A companion volume to the highly successful Field Guide to the Battlefields of South Africa, this features the pivotal sieges that characterised the Cape Frontier, Anglo-Zulu, Basotho and Anglo-Boer wars in one volume.

Accounts of 17 sieges over the last two centuries explore in detail the historical context in which they occurred, the day-to-day military actions that sustained the investments and the conditions both soldiers and civilians faced while defending their territory against a hostile force. The siege descriptions are animated by maps and a variety of information boxes and human-interest stories, gleaned from diaries, letters and eye-witness accounts, while longer features focus on the practical aspects of siege warfare, such as artillery, medicine, food, and the psychological effects of besiegement. The book also provides practical information for visitors who wish to explore these historical sites.

A fascinating read that will appeal to anyone interested in the volatile history of the country – armchair historians and travellers alike.

Op 3 Oktober 1987 het Charlie-eskadron – die ystervuis van 61 Gemeganiseerde Bataljongroep – die kritieke geveg tussen die Suid-Afrikaanse Weermag en die Angolese magte op die Lombarivier in die suide van Angola gelei. Dié boek plaas die leser in die midde van die jong dienspligtiges wat na die Grensoorlog weggevoer is om hierdie geveg te gaan voer.

Langs die Lomba het hulle te staan gekom teen ’n Angolese mag met ’n getalsoorwig en beter wapentuig. Boonop was die terrein so dig bebos dat hul sig en beweging aansienlik ingeperk is. Die SAW se taktiese doktrine het duidelik gestel dat tenks teen tenks aangewend moes word. Tog moes die dienspligtiges die Angolese tenks aanvat in pantservoertuie met minder kragtige kanonne en dun pantser wat nie veel meer as gewone geweervuur kon afweer nie. Steeds is 47 Brigade van die Angolese magte amper uitgewis tydens die geveg aan die Lomba.

Scholtz se beskrywing van hierdie David-teen-Goliath-geveg neem die leser na die hart van die aksie. Danksy onderhoude met veterane en dagboekinskrywings dra hierdie eerlike, intense hervertelling die volle drama van die geveg oor. Dit is ook ’n diep menslike verhaal oor hoe individue reageer in die aangesig van die dood en hoe die oorlog hulle nooit uit sy kloue gelaat het nie, selfs nadat hulle teruggekeer het.

It is September 1987. The Angolan Army – with the support of Cuban troops and Soviet advisors – has built up a massive force on the Lomba River near Cuito Cuanavale in southern Angola. Their goal? To capture Jamba, the headquarters of the rebel group Unita, supported by the South African Defence Force (SADF) in the so-called Border War.

In the battles that followed, and shortly thereafter centred around the small town of Cuito Cuanavale, 3 000 SADF soldiers and 8 000 Unita fighters were up against a much bigger Angolan and Cuban force of over 50 000 men.

Thousands of soldiers died in the vicious fighting that is described in vivid detail in this book. Bridgland pieced together this account through scores of interviews with SADF men who were on the front line. This dramatic retelling takes the reader to the heart of the action.

The international bestselling author returns with an exploration of one of the grandest obsessions of the twentieth century.

In the years before the Second World War, in a sleepy air force base in central Alabama, a small group of renegade pilots put forth a radical idea. What if we made bombing so accurate that wars could be fought entirely from the air? What if we could make the brutal clashes between armies on the ground a thing of the past? This book tells the story of what happened when that dream was put to the test.

The Bomber Mafia follows the stories of a reclusive Dutch genius and his homemade computer, Winston Churchill's forbidding best friend, a team of pyromaniacal chemists at Harvard, a brilliant pilot who sang vaudeville tunes to his crew, and the bomber commander, Curtis Emerson LeMay, who would order the bloodiest attack of the Second World War.

In this tale of innovation and obsession, Gladwell asks: what happens when technology and best intentions collide in the heat of war? And what is the price of progress?

From the secret SAS archives, and acclaimed author Ben Macintyre: the first ever authorized history of the SAS.

In the summer of 1941, at the height of the war in the Western Desert, a bored and eccentric young officer, David Stirling, came up with a plan that was radical and entirely against the rules: a small undercover unit that would inflict chaos and mayhem behind enemy lines. Despite intense opposition, Winston Churchill personally gave Stirling permission to recruit the toughest, brightest and most ruthless soldiers he could find. So began the most celebrated and mysterious military organisation in the world: the SAS. Now, 75 years later, the SAS has finally decided to tell its astonishing story. It has opened its secret archives for the first time, granting historian Ben Macintyre full access to a treasure trove of unseen reports, memos, diaries, letters, maps and photographs, as well as free rein to interview surviving Originals and those who knew them.

The result is an exhilarating tale of fearlessness and heroism, recklessness and tragedy; of extraordinary men who were willing to take monumental risks. It is a story about the meaning of courage.

The remarkable story of a woman's journey out of Auschwitz to find her family, told to her son for the very first time.

As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz.

In the few last months of the War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz, in the wake of the Warsaw Uprising. Her experiences there, which she rarely discussed, cast a shadow over the rest of her life.

Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. For the first time, Alina recalls her experiences as a child during the Second World War, the horrors that she witnessed in Auschwitz and the miraculous story of how she survived a firing squad.

Along the way, Jacques learns long-hidden secrets about his mother's family; his mysterious grandfather who lived a double-life, his grandmother who read tarot cards in a Soviet labour camp, and his aunt and uncles, whose fate he never knew. He also gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.

Maggie is a remarkable firsthand account of a teenage girl’s experiences during the AngloBoer War.

Margaretha (Maggie) Jooste was only 13 years old when the AngloBoer War broke out and her life was irrevocably changed. After months of house arrest in their Heidelberg (Transvaal) home, she, her mother and younger siblings were sent away to concentration camps in Natal. There they experienced hunger, deprivation and loss, but also surprising acts of kindness from British guards.

This very personal account is a story of hardships, but also one of humanity and friendships over enemy lines. A golden threat is the close bond between the Jooste family and the Englishspeaking Russells who lived as neighbours and friends before the war broke out. While the British soldiers and Boer commandos fought the war, the Russells secretly provided food to the Joostes to help them survive, and supported them after the war.

A poignant and deeply moving, but also heartbreaking, true story.

If a mere seven more MPs had voted with Prime Minister JBM Hertzog in favour of neutrality, South Africa’s history would have been quite different.

Parliament’s narrow decision to go to war in 1939 led to a seismic upheaval throughout the 1940s: black people streamed in their thousands from rural areas to the cities in search of jobs; volunteers of all races answered the call to go ‘up north’ to fight; and opponents of the Smuts government actively hindered the war effort by attacking soldiers and committing acts of sabotage. World War Two upended South Africa’s politics, ruining attempts to forge white unity and galvanising opposition to segregation among African, Indian and coloured communities. It also sparked debates among nationalists, socialists, liberals and communists such as the country had never previously experienced.

As Richard Steyn recounts so compellingly in 7 Votes, the war’s unforeseen consequence was the boost it gave to nationalism, both Afrikaner and African, that went on to transform the country in the second half of the 20th century. The book brings to life an extraordinary cast of characters, including wartime leader Jan Smuts, DF Malan and his National Party colleagues, African nationalists from Anton Lembede and AB Xuma to Walter Sisulu and Nelson Mandela, the influential Indian activists Yusuf Dadoo and Monty Naicker, and many others.

Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

Die boek gee 'n voelvlugoorsig van die vier Suid-Afrikaanse kolonies gedurende die Eduardiaanse tydperk van 1902–1910. Die tydperk word deur Karel Schoeman beskou as die “hoogtepunt van die hele Imperiale gedagte” wat uiteindelik met die uitbreek van die Eerste Wereldoorlog sou eindig. Die klem val egter nie op die politieke besluite en ontwikkelinge nie, maar op die persoonlikhede van leiers- en ander figure, die omstandighede in die vier kolonies met hulle stede en dorpe, belangrike sosiale gebeurtenisse, die aanloop tot unifikasie in 1910 en die uitwerking van die belangrike naturelle grond-wet van 1913 op die lewenswyse van swart mense direk na Uniewording. Kort maar insiggewende tiperings word gegee van persoonlikhede so uiteenlopend soos oudpresident Steyn, Lord Milner, die dramaturg Stephen Black, die bendeleier Robert Foster, die avontuurlustige Mrs Edith Maturin en die deelsaaier Kas Maine. Ruim aanhalings uit verskillende bronne verlewendig die bespreking van alledaagse omstandighede op verskillende plekke in wat later die Unie van Suid-Afrika sou wees, soos die sketse van Jacob Lub oor die lewenswyse in Johannesburg, die setlaar Leonard Flemming se boeke oor sy eensame bestaan op 'n afgelee Vrystaatse plaas, en die talle verwysings na riksjas in die reisbeskrywings van besoekers aan Durban. Besonder boeiend is ook die hoofstukke oor die rol van Joodse smouse en handelaars in onder andere die volstruisveerbedryf en die toestande in die inrigting vir melaatses op Robbeneiland. Talle anekdotes en klein kameebeskrywings maak van Imperiale somer 'n besonder interessante leeservaring. Die boek word toegelig met ruim fotoseksies wat 'n visuele beeld van die era gee.

Now a major motion picture directed by Clint Eastwood.

From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. His fellow American warriors, whom he protected with deadly precision from rooftops and stealth positions during the Iraq War, called him "The Legend"; meanwhile, the enemy feared him so much they named him al-Shaitan ("the devil") and placed a bounty on his head.

Kyle, who was tragically killed in 2013, writes honestly about the pain of war—including the deaths of two close SEAL teammates—and in moving first-person passages throughout, his wife, Taya, speaks openly about the strains of war on their family, as well as on Chris. Gripping and unforgettable, Kyle's masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.

Includes new material by Taya Kyle about the making of the American Sniper film.

Historian Karen Horn painstakingly tracked down a number of former POWs in which their interviews reveal rich narratives of hardship, endurance, humour, longing and self-discovery. Instead of fighting, these men adapted to another war, one which was fought on the inside of many prison camps.

In their interviews, all the POWs expressed surprise at being asked to share their experiences of almost 70 years earlier.They returned home in 1945 to a country which soon afterwards tried its utmost to promote national amnesia with regard to the country’s participation in the war.

With great insight and empathy, Karen Horn shines a light on a neglected corner of South African history. Karen Horn is a lecturer at Stellenbosch University.

A startling, gripping portrait of what it was like to be alive in Britain during the blitz, and what it was like to be around Churchill.

On Winston Churchill’s first day as prime minister, Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, the Nazis would wage a relentless bombing campaign, killing 45,000 Britons and destroying two million homes.

In The Splendid and the Vile, Erik Larson gives a new and brilliantly cinematic account of how Britain’s most iconic leader set about unifying the nation at its most vulnerable moment, and teaching ‘the art of being fearless.’

Drawing on once-secret intelligence reports and diaries, #1 bestselling author Larson takes readers from the shelled streets of London to Churchill’s own chambers, giving a vivid vision of true leadership, when – in the face of unrelenting horror – a leader of eloquence, strategic brilliance and perseverance bound a country, and a family, together.

In this never-before-seen memoir, Bergen-Belsen survivor Hannah Pick-Goslar shares incredibly powerful words on the final untold portrait of her childhood friend, Anne Frank. The inspiring and heartbreaking true story of two best friends torn apart and reunited against all odds.

When Hannah Pick-Goslar's family fled Nazi Germany for Amsterdam, she struck up a close friendship with her next-door neighbour; precocious, outspoken and fun-loving Anne Frank. Hannah instantly warmed to happy-go-lucky Anne and for seven blissful years, the inseparable pair navigated school, boys and coming of age in Amsterdam's Rivierenbuurt neighbourhood. But in 1942, life quickly changed for the thirteen-year-old girls.

The Nazi occupation of Amsterdam meant the friends were separated without warning. Hannah called on Anne, but there was no trace of her friend or her precious diary. Hannah was tormented over the fate of Anne, wondering if, by some stroke of fortune she had escaped danger and was alive and well elsewhere. It wasn't until Hannah reached her darkest point, imprisoned with her family in Bergen-Belsen concentration camp, that she had an astonishing chance reunion with Anne. Desperate to save her friend who was weak and struggling to survive, Hannah risked everything to toss packages filled with food and clothes over a barbed-wire fence. Hannah only learned of Anne's death after her liberation, when Otto Frank came to visit her in hospital. From that day, Otto became a second father to Hannah, making sure that she was always looked after.

In this groundbreaking memoir, Hannah Pick-Goslar shares an intimate portrait of Anne Frank, the young Jewish diarist who has captured the hearts of millions of readers around the world.

Van al die gebeure in die Kaapkolonie gedurende die Tweede Vryheidsoorlog het die teregstelling van Hans Lötter, asook dié van kmdt. Gideon Scheepers, die meeste emosie onder Afrikaners ontketen. Lötter en sy mederebelle in die Kolonie het die verbeelding van die plaaslike bevolking aangegryp en die Britte maande lank hoofbrekens besorg. Sy gevangeneming, verhoor en teregstelling deur ’n Britse vuurpeloton op Middelburg, Kaap, het groot woede en verontwaardiging veroorsaak en hom verewig as Boeremartelaar in die Afrikaner-volksoorleweringe. Nou word sy boeiende verhaal vir die eerste keer volledig vertel.

Marthie Voigt (nooi Prinsloo) is in 1931 in Suidwes-Afrika gebore; die vierde van ses kinders. Wat volg is ’n groot avontuur. Marthie word groot in die wye en ongetemde vlaktes van Angola. Die Prinsloo-gesin trek baie rond agter goeie weiding en gesonder toestande aan. Die lewe in ongerepte Angola het ook sy gevare en Marthie beleef groot hartseer toe haar sussie op 19 sterf aan malaria. Nadat Marthie trou met Carl-Wilhelm Voigt en hulle hul gevestig het op haar skoonouers se koffieplaas, begin die onheil in Angola roer. Ongelukkig breek daar oorlog uit en die Voigts moet hulle plaas net so los. Hulle speel ’n groot rol daarin om vlugtelinge uit Angola te versorg. Marthie Voigt het haar ongelooflike herinneringe aan hierdie historiese en persoonlike gebeurtenisse neergeskryf sodat wanneer ’n mens dit lees, dit glashelder voor jou geestesoog afspeel. ’n Wonderlike lewensverhaal uit die pen van ’n sterk, intelligente vrou.

Tense Future falls into two parts. The first develops a critical account of total war discourse and addresses the resistant potential of acts, including acts of writing, before a future that looks barred or predetermined by war. Part two shifts the focus to long interwar narratives that pit both their scale and their formal turbulence against total war's portrait of the social totality, producing both ripostes and alternatives to that portrait in the practice of literary encyclopedism. The book's introduction grounds both parts in the claim that industrialized warfare, particularly the aerial bombing of cities, intensifies an under-examined form of collective traumatization: a pretraumatic syndrome in which the anticipation of future-conditional violence induces psychic wounds. Situating this claim in relation to other scholarship on "critical futurities," Saint-Amour discusses its ramifications for trauma studies, historical narratives generally, and the historiography of the interwar period in particular. The introduction ends with an account of the weak theory of modernism now structuring the field of modernist studies, and of weak theory's special suitability for opposing total war, that strongest of strong theories.

For more than thirty years Francesco Lotoro, an Italian pianist and composer has been on an odyssey to recover music written by the inmates of Adolf Hitler's concentration camps and the gulags of Stalin's Soviet Union. Between 1933, the year of the opening of the Dachau Lager in Germany, to Stalin's death in 1953 when thousands of Soviet prisoners were released, Lotoro pieces together the human stories of survivors whose only salvation was their love of music. Across three decades of relentless investigation, his findings as captured in Lost Music of the Holocaust are extraordinary and historically important. Lotoro unearthed over eight thousand unpublished works of music, ten thousand documents (microfilms, diaries, notebooks, and recordings on phonographic recordings), as well as locating and interviewing many survivors who in a previous life had been trained musicians and composers. Be it a symphony, an opera, a simple folk song or even a gypsy melody, Lotor has travelled the globe to track them down. Many pieces were hastily scribbled down ow whatever the composer could find: food wrappings, a vegetable sack and even a train ticket stub. To avoid discover by camp guards, Lotoro even discovered forgotten pieces of code inmates had invented to hide their real meaning - music. In many cases, the composers would be murdered in the gas chambers or worked to death, not knowing whether their music would be heard by the world. Until now. Their stories and their music adds colour and humanity to the horrors of the Holocaust and of Stalin's oppressive rule. It is a journey into music and history that reveals a new way of telling the darkest chapters of the twentieth century whilst shining a light on the beauty that could still be created amidst the horrors endured.

This book offers a unique perspective for understanding how and why the Second World War in Europe ended as it did-and why Germany, in attacking the Soviet Union, came far closer to winning the war than is often perceived. Why Germany Nearly Won: A New History of the Second World War in Europe challenges this conventional wisdom in highlighting how the re-establishment of the traditional German art of war-updated to accommodate new weapons systems-paved the way for Germany to forge a considerable military edge over its much larger potential rivals by playing to its qualitative strengths as a continental power. Ironically, these methodologies also created and exacerbated internal contradictions that undermined the same war machine and left it vulnerable to enemies with the capacity to adapt and build on potent military traditions of their own. The book begins by examining topics such as the methods by which the German economy and military prepared for war, the German military establishment's formidable strengths, and its weaknesses. The book then takes an entirely new perspective on explaining the Second World War in Europe. It demonstrates how Germany, through its invasion of the Soviet Union, came within a whisker of cementing a European-based empire that would have allowed the Third Reich to challenge the Anglo-American alliance for global hegemony-an outcome that by commonly cited measures of military potential Germany never should have had even a remote chance of accomplishing. The book's last section explores the final year of the war and addresses how Germany was able to hang on against the world's most powerful nations working in concert to engineer its defeat. Detailed maps show the position and movement of opposing forces during the key battles discussed in the book More than 30 charts, figures, and appendices, including detailed orders of battle, economic figures, and equipment comparisons

Die skrywer Erika Murray-Theron wou weet waar die vroue in haar familie vandaan kom. Wat kry ’n mens van wie? Waar kom alles wat jý is vandaan? Hoe is die vroue in haar familie se lewe geraak deur trauma en groot wêreldgebeurtenisse waaroor hulle geen beheer gehad het nie? Theron se ouma Issie is op 3 Mei 1885 gebore; 133 jaar gelede. In hierdie verhaalbiografie gaan soek Theron in ou kookboeke, aantekeninge, foto’s, herinneringe, albums, briewe en geslagsregisters na haar ouma Issie se storie. ’n Lewe ontvou wat geraak is deur die verlies van ouers, die Anglo-Boereoorlog, die Rebellie van 1914 en daarna die energie wat dit verg om ’n groot huisgesin te behartig. ’n Skerfie glas wys hoe die verlede, selfs die verre verlede, spore op latere geslagte laat.

Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant 'archives' that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material - from partisan poems, graphic works and photography, to monuments and films - and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical "history of the oppressed" as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.

Although millions of Russians lived as serfs until the middle of the nineteenth century, little is known about their lives. Identifying and documenting the conditions of Russian serfs has proven difficult because the Russian state discouraged literacy among the serfs and censored public expressions of dissent. To date scholars have identified only twenty known Russian serf narratives. Four Russian Serf Narratives contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. Autobiography (1785) recounts a highly educated serf s attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem News About Russia (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In The Story of My Life and Wanderings (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary Notes of a Serf Woman (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power. These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times."