More than forty years have passed since the official end of the Vietnam War, yet the war's legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam. Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war's psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies. Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.

As it seeks to win the hearts and minds of citizens in the Muslim world, the United States has poured millions of dollars into local television and radio programming, hoping to generate pro-American currents on Middle Eastern airwaves. However, as this fascinating new book shows, the Middle Eastern media producers who rely on these funds are hardly puppets on an American string, but instead contribute their own political and creative agendas while working within U.S. restrictions. The Other Air Force gives readers a unique inside look at television and radio production in Afghanistan and the Palestinian territories, from the isolated villages of the Afghan Panjshir Valley to the congested streets of Ramallah. Communications scholar Matt Sienkiewicz explores how the U.S. takes a ""soft-psy"" approach to its media efforts combining ""soft"" methods of encouraging entertainment programming, such as adaptations of The Voice and The Apprentice with more militaristic ""psy-ops"" approaches to information control. Drawing from years of field research and interviews with everyone from millionaire executives to underpaid but ever resourceful cameramen, Sienkiewicz considers the perspectives of the Afghan and Palestinian media workers trying to forge viable broadcasting businesses without straying outside American-set boundaries for acceptable content. As it carefully examines the interplay of U.S. military and economic might with the capacity for local ingenuity and resistance, the book also analyzes the intriguingly complex programming that emerges from this tension. Combining eyewitness reportage with cutting-edge scholarship, The Other Air Force reveals the remarkable creative output that can emerge even from the world's tensest conflict zones.

Why everything you think you know about Australia's Vietnam War is wrong. When Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every misconception. He wasn't alone. In Australia's Vietnam, Dapin reveals that every stage of Australia's commitment to the Vietnam War has been misunderstood, misinterpreted and shrouded in myth. From army claims that every national serviceman was a volunteer; and the level of atrocities committed by Australian troops; to the belief there no welcome home parades until the late 1980s and returned soldiers were met by angry protesters. Australia's Vietnam is a major contribution to the understanding of Australia's experience of the war and will change the way we think about memory and military history. Acclaimed journalist and bestselling military historian Mark Dapin busts long-held and highly charged myths about the Vietnam War Dapin reveals his own mistakes and regrets as a journalist and military historian and his growing realisation that the stereotypes of the Vietnam War are far from the truth This book will change the way military history is researched and written

Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association Enables a reckoning with the legacy of the Forgotten War through literary and cinematic works of cultural memory Though often considered "the forgotten war," lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal-but often unacknowledged-consequences of the Korean War in both domestic and transnational histories of race.

A monumental work of research and analysis, this is a history of the Vietnam War in a single province of the Mekong Delta over the period 1930-1975. More precisely, it is a study of the Vietnamese dimension of the "Vietnam War, " focusing on the revolutionary movement that became popularly known as the "Viet Cong." There are several distinctive features to this study: (1) it provides an explanation for the paradox of why the revolutionary movement was so successful during the war, but unable to meet the challenges of postwar developments; (2) it challenges the dominant theme of contemporary political analysis which assumes that people are "rational" actors responding to events with careful calculations of self-interest; (3) it closely examines province-level documentation that casts light on a number of important historical controversies about the war. No other history of the Vietnam War has drawn on such a depth of documentation, especially firsthand accounts that allow the Vietnamese participants to spea directly to us.

In The Rhetoric of War, Harvey Averch explores the relationship between the a priori policy models that decision makers use in war (or peace) and policy analysis, and provides cost-effective alternatives for decision makers in war or peace. The Vietnam War serves as a case study of the effectiveness of many models proposed by political scientists, historians, and policy analysts as capable of improving decision making if only decision makers were persuaded to adopt them. Averch demonstrates that whatever the method, willingness to be personally and organizationally self-critical is a necessary condition for using any policy analysis method in a serious way.

This is a study of media and cultural artifacts that constitute the remembrance of a tragic war as reflected in the stories of eight people who lived it. Using memoir, history, and criticism, "Crossing the Street in Hanoi" is based on scholarly research, teaching, and writing as well as extensive personal journals, interviews, and exclusive primary source material. Each chapter uses a human story to frame an exploration in media and cultural criticism. What weaves these different threads into a whole cloth are the stories of the Vietnam War and the long shadow it casts over American and Vietnamese cultures.

Following the Text Offensive, a shift in U.S. naval strategy in 1967-1968 saw young men fresh out of high school policing the canals and tributaries of South Vietnam aboard PBRs (patrol boat, riverine)--unarmored yet heavily armed and highly maneuverable vessels designed to operate in shallow, weedy waterways. This memoir recounts the experiences of the author and his shipmates as they cruised the Viet Cong-occupied backwaters of the Mekong Delta, and their emotional metamorphosis as wartime events shaped the men they would be for the remainder of their lives.

This highly illustrated title traces the development of mercenary soldiering from individuals and small units in the African wars of the 1960s-90s to today's state-employed corporate military contractors. The phenomenon of mercenary soldiering has constantly recurred in the news since the 1960s and has always attracted lively interest. The concept of 'mercenaries' began in the former Belgian Congo during the 1960s when men such as Mike Hoare and Bob Denard assembled hundreds of military veterans to 'do the fighting' for a particular leader or faction. This idea soon evolved into small teams of individuals training and leading local forces with varying success; wars in Rhodesia and on South Africa's borders attracted foreign volunteers into national armed forces, and veterans of these conflicts later sought employment elsewhere as mercenaries. The wars in the former Yugoslavia also attracted foreign fighters inspired as much by political and religious motives as by pay. This picture then evolved again, as former officers with recent experience set up sophisticated commercial companies to identify and fill the needs of governments whose own militaries were inadequate. Most recently, the aftermath of wars in Iraq and Afghanistan has seen such contractors taking on some of the burden of long-term security off major national armies, while the subsequent rise of ISIS/Daesh has added a parallel strain of ideological volunteers. The author is well placed to describe how the face of mercenary soldiering has evolved and changed over 60 years. Using first-hand accounts, photos and detailed illustrations, this book presents a compelling snapshot of the life, campaigns and kit used by mercenary operatives engaged in fighting within both larger and more specific conflicts around the world.

The Vietnam War was arguably the most important event for America in the twentieth century. The US entered the conflict with doctrines modelled for the Cold War and a mission to wipe out Communism, but the reality of war in Vietnam confounded all expectations. This book chronicles the bloody guerrilla warfare that ensued.

This work includes landmarks in social, economic and political development in post-war Japan.

As a 26-year old Marine radar intercept officer (RIO), Fleet Lentz flew 131 combat missions in the back seat of the supersonic F-4 B Phantom II during the wind-down of the Vietnam War. Overcoming military regulations, he and his fellow Marines at The Rose Garden (Royal Thai Air Base Nam Phong) kept sorely needed supplies moving in while moving combat troops out of Southeast Asia. His personal and accessible memoir describes how pilots and RIOs executed dangerous air-to-ground bombing missions in Vietnam, Cambodia and Laos--quite different from the air-to-air warfare for which they had trained--and kept themselves mission-capable (and human) while surviving harsh circumstances.

Much of the history written about the Vietnam War overlooks the U.S. Marine Corps Combined Action Platoons. These CAPs lived in the Vietnamese villages, with the difficult and dangerous mission of defending the villages from both the National Liberation Front guerrillas and the soldiers of the North Vietnamese Army. The CAPs also worked to improve living conditions by helping the people with projects, such as building schools, bridges, and irrigation systems for their fields. In War in the Villages, Ted Easterling examines how well the CAPs performed as a counterinsurgency method, how the Marines adjusted to life in the Vietnamese villages, and how they worked to accomplish their mission. The CAPs generally performed their counterinsurgency role well, but they were hampered by factors beyond their control. Most important was the conflict between the Army and the Marine Corps over an appropriate strategy for the Vietnam War, along with weakness of the government of the Republic of South Vietnam and the strategic and the tactical ability of the North Vietnamese Army. War in the Villages helps to explain how and why this potential was realized and squandered. Marines who served in the CAPs served honorably in difficult circumstances. Most of these Marines believed they were helping the people of South Vietnam, and they served superbly. The failure to end the war more favorably was no fault of theirs.

The main premise "The Vietnam Wars" is that Vietnam experienced not one but several over-lapping and often inter-dependent wars. This lively new source book chronicles the history of one of the bloodiest and most controversial conflicts of the twentieth century, beginning with the birth of the Vietnamese communist party in 1930 and ending with the triumph of the Vietnamese revolution in 1975. Through a series of short essays, but most especially through the documents themselves, the book illustrates and illuminates both the conflict and the main historical debates about its origins, course and consequences.

Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review "The Year in Reading" Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize-winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War-a conflict that lives on in the collective memory of both nations. "[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War-and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift-wisdom, wit, compassion, curiosity-to the impossible yet crucial work of arriving at what he calls 'a just memory' of this war." -Kate Tuttle, Los Angeles Times "In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths." -Jonathan Mirsky, Literary Review "Ultimately, Nguyen's lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy." -Donna Seaman, Booklist (starred review)

The Vietnam War was one of America's longest, bloodiest, and most controversial wars. This volume examines the complexities of this protracted conflict and explains why the lessons learned in Vietnam are still highly relevant today. Vietnam War: The Essential Reference Guide provides a compendium of the key people, places, organizations, treaties, and events that make up the history of the war, explaining its causes, how it was conducted, and its far-reaching consequences. Written by recognized authorities, this ready-reference volume provides essential information all in one place and includes a comprehensive list of additional sources for further study. The work presents a detailed chronology that outlines the numerous battles and campaigns throughout the war, such as the Tet Offensive, the Battle of Hamburger Hill, Operation Rolling Thunder, and the Battle of Hue. Biographies on Lyndon Johnson, William Westmoreland, Robert McNamara, Ngo Dinh Diem, and other major political figures and military leaders provide insight into the individuals who played key roles in the conflict, while primary source documents such as President Nixon's speech on Vietnamization provide invaluable historical context. More than 45 contributors, including Robert K. Brigham, Cecil B. Currey, Arnold R. Isaacs, Lewis Sorley, Spencer C. Tucker, and David T. Zabecki Introductory essays provide a broad overview of the Vietnam War and help readers understand the causes and consequences of the conflict Maps depicting South Vietnam, infiltration routes, and key battles

For some, it was a movement for peace. For others, it was a war against the war. In the eyes of certain participants, the movement was cultural and social at its core, a matter of changing society. Still others defined their protests as political and sought out the economic root causes of the war. What many would agree upon was that it was a time when a remarkable generation came of age and a great nation was shaken to its very foundations. The protest movement in opposition to the Vietnam War was a complex amalgam of political, social, economic, and cultural motivations, factors, and events. Against the Vietnam War brings together the different facets of that movement and its various shades of opinion. Here the participants themselves offer statements and reflections on their activism, the era, and the consequences of a war that spanned three decades and changed the United States of America. The keynote is on individual experience in a time when almost every event had national and international significance. A foreword by Staughton Lynd considers the events of the Vietnam War in the context of the present war in Iraq.

In An American Brothel, Amanda Boczar considers sexual encounters between American servicemen and civilians throughout the Vietnam War, and she places those fraught and sometimes violent meetings in the context of the US military and diplomatic campaigns. In 1966, US Senator J. William Fulbright declared that "Saigon has become an American brothel." Concerned that, as US military involvement in Vietnam increased so, too, had prostitution, black market economies, and a drug trade fueled by American dollars, Fulbright decried an arrogance of power on the part of Americans and the corrosive effects unchecked immorality could have on Vietnam as well as on the war effort. The symbol, at home and abroad, of the sweeping social and cultural changes was often the so-called South Vietnamese bar girl. As the war progressed, peaking in 1968 with more than half a million troops engaged, the behavior of soldiers off the battlefield started to impact affect the conflict more broadly. Beyond the brothel, shocking revelations of rapes and the increase in marriage applications complicated how the South Vietnamese and American allies cooperated and managed social behavior. Strictures on how soldiers conducted themselves during rest and relaxation time away from battle further eroded morale of disaffected servicemen. The South Vietnamese were loath to loosen moral restrictions and feared deleterious influence of a permissive wWestern culture on their society. From the consensual to the coerced, sexual encounters shaped the Vietnam War. Boczar shows that these encounters-sometimes facilitated and sometimes banned by the US military command-restructured the South Vietnamese economy, captivated international attention, dictated military policies, and hung over diplomatic relations during and after the war.

Strap in alongside the Sabre pilots as they experienced the world's first large-scale jet-vs-jet combats. Brought to life with innovative tactical artwork and dramatic first-hand accounts from the pilots themselves. The F-86A Sabre had entered USAF service in 1949, and in December 1950 three squadrons were sent to South Korea. Despite primitive basing conditions and overwhelming Chinese opposition, the Sabre pilots stopped communist air forces from attacking UN ground troops and allowed Allied fighter-bombers to operate without threat of interception. The ensuing air battles between Sabres and MiG-15s were the first since World War II, and the last in recent times to involve large numbers of jet fighters in direct confrontation. In all of them the victorious F-86 pilots demonstrated the superiority of their training and tactics and the outstanding qualities of their Sabres. Contemporary photographs and specially commissioned artwork, including a dramatic battlescene, armament views, technical diagrams and ribbon diagrams illustrating step-by-step each main dogfight explored in the book, bring the experiences of the Sabre pilots and their battle tactics vividly to life.

Playing trumpet in the 9th Infantry Division Band should have been a safe assignment but the Viet Cong swarmed throughout the Mekong Delta, and safety was nonexistent. The band's twofold mission-boosting morale and helping win the hearts and minds of the Vietnamese-required them to leave their Dong Tam (a.k.a. Mortar City) base camp and travel through a vast area of rice paddies, dense jungle and numerous villages. By 1969, home-front support for the war had dwindled and the U.S. Army in Vietnam was on the brink of mutiny. No one wanted to die under the command of career minded officers in a war lost to misguided politics. This memoir of a conscripted musician in Vietnam provides a personal account of the lunacy surrounding combat support service in the 9th Infantry Division during the months prior to its withdrawal.

Australia's involvement in the Vietnam War presented moral dilemmas that divided the nation. The changing ways that Australian newspapers covered the conflict both reflected these dilemmas and inflamed them. Trish Payne's insightful analysis of Australian reporting of the Vietnam War traces the shifts in emphasis of the coverage, the influence of government on the news that reached the public, the extent of our allegiance to the American viewpoint and the lack of a balancing Vietnamese perspective. ""War and Words"" presents clearly the influences that shaped the media agenda of the time and identifies patterns of press coverage that continue to be discernable in the reporting of current military conflicts.