This monograph examines the relationship between music and memory as it relates to the Gallipoli Campaign (1915-6). Drawing upon a wide variety of sources in many languages, it explores the multiple ways in which music is employed to remember and to forget, to celebrate and to commemorate a victory (on the part of the Central Powers) and a defeat (on the part of the Allied forces) in the Dardanelles during the First World War (1914-8). Further, it argues that commemoration itself can be viewed as an 'instrument of war'. In particular, it investigates the complex positionality of individual actors during the centennial commemorations of the Gallipoli landings (24 April, 2015) where the Australians and the Turks most notably have employed music to reimagine the past, both nationalities invoking the 'Gallipoli spirit' (tr. 'Canakkale ruhu') to advance a nationalist agenda and a resurgent militarism through the selective memorialization of an imperial past. The book interrogates through music the ambivalent position of minorities. With specific reference to the Irish (amongst the British) and the Armenians (amongst the Ottomans), it shows how song might serve both to articulate a nationalist defiance and an imperialist consensus during a tumultuous period of irredentism. By uncovering the complex pathways of musical transmission, it demonstrates through musical analysis how the colonized could become the colonizer (in the case of the Irish) or a minority might conform to a majority (in the case of the Armenians). Further, the publication looks at the uneasy alliance between the Turks and the Germans. It focuses on a German musician (as an imperial bandmaster) and Germanic entrepreneurs (in the recording industry) who entertained or who served the German Mission in Istanbul. Here, it considers by way of musical composition the shared wish on the part of the Germans and the Turks to create a Lebensraum in Asia.

This 2007 book provides the most comprehensive examination of American Expeditionary Forces (AEF) combat doctrine and methods ever published. It shows how AEF combat units actually fought on the Western Front in World War I. It describes how four AEF divisions (the 1st, 2nd, 26th, and 77th) planned and conducted their battles and how they adapted their doctrine, tactics, and other operational methods during the war. General John Pershing and other AEF leaders promulgated an inadequate prewar doctrine, with only minor modification, as the official doctrine of the AEF. Many early American attacks suffered from these unrealistic ideas that retained too much faith in the infantry rifleman on the modern battlefield. However, many AEF divisions adjusted their doctrine and operational methods as they fought, preparing more comprehensive attack plans, employing flexible infantry formations, and maximizing firepower to seize limited objectives.

This is the first systematic scholarly study of the historiography of the First World War. The First World War remains controversial in its conduct and broader implications, and this volume explores many issues which continue to cause debate, such as Haig's generalship, the role of T.E. Lawrence in the Arab Revolt, and the failure of the Dardanelles campaign. It also examines the new approaches to the war stimulated by the fiftieth anniversaries in the 1960s, and follows them through to contemporary concern with the experiences of ordinary soldiers and their chroniclers. The contributors are leading historians of the First World War. They draw their material from a wide range of contemporary sources and subsequent accounts, and make full use of recent research. They provide new insights into the age-old problems of war and attitudes to warfare. Their purpose is to demonstrate how our understanding of war and our image of the First World War have been shaped by the historical writing of the twentieth century.

Americans today harbor no strong or consistent collective memory of the First World War. Ask why they fought or what they accomplished, and "democracy" is the most likely if vague response. The circulation of confusing or lofty rationales for intervention started from the moment President Woodrow Wilson secured a war declaration in April 1917. Yet amid those shifting justifications, Love and Death in the Great War argues, was a more durable and resonant one: Americans would fight for home and family. Intervention came at a moment when arbiters of tradition regarded those very institutions-the white family in particular-under pressure from all sides: industrial work, women's employment, immigration, urban vice, woman suffrage, and most incendiary, the imagined threat of black sexual aggression. Alleged German crimes in France and Belgium seemed to further imperil women and children. Americans would fight, many said, to protect the family literally, but also indirectly. War promised to restore convention, stabilize gender roles, and sharpen male character. Love and Death in the Great War tracks such ideas of redemptive war across public and private spaces, policy and implementation, home and front, popular culture and personal correspondence. Huebner merges untold stories of men and women from Missouri, Wisconsin, Alabama, Louisiana, and other places with a history of wartime culture. Studying the radiating impact of war alongside the management of opinion, he recovers the conflict's emotional dimensions-its everyday rhythms, heartbreaking losses, soaring possibilities, and broken promises. Telling the war story as a love story, however, generated contradictions and challenges, some subtle, some transformative, some violent. African Americans and women serving in the army disrupted narratives of white chivalric rescue. Military life proved inhospitable to virtue. Death and injury brought destruction not regeneration. An army of mostly drafted men sought recompense for lives interrupted as much as patriotic or personal credibility. After the Great War, the mobilization of real and symbolic families would never quite look the same again.

Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.

Around 250,000 Belgian refugees who fled the German invasion spent the First World War in Britain - the largest refugee presence Britain has ever witnessed. Welcomed in a wave of humanitarian sympathy for 'Poor Little Belgium', within a few months Belgian exiles were pushed off the front pages of newspapers by the news of direct British involvement in the war. Following rapid repatriation at British government expense in late 1918 and 1919 Belgian refugees were soon lost from public memory with few memorials or markers of their mass presence. Reactions to Belgian refugees discussed in this book include the mixed responses of local populations to the refugee presence, which ranged from extensive charitable efforts to public and trade union protests aimed at protecting local jobs and housing. This book also explores the roles of central and local government agencies which supported and employed Belgian refugees en masse yet also used them as a propaganda tool to publicise German outrages against civilians to encourage support for the Allied war effort. This book covers responses to Belgian refugees in England, Scotland, Ireland and Wales in a Home Front wartime episode which generated intense public interest and charitable and government action. This book was originally published as a special issue of Immigrants and Minorities: Historical Studies in Ethnicity, Migration and Diaspora.

This book demonstrates how people were kept ignorant by censorship and indoctrinated by propaganda. Censorship suppressed all information that criticized the army and government, that might trouble the population or weaken its morale. Propaganda at home emphasized the superiority of the fatherland, explained setbacks by blaming scapegoats, vilified and ridiculed the enemy, warned of the disastrous consequences of defeat and extolled duty and sacrifice. The propaganda message also infiltrated entertainment and the visual arts. Abroad it aimed to demoralize enemy troops and stir up unrest among national minorities and other marginalized groups. The many illustrations and organograms provide a clear visual demonstration of Demm's argument.

"An illustrated analytical study, Words and the First World War considers the situation at home, at war, and under categories such as race, gender and class to give a many-sided picture of language used during the conflict." The Spectator First World War expert Julian Walker looks at how the conflict shaped English and its relationship with other languages. He considers language in relation to mediation and authenticity, as well as the limitations and potential of different kinds of verbal communication. Walker also examines: - How language changed, and why changed language was used in communications - Language used at the Front and how the 'language of the war' was commercially exploited on the Home Front - The relationship between language, soldiers and class - The idea of the 'indescribability' of the war and the linguistic codes used to convey the experience 'Languages of the front' became linguistic souvenirs of the war, abandoned by soldiers but taken up by academics, memoir writers and commentators, leaving an indelible mark on the words we use even today.

The Wet Flanders Plain was first published in 1929. It was in good company for that year also saw the first publication of Erich Maria Remarque's All Quiet on the Western Front, Robert Graves's Goodbye to All That, Ernest Hemingway's A Farewell to Arms, R. C. Sherriff's Journey's End and Ernst Junger's Storm of Steel."" It doesn't suffer by comparison. But it is different from them. Unlike almost all the Great War classics this book isn't based on delayed recollection, it is more immediate than that.

In 1928, Henry Williamson and another unnamed veteran revisited the battlefields of Flanders and Northern France. In Williamson's own words he wanted to 'return to my old comrades . . . to the brown, the treeless, the flat and grave-set plain of Flanders - to the rolling, heat-miraged downlands of the Somme - for I am dead with them, and they live in me again.' He wanted to be rid of the 'wraith of the war'.

As he continued to be haunted by his experiences as a soldier, and continued to write at length about the Great War in both fiction and non-fiction works, it is doubtful if he was successful in that but what he does give us is a memoir that, as one reviewer put it, 'emerges from the mass of War books as the most beautiful and the most terrible.'

Australia's War, 1914-18 explores Australia's involvement in the First World War and the effect this had on the nation' s society. In this very accessible book, Joan Beaumont, Pam Maclean, Marnie Haig-Muir and David Lowe focus on: where Australians fought and why; the tensions and realignments within Australian politics in the period of 1914-18; the stresses of the war on Australian society, especially on women and those whom wartime hysteria cast in the role of the 'enemy' at home; the impact of the war on the country's economy; the role played by Australia in international diplomacy; and finally, the creation and influence of the Anzac legend.Once dominated by the battlefield and official accounts of the war correspondent and official historian, C.E.W. Bean, Australian writing on the war has acquired a new depth and sophistication. Studies of the home front reveal a society riven by divisions without precedent in the nation's history.This single volume will be invaluable to tertiary students and of enormous interest to the reader concerned with the social, political and military history of Australia.

Europe from War to War, 1914-1945 explores this age of metamorphosis within European history, an age that played a crucial role in shaping the Europe of today. Covering a wide range of topics such as religion, arts and literature, humanitarian relief during the wars, transnational feminism, and efforts to create a unified Europe, it examines the social and cultural history of this period as well as political, economic, military, and diplomatic perspectives. Thematically organized within a chronological framework, this book takes a fully comparative approach to the era, allowing the reader to follow the evolution of key trends and ideas across these 30 turbulent years. Each period is analyzed from both an international and a domestic perspective, expanding the traditional narrative to include the role and impact of European colonies around the world while retaining a close focus on national affairs, everyday existence within Europe itself and the impact of the wars on people's lives. Chapters include discussion of regions such as Scandinavia, the Balkans, and Iberia that are less frequently covered, emphasizing the network of connections between events and places across the continent. Global in scope, accessibly written and illustrated throughout with photographs and maps, this is the perfect introductory textbook for all students of early twentieth-century European history.

The First World War was above all a war of logistics. Whilst the conflict will forever be remembered for the mud and slaughter of the Western Front, it was a war won on the factory floor as much as the battlefield. Examining the war from an industrial perspective, Arming the Western Front examines how the British between 1900 and 1920 set about mobilising economic and human resources to meet the challenge of 'industrial war'. Beginning with an assessment of the run up to war, the book examines Edwardian business-state relations in terms of armament supply. It then outlines events during the first year of the war, taking a critical view of competing constructs of the war and considering how these influenced decision makers in both the private and public domains. This sets the framework for an examination of the response of business firms to the demand for 'shells more shells', and their varying ability to innovate and manage changing methods of production and organisation. The outcome, a central theme of the book, was a complex and evolving trade-off between the quantity and quality of munitions supply, an issue that became particularly acute during the Battle of the Somme in 1916. This deepened the economic and political tensions between the military, the Ministry of Munitions, and private engineering contractors as the pressure to increase output accelerated markedly in the search for victory on the western front. The Great War created a dual army, one in the field, the other at home producing munitions, and the final section of the book examines the tensions between the two as the country strove for final victory and faced the challenges of the transition to the peace time economy.

The first heroes of the air. Rewriting the rules of military engagement and changing the course of modern history as a result, the pioneering airmen of the First World War took incredible risks to perform their vital contribution to the war effort. Fighter Heroes of WWI is a narrative history that conveys the perils of early flight, the thrills of being airborne, and the horrors of war in the air at a time when pilots carried little defensive armament and no parachutes. The men who joined the Royal Flying Corps in 1914 were the original heroes of flying, treading into unknown territory, and paving the way for later aerial combat. They became icons for the soldiers in the trenches, and a stark contrast to the thousands on the ground fighting faceless thousands as men fought aircraft to aircraft and man to man - for the first time the air became a battlefield of its own. The war changed flying forever. In 1914 aircraft were a questionable technology, used for only basic reconnaissance. But by 1918, hastened by the terrible war, aircraft were understood to be the future of modern warfare. The Wright brothers' achievements of a mere ten years earlier and Bleriot's crossing of the Channel just a few years before the war seemed a distant memory as aircraft became killing machines - the war becoming the ancestor of the fearsome air wars of later years. The stories reveal the feelings of those who defended the trenches from above and witnessed the war from a completely different perspective -the men who were the first fighter heroes of the air.

Belgian Museums of the Great War: Politics, Memory, and Commerce examines the handling of the centennial of World War I by several museums along the Western Front in Flanders, Belgium. In the twenty-first century, the museum has become a strategic space for negotiating ownership of and access to knowledge produced in local settings. The specific focus on museums and commemorative events in Flanders allows for an in-depth evaluation of how each museum works with the remembrance and tourist industry in the region while carving a unique niche. Belgian Museums of the Great War writes the history of these institutions, analyzes the changes made in advance of the anniversary years, and considers the site-specificity of each institution and its architectural frame. Since museums not only transmit information but also shape knowledge, as Eileen Hooper-Greenhill has noted, the diverse narratives and community programs sponsored by each museum have served to challenge prior historiographies of the war. Through newly revamped interactive environments, self-guided learning, and an emphasis on the landscape, the museums in Flanders have a significant role to play in the ever-changing dialogue on the meaning of the history and remembrance of the Great War.

Even now, 100 years on from the conflict, the image of trenches stretching across Western Europe - packed with young men clinging to life in horrendous conditions - remains a powerful reminder of one of the darkest moments in human history. In this excellent study of trench warfare on the Western Front, expert Dr Stephen Bull reveals the experience of life in the trenches, from length of service and coping with death and disease, to the uniforms and equipment given to soldiers on both sides of the conflict. He reveals how the trenches were constructed, the weaponry which was developed specifically for this new form of warfare, the tactics employed in mass attacks and the increasingly adept defensive methods designed to hold ground at all cost. Packed with photographs, illustrations, annotated trench maps, documents and first-hand accounts, this compelling narrative provides a richly detailed account of World War I, providing a soldier's-eye-view of life in the ominous trenches that scarred the land.

In this study, Sharon Ouditt examines the traumatic and constantly shifting nature of women's experience during the World War I. By examining propaganda, journals, women's magazines, unpublished memoirs and contemporary fiction, the author reveals the challenge to feminine identity which the War demanded and attempted to restrict. Rather than achieve sudden and unproblematic independence through their entry into the public sphere of work and politics, women found themselves having to construct complex ideological structures in order to legitimate their role as "temporary" citizens - whether as crusading nurses, landworkers or pacifist activists. At once historically committed and theoretically informed, this text should appeal to anyone interested in the ways in which women managed their involvement during the First World War, in the relationship between literature and history, and in the ambiguity and flexiblity of "femininity" in the context of dramatic social change.

The standard reference now revised and expanded. Dr. Robinson has opened up his vast photo archives to enhance this new edition of his classic work. Much of the new photographic material is published here for the first time.

This volume focuses on a formative period in the history and archaeology of northern Greece. The decade following 1912, when Thessaloniki became part of Greece, was a period marked by an extraordinary internationalism as a result of the population movements caused by the shifting of national borders and the troop movements which accompanied the First World War. The papers collected here look primarily at the impact of the discoveries of the Army of the Orient on the archaeological study of the region of Macedonia. Resulting collections of antiquities are now held in Thessaloniki, London, Paris, Edinburgh and Oxford. Various specialists examine each of these collections, bringing the archaeological legacy of the Macedonian Campaign together in one volume for the first time. A key theme of the volume is the emerging dialogue between the archaeological remains of Macedonia and the politics of Hellenism. A number of authors consider how archaeological interpretation was shaped by the incorporation of Macedonia into Greece. Other authors describe how the politics of the Campaign, in which Greece was initially a neutral partner, had implications both for the administration of archaeological finds and their subsequent dispersal. A particular focus is the historical personalities who were involved and the sites they discovered. The role of the Greek Archaeological Service, particularly in the protection of antiquities, as well as promoting excavation in the aftermath of the 1917 Great Fire of Thessaloniki, is also considered.

For a brief period, the attention of the international community has focused once again on the plight of religious minorities in Iraq, Syria, and Turkey. In particular, the abductions and massacres of Yezidis and Assyrians in the Sinjar, Mosul, Nineveh Plains, Baghdad, and Hasakah regions in 2007-2015 raised questions about the prevention of genocide. This book, while principally analyzing the Assyrian genocide of 1914-1925 and its implications for the culture and politics of the region, also raises broader questions concerning the future of religious diversity in the Middle East. It gathers and analyzes the findings of a broad spectrum of historical and scholarly works on Christian identities in the Middle East, genocide studies, international law, and the politics of the late Ottoman Empire, as well as the politics of the Ottomans' British and Russian rivals for power in western Asia and the eastern Mediterranean basin. A key question the book raises is whether the fate of the Assyrians maps onto any of the concepts used within international law and diplomatic history to study genocide and group violence. In this light, the Assyrian genocide stands out as being several times larger, in both absolute terms and relative to the size of the affected group, than the Srebrenica genocide, which is recognized by Turkey as well as by international tribunals and organizations. Including its Armenian and Greek victims, the Ottoman Christian Genocide rivals the Rwandan, Bengali, and Biafran genocides. The book also aims to explore the impact of the genocide period of 1914-1925 on the development or partial unraveling of Assyrian group cohesion, including aspirations to autonomy in the Assyrian areas of northern Iraq, northwestern Iran, and southeastern Turkey. Scholars from around the world have collaborated to approach these research questions by reference to diplomatic and political archives, international legal materials, memoirs, and literary works.

This study surveys the many revolutionary attempts carried out against the Ottoman Empire in the Fertile Cresecnt and the Arabian Peninsula during World War I. Special emphasis is laid upon the subversive activities of the Arab secret societies which preceded the outbreak of Sharif Husayn's Arab revolt in 1916. The revolt is thoroughly examined and analyzed, regarding both its military operations and its human composition, which influenced its course.

The 17th Aero Squadron flew Sopwith Camels under British command along the Western Front during the summer of 1918. This definitive work on the 17th Aero Squadron in World War I is drawn from a wide range of official and personal sources, including original squadron records (found in an attic!), numerous interviews, letters written home, and half a dozen diaries including one kept by a German pilot flying in opposition.

Petain (1856-1951) remains one of the most controversial figures in the history of modern France. He was saviour of his country at Verdun in 1916 during the First World War, but tried for treason as head of state of the collaborationist Vichy government after World War II. Were his actions those of a traitor? - or a patriot facing the total disintegration of his country? In exploring the actions of this controversial figure, Nicholas Atkin also reveals the divisions and uncertainties of France herself.