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Society, Culture and Opera in Florence, 1814-1830 - Dilettantes in an "Earthly Paradise" (Hardcover)
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Society, Culture and Opera in Florence, 1814-1830 - Dilettantes in an "Earthly Paradise" (Hardcover)
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Following the defeat of Napoleon in 1814, an event that signalled
an end to nearly fourteen years of French domination, Florence
seemed to enter a new cultural 'golden age' and by 1824 was
described as 'an Earthly Paradise' by the political and liberal
writer, Pietro Giordano. Politically, economically and culturally,
the city prospered in this new era. After 1814 it seemed as if the
Enlightenment had found a new beginning in Florence. Aubrey
Garlington, a scholar of long standing in the music of early
nineteenth-century Florence, considers the roles played by John
Fane, Lord Burghersh, an English aristocrat, diplomat and
dilettante composer together with his wife, Priscilla, in the
development of the richly homogeneous culture that blossomed in
Florence at this time. Burghersh, known today for being
instrumental in the founding of the English Royal Academy of Music,
composed six operas that were performed privately on numerous
occasions at the English Embassy, his best known work being "La
Fedra". Lady Burghersh became known for her painting and dilettante
theatrical performances. Garlington provides a thorough
re-examination of the categories 'professional' and 'dilettante'
which were so important in the concept of music at this time. The
notions of boundaries between public and private activity are
discussed, and the operas themselves are examined specifically.
Through the contemplation of the Burghershs's sixteen year stay in
Florence, the significance of dilettante orientations are
demonstrated to have been essential components for the city's
musical and social life. Garlington draws together an impressive
compilation of documentation regarding the part music played in
shaping society and culture. In this way, the book will appeal not
only to opera historians, musicologists and critics working on the
nineteenth century, but also to historians and scholars of cultural
theory.
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