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Writing the Rebellion - Loyalists and the Literature of Politics in British America (Hardcover)
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Writing the Rebellion - Loyalists and the Literature of Politics in British America (Hardcover)
Series: Oxford Studies in American Literary History, 3
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Writing the Rebellion presents a cultural history of loyalist
writing in early America. There has been a spate of related works
recently, but Philip Gould's narrative offers a completely
different view of the loyalist/patriot contentions than appears in
any of these accounts. By focusing on the literary projections of
the loyalist cause, Gould dissolves the old legend that loyalists
were more British than American, and patriots the embodiment of a
new sensibility drawn from their American situation and upbringing.
He shows that both sides claimed to be heritors of British civil
discourse, Old World learning, and the genius of English culture.
The first half of Writing Rebellion deals with the ways "political
disputation spilled into arguments about style, form, and
aesthetics, as though these subjects could secure (or ruin) the
very status of political authorship." Chapters in this section
illustrate how loyalists attack patriot rhetoric by invoking
British satires of an inflated Whig style by Alexander Pope and
Jonathan Swift. Another chapter turns to Loyalist critiques of
Congressional language and especially the Continental Association,
which was responsible for radical and increasingly violent measures
against the Loyalists. The second half of Gould's book looks at
satiric adaptations of the ancient ballad tradition to see what
happens when patriots and loyalists interpret and adapt the same
text (or texts) for distinctive yet related purposes. The last two
chapters look at the Loyalist response to Thomas Paine's Common
Sense and the ways the concept of the author became defined in
early America. Throughout the manuscript, Gould acknowledges the
purchase English literary culture continued to have in
revolutionary America, even among revolutionaries.
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