*** 'With an approachable layout and excellent illustrations, including both photographs and line drawings, this book is just the thing for someone discovering the pastime and would be ideal for those who have just acquired a garden of some size. Topics covered range from plant biology and propagation, to everyday garden care, fruit and vegetables and growing under cover.' The English Garden Keen amateur gardeners and aspiring professionals can learn from the expertise of the RHS with this handy guide. It doesn't matter if you're an old hand at gardening or just starting out, there are always things to discover and opportunities to improve, whether it's mastering a new technique or brushing up on your botany. RHS Gardening School is the perfect guide for gardeners who want to learn. Inside you'll find chapters on: Understanding plants Everyday garden care Problem solving Planting design Gardening through the year and much more. Hands-on guidance and step-by-step instructions explain topics such as pruning, pest and diseases, weed removal and caring for lawns. Expert gardeners explain the underlying principles in plain English, while clear diagrams and beautiful photographs inspire and inform. This revised edition will have a fresh new look with new illustrations and photographs and an easy-to-navigate layout making it an ideal handbook for the new gardener. Become a better, smarter, more productive gardener with this complete guide to horticulture in one handy book.

William Marshall (1745-1818), an experienced farmer and land agent, published this work anonymously in 1785. (His later, two-volume Planting and Rural Ornament is also reissued in this series.) His intention here is 'to bring into one point of view, and arrange in compendious form, the Art of Planting and Laying-Out Plantations', which had been treated by previous authorities as two distinct subjects. The book begins with instructions on propagation, planting out and transplanting, followed by an outline of the Linnaean system and an extensive alphabetical plant list (by Latin names). The second part consists of advice on the use of plants in the wider landscape: stands of timber for cutting, hedges, woodlands, and the landscaping of 'grounds'. The work includes a history of modern gardening, and discussions of 'factitious accompaniments', including the hunting-box and the ornamented cottage, though not the temple, which was 'a great act of folly' according to Marshall's criteria.

An A-to-Z compendium of more than 200 garden elements, styles, features, and ornaments for gardeners around the globe The Garden is the definitive reference guide to garden design, its rich history, and the creative art of garden. With an easy-to-use A-Z format, the book includes definitions and informative descriptions for over 200 modern and historical garden styles, features, types and ornaments, brought to life with more than 500 spectacular images. This accessible, inspirational format is pefect for both amateur gardeners and specialists alike. Entries range from Allee, Borrowed Landscape and Coastal Garden, to Minimalism, New Perennial Planting, Pool, Vista and Xeriscape Garden. This is a unique, illustrated 'glossary' for gardeners features over 400 gardens, both public and private, iconic and lesser known. Examples include spaces such as the Baroque gardens of Versailles and rarely published tropical courtyards from contemporary designers, alongside artist creations such as Frida Kahlo's courtyard in Mexico and Derek Jarman's coastal garden in Dungeness, England. Alongside the work of private garden owners and makers, the book also showcases the work of emerging and eminent designers, including Andrea Cochran, Emily Erlam, Raymond Jungles, Dan Pearson and Piet Oudolf. Whether tending an English cottage garden or a Japanese Zen landscape, gardeners and garden lovers everywhere will be inspired as never before. Written by garden expert and historian Toby Musgrave, author of Phaidon's bestselling book The Gardener's Garden.

Anyone who loves their garden knows that there's something happening in nature every day of the year. Whether it's the first crocus of spring, summer's explosion of colors, fall's abundant harvest, or the renewing dormancy of winter these outdoor sanctuaries offer daily opportunities for investigation, contemplation, and appreciation. This stunning daybook offers 365 elegant photos of some of the world's most exquisite gardens, following the yearly cycle of growth and rebirth. Each photo is accompanied by engaging texts such as planting tips, design techniques, natural history, and botanical facts that provide both ideas and helpful information. In addition, there is room on each spread for gardeners to record and preserve their own daily observations and reflections. The perfect keepsake for gardeners of all levels of expertise, this beautiful daybook deepens the rewards of gardening all year round.

This text contains the essence of Thomas Church's design philosophy, as well as practical advice. It is illustrated by site plans and photographs of some of the 2000 gardens that Church designed during his career.;Called "the last great traditional designer and the first great modern designer", Church was one of the central figures in the development of the modern Californian garden. For the first time, West Coast designers based their work not on imitation of East Coast traditions, but on climatic, landscape and lifestyle characteristics unique to California and the West. Church viewed the garden as a logical extension of the house, with one extending naturally into the other.

A beautifully designed, full-color personal account of what it means to become a gardener, filled with specially commissioned color photography, watercolors, and fine art. To make her new house in Connecticut truly feel like home, Catie Marron decided to create a garden. But while she was familiar with landscape design, she had never grown anything. A dedicated reader with a lifelong passion for literature, Marron turned to the library of gardening books she'd collected to glean advice from a variety of writers on gardening and horticultural topics both grand and small. Marron's quest to become a gardener, however, was about more than learning the basics about mulch or which plants work best in the shade. She sought something far more elusive: to identify the core qualities and characteristics that make a person a gardener and an understanding of what a garden could mean to her as it had to multitudes of other gardeners over the centuries. In Becoming a Gardener, Catie Marron chronicles her transformation into a gardener over the course of eighteen months, seeding the details of her experience with rich advice from writers as diverse as Eleanor Perenyi and Karel Capek, Penelope Lively, and Jamaica Kincaid. As she digs deeper into her readings and works in the garden itself, Marron not only discovers the essence of gardening but in the words of Michael Pollan, "the endlessly engrossing ways that cultivating a garden attaches a body to the earth." A delightful blend of informed opinion, personal reflection, and practical advice, Becoming a Gardener explores topics as varied as the composition of dirt, the agricultural wisdom of avid kitchen gardeners George Washington and Thomas Jefferson, the healing power of digging in the soil, and the beauty of finding solitude in nature. Throughout, Marron carefully plants special illustrated features, such as musings on the merits (and detriments) of the rose, essential tools, moonlight gardening, children's books which feature gardens, and her favorite gardens around the world. Also included is an annotated list of recommended writers, books, and films related to gardens and gardening, and a monthly to-do calendar. Featuring specially commissioned illustrations by the Danish team All the Way to Paris, and stunning photographs by acclaimed photographer William Abranowicz that capture the pastoral beauty of Marron's Connecticut garden, Becoming a Gardener is a very special and moving portrait of life and the enduring power of literature and nature that is sure to become an instant classic.

The Arts and Crafts Movement espoused values of simplicity, craftsmanship and beauty quite counter to Victorian and Edwardian industrialism. Though most famous for its architecture, furniture and ornamental work, between the 1890s and the 1930s the movement also produced gardens all over Britain whose designs, redolent of a lost golden era, had worldwide influence. These designs, by luminaries such as Gertrude Jekyll and Sir Edwin Lutyens, were engaging and romantic combinations of manor-house garden formalism and the naive charms of the cottage garden - but from formally clipped topiary to rugged wild borders, nothing was left to chance. Sarah Rutherford here explores the winding paths and meticulously shaped hedges, the gazebos and gateways, the formal terraces and the billowing border plantings that characterised the Arts and Crafts garden, and directs readers and gardeners to where they can visit and be inspired by these beautiful works of art.

In this classic 1960s gardening book, Margery Fish's advice and enthusiasm for horticulture has stood the test of time and remains a go-to book for green-thumbed gardeners today. She guides the reader through techniques for creating and maintaining a cottage garden with humour and ease, perfect for both beginners and experienced gardeners.In her imaginative adaption of the traditional cottage garden style that she saw disappearing around her, she brought together old-fashioned plants and contemporary plants in the same vein. Today's mixed borders are a direct descendant of the style Margery Fish created at East Lambrook Manor in Somerset, now once again open to the public.Cottage Garden Flowers covers plants that grow easily and naturally in British soil, including easy, adaptable bulbs, perennials and shrubs, such as Astrantia, columbines, daffodils, daisies, Dianthus, foxgloves, hollyhocks, Japonica, old roses, Phlox, Primula, or Virburnum. No longer in danger of being forgotten, these traditional flowering plants have now res-established their place at the heart of garden design. Graham Rice, the widely published gardening author and the former London Evening Standard gardening correspondent, has reviewed the plant names in the original text, providing a plant name section at the back of the book. This allows readers to identify current plants from the old Latin names within the text.

John D. Sedding (1838 91) was an English church architect and an influential figure in the Arts and Crafts movement. Having worked in Penzance and Bristol, he was elected a Fellow of the Royal Institute of British Architects in 1874 and set up a practice in London, eventually becoming a neighbour of William Morris. His designs included new churches such as Holy Trinity in Sloane Street (1888 90), Holy Redeemer in Clerkenwell (1887 95), and All Saints, Falmouth (1887 90), as well as restoration projects and decorative work. In 1888 he moved to Kent, and developed his interests in gardening and garden design. This book, completed in 1890 and published posthumously in 1891, sets out Sedding's vision for the landscaped garden. It helped to revive garden features such as terraces, covered walkways and topiary, and inspired generations of garden designers, particularly in the Arts and Crafts movement.

Gertrude Jekyll (1843 1932) was one of the most influential garden designers of the late nineteenth and early twentieth centuries. Skilled as a painter and in many forms of handicrafts, she found her metier in the combination of her artistic skills with considerable botanical knowledge. Having been collecting and breeding plants, including Mediterranean natives, since the 1860s, she began writing for William Robinson's magazine, The Garden, in 1881, and together they are regarded as transforming English horticultural method and design: Jekyll herself received over 400 design commissions in Britain, and her few surviving gardens are treasured today. Like Robinson's, her designs were informal and more natural in style than earlier Victorian fashions. In this, the first of fourteen books, published in 1899, she stresses the importance of being inspired by nature, and sums up her philosophy of gardening: 'planting ground is painting a landscape with living things'.

China is renowned for its enchanting, tranquil gardens, designed to reflect both the charm of nature and the ancient Chinese view of life. Chinese Gardens explores the creation of classical gardens through history, discussing the theories and artistic conception behind these gardens and the development of diverse regional styles. Lou Qingxi provides a comprehensive introduction to the distinctive combination of nature, philosophy and art that is unique to Chinese gardens, complemented with full color illustrations throughout.

The picturesque (a set of theories, ideas, and conventions that grew up around the question of how we look at landscape) offers a valuable focus for new investigations into the literary, artistic, social, and cultural history of the late eighteenth and nineteenth centuries. This volume of essays by scholars from various disciplines in Britain and America incorporates a range of historically and theoretically challenging approaches to the topic. It covers the writers most closely identified with the exposition of the picturesque as a theory, and also traces the influence and implications of its aesthetic in a variety of fields in the Romantic period, including literary and pictorial works, estate management, and women's fashion. Several essays deal more specifically with radical critiques and appropriations of the picturesque in the nineteenth century, while in others its influence is traced beyond traditionally accepted geographical or historical bounds.

A textbook for the required course on professional practice in all accredited degree programs in landscape architecture. Covers essential areas of professional practice from marketing to project management, legal issues and technical specifications. Guides readers through planning a successful career in this field.

Landscapes of material are also landscapes of meaning: praxis is itself symbolic, and all landscapes are symbolic in practice. Ideology and Landscape in Historical Perspective draws together fifteen historical geographers to examine landscapes as messages to be decoded, as signs to be deciphered. The range of examples is wide in terms of period, from the medieval to the modern, and of place, embracing the USA, Canada, Palestine, Israel, South Africa, India, Singapore, France and Germany. Each essay addresses a specific problem, but collectively they are principally concerned with the ideologies of religion and of politics, of Church and state, and their historical impress upon landscapes. The book is introduced by an essay which explores the dialectical understanding of landscapes, and landscapes as expressions of the connection of an ideology to a quest for order, to an assertion of authority and to a project of totalization. The issues raised by landscapes and their meanings - issues of individual and collective action, of objective knowing, of materialist and idealist explanation - are fundamental not only to historical geography but to any humanistic study, and render the geographical study of landscapes of interest to scholars in many disciplines.

The 18th-century phenomenon of the English Landscape Garden was so widespread that even today, when so much has been built over or otherwise changed, one is never far from an example throughout England. Although seemingly natural, the English Landscape Garden was generally the result of considerable contrivance, effort and design skill, the result of `the art that conceals art'. It might involve digging lakes, raising or levelling hills, and planting trees, sometimes in vast numbers. Nature was arranged and shown to best advantage. The English landscape garden took many forms, and the variety of manifestations was and remains remarkable. A great number survive, if sometimes in modified form, and can be visited and appreciated. The book is structured so as to give the background to, and motivation for, creating the landscape garden; to summarise the chronology of its development; to chart the most significant writers and theorists; and to consider the range of the many forms it took. The story of the landscape garden is complex, multi-layered and constantly changing in emphasis for such an apparently simple and straightforward construct. This book will help to uncover some of the richness that lies behind a meaningful part of the environment. The book can be regarded as a companion to the volume already published by Historic England, The English Landscape Garden in Europe.

Concrete Garden Projects offers up an inspiring array of creative projects that can be made for next to nothing. Follow the easy, step-by-step instructions to make containers of all sizes, benches and stools, ponds and birdbaths, pavers and stepping stones A-- and even a barbecue. The forms for the projects range from household items like bowls and baking pans to simple wooden frames and boxes. For elegant, individual, garden decor, don't spend a fortune, just mix and pour.