(Amadeus). The subjects of this third volume range from survivors of the so-called Golden Age of the 1890s, such as the formidable Lotte Lehman, to those whom the 20th century has bequeathed to the 21st, such as Cecilia Bartoli and Ian Bostridge. This is a personal selection that includes many of the great names, including Melchior, heldentenor of the century, and Gigli, the most popular Italian singer of his generation. The entire series (for this is the final volume) ends with a chapter on Caruso, still widely regarded as the greatest of all.Steane's critical essays seek out the special qualities of each singer and relate them to wider concerns in music and in life. His eloquent descriptions of the nuances of the vocal art are wonderful examples of the best kind of music appreciation. HARDCOVER.

Born dirt-poor (his family had the dirt floor to prove it), Waylon Jennings took all the grit of his hometown of Littlefield, Texas, into his soul and his sound. From childhood, this son of a farm laborer considered nothing else but playing music. Stubborn enough never to lose sight of his goal, dumb enough not to realize how long and hard the road, he started as a country disc jockey in Lubbock, then signed on as a protege of fellow Texan Buddy Holly, missing the plane crash that claimed Holly's life by an accident of fate. Cut in the mode of Hank Williams and Carl Smith, yet determined to infuse conservative country music traditions with the energy of rock and roll, Waylon broke the closed society of Nashville sessions in the sixties. Under the tutelage of legends like Porter Wagoner and Ernest Tubb, he shared living quarters with Johnny Cash, took songwriting tips from Roger Miller and encouragement (often unsolicited) from Willie Nelson, and hung out after hours with Kris Kristofferson and George Jones. In the wake of country's own distinctive counterculture, when southern-fried acid freaks met - and partied with - diehard good ol' boys, Waylon helped give America something genuinely new. His 1976 anthology album, Wanted: The Outlaws, was a stunning platinum success, heralding a sound and a mood that evoked the country's pioneer spirit, a restlessness always pushing at the horizon and looking toward the next ridge. But while the artist and performer devoured life and rewrote the rules of the nation's popular music, the star binged on an endless stream of cocaine and pills and staggered through three failed marriages. Ultimately - and inspiringly - Waylon triumphed over his drughabit, proving he would fight for the right to sing his song. At the same time, he ended his long search for the right woman and married Jessi Colter, a country-singing great in her own right and now Waylon's wife for more than a quarter of a century. Today, two-time Grammy winner and sixteen-time chart-topper Waylon Jennings keeps the country fires raging, joining fellow superstars Willie Nelson, Johnny Cash, and Kris Kristofferson on their sold-out international tours as the Highwaymen.

This collection of German songs contains two strains of tradition: the political song and the folk song. It is not always clear where the distinction between the two can be drawn, since many political songs become folk songs due to their popularity, and many folk songs have a clear, emancipatory - and thus political - dimension. But the main criterion for inclusion in this anthology is the popularity a song has enjoyed, either down through the centuries or more recently, in German-speaking or non-German-speaking countries. The addition of scores is another plus, offering an opportunity to recognize the songs musically.