearly, concisely and concretely, invoking ancient illustrations and modern parallels as appropriate.

The most passionate, individual, and controversial of the Latin love elegists, Propertius in Book 3 covers a broad range of subject matter and a vast geographical reach. After books focused on his mistress Cynthia, he maintains his elegiac role but expands his range to provide a lover's commentary on life, discussing luxury, nudity, art, the empire, and the dangers of travel for profit and war. This detailed commentary uses the text recently published in the Oxford Classical Texts series, and sets out to build on the richness of the material in the book by providing clear introductions to the genres the poems explore - the Greek elegy of Callimachus, epic, tragedy, hymn and epigram - and to topics such as patronage, philosophy, and the images of love as slavery and as warfare.

Examining Malory's political language, this study offers a revisionary view of Arthur's kingship in the Morte Darthur and the role of the Round Table fellowship. Considering a range of historical and political sources, Lexton suggests that Malory used a specific lexicon to engage with contemporary problems of kingship and rule.

A detailed examination of Proverbs 1-9, an early Jewish poetic work. Stuart Weeks incorporates studies of literature from ancient Egypt and from the Dead Sea scrolls, but his focus is on the background and use of certain key images in the text. Proverbs 1-9 belongs to an important class of biblical literature (wisdom literature), and is less well known as a whole than the related books of Job and Ecclesiastes, partly because it has been viewed until recently as a dull and muddled school-book. However, parts of it have been profoundly influential on the development of both Judaism and Christianity, and occupy a key role in modern feminist theology. Weeks demonstrates that those parts belong to a much broader and more intricate set of ideas than older scholarship allowed.

Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes ("wise ones") produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede's description of Caedmon's production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian "Golden Age", its manuscripts, hagiography, and writings of Aldhelm and Bede.

Beowulf, the primary epic of the English language, is a powerful heroic poem eloquently expressive of the Anglo-Saxon culture that produced it. In this beautiful book a designer, a poet, and a specialist in Anglo-Saxon literature recreate Beowulf for a modern audience. Interweaving evocative images, a new interpretation in verse, and a running commentary that helps clarify the action and setting of the poem as well as the imagery, the book brings new life to this ancient masterpiece. Randolph Swearer's oblique and allusive images create an archaic, mysterious atmosphere by depicting in forms and shadows the world of Germanic antiquity-Scandinavian and Anglo-Saxon art, artifacts, and scenery. At the same time, Raymond Oliver gives Beowulf a world in which to live, filling in the cultural gaps not with a thick matrix of footnotes but with poetry itself. Unlike many translations of Beowulf in existence, Oliver's retelling of the epic uses modern verse forms for poetic effect and includes a wealth of historically authentic descriptions, characterizations, and explanations necessary for modern readers. Marijane Osborn completes the process of restoring context to the poem by supplying a commentary to clarify the historical and geographical dimensions of the story as well as the imagery that accompanies it. All three work together to bring a likeness of an old and elusive tale to today's reader. "The book's design and the commentary on it provide a unique visual complement to Oliver's poem... A strange and moving story, compellingly told and seriously interesting to any serious reader of books."-Fred C. Robinson, from the Introduction

This is a book about two empires-America and Rome-and the forms of time we create when we think about them together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state-both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire-republicanism and slavery-to the popular genres that have reimagined America's and Rome's sometimes strange orbit: Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, however, Time and Antiquity in American Empire builds a more fundamental inquiry: about how we imagine both our politics and ourselves within historical time. It outlines a new relationship between text and context, and between history and culture; one built on the oscillating, dialectical logic of the analogy, and on a spatialising of historical temporality through the metaphors of constellations and networks. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read-and how we might yet read.

Ibycus is one of the nine canonical lyric poets, a crucial figure in the history of Greek poetry and the archaic world. His work has value both for its own poetic qualities and for its importance from a literary-historical point of view. Ibycus' imagery is complex and demanding, his intertextual relationships sophisticated and his use of metre both traditional and innovative. His work also helps us to understand the relationship between the poetry of West and East Greece and to further our knowledge of patronage and the epinician tradition. This commentary includes an introduction to Ibycus' life and poetry, covering the internal and external evidence for his life and the content, imagery and metre of his poetry. It then offers an individual analysis and detailed commentary on a selection of Ibycus' poems, including both the more famous poems and less well-known fragments, all of which give insight into his style and themes, as well as his relationship to other poets of the period. The commentary also offers a re-examination of the fragments preserved on the Oxyrhynchus papyri, providing a new edition of these poems which gets as close as possible to the material preserved.

This volume is a collection of papers revealing the largely unexplored boundary between linguistic and literary approaches to classical texts. Eleven contributions by various scholars discuss a wide range of linguistic and literary apects of classical texts: the narratee in the prologues of Sophocles' Trachiniae and of Euripides, the chronology in Pindar's Odes, the relation between tense-aspect and Discourse Modes in Thucydides, Xenophon, Vergil and Ovid, the use of aspect in the Law Code of Gortyn, expressions of futurity and the word order of adjectives in Herodotus, and, finally, ancient and modern views on word order. Following an interdisciplinary approach, all contributions aim at bridging the gap between linguistic and literary study of classical texts.

Starting from the authors' discovery that the Persian epic poem V?miq and ?Adhr? by ?Un?ur? (11th century AD) derives from the ancient Greek novel of "M?tiokhos and Parthenop?," the book contains critical editions of the Greek and Persian fragments and testimonia, with English translation and comments. The exciting story of the modern recovery of the two texts is told, and the transformations of the productive theme of "The ardent lover and the virgin" are traced from Greek novel to Persian poem, and through later Persian and Turkish literature. Of particular importance is the authors' attempt to reconstruct the common plot and individual variations, adding a new work to the limited corpus of ancient novels and shedding new light on the genre of Persian epic poetry.

The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate.
The deepest periodic division in English literary history has been between the Medieval and the Early Modern, not least because the cultural investments in maintaining that division are exceptionally powerful. Narratives of national and religious identity and freedom; of individual liberties; of the history of education and scholarship; of reading or the history of the book; of the very possibility of persuasive historical consciousness itself: each of these narratives (and more) is motivated by positing a powerful break around 1500.
None of the claims for a profound historical and cultural break at the turn of the fifteenth into the sixteenth centuries is negligible. The very habit of working within those periodic bounds (either Medieval or Early Modern) tends, however, simultaneously to affirm and to ignore the rupture. It affirms the rupture by staying within standard periodic bounds, but it ignores it by never examining the rupture itself. The moment of profound change is either, for medievalists, just over an unexplored horizon; or, for Early Modernists, a zero point behind which more penetrating examination is unnecessary. That situation is now rapidly changing. Scholars are building bridges that link previously insular areas. Both periods are starting to look different in dialogue with each other.
The change underway has yet to find collected voices behind it. Cultural Reformations volume aims to provide those voices. It will give focus, authority, and drive to a new area.

This book provides an engaging, systematic introduction to religion in the Roman empire.* Covers both mainstream Graeco-Roman religion and regional religious traditions, from Egypt to Western Europe* Examines the shared assumptions and underlying dynamics that characterized religious life as a whole* Draws on a wide range of primary material, both textual and visual, from literary works, inscriptions and monuments* Offers insight into the religious world in which contemporary rabbinic Judaism and Christianity both had their origin