Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

The Fabriano Watercolour paper is made of a valuable mixture of lignin free (cotton 25%) and cellulose pulp. The absence of acid guarantees the inalterability over time of the paper. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified from forests responsibly managed respectful of environmental, social and economic standards. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing. The surface is cold press.

Daler-Rowney are acknowledged as the world masters in the making of artists’ pastels - and to complement the range of almost 200 tints, there are specialist surfaces and fixatives. The finest pigments are blended with chalk and china clay to produce the vibrant colour and smooth velvet texture of Artists’ Soft Pastels, each one carefully wrapped by hand. The rich, deep colour, texture and immediacy of Artists’ Soft Pastels is ideal for all kinds of drawing and painting as well as quick colour sketches for preparatory work.

Daler-Rowney are acknowledged as the world masters in the making of artists’ pastels - and to complement the range of almost 200 tints, there are specialist surfaces and fixatives. The finest pigments are blended with chalk and china clay to produce the vibrant colour and smooth velvet texture of Artists’ Soft Pastels, each one carefully wrapped by hand. The rich, deep colour, texture and immediacy of Artists’ Soft Pastels is ideal for all kinds of drawing and painting as well as quick colour sketches for preparatory work.

Daler-Rowney are acknowledged as the world masters in the making of artists’ pastels - and to complement the range of almost 200 tints, there are specialist surfaces and fixatives. The finest pigments are blended with chalk and china clay to produce the vibrant colour and smooth velvet texture of Artists’ Soft Pastels, each one carefully wrapped by hand. The rich, deep colour, texture and immediacy of Artists’ Soft Pastels is ideal for all kinds of drawing and painting as well as quick colour sketches for preparatory work.

Daler-Rowney are acknowledged as the world masters in the making of artists’ pastels - and to complement the range of almost 200 tints, there are specialist surfaces and fixatives. The finest pigments are blended with chalk and china clay to produce the vibrant colour and smooth velvet texture of Artists’ Soft Pastels, each one carefully wrapped by hand. The rich, deep colour, texture and immediacy of Artists’ Soft Pastels is ideal for all kinds of drawing and painting as well as quick colour sketches for preparatory work.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

Cobalt Turquoise (PB36) is a teal blue. This paint is a wonderful product for blending in a glaze or wash. Its slight granulation adds interest to a painting with multiple layers.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining

Verona Gold Ochre (PY150) is a golden yellow brown pigment. This paint is so called as its pigment is mined in the ancient Italian city. Verona Gold Ochre's unusual pigment gives it a surprising clarity and warmth for an earth colour.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

Daniel Smith Extra Fine Watercolour Sticks offer the same superior intensity as the Daniel Smith line of Extra Fine Watercolour paints with the convenience and portability of half pans.Each stick is packed with pure pigment and produces vibrant, strong colour when wet or use them dry to build texture. They're highly reactive with water and release rich, creamy colours. Features and Benefits: Currently available in 51 colours. Easy to use. Superior properties vs. half pans. Blends perfectly with Daniel Smith Extra Fine Watercolours. Sensational results when applied to wet paper. Great highlight enhancer for all watercolour paintings. Long lasting - one stick equals three pans of paint. Very portable - great for plein aire and travel. Handmade and hand-formed from pure pigment. Made in the USA by artists for artists.

Daniel Smith Watercolour Sticks offer remarkably rich, vibrant colour and the same pure artists' pigments as their Extra Fine Watercolour Paint Tubes. They are very portable and long lasting and they make excellent on-the-go painting tools. Each stick is packed with pure pigment and produces vibrant, strong colour when wet - or use them dry to build texture. The sticks can also be used like a traditional pan colour. Try wetting your watercolour brush and lifting colour directly from the surface of the stick!Each stick offers exceptional value as a stick is equivalent to 3 whole pans of watercolour. The sticks can be cut down and inserted into empty half pans to use as you would a traditional pan watercolour. All the sticks are the same price and even includes a selection of PrimaTek colours. Features and Benefits:Easy to useBlends perfectly with Daniel Smith Extra Fine WatercoloursSensational results when applied to wet paperGreat highlight enhancer for all watercolour paintingsLong lasting - one stick equals three pans of paintVery portable - great for plein air and travelHandmade and hand-formed from pure pigmentThis is a Pyrrol Orange Watercolour Paint Stick from Daniel Smith.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.