A companion volume to the highly successful Field Guide to the Battlefields of South Africa, this features the pivotal sieges that characterised the Cape Frontier, Anglo-Zulu, Basotho and Anglo-Boer wars in one volume.

Accounts of 17 sieges over the last two centuries explore in detail the historical context in which they occurred, the day-to-day military actions that sustained the investments and the conditions both soldiers and civilians faced while defending their territory against a hostile force. The siege descriptions are animated by maps and a variety of information boxes and human-interest stories, gleaned from diaries, letters and eye-witness accounts, while longer features focus on the practical aspects of siege warfare, such as artillery, medicine, food, and the psychological effects of besiegement. The book also provides practical information for visitors who wish to explore these historical sites.

A fascinating read that will appeal to anyone interested in the volatile history of the country – armchair historians and travellers alike.

Op 3 Oktober 1987 het Charlie-eskadron – die ystervuis van 61 Gemeganiseerde Bataljongroep – die kritieke geveg tussen die Suid-Afrikaanse Weermag en die Angolese magte op die Lombarivier in die suide van Angola gelei. Dié boek plaas die leser in die midde van die jong dienspligtiges wat na die Grensoorlog weggevoer is om hierdie geveg te gaan voer.

Langs die Lomba het hulle te staan gekom teen ’n Angolese mag met ’n getalsoorwig en beter wapentuig. Boonop was die terrein so dig bebos dat hul sig en beweging aansienlik ingeperk is. Die SAW se taktiese doktrine het duidelik gestel dat tenks teen tenks aangewend moes word. Tog moes die dienspligtiges die Angolese tenks aanvat in pantservoertuie met minder kragtige kanonne en dun pantser wat nie veel meer as gewone geweervuur kon afweer nie. Steeds is 47 Brigade van die Angolese magte amper uitgewis tydens die geveg aan die Lomba.

Scholtz se beskrywing van hierdie David-teen-Goliath-geveg neem die leser na die hart van die aksie. Danksy onderhoude met veterane en dagboekinskrywings dra hierdie eerlike, intense hervertelling die volle drama van die geveg oor. Dit is ook ’n diep menslike verhaal oor hoe individue reageer in die aangesig van die dood en hoe die oorlog hulle nooit uit sy kloue gelaat het nie, selfs nadat hulle teruggekeer het.

It is September 1987. The Angolan Army – with the support of Cuban troops and Soviet advisors – has built up a massive force on the Lomba River near Cuito Cuanavale in southern Angola. Their goal? To capture Jamba, the headquarters of the rebel group Unita, supported by the South African Defence Force (SADF) in the so-called Border War.

In the battles that followed, and shortly thereafter centred around the small town of Cuito Cuanavale, 3 000 SADF soldiers and 8 000 Unita fighters were up against a much bigger Angolan and Cuban force of over 50 000 men.

Thousands of soldiers died in the vicious fighting that is described in vivid detail in this book. Bridgland pieced together this account through scores of interviews with SADF men who were on the front line. This dramatic retelling takes the reader to the heart of the action.

From the secret SAS archives, and acclaimed author Ben Macintyre: the first ever authorized history of the SAS.

In the summer of 1941, at the height of the war in the Western Desert, a bored and eccentric young officer, David Stirling, came up with a plan that was radical and entirely against the rules: a small undercover unit that would inflict chaos and mayhem behind enemy lines. Despite intense opposition, Winston Churchill personally gave Stirling permission to recruit the toughest, brightest and most ruthless soldiers he could find. So began the most celebrated and mysterious military organisation in the world: the SAS. Now, 75 years later, the SAS has finally decided to tell its astonishing story. It has opened its secret archives for the first time, granting historian Ben Macintyre full access to a treasure trove of unseen reports, memos, diaries, letters, maps and photographs, as well as free rein to interview surviving Originals and those who knew them.

The result is an exhilarating tale of fearlessness and heroism, recklessness and tragedy; of extraordinary men who were willing to take monumental risks. It is a story about the meaning of courage.

The remarkable story of a woman's journey out of Auschwitz to find her family, told to her son for the very first time.

As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz.

In the few last months of the War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz, in the wake of the Warsaw Uprising. Her experiences there, which she rarely discussed, cast a shadow over the rest of her life.

Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. For the first time, Alina recalls her experiences as a child during the Second World War, the horrors that she witnessed in Auschwitz and the miraculous story of how she survived a firing squad.

Along the way, Jacques learns long-hidden secrets about his mother's family; his mysterious grandfather who lived a double-life, his grandmother who read tarot cards in a Soviet labour camp, and his aunt and uncles, whose fate he never knew. He also gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

If a mere seven more MPs had voted with Prime Minister JBM Hertzog in favour of neutrality, South Africa’s history would have been quite different.

Parliament’s narrow decision to go to war in 1939 led to a seismic upheaval throughout the 1940s: black people streamed in their thousands from rural areas to the cities in search of jobs; volunteers of all races answered the call to go ‘up north’ to fight; and opponents of the Smuts government actively hindered the war effort by attacking soldiers and committing acts of sabotage. World War Two upended South Africa’s politics, ruining attempts to forge white unity and galvanising opposition to segregation among African, Indian and coloured communities. It also sparked debates among nationalists, socialists, liberals and communists such as the country had never previously experienced.

As Richard Steyn recounts so compellingly in 7 Votes, the war’s unforeseen consequence was the boost it gave to nationalism, both Afrikaner and African, that went on to transform the country in the second half of the 20th century. The book brings to life an extraordinary cast of characters, including wartime leader Jan Smuts, DF Malan and his National Party colleagues, African nationalists from Anton Lembede and AB Xuma to Walter Sisulu and Nelson Mandela, the influential Indian activists Yusuf Dadoo and Monty Naicker, and many others.

Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

Die boek gee 'n voelvlugoorsig van die vier Suid-Afrikaanse kolonies gedurende die Eduardiaanse tydperk van 1902–1910. Die tydperk word deur Karel Schoeman beskou as die “hoogtepunt van die hele Imperiale gedagte” wat uiteindelik met die uitbreek van die Eerste Wereldoorlog sou eindig. Die klem val egter nie op die politieke besluite en ontwikkelinge nie, maar op die persoonlikhede van leiers- en ander figure, die omstandighede in die vier kolonies met hulle stede en dorpe, belangrike sosiale gebeurtenisse, die aanloop tot unifikasie in 1910 en die uitwerking van die belangrike naturelle grond-wet van 1913 op die lewenswyse van swart mense direk na Uniewording. Kort maar insiggewende tiperings word gegee van persoonlikhede so uiteenlopend soos oudpresident Steyn, Lord Milner, die dramaturg Stephen Black, die bendeleier Robert Foster, die avontuurlustige Mrs Edith Maturin en die deelsaaier Kas Maine. Ruim aanhalings uit verskillende bronne verlewendig die bespreking van alledaagse omstandighede op verskillende plekke in wat later die Unie van Suid-Afrika sou wees, soos die sketse van Jacob Lub oor die lewenswyse in Johannesburg, die setlaar Leonard Flemming se boeke oor sy eensame bestaan op 'n afgelee Vrystaatse plaas, en die talle verwysings na riksjas in die reisbeskrywings van besoekers aan Durban. Besonder boeiend is ook die hoofstukke oor die rol van Joodse smouse en handelaars in onder andere die volstruisveerbedryf en die toestande in die inrigting vir melaatses op Robbeneiland. Talle anekdotes en klein kameebeskrywings maak van Imperiale somer 'n besonder interessante leeservaring. Die boek word toegelig met ruim fotoseksies wat 'n visuele beeld van die era gee.

Historian Karen Horn painstakingly tracked down a number of former POWs in which their interviews reveal rich narratives of hardship, endurance, humour, longing and self-discovery. Instead of fighting, these men adapted to another war, one which was fought on the inside of many prison camps.

In their interviews, all the POWs expressed surprise at being asked to share their experiences of almost 70 years earlier.They returned home in 1945 to a country which soon afterwards tried its utmost to promote national amnesia with regard to the country’s participation in the war.

With great insight and empathy, Karen Horn shines a light on a neglected corner of South African history. Karen Horn is a lecturer at Stellenbosch University.

Now a major motion picture directed by Clint Eastwood.

From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. His fellow American warriors, whom he protected with deadly precision from rooftops and stealth positions during the Iraq War, called him "The Legend"; meanwhile, the enemy feared him so much they named him al-Shaitan ("the devil") and placed a bounty on his head.

Kyle, who was tragically killed in 2013, writes honestly about the pain of war—including the deaths of two close SEAL teammates—and in moving first-person passages throughout, his wife, Taya, speaks openly about the strains of war on their family, as well as on Chris. Gripping and unforgettable, Kyle's masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.

Includes new material by Taya Kyle about the making of the American Sniper film.

What was it like to fly a MiG or Mirage in combat over Angola? Most books on the Angolan Bush War, especially those in English, present the South African perspective of events. Now a former MiG-23 Squadron Commander of the Cuban Air Force has collaborated with an ex-SAAF pilot to paint a remarkable new picture of the aerial conflict over Angola in the 1980s.

In The MiG Diaries the recollections of Lt-Col Eduardo González Sarría are blended by Lionel Reid with those of air combatants from the Angolan, Cuban and South African air forces. Many are being published for the first time.

Using their own aviation knowledge and experience of the conflict, Sarría and Reid combine the accounts of these diverse combatants – former comrades and foe – to provide original insights into, and a more holistic description of, what happened in the skies over Angola. The results, often quite different to what the opposing sides had believed, reveal a surprising, and more complete, picture of events.

The wonderful sketching pencil of Sean Thackwray, himself a former fighter pilot, helps to bring this unique story to life, along with select images, including many not seen in print in South Africa.

A startling, gripping portrait of what it was like to be alive in Britain during the blitz, and what it was like to be around Churchill.

On Winston Churchill’s first day as prime minister, Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, the Nazis would wage a relentless bombing campaign, killing 45,000 Britons and destroying two million homes.

In The Splendid and the Vile, Erik Larson gives a new and brilliantly cinematic account of how Britain’s most iconic leader set about unifying the nation at its most vulnerable moment, and teaching ‘the art of being fearless.’

Drawing on once-secret intelligence reports and diaries, #1 bestselling author Larson takes readers from the shelled streets of London to Churchill’s own chambers, giving a vivid vision of true leadership, when – in the face of unrelenting horror – a leader of eloquence, strategic brilliance and perseverance bound a country, and a family, together.

Tense Future falls into two parts. The first develops a critical account of total war discourse and addresses the resistant potential of acts, including acts of writing, before a future that looks barred or predetermined by war. Part two shifts the focus to long interwar narratives that pit both their scale and their formal turbulence against total war's portrait of the social totality, producing both ripostes and alternatives to that portrait in the practice of literary encyclopedism. The book's introduction grounds both parts in the claim that industrialized warfare, particularly the aerial bombing of cities, intensifies an under-examined form of collective traumatization: a pretraumatic syndrome in which the anticipation of future-conditional violence induces psychic wounds. Situating this claim in relation to other scholarship on "critical futurities," Saint-Amour discusses its ramifications for trauma studies, historical narratives generally, and the historiography of the interwar period in particular. The introduction ends with an account of the weak theory of modernism now structuring the field of modernist studies, and of weak theory's special suitability for opposing total war, that strongest of strong theories.

Writing the Rebellion presents a cultural history of loyalist writing in early America. There has been a spate of related works recently, but Philip Gould's narrative offers a completely different view of the loyalist/patriot contentions than appears in any of these accounts. By focusing on the literary projections of the loyalist cause, Gould dissolves the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility drawn from their American situation and upbringing. He shows that both sides claimed to be heritors of British civil discourse, Old World learning, and the genius of English culture. The first half of Writing Rebellion deals with the ways "political disputation spilled into arguments about style, form, and aesthetics, as though these subjects could secure (or ruin) the very status of political authorship." Chapters in this section illustrate how loyalists attack patriot rhetoric by invoking British satires of an inflated Whig style by Alexander Pope and Jonathan Swift. Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. Throughout the manuscript, Gould acknowledges the purchase English literary culture continued to have in revolutionary America, even among revolutionaries.

This book offers a unique perspective for understanding how and why the Second World War in Europe ended as it did-and why Germany, in attacking the Soviet Union, came far closer to winning the war than is often perceived. Why Germany Nearly Won: A New History of the Second World War in Europe challenges this conventional wisdom in highlighting how the re-establishment of the traditional German art of war-updated to accommodate new weapons systems-paved the way for Germany to forge a considerable military edge over its much larger potential rivals by playing to its qualitative strengths as a continental power. Ironically, these methodologies also created and exacerbated internal contradictions that undermined the same war machine and left it vulnerable to enemies with the capacity to adapt and build on potent military traditions of their own. The book begins by examining topics such as the methods by which the German economy and military prepared for war, the German military establishment's formidable strengths, and its weaknesses. The book then takes an entirely new perspective on explaining the Second World War in Europe. It demonstrates how Germany, through its invasion of the Soviet Union, came within a whisker of cementing a European-based empire that would have allowed the Third Reich to challenge the Anglo-American alliance for global hegemony-an outcome that by commonly cited measures of military potential Germany never should have had even a remote chance of accomplishing. The book's last section explores the final year of the war and addresses how Germany was able to hang on against the world's most powerful nations working in concert to engineer its defeat. Detailed maps show the position and movement of opposing forces during the key battles discussed in the book More than 30 charts, figures, and appendices, including detailed orders of battle, economic figures, and equipment comparisons

In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.

Conventional wisdom holds that the US Army in Vietnam, thrust into an unconventional war where occupying terrain was a meaningless measure of success, depended on body counts as its sole measure of military progress. In No Sure Victory, Army officer and historian Gregory Daddis looks far deeper into the Army's techniques for measuring military success and presents a much more complicated-and disturbing-account of the American misadventure in Indochina.
Daddis shows how the US Army, which confronted an unfamiliar enemy and an even more unfamiliar form of warfare, adopted a massive, and eventually unmanageable, system of measurements and formulas to track the progress of military operations that ranged from pacification efforts to search-and-destroy missions. The Army's monthly "Measurement of Progress" reports covered innumerable aspects of the fighting in Vietnam-force ratios, Vietcong/North Vietnamese Army incidents, tactical air sorties, weapons losses, security of base areas and roads, population control, area control, and hamlet defenses. Concentrating more on data collection and less on data analysis, these indiscriminate attempts to gauge success may actually have hindered the army's ability to evaluate the true outcome of the fight at hand--a roadblock that Daddis believes significantly contributed to the many failures that American forces suffered in Vietnam.
Filled with incisive analysis and rich historical detail, No Sure Victory is not only a valuable case study in unconventional warfare, but a cautionary tale that offers important perspectives on how to measure performance in current and future armed conflict. Given America's ongoing counterinsurgency efforts in Iraq and Afghanistan, No Sure Victory provides valuable historical perspective on how to measure--and mismeasure--military success.

The Second World War affected the lives and shaped the experience of millions of individuals in Germany--soldiers at the front, women, children and the elderly sheltering in cellars, slave laborers toiling in factories, and concentration-camp prisoners and POWs clearing rubble in the Reich's devastated cities.
Taking a "history from below" approach, the volume examines how the minds and behaviour of individuals were moulded by the Party as the Reich took the road to Total War. The ever-increasing numbers of German workers conscripted into the Wehrmacht were replaced with forced foreign workers and slave labourers and concentration camp prisoners. The interaction in everyday life between German civilian society and these coerced groups is explored, as is that society's relationship to the Holocaust.
From early 1943, the war on the home front was increasingly dominated by attack from the air. The role of the Party, administration, police, and courts in providing for the vast numbers of those rendered homeless, in bolstering civilian morale with "miracle revenge weapons" propaganda, and in maintaining order in a society in disintegration is reviewed in detail.
For society in uniform, the war in the east was one of ideology and annihilation, with intensified indoctrination of the troops after Stalingrad. The social profile of this army is analysed through study of a typical infantry division. The volume concludes with an account of the various forms of resistance to Hitler's regime, in society and the military, culminating in the failed attempt on his life in July 1944.

For fans of Radium Girls and history and WWII buffs, The Girls Who Stepped Out of Line takes you inside the lives and experiences of 15 unknown women heroes from the Greatest Generation, the women who served, fought, struggled, and made things happen during WWII-in and out of uniform, for theirs is a legacy destined to embolden generations of women to come. The Girls Who Stepped Out of Line are the heroes of the Greatest Generation that you hardly ever hear about. These women who did extraordinary things didn't expect thanks and shied away from medals and recognition. Despite their amazing accomplishments, they've gone mostly unheralded and unrewarded. No longer. These are the women of World War II who served, fought, struggled, and made things happen-in and out of uniform. Young Hilda Eisen was captured twice by the Nazis and twice escaped, going on to fight with the Resistance in Poland. Determined to survive, she and her husband later emigrated to the U.S. where they became entrepreneurs and successful business leaders. Ola Mildred Rexroat was the only Native American woman pilot to serve with the Women's Airforce Service Pilots (WASP) in World War II. She persisted against all odds-to earn her silver wings and fly, helping train other pilots and gunners. Ida and Louise Cook were British sisters and opera buffs who smuggled Jews out of Germany, often wearing their jewelry and furs, to help with their finances. They served as sponsors for refugees, and established temporary housing for immigrant families in London. Alice Marble was a grand-slam winning tennis star who found her own path to serve during the war-she was an editor with Wonder Woman comics, played tennis exhibitions for the troops, and undertook a dangerous undercover mission to expose Nazi theft. After the war she was instrumental in desegregating women's professional tennis. Others also stepped out of line-as cartographers, spies, combat nurses, and troop commanders. Retired U.S. Army Major General Mari K. Eder wrote this book because she knew their stories needed to be told-and the sooner the better. For theirs is a legacy destined to embolden generations of women to come.

The Vietnam War remains a topic of extraordinary interest, especially in light of the invasion of Iraq. In The Vietnam War, Mark Lawrence offers readers a superb short account of this key moment in U.S. as well as world history, based on the latest European and American research and on newly opened archives in China, Russia, and Vietnam. While focusing on the American involvement from 1965 to 1975, Lawrence offers an unprecedentedly complete picture of all sides of the war, drawing on now available communist records to capture the complicated brew of motivations that drove the other side. Moreover, the book reaches back well before American forces set foot in Vietnam, describing for instance how French colonialism sparked the 1945 Vietnamese revolution, and revealing how the Cold War concerns of the 1950s warped Washington's perception of Vietnam, leading the United States to back the French and eventually become involved on the ground itself. Of course, the heart of the book is the "American war," ranging from the overthrow of Ngo Dinh Diem to the impact of the Tet Offensive on the political situation in the US, Johnson's withdrawal from the 1968 presidential race, Nixon's expansion of the war into Cambodia and Laos, and the final peace agreement of 1973, which ended American military involvement. Finally, the book examines the aftermath of the war, from the momentous liberalization-"Doi Moi"-in Vietnam that began in 1986, to the enduring legacy of the war in American books, films, and political debate. A quick and reliable primer on an intensely relevant topic, this well researched and engaging volume offers an invaluable overview of the Vietnam War.

Empires at War, 1911-1923 offers a new perspective on the history of the Great War, looking at the war beyond the generally-accepted 1914-1918 timeline, and as a global war between empires, rather than a European war between nation-states. The volume expands the story of the war both in time and space to include the violent conflicts that preceded and followed World War I, from the 1911 Italian invasion of Libya to the massive violence that followed the collapse of the Ottoman, Russian, and Austrian empires until 1923. It argues that the traditional focus on the period between August 1914 and November 1918 makes more sense for the victorious western front powers (notably Britain and France), than it does for much of central-eastern and south-eastern Europe or for those colonial troops whose demobilization did not begin in November 1918. The paroxysm of 1914-18 has to be seen in the wider context of armed imperial conflict that began in 1911 and did not end until 1923. If we take the Great War seriously as a world war, we must, a century after the event, adopt a perspective that does justice more fully to the millions of imperial subjects called upon to defend their imperial governments' interest, to theatres of war that lay far beyond Europe including in Asia and Africa and, more generally, to the wartime roles and experiences of innumerable peoples from outside the European continent. Empires at War also tells the story of the broad, global mobilizations that saw African soldiers and Chinese labourers in the trenches of the Western front, Indian troops in Jerusalem, and the Japanese military occupying Chinese territory. Finally, the volume shows how the war set the stage for the collapse not only of specific empires but of the imperial world order.