Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Carbazole Violet (PV23 RS) is a granular blue-violet. This iris coloured shade is has a good staining ability and is semi-transparent.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Tranparency: Semi-transparentStaining: MediumGranulating: No

Chinese White (PW4) is a semi-opaque white. This product has a superb permanency and is ideal for lightening other colours or painting highlights.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: NoStaining: Non-staining

Chromium Green Oxide (PG17) is a natural green colour. It is well suited to landscape applications and can also be used to soften other colours.

ASTM Lightfastness Rating: ExcellentTransparency: OpaqueGranulating: YesStaining: Low

Cobalt Green (PG50) is a mid-range green-yellow. This product is ideal for glazing as it is semi-transparent and non-staining.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: YesStaining: Low

Hooker's Green (PG36 PY3 PO49) is a warm, natural, shamrock green. This product is a useful mixing green that can capture a range of shades from dappled woodland sunlight to deep forest depths.

ASTM Lightfastness Rating: Very Good - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: NoStaining: Low

Indanthrone Blue (PB60) is a super-staining, warm, primary blue. Indanthrone has a pleasing range from blue-black to stonewashed denim. This product is ideal for capturing indigo skies, water and interesting shadows. Try with Anthraquinoid Red, Indian Yellow for a complete a transparent staining trio.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: NoStaining: Medium

Naples Yellow (PW4 PY35 PR101) is a hue similar to Cadmium Yellow Yellow, but with a slight touch of Venetian Red. This neutral shade is semi-transparent and non-staining. Naples Yellow is wonderful for painting late summer light, sun-baked landscapes, wheat fields, and sunflowers.

Lightfastness: Extremely PermanentStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

Payne's Gray (PB29 PBk9 PY42) is a semi-transparent blue grey. Ideal for sky work, this product is fantastic for creating wet weather clouds and stormy backdrops. Boulders and rocky crags take on a new lease of life when rendered in this hue. Payne's Gray is also a softer replacement for black when mixing colours.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Low

Permanent Orange (PO62) is a juicy, bold orange similar in colour to Cadmium Orange. This tube is the one to reach for when painting sunsets, bright florals, sundrenched afternoons, and tropical landscapes

Lightfastness: Extremely PermanentStaining: StainingTransparency: Semi-TransparentGranulation: No

Permanent Red (PR170 F3RK-70) is a strong, semi-transparent, warm red. This product diffuses exceptionally well when added to water. The soft, delicate edges produced using this method are ideal for capturing flower petals especially those of the red poppy.

ASTM Lightfastness Rating: Very Good - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: NoStaining: Staining

Quinacridone Sienna (PO48 PR209 PY150) is a orange terracotta hue similar to Burnt Sienna but with finer particles. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Try using damp under Indigo or Payne's Gray to create compressed orange pools surrounded by greys.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: YesStaining: Low

Ultramarine Red (PV15) is a blue toned violet. This product is lightfast, slightly granulated, and non-staining.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

Van Dyck Brown (Blend of PBr7) is a deep, dark brown made of siennas and umbers. Ideal for texturing and staining, this semi-transparent colour makes a good replacement for Sepia.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining

Viridian (PG19) is a cool blue green. Non-staining mixtures and transparent glazes can be produced with ease with this pigment. Viridian can modify reds and make limitless combinations with Quinacridones colours. This paint is an ideal addition to any portrait painter's palette.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

Italian Venetian Red (PR101) is a red earthy brown. This product is the ideal colour for use in Autumnal paintings.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: YesStaining: Non-staining

French Ochre (PY43) is a warm wheat colour that embodies the feeling of autumn. This product is ideal for capturing the soft glow of a sunset.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

Sleeping Beauty Turquoise Genuine is a soft yet vibrant blue that comes from the Sleeping Beauty Mountain in Arizona. Unlike other turquoise colours this pigment is lightfast, permanent and vivid. Try this product in a wash to create a beautiful granular texture.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining