A companion volume to the highly successful Field Guide to the Battlefields of South Africa, this features the pivotal sieges that characterised the Cape Frontier, Anglo-Zulu, Basotho and Anglo-Boer wars in one volume.

Accounts of 17 sieges over the last two centuries explore in detail the historical context in which they occurred, the day-to-day military actions that sustained the investments and the conditions both soldiers and civilians faced while defending their territory against a hostile force. The siege descriptions are animated by maps and a variety of information boxes and human-interest stories, gleaned from diaries, letters and eye-witness accounts, while longer features focus on the practical aspects of siege warfare, such as artillery, medicine, food, and the psychological effects of besiegement. The book also provides practical information for visitors who wish to explore these historical sites.

A fascinating read that will appeal to anyone interested in the volatile history of the country – armchair historians and travellers alike.

Op 3 Oktober 1987 het Charlie-eskadron – die ystervuis van 61 Gemeganiseerde Bataljongroep – die kritieke geveg tussen die Suid-Afrikaanse Weermag en die Angolese magte op die Lombarivier in die suide van Angola gelei. Dié boek plaas die leser in die midde van die jong dienspligtiges wat na die Grensoorlog weggevoer is om hierdie geveg te gaan voer.

Langs die Lomba het hulle te staan gekom teen ’n Angolese mag met ’n getalsoorwig en beter wapentuig. Boonop was die terrein so dig bebos dat hul sig en beweging aansienlik ingeperk is. Die SAW se taktiese doktrine het duidelik gestel dat tenks teen tenks aangewend moes word. Tog moes die dienspligtiges die Angolese tenks aanvat in pantservoertuie met minder kragtige kanonne en dun pantser wat nie veel meer as gewone geweervuur kon afweer nie. Steeds is 47 Brigade van die Angolese magte amper uitgewis tydens die geveg aan die Lomba.

Scholtz se beskrywing van hierdie David-teen-Goliath-geveg neem die leser na die hart van die aksie. Danksy onderhoude met veterane en dagboekinskrywings dra hierdie eerlike, intense hervertelling die volle drama van die geveg oor. Dit is ook ’n diep menslike verhaal oor hoe individue reageer in die aangesig van die dood en hoe die oorlog hulle nooit uit sy kloue gelaat het nie, selfs nadat hulle teruggekeer het.

It is September 1987. The Angolan Army – with the support of Cuban troops and Soviet advisors – has built up a massive force on the Lomba River near Cuito Cuanavale in southern Angola. Their goal? To capture Jamba, the headquarters of the rebel group Unita, supported by the South African Defence Force (SADF) in the so-called Border War.

In the battles that followed, and shortly thereafter centred around the small town of Cuito Cuanavale, 3 000 SADF soldiers and 8 000 Unita fighters were up against a much bigger Angolan and Cuban force of over 50 000 men.

Thousands of soldiers died in the vicious fighting that is described in vivid detail in this book. Bridgland pieced together this account through scores of interviews with SADF men who were on the front line. This dramatic retelling takes the reader to the heart of the action.

The international bestselling author returns with an exploration of one of the grandest obsessions of the twentieth century.

In the years before the Second World War, in a sleepy air force base in central Alabama, a small group of renegade pilots put forth a radical idea. What if we made bombing so accurate that wars could be fought entirely from the air? What if we could make the brutal clashes between armies on the ground a thing of the past? This book tells the story of what happened when that dream was put to the test.

The Bomber Mafia follows the stories of a reclusive Dutch genius and his homemade computer, Winston Churchill's forbidding best friend, a team of pyromaniacal chemists at Harvard, a brilliant pilot who sang vaudeville tunes to his crew, and the bomber commander, Curtis Emerson LeMay, who would order the bloodiest attack of the Second World War.

In this tale of innovation and obsession, Gladwell asks: what happens when technology and best intentions collide in the heat of war? And what is the price of progress?

From the secret SAS archives, and acclaimed author Ben Macintyre: the first ever authorized history of the SAS.

In the summer of 1941, at the height of the war in the Western Desert, a bored and eccentric young officer, David Stirling, came up with a plan that was radical and entirely against the rules: a small undercover unit that would inflict chaos and mayhem behind enemy lines. Despite intense opposition, Winston Churchill personally gave Stirling permission to recruit the toughest, brightest and most ruthless soldiers he could find. So began the most celebrated and mysterious military organisation in the world: the SAS. Now, 75 years later, the SAS has finally decided to tell its astonishing story. It has opened its secret archives for the first time, granting historian Ben Macintyre full access to a treasure trove of unseen reports, memos, diaries, letters, maps and photographs, as well as free rein to interview surviving Originals and those who knew them.

The result is an exhilarating tale of fearlessness and heroism, recklessness and tragedy; of extraordinary men who were willing to take monumental risks. It is a story about the meaning of courage.

The remarkable story of a woman's journey out of Auschwitz to find her family, told to her son for the very first time.

As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz.

In the few last months of the War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz, in the wake of the Warsaw Uprising. Her experiences there, which she rarely discussed, cast a shadow over the rest of her life.

Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. For the first time, Alina recalls her experiences as a child during the Second World War, the horrors that she witnessed in Auschwitz and the miraculous story of how she survived a firing squad.

Along the way, Jacques learns long-hidden secrets about his mother's family; his mysterious grandfather who lived a double-life, his grandmother who read tarot cards in a Soviet labour camp, and his aunt and uncles, whose fate he never knew. He also gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.

Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

Maggie is a remarkable firsthand account of a teenage girl’s experiences during the AngloBoer War.

Margaretha (Maggie) Jooste was only 13 years old when the AngloBoer War broke out and her life was irrevocably changed. After months of house arrest in their Heidelberg (Transvaal) home, she, her mother and younger siblings were sent away to concentration camps in Natal. There they experienced hunger, deprivation and loss, but also surprising acts of kindness from British guards.

This very personal account is a story of hardships, but also one of humanity and friendships over enemy lines. A golden threat is the close bond between the Jooste family and the Englishspeaking Russells who lived as neighbours and friends before the war broke out. While the British soldiers and Boer commandos fought the war, the Russells secretly provided food to the Joostes to help them survive, and supported them after the war.

A poignant and deeply moving, but also heartbreaking, true story.

If a mere seven more MPs had voted with Prime Minister JBM Hertzog in favour of neutrality, South Africa’s history would have been quite different.

Parliament’s narrow decision to go to war in 1939 led to a seismic upheaval throughout the 1940s: black people streamed in their thousands from rural areas to the cities in search of jobs; volunteers of all races answered the call to go ‘up north’ to fight; and opponents of the Smuts government actively hindered the war effort by attacking soldiers and committing acts of sabotage. World War Two upended South Africa’s politics, ruining attempts to forge white unity and galvanising opposition to segregation among African, Indian and coloured communities. It also sparked debates among nationalists, socialists, liberals and communists such as the country had never previously experienced.

As Richard Steyn recounts so compellingly in 7 Votes, the war’s unforeseen consequence was the boost it gave to nationalism, both Afrikaner and African, that went on to transform the country in the second half of the 20th century. The book brings to life an extraordinary cast of characters, including wartime leader Jan Smuts, DF Malan and his National Party colleagues, African nationalists from Anton Lembede and AB Xuma to Walter Sisulu and Nelson Mandela, the influential Indian activists Yusuf Dadoo and Monty Naicker, and many others.

Die boek gee 'n voelvlugoorsig van die vier Suid-Afrikaanse kolonies gedurende die Eduardiaanse tydperk van 1902–1910. Die tydperk word deur Karel Schoeman beskou as die “hoogtepunt van die hele Imperiale gedagte” wat uiteindelik met die uitbreek van die Eerste Wereldoorlog sou eindig. Die klem val egter nie op die politieke besluite en ontwikkelinge nie, maar op die persoonlikhede van leiers- en ander figure, die omstandighede in die vier kolonies met hulle stede en dorpe, belangrike sosiale gebeurtenisse, die aanloop tot unifikasie in 1910 en die uitwerking van die belangrike naturelle grond-wet van 1913 op die lewenswyse van swart mense direk na Uniewording. Kort maar insiggewende tiperings word gegee van persoonlikhede so uiteenlopend soos oudpresident Steyn, Lord Milner, die dramaturg Stephen Black, die bendeleier Robert Foster, die avontuurlustige Mrs Edith Maturin en die deelsaaier Kas Maine. Ruim aanhalings uit verskillende bronne verlewendig die bespreking van alledaagse omstandighede op verskillende plekke in wat later die Unie van Suid-Afrika sou wees, soos die sketse van Jacob Lub oor die lewenswyse in Johannesburg, die setlaar Leonard Flemming se boeke oor sy eensame bestaan op 'n afgelee Vrystaatse plaas, en die talle verwysings na riksjas in die reisbeskrywings van besoekers aan Durban. Besonder boeiend is ook die hoofstukke oor die rol van Joodse smouse en handelaars in onder andere die volstruisveerbedryf en die toestande in die inrigting vir melaatses op Robbeneiland. Talle anekdotes en klein kameebeskrywings maak van Imperiale somer 'n besonder interessante leeservaring. Die boek word toegelig met ruim fotoseksies wat 'n visuele beeld van die era gee.

Now a major motion picture directed by Clint Eastwood.

From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. His fellow American warriors, whom he protected with deadly precision from rooftops and stealth positions during the Iraq War, called him "The Legend"; meanwhile, the enemy feared him so much they named him al-Shaitan ("the devil") and placed a bounty on his head.

Kyle, who was tragically killed in 2013, writes honestly about the pain of war—including the deaths of two close SEAL teammates—and in moving first-person passages throughout, his wife, Taya, speaks openly about the strains of war on their family, as well as on Chris. Gripping and unforgettable, Kyle's masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.

Includes new material by Taya Kyle about the making of the American Sniper film.

Historian Karen Horn painstakingly tracked down a number of former POWs in which their interviews reveal rich narratives of hardship, endurance, humour, longing and self-discovery. Instead of fighting, these men adapted to another war, one which was fought on the inside of many prison camps.

In their interviews, all the POWs expressed surprise at being asked to share their experiences of almost 70 years earlier.They returned home in 1945 to a country which soon afterwards tried its utmost to promote national amnesia with regard to the country’s participation in the war.

With great insight and empathy, Karen Horn shines a light on a neglected corner of South African history. Karen Horn is a lecturer at Stellenbosch University.

In the first half of the nineteenth century, Southern Africa was a jumble of British colonies, Boer republics and African chiefdoms, a troublesome region of little interest to the outside world. Into this frontier world came the Reitz family, Afrikaner gentry from the Cape, who settled in Bloemfontein and played a key role in the building of the Orange Free State.

Frank Reitz, successively chief justice and modernising president of the young republic, went on to serve as State Secretary of the Transvaal Republic. In 1899, he stood shoulder to shoulder with President Paul Kruger to resist Britain’s war of conquest in Southern Africa. At the heart of this tale is the extraordinary life of Deneys Reitz, third son of Frank Reitz and Bianca Thesen. The young Reitz’s account of his adventures in the field during the Anglo-Boer War (1899–1902), published as Commando, became a classic of irregular warfare. After a period of exile in Madagascar, he went on become one of South Africa’s most distinguished lawyers, statesmen and soldiers. Martin Meredith interweaves Reitz’s experiences, taken from his unpublished notebooks, with the wider story of Britain’s brutal suppression of Boer resistance.

Concise and readable, Afrikaner Odyssey is a wide-ranging portrait of an aristocratic Afrikaner family whose achievements run like fine thread through these turbulent times, and whose presence is still marked on the South African landscape.

What was it like to fly a MiG or Mirage in combat over Angola? Most books on the Angolan Bush War, especially those in English, present the South African perspective of events. Now a former MiG-23 Squadron Commander of the Cuban Air Force has collaborated with an ex-SAAF pilot to paint a remarkable new picture of the aerial conflict over Angola in the 1980s.

In The MiG Diaries the recollections of Lt-Col Eduardo González Sarría are blended by Lionel Reid with those of air combatants from the Angolan, Cuban and South African air forces. Many are being published for the first time.

Using their own aviation knowledge and experience of the conflict, Sarría and Reid combine the accounts of these diverse combatants – former comrades and foe – to provide original insights into, and a more holistic description of, what happened in the skies over Angola. The results, often quite different to what the opposing sides had believed, reveal a surprising, and more complete, picture of events.

The wonderful sketching pencil of Sean Thackwray, himself a former fighter pilot, helps to bring this unique story to life, along with select images, including many not seen in print in South Africa.

A startling, gripping portrait of what it was like to be alive in Britain during the blitz, and what it was like to be around Churchill.

On Winston Churchill’s first day as prime minister, Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, the Nazis would wage a relentless bombing campaign, killing 45,000 Britons and destroying two million homes.

In The Splendid and the Vile, Erik Larson gives a new and brilliantly cinematic account of how Britain’s most iconic leader set about unifying the nation at its most vulnerable moment, and teaching ‘the art of being fearless.’

Drawing on once-secret intelligence reports and diaries, #1 bestselling author Larson takes readers from the shelled streets of London to Churchill’s own chambers, giving a vivid vision of true leadership, when – in the face of unrelenting horror – a leader of eloquence, strategic brilliance and perseverance bound a country, and a family, together.

Tense Future falls into two parts. The first develops a critical account of total war discourse and addresses the resistant potential of acts, including acts of writing, before a future that looks barred or predetermined by war. Part two shifts the focus to long interwar narratives that pit both their scale and their formal turbulence against total war's portrait of the social totality, producing both ripostes and alternatives to that portrait in the practice of literary encyclopedism. The book's introduction grounds both parts in the claim that industrialized warfare, particularly the aerial bombing of cities, intensifies an under-examined form of collective traumatization: a pretraumatic syndrome in which the anticipation of future-conditional violence induces psychic wounds. Situating this claim in relation to other scholarship on "critical futurities," Saint-Amour discusses its ramifications for trauma studies, historical narratives generally, and the historiography of the interwar period in particular. The introduction ends with an account of the weak theory of modernism now structuring the field of modernist studies, and of weak theory's special suitability for opposing total war, that strongest of strong theories.

Writing the Rebellion presents a cultural history of loyalist writing in early America. There has been a spate of related works recently, but Philip Gould's narrative offers a completely different view of the loyalist/patriot contentions than appears in any of these accounts. By focusing on the literary projections of the loyalist cause, Gould dissolves the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility drawn from their American situation and upbringing. He shows that both sides claimed to be heritors of British civil discourse, Old World learning, and the genius of English culture. The first half of Writing Rebellion deals with the ways "political disputation spilled into arguments about style, form, and aesthetics, as though these subjects could secure (or ruin) the very status of political authorship." Chapters in this section illustrate how loyalists attack patriot rhetoric by invoking British satires of an inflated Whig style by Alexander Pope and Jonathan Swift. Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. Throughout the manuscript, Gould acknowledges the purchase English literary culture continued to have in revolutionary America, even among revolutionaries.

In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.

Conventional wisdom holds that the US Army in Vietnam, thrust into an unconventional war where occupying terrain was a meaningless measure of success, depended on body counts as its sole measure of military progress. In No Sure Victory, Army officer and historian Gregory Daddis looks far deeper into the Army's techniques for measuring military success and presents a much more complicated-and disturbing-account of the American misadventure in Indochina.
Daddis shows how the US Army, which confronted an unfamiliar enemy and an even more unfamiliar form of warfare, adopted a massive, and eventually unmanageable, system of measurements and formulas to track the progress of military operations that ranged from pacification efforts to search-and-destroy missions. The Army's monthly "Measurement of Progress" reports covered innumerable aspects of the fighting in Vietnam-force ratios, Vietcong/North Vietnamese Army incidents, tactical air sorties, weapons losses, security of base areas and roads, population control, area control, and hamlet defenses. Concentrating more on data collection and less on data analysis, these indiscriminate attempts to gauge success may actually have hindered the army's ability to evaluate the true outcome of the fight at hand--a roadblock that Daddis believes significantly contributed to the many failures that American forces suffered in Vietnam.
Filled with incisive analysis and rich historical detail, No Sure Victory is not only a valuable case study in unconventional warfare, but a cautionary tale that offers important perspectives on how to measure performance in current and future armed conflict. Given America's ongoing counterinsurgency efforts in Iraq and Afghanistan, No Sure Victory provides valuable historical perspective on how to measure--and mismeasure--military success.

During World War Two, death and violence permeated all aspects of the everyday lives of ordinary people in Eastern Europe. Throughout the region, the realities of mass murder and incarceration meant that people learnt to live with daily public hangings of civilian hostages and stumbled on corpses of their neighbors. Entire populations were drawn into fierce and uncompromising political and ideological conflicts, and many ended up being more than mere victims or observers: they themselves became perpetrators or facilitators of violence, often to protect their own lives, but also to gain various benefits. Yugoslavia in particular saw a gradual culmination of a complex and brutal civil war, which ultimately killed more civilians than those killed by the foreign occupying armies. Therapeutic Fascism tells a story of the tremendous impact of such pervasive and multi-layered political violence, and looks at ordinary citizens' attempts to negotiate these extraordinary wartime political pressures. It examines Yugoslav psychiatric documents as unique windows into this harrowing history, and provides an original perspective on the effects of wartime violence and occupation through the history of psychiatry, mental illness, and personal experience. Using previously unexplored resources, such as patients' case files, state and institutional archives, and the professional medical literature of the time, this volume explores the socio-cultural history of wartime through the eyes of (mainly lower-class) psychiatric patients. Ana Antic examines how the experiences of observing, suffering, and committing political violence affected the understanding of human psychology, pathology, and normality in wartime and post-war Balkans and Europe.

Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant 'archives' that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material - from partisan poems, graphic works and photography, to monuments and films - and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical "history of the oppressed" as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.

Eva Tichauer was born in Berlin at the end of the First World War into a socialist Jewish family. After a happy childhood in a well-off intellectual milieu, the destiny of her family was turned upside-down by the rise of Hitler in 1933. They emigrated to Paris in July of that year, and life started to become difficult. Eva was in her second year of medical studies in 1939 when war was declared, with fatal consequences for her and her family: they sere forced to the Spanish frontier, then returned to Paris to a flat which had been searched by the Gestapo. Eva was then compelled to break off her studies due to a quota system being imposed on Jewish students.