Whisky - the water of life, perhaps Scotland's best known contribution to the world. Muse - goddess of creative endeavour. The Whisky Muse - the spark of inspiration to many of Scotland's great poets and songwriters.

Die Spaanse digter Pablo Neruda is ’n reus op die verhoog van die wêreldletterkunde. De Waal Venter, Afrikaanse digter en skrywer, bring met hierdie wye keuse van vertalings die sorgsame en elementele wêreld van Neruda met groot toewyding aan die Afrikaanse leser.

Die woorde van ʼn digter en ʼn vertaler het mekaar hier gevind. Die Afrikaanse gevoels- en dinkwêreld word met hierdie bundel vertalings deur de Waal Venter eindeloos verruim.

Hierdie is ’n tydlose werk, toeganklik en leesbaar met ’n vars inslag!

This definitive collection of Lawrence’s poems, with appendices containing juvenilia, variants, and early drafts, and Lawrence’s own critical introductions to his poems, also includes full textual and explanatory notes, glossary, and index for the work of one of the greatest poets of the twentieth century.

With this benchmark study, Kendall rectifies the preoccupation many scholars and students have with Plath's life over her writing. From the formal reserve of The Colossus to the groundbreaking Ariel, her poems are met with fresh and objective insight.

Taking a roughly chronological approach, Kendall investigates the unique nature of Plath's poetic gift, finding—in ample references to Letters Home, The Bell Jar, The Journals, and many other such stories, narratives, and biographical accounts—an essential unity in her inspiration. He traces the evolution of Plath's recurring themes as a poet while also revealing how Plath was constantly concerned with remaking herself artistically, always experimenting with different styles, forms, and subjects.

“The finest poems Holm has ever written.� —MINNEAPOLIS STAR TRIBUNE In this collection of poems, Bill Holm—like a modern-day Walt Whitman bestriding America and the world—comments on the waywardness and promise of the human species. Playing the Black Piano reflects Holm’s time in Iceland (his ancestral home), his ongoing love affair with music, a friend’s death from AIDS, and his bold reactions to the world around him. Moving from Oregon forests to the deserts around Tuscon, from the endless marketing of long-distance telephone service to the experience of undergoing an MRI, these poems speak of Holm’s full embrace of the world and his passion for living well. This is a wise, musical collection from one of Minnesota’s most treasured poets.

William Carlos Williams (1883-1963) fue un poeta de vocacion infatigable. Mantuvo estrecha relacion con los artistas expatriados de la llamada Generacion Perdida y con escritores franceses de su tiempo. Escribio tambien novela, teatro y ensayo. Williams pertenece a una generacion de ilustres poetas que intentan encontrar vias alternativas a la tradicion poetica inglesa, todavia vigente a principios del siglo XX, y que convirtieron la poesia norteamericana de ese siglo en una epoca dorada. Paterson es un poema-libro dividido en cinco partes, con una estructura organica.

Started in 1997 by poets David Lehman and Star Black, the KGB Bar poetry series is widely recognized as the hottest and perhaps the best reading series in New York. Located in the hip East Village KGB Bar, these Monday-night readings boast a fantastic variety and quality of internationally known poets from Charles Simic, Molly Peacock, and Katha Pollit to Marie Howe, Mark Strand, and Yusef Komunyakaa.

Now Lehman and Black have gathered work from the first three seasons into a wonderful anthology. Together with a generous supply of photographs and anecdotes from contributors on the most memorable thing ever to happen to them at a poetry reading, this unique book of poems reflects the amazing variety and energy of poetry today.

The poems range in style from Douglas. Crase's "Astropastoral" ("I have seen you on every horizon, how you are stored/And encouraged and brought to the brim/Until the round bounds of one planet could not hold you in") to Anne Porter's "Five Wishes." Offering a wide window into contemporary poetry, The KGB Bar Book of Poems debunks the myth of poetry's ivory tower to reveal the kind of raw, candid reading experience that truly brings poetry to life.

Every Monday night, the KGB Bar's poetry readings are packed to overflowing. Pulitzer Prize winners bum cigarettes from grad students and martini glasses are refilled between readings, while the best poets in the country share their latest work with a rapt audience.

The KGB Bar is the sexiest and arguably the best venue for poetry in New York City, and now The KGB Bar Book of Poems brings this hot literary series to the page. Icons like John Ashbery and Charles Wright appear here with other favorites such as Molly Peacock and Katha Pollitt. Many of the poets have also written anecdotes about their own most memorable poetry readings.

With dynamic black-and-white photographs throughout, The KGB Bar Book of Poems reflects the dazzling variety and tremendous energy of poetry today.

Millay's first three books of lyrics and sonnets are collected here: Renascence, Second April, and A Few Figs from Thistles. With a balanced and appreciative introduction and useful annotations, this volume presents some of the Pulitzer Prize-winning poet's best work in which she weaves intellect, emotion, and irony.

Edwin Arlington Robinson's finely crafted, formal rhythms mirror the tension the poet sees between life's immutable circumstances and humanity's often tragic attempts to exert control. At once dramatic and witty, his poems lay bare the loneliness and despair of life in genteel small towns, the tyranny of love, and unspoken, unnoticed suffering. The fictional characters he created in 'Reuben Bright', 'Miniver Cheery', and 'Richard Cory' and the historical figures he brought to life - Lincoln in 'The Master' and the great painter in 'Rembrandt to Rembrandt' - harbour demons and passions the world treats with indifference or cruelty. With an introduction that sheds light on Robinson's influence on poets from Eliot and Pound to Frost and Berryman, this collection brings an unjustly neglected poet to a new generation of readers.

Aime Cesaire has been described by the Times Literary Supplement as likely to "figure alongside the Eliot-Pound-Yeats triumvirate that has dominated official poetic culture for more than fifty years". He was a cofounder and exponent of the concept of negritude and is a major spiritual, political, and literary figure.

Cesaire has been read politically as a poet of revolutionary zeal since the 1960s. This collection, the only one in existence in any language to give a truly comprehensive retrospective of Cesaire's poetic production, demonstrates the narrowness of earlier readings that grew out of the climate of Black Power influenced by the essays of Frantz Fanon, another Martinican, who was largely responsible for the ambient view of Csaire a generation ago. It is the first collection to translate And the Dogs Were Silent and i, laminaria...

Lyric and Dramatic Poetry, 1946-82 goes beyond anything else in print (in French or in English) in that it locates the issues of Cesaire's struggle with an emerging postmodern vision. It will place Cesaire in a strategic position in the current debate in the U.S. over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.

No one has attempted so knowing and evocative a description of this literary milieu. . . . Davidson s approach is both novel and illuminating. He presents his authors individually and as] a group, carefully tracing their relation to one another. . . . He is uniquely qualified to chronicle the complex story. He is the ultimate literary Boston insider not only the longtime poetry editor for the Atlantic Montly but successively a key editor at three major publishing houses. The author of nine volumes of poetry, he knew all the major characters of his narrative personally. . . . His book] provides a candid, first-hand account of the mid-century poetic revolution. Dana Gioia, Washington Post Book World"

Evening Train, Denise Levertov's new collection of poetry, is her twenty-first book with New Directions and one of her best. It shows Levertov at her most moving and musical, impressive and meditative, addressing the nature of faith, the imperiled beauty of the natural world (her new home in the Northwest brings mountains, herons, eagles), the horrors of the Gulf War, the pain and tenderness of love. What is remarkable throughout is the precision of her craft and her presence of mind: "Levertov's gift for detail", as the Village Voice noted, "is matched by the way she can make yearnings and ideas seem almost physical, as if she held them in the palm of her hand". Welling up through these poems is longing: longing for peace, for the survival of her cherished earth, for love, for the experience of the divine which comes like "a strain of music heard/then lost, then heard again". Contemplative, personal, universal, the poems reveal in themselves depth after depth.

In 1973, at the age of twenty-three, Jim Carroll burst upon the poetry scene with his first collection, Living at the Movies, a book of vivid and inventive verse that won him comparisons to everyone from Arthur Rimbaud to Frank O'Hara.

Carroll's first new book of poetry in more than a decade, Void of Course presents work composed over the last two years. His major themes--love, friendship, desire, time and memory, and, above all, the ever-present city--emerge in an atmosphere where dream and reality mingle on equal terms. These seventy-seven poems range from graphic, sensuous shorter pieces to edgy stream-of-consciousness prose poems to longer, more contemplative works such as "While She's Gone," an eerie tour de force of longing over a departed lover. Void of Course establishes that Carroll's power and purity of vision are stronger than ever.

'The essays in Where We Stand are utterly absorbing in their clarity, vitality, and variety, reminding us--if we need reminding--of the special vigor that marks the female literary tradition. If you are a woman (whatever you do), if you are a poet (whatever your sex), but especially if you are a woman poet, you'll find this collection fascinating.' -Sandra Gilbert

In Out of Canaan, her stunning first book of poems, Hammond evokes the poignant history of four generations of her Southern family. The reader is immediately attracted by the sheer sparkle and vitality of the language. Library Journal

Rexroth, More Classics Revisited. the second volume of Rexroth's Classics essays.

This volume presents Frost’s first three books, masterful and innovative collections that contain some of his best-known poems, including "Mowing," "Mending Wall," "After Apple-Picking," "Home Burial," "The Oven Bird," "Birches," and "The Road Not Taken."

Interpreting specific poems by some of the best known Chicano writers, this book studies the central aesthetic and thematic concerns recent Chicano poetry addresses. Drawing on current theories of postmodernity and postcoloniality, it places a "minority" literature within the central concerns of contemporary literary and cultural studies. The book addresses the most important issues related to Chicano identity, especially focusing on the contribution women writers and thinkers have made in articulating this identity.

The letters H, v., and O are central to Harrison's poetry. "H" in the play "The Big H," and many of Harrison's poems on language and class, stands for dropped aitches--missed rungs in his "ladder of aspiration," and for the chain of association he makes from the [h]owl of the Leeds City coat of arms to Herod, H-block, H-bomb, and Hiroshima. "H" is also celebrated in its absence, in loving reaffirmations of the bonds of dialect, class, and family. The verses/versus of Harrison's most controversial piece, "v.," are echoed in the "v-signs" and other invective of the angry dispossessed to whom his polyphonic writing gives a voice. "V" also stands for victory--the dearly-bought victories of wars, explored with the concomitant themes of imperialism and political propaganda. The black O haunts Harrison's work. The abyss; the nothingness of death, the extinction of personality, of art, of languages, of species, perhaps even of humankind; is figured in black burn-out circles, pits, mines, and empty skies. Its obverse is another O, where life is affirmed--the acting circle of Harrison's theatre work. Lucid and trenchant, Byrne's study is now the benchmark for students of Harrison's work.