In 2016, Sandy Winterbottom embarked on an epic six-week tall-ship voyage from Uruguay to Antarctica. At the mid-way stop in South Georgia, her pristine image of the Antarctic was shattered when she discovered the dark legacy of twentieth century industrial-scale whaling. Enraged by what she found, she was quick to blame the men who undertook this wholescale slaughter, but then she stumbled upon the grave of an eighteen-year-old whaler from Edinburgh who she could not allow to bear the brunt of blame. There are two sides to every story. The Two-Headed Whale vividly brings to life the spectacular scenery and wildlife of the vast Southern Oceans, set alongside the true-life story of Anthony Ford, the boy in the grave, as he sailed the same seas and toiled in an industry where profits outranked human life. In this compelling account, Sandy challenges our preconceptions of the Antarctic, weaving in themes of colonialism, capitalism and its link to both environmental and human exploitation. Drawing together threads of nature and travel writing with an unflinching narrative of life onboard a whaling factory ship and the legacy it left behind, The Two-Headed Whale leaves us questioning our troubled relationship with the extraordinary abundance of this planet.

Samestellers Corlia Fourie en Annelize van Rooyen bring vermaaklike reisstories deur 46 skrywers byeen, o.a. Marita van der Vyver, Kirby van der Merwe, Sophia Kapp, Jacques Pauw, Irma Joubert, Julian Jansen, C. Johan Bakkes, Bettina Wyngaard en Frederik de Jager.

Die skrywers vertel van verrassende gebeure tydens reise, met snaakse, bittersoet of heuglike gevolge. Maar altyd is die ervaringe verrykend.

Reis saam van Fraserburg tot Timboektoe; Arizona tot Zanzibar; en nog baie ander plekke!

"As I sat on the side of Hamnafield on Foula in the Shetland Islands, looking down at my 'enormous' 38-foot ferry stowed in its cradle on the quay in Ham Voe, over 1,000 feet below me, I reflected on a moderately successful career to date, and wondered how on Earth I had ended up driving what was, in effect, a floating dust cart" After 42 years at or connected with the sea, Jeremy Walker ended up on the Shetland Island of Foula commanding and running a small ferry to the mainland of Shetland. Throughout the course of his career, firstly as a seagoing deck officer with a large, but now defunct, British shipping company, then as a Hovercraft Commander for four years, returning to sea for a brief period as Master of two small coastal tankers and then for the majority of his career as a Pilot on the River Humber, he encountered many amusing situations. In this book he attempts to relate these stories and to illustrate the lighter side of what was a very difficult, responsible and, at times, incredibly stressful job. And little did he know that his career was far from over and new opportunities and challenges would take him on for a further 13 years to eventual retirement.

"As I sat on the side of Hamnafield on Foula in the Shetland Islands, looking down at my 'enormous' 38-foot ferry stowed in its cradle on the quay in Ham Voe, over 1,000 feet below me, I reflected on a moderately successful career to date, and wondered how on Earth I had ended up driving what was, in effect, a floating dust cart" After 42 years at or connected with the sea, Jeremy Walker ended up on the Shetland Island of Foula commanding and running a small ferry to the mainland of Shetland. Throughout the course of his career, firstly as a seagoing deck officer with a large, but now defunct, British shipping company, then as a Hovercraft Commander for four years, returning to sea for a brief period as Master of two small coastal tankers and then for the majority of his career as a Pilot on the River Humber, he encountered many amusing situations. In this book he attempts to relate these stories and to illustrate the lighter side of what was a very difficult, responsible and, at times, incredibly stressful job. And little did he know that his career was far from over and new opportunities and challenges would take him on for a further 13 years to eventual retirement.

"The art of travelling is only a branch of the art of thinking," Mary Wollstonecraft wrote in 1790 in a review of a travel narrative set in Ireland. A Short Residence was her own travel memoir, and became the work that Wollstonecraft most admired in her own lifetime. The text narrates Wollstonecraft's journey through Scandinavia, accompanied by her young daughter; the letters are addressed to an unnamed lover. Passionate and personal, the letters also explore the comparative political and social systems of Europe. The result is a travel book that is both as much a work of political thought as Wollstonecraft's more well-known treatises, and an innovative and influential work in the genre. This Broadview Edition provides a helpful introduction and extensive appendices that contextualise this remarkable text in relation to a number of key political and aesthetic debates.

WINNER OF THE GUARDIAN FIRST BOOK AWARD Once we thought monsters lived there. In the Enlightenment we scaled them to commune with the sublime. Soon, we were racing to conquer their summits in the name of national pride. In this ground-breaking, classic work, Robert Macfarlane takes us up into the mountains: to experience their shattering beauty, the fear and risk of adventure, and to explore the strange impulses that have for centuries lead us to the world's highest places.

Between soaring mountains, across arid deserts, parched plains and valleys of fruit orchards and olive groves, down glittering coastlines and along viaducts towering above plunging ravines... there is no better way to see Spain than by train. Rail enthusiast Tom Chesshyre, author of Slow Trains to Venice, Ticket to Ride and Tales from the Fast Trains, hits the tracks once again to take in the country through carriage windows on a series of clattering rides beyond the popular image of "holiday Spain" (although he stops by in Benidorm and Torremolinos too). From hidden spots in Catalonia, through the plains of Aragon and across the north coast to Santiago de Compostela, Chesshyre continues his journey via Madrid, the wilds of Extremadura, dusty mining towns, the cathedrals and palaces of Valencia and Granada, and finally to Seville, Andalusia's beguiling (and hot) capital. Encounters? Plenty. Mishaps? A lot. Happy Spanish days? All the way.

This collection On Travel is clever, funny, provoking and confrontational by turn. In a pyrotechnic display of cracking one- liners, cynical word play and comic observation, it mines three thousand years of wit and wisdom: from Martha Gellhorn to Confucius and from Pliny to Paul Theroux.

Expectation meets Julie and Julia, The Yellow Kitchen is a brilliant exploration of food, belonging and friendship. London, 2019. A yellow kitchen stands as a metaphor for the lifelong friendship between three women: Claude, the baker, goal-orientated Sophie and political Giulia. They chase love and careers; dreaming and consuming in the city, but always returning to the yellow kitchen to share a meal. That is, until a trip to Lisbon unravels unexplored desires between Claude and Sophie. Having sex is one thing, waking up the day after is the beginning of something new. Exploring the complexities of female friendship, The Yellow Kitchen is a hymn to the last year of London as we knew it and a celebration of the culture, the food and the rhythms we live by. Praise for The Yellow Kitchen: 'Rich and thoroughly intoxicating, The Yellow Kitchen is a sensual journey into friendship, food and female sexuality, full of complex, fascinating characters and bold ideas. I loved it' Rosie Walsh 'A heady mix of politics, friendship, sex and food, poignant, provocative and utterly distinctive' Paula Hawkins 'An exquisite novel - beautifully rendered, powerfully told, and so deeply felt. I urge you to read this novel - you will never forget it' Lucia Osborne-Crowley 'Mixing female friendship, romance, loss, redemption, and memorable meals, The Yellow Kitchen is the perfect recipe for a flavorful literary feast. With subtle dashes of wit and generous sprinklings of honesty, Margaux Vialleron has crafted a brave and tender tale' Kim Fay, author of Love & Saffron 'The Yellow Kitchen is so warm and convivial in atmosphere, and its discussion of the politics of the UK and their impact very poignant. It portrayed beautifully the sense of adventure of being a certain age, with its rush and richness and emotional confusion, and I found it such a satisfying read' Emily Itami, author of Fault Lines