Lead author Bruno Nettl. The grand-daddy of Ethnomusicology compiled the first edition, and his name and contributions to the field have brought the book forward several editions. Chapters are written by established/known ethnomusicologists specializing in the particular region, in the perhaps the most balanced attempt to get expert authors together. Does not aim to teach students how to do field work (like Titon), per se, or other ethnomusicological study, and does not aim to teach music - rather, how to think about music in world perspective and the major themes and issues that emerge when we take the musics of the world seriously. Draws a big picture and explains why the musics of the world matter.....the economics, politics, and social dynamics of these sounds.

In her intimate memoir, More Myself, Alicia Keys shares her quest for truth: about herself, her past, and her shift from sacrificing her spirit to celebrating her worth. One of the most celebrated musicians of our time, Alicia Keys has enraptured the nation with her heartfelt lyrics, extraordinary vocal range, and soul-stirring piano compositions. Yet away from the spotlight, Alicia has grappled with private heartache over the challenging and complex relationship with her father, the people-pleasing nature that characterized her early career, the loss of privacy surrounding her romantic relationships, and the oppressive expectations of female perfection. Since her rise to fame, Alicia's public persona has belied a deep personal truth: she has spent years not fully recognizing or honoring her own worth. After withholding parts of herself for so long, she is at last exploring the questions that live at the heart of her story: Who am I, really? And once I discover that truth, how can I become brave enough to embrace it? More Myself is part autobiography, part narrative documentary. Alicia's journey is revealed not only through her own candid recounting, but also through vivid recollections from those who have walked alongside her. The result is a 360-degree perspective on Alicia's path: from her girlhood in Hell's Kitchen and Harlem, to the process of self-discovery she's still navigating. With the raw honesty that epitomizes Alicia's artistry, More Myself is at once a riveting account and a clarion call to readers: to define themselves in a world that rarely encourages a true and unique identity.

"This is a very good book which will certainly become one of the essential works of reference for the jazz enthusiast. It covers the ragtime to swing period by way of 250 LPs, each of which is afforded full discographical information on dates, titles, and personnels. . . . The quality of the writing is extemely high, as indeed one has a right to expect from authors of this calibre. . . . Harrison, Fox, and Thacker have produced some beautifully composed essays on artistes such as Billie Holliday, Roy Eldridge, Duke Ellington, etc. . . . It is a book which needs to be dipped into frequently, a volume to keep close to one's record collection. . . . It will increase immeasurably anyone's knowledge of, and appreciation for, jazz." The Gramophone

Channel Kindness is a collection of fifty-one stories of kindness, bravery, and resilience from young people all over the world collected by the Born This Way Foundation and introduced by Lady Gaga.

For Lady Gaga, kindness is the driving force behind everything she says and does. The quiet power of kindness can change the way we view one another, our communities, and even ourselves. She embodies this mission, and through her work, brings more kindness into our world every single day.

Lady Gaga has always believed in the importance of being yourself, being kind to yourself and others, no matter who they are or where they come from. With that sentiment in mind, she and her mother, Cynthia Germanotta, founded Born This Way Foundation, a nonprofit organization dedicated to making the world a kinder and braver place. Through the years, they’ve collected stories of kindness, bravery, and resilience from young people all over the world, proving that kindness truly is the universal language. And now, we invite you to read these stories and follow along as each and every young author finds their voice, just as Lady Gaga has found hers.

Within these pages, you’ll meet young changemakers who found their inner strength, who prevailed in the face of bullies, who started their own social movements, who decided to break through the mental health stigma and share how they felt, who created safe spaces for LGBTQ+ youth, and who have embraced kindness with every fiber of their being by helping others without the expectation of anything in return.

Individually and collectively, the stories collected here prove that kindness not only saves lives but builds community. Kindness is inclusion, it is pride, it is empathy, it is compassion, it is self-respect and it is the guiding light to love. Kindness is always transformational, and its never-ending ripples result in even more kind acts that can change our lives, our communities, and our world.

What was the relationship between working-class youths and popular music between the years 1955-1976? Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm and blues, punk, the mod subculture, and the many worlds of glam rock - created a sense of crisis in English society. Complemented by a critical reading of the songs, performances and impact of influential and emblematic musicians including Georgie Fame, The Beatles, Pete Townshend, Ray Davies, David Bowie and the Sex Pistols, Gildart brings together an investigation of particular localities, scenes, genres and individual and collective experiences and forms a critique of recent revisionist histories of popular music and youth culture.

'I was raised with an artist's mentality; my first 25 years were spent as somebody who wanted to live among graphics and artwork and illustration, and then for the next 30 years it was all music. Recently, I've reverted into the arts, combining all these elements in my work, still trying to change the world. This is truly what I want to do. My deepest thanks to Genesis for giving me a place to be able to display all of this through my artwork.' - Chuck D In his first fine art book, Livin' Loud, Public Enemy founder, hip-hop pioneer and revolutionary activist, Chuck D, presents a body of artworks which continue to address the social and politically conscious issues of his lyrics. In Livin' Loud, Chuck D's artworks reveal his visual dexterity as he explores a diverse range of subjects paying homage to his musical influences and peers from James Brown and Woody Guthrie to Def Jam labelmates Run-DMC and Beastie Boys; a host of the most influential hip-hop artists from Ice Cube to Run the Jewels; his twin passions of baseball and basketball; creating a collection of landscapes on tour with Prophets of Rage, and a range of sociopolitical pieces that explore the issues continuing to shape our culture. Chuck D has been creating musical and cultural observations that challenge public opinion since 1985 and his visual compositions continue to interpret and question the world around us. Chuck D's written commentary traces his musical and artistic trajectory from his early roots and the central figures that critically shaped him and his voice, the formation of Public Enemy through to their Rock 'n' Roll Hall of Fame induction, his time with Prophets of Rage through to current day world affairs. With a foreword by Rage Against the Machine's Tom Morello, Chuck D's art debut Livin' Loud is a visual experience of over 250 artworks, each piece reflective of the man behind the music.

One of the music world's pre-eminent critics takes a fresh and much-needed look at the day Dylan "went electric" at the Newport Folk Festival, timed to coincide with the event's fiftieth anniversary. On the evening of July 25, 1965, Bob Dylan took the stage at Newport Folk Festival, backed by an electric band, and roared into his new rock hit, Like a Rolling Stone. The audience of committed folk purists and political activists who had hailed him as their acoustic prophet reacted with a mix of shock, booing, and scattered cheers. It was the shot heard round the world-Dylan's declaration of musical independence, the end of the folk revival, and the birth of rock as the voice of a generation-and one of the defining moments in twentieth-century music. In Dylan Goes Electric!, Elijah Wald explores the cultural, political and historical context of this seminal event that embodies the transformative decade that was the sixties. Wald delves deep into the folk revival, the rise of rock, and the tensions between traditional and groundbreaking music to provide new insights into Dylan's artistic evolution, his special affinity to blues, his complex relationship to the folk establishment and his sometime mentor Pete Seeger, and the ways he reshaped popular music forever. Breaking new ground on a story we think we know, Dylan Goes Electric! is a thoughtful, sharp appraisal of the controversial event at Newport and a nuanced, provocative, analysis of why it matters.

A guide to locating information on popular music and the people who create it, this volume is designed as a desk reference--to locate answers to specific questions and to direct library users to key resources. More than 400 comprehensive titles are carefully annotated, describing content, scope, and special features. The focus is on the musical styles that have developed measurable commercial success through recordings and live performance. Along with academic titles, many important titles from the popular press are included, as well as selected electronic resources. A necessary reference tool for any library, scholar, student, and popular music buff. The work covers bibliographies, indexes, discographies, dictionaries and encyclopedias, biographical resources, directories, almanacs, yearbooks, and guidebooks on styles that include jazz, swing, Tin Pan Alley, country, gospel, blues, rhythm and blues, soul, rockabilly, rock, heavy metal, musical theater, and film music. Its extensive appendices feature discographies and bibliographies of individual artists and ensembles. A detailed index combining authors, titles, and subjects makes cross-referencing easy. The entries are modeled after the immensely useful The Guide to Reference Books.

This is a wild insider's ride with one of music's most notorious journalists. Here are 15 gothic music profiles guaranteed to keep you on the edge of your seat from the author of "Tales of Times Square".Legendary musicians and songwriters captured in moments of crisis despair revelation and glory including: Leiber and Stoller the white fathers of RandB and rock and roll who possess what is perhaps the last great untold story of the music biz. Their history began at the twilight of the Guys and Dolls era when their declared mission statement was to Make Black Folks Laugh. And this they did creating the American songbook of the '50s and '60s led by Elvis the Coasters and the Drifters; Doc Pomus the only white blues singer in America making records in the 1940s; Half of the hit songwriting team of Pomus-Shuman during the Brill Building era Doc had the biggest heart in the music business.It also includes: The New York recording studio scene of the 1970s as told by the studio cats who played on the most important records of that era from Aretha to Steely Dan bassist Chuck Rainey Texas tenor saxman David Fathead Newman guitarist Cornell Dupress and Atlantic Records producer Joel Dorn. Dorn's profile reveals exactly how the record biz spiraled down its ruinous course that led to the sad corporate culture of today; A sad romance with the Ronettes' Ronnie Spector dubbed an oldie once she left her teens; Hard-luck-Texas fables of Austin musicians Keith Ferguson and Tommy Shannon, the original bass players behind the Fabulous Thunderbirds Johnny Winter and Stevie Ray Vaughan; and, the story of Rick Sikes and the Rhythm Rebels the Texas band that founded the Outlaw Country movement, but never got to recap its rewards since they were convicted of robbing banks in 1970.

Cross-Rhythms investigates the literary uses and effects of blues and jazz in African-American literature of the twentieth century. Texts by James Baldwin, Ralph Ellison, Langston Hughes, Zora Neale Hurston, Gayl Jones, Toni Morrison and Ishmael Reed variously adopt or are consciously informed by a jazz aesthetic; this aesthetic becomes part of a strategy of ethnic identification and provides a medium with which to consider the legacy of trauma in African-American history. These diverse writers are all thoroughly immersed in a socio-cultural context and a literary aesthetic that embodies shifting conceptions of ethnic identity across the twentieth century. The emergence of blues and jazz is, likewise, a crucial product of, as well as catalyst for, this context, and in their own aesthetic explorations of notions of ethnicity these writers consciously engage with this musical milieu. By examining the highly varied manifestations of a jazz aesthetic as possibly the fundamental common denominator which links these writers, this study attempts to identify an underlying unifying principle. As the different writers write against essentializing or organic categories of race, the very fact of a shared engagement with jazz sensibilities in their work redefines the basis of African-American communal identity.

The year 1977 is usually associated with West German terrorism, but it witnessed another cultural watershed: punk music. Punk Rock and German Crisis asserts, through the lived instance of punk and punk's investment in cultural representation - art, literature, and music - the importance of this sub-cultural moment for understanding the field of contested politics in West Germany. A new reckoning with the legacy of political and aesthetic spaces, this book argues the centrality of punk music for understanding crises of state and terrorist violence, American racism and German fascism, and aesthetic production.

This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.

Offering commentary, musical analysis, and detailed interpretation of her songs' lyrics, this book examines the qualities of Sheryl Crow's music that have served to establish the artist's success and popularity. Sheryl Crow continues to be celebrated for her legacy as a singer-songwriter and pop culture icon. This book provides an introduction to Sheryl Crow's entire music catalog. Organized into chronological periods of time, the author weaves biographical facts throughout a narrative rich with details about her songs: how they were created, recorded, distributed, and modified in live performance. Accompanying commentary features song analysis-including song structure, chord progression, and melody-and provides fascinating insights into the lyrical content of Crow's songwriting. The work begins with Crow's upbringing, her musical roots and influences, and how they manifested themselves in her later career. Subsequent sections delve into her road to success and eventual stardom, revealing how her rise to fame and widespread popularity was littered with broken friendships, acrimony, and suicide. The last several chapters follows her life after a diagnosis of breast cancer and the adoption of her sons. The work also includes a chapter on B-sides and rare songs by Crow. Presents an in-depth and complete listening guide to all of Crow's songs, including B-sides and rarities Features insightful commentary with song analysis Includes a glossary of musical and technical terms for the non-specialist

Being the frontman of a popular band is a high-risk profession. Richard Barone former lead singer of indie rock pioneers the Bongos survived two decades in the spotlight to tell the tale. From dallying with the glitterati in the trendiest night spots to learning recording tricks from some of the top names in the music industry to innovating the intimate chamber-pop genre and emerging as an A-list solo artist and producer he continues to push the boundaries of modern rock and inventive self-expression. In EFrontmanE Barone tells his story in a frank and charmingly funny style. We are along for this ride as he recounts the supernova express of New York City stardom and endless parties; sexual politics divas disappointments and drugs; his journey of self-discovery through music; and a lifetime's worth of hard-gained advice for anyone interested in getting into the music business or just surviving in it.

Ice Cube is one of the most influential figures in the history of rap and hip-hop. Best known for the vitriol of his "angry black man" recordings of the late 1980s and mid 1990s, Ice Cube epitomizes the genre often referred to as gangsta rap. Much of his music from these years is focused on the disturbing realities of life in black urban ghettos, and as a result it chronicles such complex and controversial issues as racial stereotypes, street gangs, racial profiling, "black on black" crime, teen pregnancy, absentee fathers, and male-female relationships. His recordings with NWA are noteworthy for their sardonic humor in discussing dire issues. The group's landmark CD Straight Outta Compton (1988) is a palette of urban woes recounted in aggressive and hostile street vernacular, while Ice Cube's recordings of the 1990s now represent paradigms of the gangsta style. The first three chapters of The Words and Music of Ice Cube explore Ice Cube's recordings between 1988 and 1996 and situate Ice Cube in the context of other rappers of this period-most notably Public Enemy, Ice-T, Tupac, Biggie, and Snoop Dogg-whose music also chronicled explosive issues in urban ghettos. The fourth chapter considers Ice Cube's career in film, beginning with a discussion of his performance in Boyz n the Hood and ending with a look at his most recent films, Barber Shop, Barber Shop II, Are We There Yet? And Are We Done Yet? The fifth and final chapter looks back over all of Ice Cube's work to date and considers his impact and his legacy in music and popular culture at large. A discography, filmography, and bibliography supplement the work.

This is a series of unorthodox peices that analyze some 40 of the author's favorite jazz records. The book is intended to make people listen to records which we believe are worth listening to again.

The story of the Beatles begins not with the rock-'n'-roll revolution of the 1950s, but in the Romantic revolution of the 1790s, when age-old notions about literature, politics, education, and social relations changed forever. Tracing the Beatles to their late eighteenth- and early nineteenth-century poetic, musical, and philosophic roots, "The Long and Winding Road from Blake to the Beatles "weaves literary criticism and cultural analysis together to how the Fab Four--in their songs, personalities, and relations with each other--mirror the themes and history of Anglo-American Romanticism.

From 1969 to 1981, Ben Fong-Torres was one of the first "star" writers on staff at Rolling Stone - the "scruffy rock journal" that metamorphosed into one of the most powerful voices of a generation. Now in this fascinating book, Fong-Torres revisits his most intriguing celebrity interviews and profiles, and - for the first time - tells the revealing stories behind the stories, the stars, his writing process, and life at Rolling Stone.

Award-winning actor, rapper, and producer Ice-T unveils a compelling memoir of his early life robbing jewelry stores until he found fame and fortune—while a handful of bad choices sent his former crime partner down an incredibly different path. Ice-T rose to fame in the late 1980s, earning acclaim for his music before going on to enthrall television audiences as Odafin “Fin� Tutuola in Law & Order: Special Victims Unit. But it could have gone much differently. In this “poignant and powerful� (Library Journal, starred review) memoir, Ice-T and Spike, his former crime partner—collaborating with New York Times bestselling author Douglas Century—relate the shocking stories of their shared pasts, and how just a handful of decisions led to their incredibly different lives. Both grew up in violent, gang-controlled Los Angeles neighborhoods and worked together to orchestrate a series of jewelry heists. But while Ice-T was discovered rapping in a club and got his first record deal, Spike was caught for a jewelry robbery and did three years in prison. As his music career began to take off, Ice made the decision to abandon the criminal life; Spike continued to plan increasingly ingenious and risky jewel heists. And in 1992, after one of Spike’s robberies ended tragically, he was sentenced to thirty-five years to life. While he sat behind bars, he watched his former partner rise to fame in music, movies, and television. “Propulsive� (Publishers Weekly, starred review), timely, and thoughtful, two men with two very different lives reveal how their paths might have very well been reversed if they made different choices. All it took was a split decision.

This volume collects many of the best articles from veteran Rolling Stone writer Ben Fong-Torres. While many will recognize Ben as he was portrayed in Cameron Crowe's hit film Almost Famous, his thoughtful and engaging stories have been providing a backstage view for over 30 years. This book features a slew of entertaining and informative music and pop-culture pieces, as well as personal essays about growing up Asian-American and about Ben's interest in radio broadcasting. Through insightful introductions to every article, Fong-Torres offers an inside view of the writing and editing process, from getting an assignment and developing an idea to an article's completion in printed form.

In Do You Remember? Celebrating Fifty Years of Earth, Wind & Fire, Trenton Bailey traces the humble beginning of Maurice White, his development as a musician, and his formation of Earth, Wind & Fire, a band that became a global phenomenon during the 1970s. By the early 1980s, the music industry was changing, and White had grown weary after working constantly for more than a decade. He decided to put the band on hiatus for more than three years. The band made a comeback in 1987, but White's health crisis soon forced them to tour without him. During the twenty-first century, the band has received numerous accolades and lifetime achievement and hall of fame awards. The band remains relevant today, collaborating with younger artists and maintaining their classic sound. Earth, Wind & Fire stood apart from other soul bands with their philosophical lyrics and extravagant visual art, much of which is studied in the book, including album covers, concerts, and music videos. The lyrics of hit songs are examined alongside an analysis of the band's chart success. Earth, Wind & Fire has produced twenty-one studio albums and several compilation albums. Each album is analyzed for content and quality. Earth, Wind & Fire is also known for using ancient Egyptian symbols, and Bailey thoroughly details those symbols and Maurice White's fascination with Egyptology. After enduring many personnel changes, Earth, Wind & Fire continues to perform around the world and captivate diverse audiences.