The Book of Baruch is a Bible pseudepigrapha; a deuterocanonical work attributed to Baruch ben Neriah, the scribe of the prophet Jeremiah. The Assumption of Moses is a Jewish apocryphal work concerning hidden prophecies that Moses revealed to Joshua prior to the latter inheriting his leadership of the ancient Jews. Together these works constitute typical examples of popular Biblical texts which are extra-canonical; most Christian and Jewish groups do not regard their contents as true. Their origins are definitively proven to be several centuries after the time they purport to be from. However, theological scholars have expressed some interest, particularly given the time and context of the writing; being as these pseudepigrapha are old texts, they themselves carry value. This edition contains a lengthy, explanatory introduction by W. O. E. Oesterley, and the well-regarded translations of Bible scholars R. H. Charles (for Baruch) and William John Ferrar (for Moses).

Classic Charles Williams: A humanistic adept has discovered that by focusing his energies inward he can extend his life almost indefinitely. He undertakes an experiment, using African lore, to die and resurrect his own body, thereby assuring his immortality. His followers begin a revolutionary movement to destroy European civilization.

A precious treasure of lost Lemurian wisdom is found in the forest. It is a book, clad in worn white deerskin, and within on pages of bark is inscribed a mysterious and glowing script. It is written in the language of the Elven Ones, who so long ago vanished from our world. SILVER WHEEL is an exquisite mandala of wisdom teachings from the Elven realms of Lemuria, that declares the Golden Dawn of a New Earth. It announces the return of the Shining Ones, and guides us into their ancient knowledge, their harmony with the earth and stars. ELEN ELENNA received these teachings during her years of shamanic training in the forests of Wales. These beautiful teachings offer navigational tools for the New Earth. They activate our own otherworldly gifts and memories, and our intuitive grace of connection to the elemental and star realms.

Black Jack Herman

Eva turns 109 as seen on the Today Show 4/9/08.

Quote of the day: "When you've been buried alive, you're not looking forward to the real thing "

The premiere African-American magician of the twentieth century, he was an ardent freedom fighter speaking out against the scourge of Jim Crow-ism and conducting Algonquin style roundtables in his Harlem abode circa 1920's. Intriguingly, he warned people against banks and stocks before the advent of the Great Depression. He continued to entertain and enlighten throughout the crisis that followed. That is, until his mysterious death on stage in April 1934.

Steeped in details of its early twentieth-century setting, the manuscript offers a richly detailed look at the showmanship so popular during that era. In addition, it effectively conveys the mentality of the time, with prohibition, big-name gangsters, and the threat of national economic collapse looming always in the background. Ultimately, "Black Jack: A Drama of Magic, Mystery, and Legerdermain" also serves as a testament to the power of the human spirit, as readers may be struck not only by what Eva endures, but by how she endures it.

Especially since the Renaissance, some in Western Christendom have suspected that the deeper dimension of their tradition has somehow been lost, and have therefore sought to discover, or create, an 'esoteric' or 'initiatic' Christianity. In the middle of the nineteenth century two scholars, Gabriele Rossetti and Eugne Aroux, pointed to certain esoteric meanings in the work of Dante Alighieri, notably The Divine Comedy. Partly based on their scholarship, Gunon in 1925 published The Esoterism of Dante. From the theses of Rosetti and Aroux, Gunon retains only those elements that prove the existence of such hidden meanings; but he also makes clear that esoterism is not 'heresy' and that a doctrine reserved for an elite can be superimposed on the teaching given the faithful without standing in opposition to it. One of Ren Gunon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume Insights into Christian Esoterism (which includes the separate study Saint Bernard), Gunon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Gunon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. In addition to Dante, various other paths toward a possible Christian esoterism have been explored by many investigators-the legend of the Holy Grail, the Knights Templars, the tradition of Courtly Love, Freemasonry, Rosicrucianism, and Christian Hermeticism-and Gunon deals with all of these in the present volume as well as his Insights into Christian Esoterism. In the latter, one chapter in particular, 'Christianity and Initiation', will be of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Gunon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Gunon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.

Supporting three wives, twelve children, and assorted relatives, Mohan Rai is a thoroughly modern man, convinced he's escaped an outmoded duty to follow his father as shaman to his Bhutanese village. But the gods and spirits, ancient protectors of the tribe, have other ideas.

Dishonored and vengeful, they enter his dreams and haunt his days, destroying his business, his health, his sanity, and finally, his freedom.

Based on Mohan's letters from prison, this true account by his first Western initiate will transform your worldview.

"Ellen's retelling of Mohan Rai's first-hand account of his shamanic apprenticeship in Bhutan is a valuable contribution to the preservation of this ancient knowledge." ―Michael Harner, Ph.D., author, "The Way of the Shaman and Founder, Foundation for Shamanic Studies"

"I was fascinated. Like "Autobiography of a Yogi," Mohan Rai's story shares much wisdom. Portraying his training from childhood in the ancient, mystical traditions of the shaman, this book brings a hopeful vision I will carry into my everyday life forever...a reminder of the mysteries that sustain our lives and how little we know of them. The message runs deep." ―Hal Zina Bennett, Ph.D., author, "Spirit Animals and the Wheel of Life: Earth-Centered Practices for Everyday Living"