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Books > Fiction > Genre fiction > Crime & mystery > Historical mysteries
"Sir Hugh is in top form tracking down the wily killer of local clerics while eating his way through a feast of mediaeval dishes. A delightful mystery with an authentic historical touch." Fiona Veitch Smith, author and scriptwriter Keeping watch over the Easter Sepulchre, where the Host and crucifix are stored between Good Friday and Easter Sunday, is considered a privilege. So, it is shocking when it is discovered that Odo, the priest's clerk, has abandoned his post. But as the hours pass and Odo is not found, Hugh de Singleton is called upon. It is Hugh that finds the dried blood before the altar, and fear grows for the missing man... Will Hugh be called upon to investigate another murder, or will the man be found hale and hearty? But if so, where has the blood come from?
In the spring of 1666 everyone's first reaction to a sudden death at the palace of White Hall is that the plague has struck, but the killing of Thomas Chiffinch was by design, not disease. Chiffinch was holder of two influential posts - Keeper of the Closet and Keeper of the Jewels - and rival courtiers have made no secret of their wish to succeed to those offices. To Thomas Chaloner, ordered to undertake the investigation, such avarice gives a whole host of suspects an ample motive for murder. The same courtiers are at the heart of the royal entourage endorsing the King's licentious and ribald way of life, and Chaloner has some sympathy with the atmosphere of outrage and disgust at such behaviour. London's citizens, already irked by the wealthy fleeing to the country at the outbreak of the plague, have scant patience with the Court on its return. The city is abuzz with rumours of dissent and rebellion, fuelled by predictions from a soothsayer in Clerkenwell of a rain of fire destroying the capital on Good Friday. Chaloner initially dismisses such talk as nonsense, but as he uncovers ever more connections to Clerkenwell among his suspects, he begins to fear that there is also design behind the rumours - and that, come Easter Day, the King and his Court might find themselves the focus of yet another rebellion.
Dolly Merishaw is a midwife and an abortionist in Victorian Toronto, and although she keeps quiet about her clients, her contempt and greed leaves them resentful and angry. It comes as no surprise to Detective William Murdoch when she is murdered, but when a young boy is found dead in Dolly's squalid kitchen a week later, Murdoch isn't sure if he's hunting one murderer - or two.
A master archer is Bradecote and Catchpoll's target October 1143. His task dispatched, a mysterious archer melts back into the forest, leaving the gang to steal the salt and hide the arrow-pierced corpses. The lord Sheriff of Worcestershire cannot ignore such a brazen attack on the salt road from Wich, nor the death of a nobleman in the wrong place at the wrong time. And so Hugh Bradecote and Serjeant Catchpoll are sent to hunt an elusive killer and the salt thieves, and put a stop to the mounting attacks. But it is not easy to get the culprits in their sights with a reeve keen to keep his position at all costs, a lord with his own ends to serve and a distrusting and vengeful widow to whom Bradecote is increasingly attracted.
One of the Claridge's kitchen porters is found dead - strangled. He was a recent employee who claimed to be Romanian, but evidence suggests he may have been German. Detective Chief Inspector Coburg has to find out exactly who he was, and what he was doing at Claridge's under a false identity. Once he has established those facts, he might get an insight into why he was killed, and who by. Coburg's job is complicated by the fact that so many of the hotel's residents are exiled European royalty. King George of Greece is registered as 'Mr Brown' and even the Duke of Windsor is staying, though without Wallis Simpson. Clandestine affairs, furtive goings-on and conspiracies against the government: Coburg must tread very lightly indeed .
'Pretty much everything I want in an historical thriller - an absolutely terrific read' Philip Gwynne Jones 'A great insight into Renaissance Florence. What I love about these books is the seamless weaving of factual history with a great story' Abir Mukherjee Florence. Spring, 1537. When Cesare Aldo investigates a report of intruders at a convent in the Renaissance city's northern quarter, he enters a community divided by bitter rivalries and harbouring dark secrets. His case becomes far more complicated when a man's body is found deep inside the convent, stabbed more than two dozen times. Unthinkable as it seems, all the evidence suggests one of the nuns must be the killer. Meanwhile, Constable Carlo Strocchi finds human remains pulled from the Arno that belong to an officer of the law missing since winter. The dead man had many enemies, but who would dare kill an official of the city's most feared criminal court? As Aldo and Strocchi close in on the truth, identifying the killers will prove more treacherous than either of them could ever have imagined . . . The Darkest Sin is an atmospheric historical thriller by D. V. Bishop, set in Renaissance Florence and is the sequel to City of Vengeance.
Cold. Ruthless. Deadly. The myth of Lady Macbeth looms large. But behind the villainous portrait stands a real woman. This is her story . . . Scotland, 1020 AD. King Malcolm II lies on his deathbed, and the most powerful families make a violent claim for the Scottish throne . . . On the eve of her sixteenth birthday, a flushed and nervous Cora MacDuff waits to marry her sweetheart, Macbeth. But her dreams are stolen from her, and the night she was hoping for turns into a brutal slaughter. In order to reclaim the life she was promised, Cora must learn to use every weapon at her disposal - even those she loves . . . The beginning of a brand new Historical fiction series by the bestselling author of the Queens of Conquest series, her new trilogy unearths the real women behind Shakespeare's most infamous queens . . . If you love Elizabeth Chadwick and Anne O'Brien you will adore Joanna Courtney What readers are saying about Joanna Courtney: 'I was hooked from the very first page and didn't want to put it down. Joanna Courtney is a new talent in the world of historical fiction and one that I would highly recommend. I look forward to reading more by this fantastic author' Bookbabblers 'A strong sense of atmosphere and place and time. I really got into the story, in fact I was so gripped by it at one point that I missed my bus. It was a really good, exciting, read. I cannot wait to read the next two books.' Michelle Birkby, author of The House at Baker Street 'Amazing' (Miranda Dickinson) 'Courtney's novel breathes new life into this complex character,...A thrilling introduction to Courtney's new trilogy on Shakespearean queens.' - The Lady 'A glorious, rich, epic story of love, friendship and sacrifice which will sweep you up and transport you to another time. I absolutely loved this and can't wait for the next book in the series' (Rachael Lucas, author of Sealed With A Kiss and Coming Up Roses) 'An absorbing and emotional debut novel' (Candis magazine) 'A thrilling and atmospheric read with strong female characters' (MyWeekly) 'A beautifully written multi layered tale with a tremendously authentic sense of place and time . . . an epic feel . . . highly recommended' (LizLovesBooks) 'The story reaches a heart-rending climax. A must read. I loved it' (Freda Lightfoot, author of The Amber Keeper) 'With lovely writing and a terrific sense of narrative drive, Joanna Courtney portrays an era of change through a story about a long forgotten Queen. In The Chosen Queen, Edyth is a heroine who inhabits a convincingly re-created historical world, peopled with personalities whose lives leap from the page. Superb! (Carol McGrath, author of The Daughters of Hastings trilogy) An outstanding opening to this new series set to rival historical fiction heavyweights like Philippa Gregory and Susanna Dunn (Lisareadsbooks)
In the 1930s, Port St. Joe, on the Gulf in Florida's panhandle, had more than its share of secrets. Morphine-addicted old Doc Berber, the town's only general practitioner, thought he knew most of them. But a murder out at the Cape San Blas lighthouse pulls him into series of intrigues that even he does not know how to cure.
If these walls could talk . . . 'Intricate murder mystery... gripping.' WOMAN 'A compelling who, how and why dunnit.' THE SUN 'A gripping murder mystery.' WOMAN'S WEEKLY 'A novel that has the deliciously febrile atmosphere of a silent film.' THE SUNDAY TIMES 'Spookily atmospheric, a page-turner murder mystery.' CHOICE MAGAZINE 'The Thirty-One Doors is a novel for those who miss the Golden Age crossword-puzzle-type crime fiction.' LITERARY REVIEW Scarpside House is famed for its beauty, its isolation, and its legendary parties. Tonight, it hosts the Penny Club soiree. An annual gathering of lucky men and women from all walks of life, coming together to celebrate their survival against the odds. But this year their luck is running thin. Accidents do happen, after all . . . And some are long overdue . . .
Torino, 1806: il Piemonte e stato annesso all'Impero, unico territorio italiano a farne parte. Napoleone I e all'apice del potere. Torino e scossa da un'orrenda serie di delitti, opera apparente di uno squilibrato. Il Governatore non puo permettere che l'ordine costituito venga minato ed ordina che il colpevole sia scovato a tutti i costi. Tuttavia, soltanto un'agenzia privata e scientificamente moderna puo compiere il miracolo ed il grande Vidoq si trova occupato a Parigi. L'unica agenzia sul territorio e quella di Lady Costantine, che l'ha ereditata dal defunto marito. L'agenzia dovra sbrogliare il bandolo della matassa in una girandola di avvenimenti. Un affresco della Torino del 1806, ex capitale del Regno di Sardegna ed ora una importante citta di frontiera del primo impero.
"Clare has carefully researched the period she is writing about and offers authentic, engaging historical detail, but her real gift is as a superb storyteller whose clever, twisty plots; believable characters; and skillful writing will engross the reader from first page to last" Booklist Starred Review 1603. Former ship's surgeon Gabriel Taverner is attempting to re-establish himself as a country physician in rural Devon. But it's not easy to gain the locals' trust, and a series of disturbing incidents, increasing in menace and intensity, convinces him that at least one person does not welcome his presence. Called out to examine a partially decomposed body found beside the river, Gabriel discovers that he has a personal connection to the dead man. Teaming up with Coroner Theophilus Davey to find out how the man died, Gabriel uncovers some darker aspects of the lucrative silk trade which operates from nearby Plymouth. The more he finds out, the more frighteningly apparent it becomes that the people closest to him have been keeping dangerous secrets.
Introducing 14th century poet Geoffrey Chaucer as a memorable new amateur sleuth in the first of an ingeniously-conceived medieval mystery series. April, 1380. About to set off on his annual pilgrimage, Comptroller of the King's Woollens and court poet Geoffrey Chaucer is forced to abandon his plans following an appeal for help from an old friend. The Duke of Clarence, Chaucer's former guardian, has been found dead in his bed at his Suffolk castle, his bedroom door locked and bolted from the inside. The man who found him, Sir Richard Glanville, suspects foul play and has asked Chaucer to investigate. On arrival at Clare Castle, Chaucer finds his childhood home rife with bitter rivalries, ill-advised love affairs and dangerous secrets. As he questions the castle's inhabitants, it becomes clear that more than one member of the Duke's household had reason to wish him ill. But who among them is a cold-hearted killer? It's up to Chaucer, with his sharp wits and eye for detail, to root out the evil within.
What happens when the person closest to you has led a life of deception? After the funeral of her mother, Sally, Alice Kent is approached by a man named Angus Tweedy. He claims to be her father and tells her that he served time in prison for marrying Sally bigamously. What does he hope to gain telling her this now, thirty years on? How can her adored dad Ralph not be her true father? And why did her mother betray her so badly? She had accepted Sally's many faults, and her reluctance to never speak of the past. But faced with this staggering deception, Alice knows she must uncover the whole truth about her mother. Whatever the cost. Alice's journey into her mother's past is one of incredulity as she discovers a woman shaped by a truly traumatic childhood.
USA, 1958. President Joseph McCarthy sits in the White House, elected on a wave of populist xenophobia and barely-concealed anti-Semitism. The country is in the firm grip of McCarthy's Hueys, a secret police force evolved from the House Un-American Activities Committee. Hollywood's sparkling vision of the American dream has been suppressed; its remaining talents forced to turn out endless anti-communist propaganda. LAPD detective Morris Baker-a Holocaust survivor who drowns his fractured memories of the unspeakable in schnapps and work-is called to the scene of a horrific double-homicide. The victims are John Huston, a once-promising but now forgotten film director, and an up-and-coming young journalist named Walter Cronkite. Clutched in the hand of one of the dead men is a cryptic note containing the phrase "beat the devils" followed by a single name: Baker. Did the two men die in an attack fueled by better-dead-than-red sentiment, as the Hueys are quick to conclude, or were they murdered in a cover-up designed to protect-or even set in motion-a secret plot connected to Baker's past? In a country where terror grows stronger by the day, and paranoia rises unchecked, Baker is determined to find justice for two men who raised their voices in a time when free speech comes at the ultimate cost. In the course of his investigation, Baker stumbles into a conspiracy that reaches deep into the halls of power and uncovers a secret that could destroy the City of Angels-and the American ideal itself.
SOME STORIES CANNOT BE TOLD IN JUST ONE LIFETIME.
Killer twists. Heroes to believe in. Trust Baldacci. Private Investigator and WWII veteran, Aloysius Archer, returns to solve a new case in Hollywood in this riveting thriller from international number 1 bestselling author, David Baldacci. All that glitters . . . 1952, Los Angeles. It is New Year's Eve and PI Aloysius Archer is dining with his friend and rising Hollywood actress Liberty Callahan when they're approached by Eleanor Lamb, a screenwriter who would like to hire him, as she suspects someone is trying to kill her. Murder and mystery A visit to Lamb's Malibu residence leaves Archer knocked unconscious after he stumbles over a dead body in the hallway; and Lamb seems to have vanished. With the police now involved in the case, a close friend and colleague of Lamb's employs Archer to find out what's happened to the screenwriter. The City of Angels - or somewhere much, much darker? Archer's investigation takes him from the rich, glamorous and glitzy LA to the seedy, dark side of the city, and onward to the gambling mecca of Las Vegas, just now hitting its stride as a hot spot for celebrities and a money-making machine for the mob. In a place where cops and crooks work hand in hand, Archer will cross paths with Hollywood stars, politicians and notorious criminals. He'll almost die several times, and he'll discover bodies and secrets from the canyons and beaches of Malibu and the luxurious mansions of Bel Air and Beverly Hills to the narcotics clubs of Chinatown. With the help of Liberty and his PI partner Willie Dash, Archer will risk everything and leave no stone unturned in finding the missing Eleanor Lamb, and in bringing to justice killers who would love nothing better than to plant Archer six feet under.
**THE THRILLING SUNDAY TIMES BESTSELLER** 'If only all history mysteries could be as good as The Midnight Hour' The Times An old man lies dead and it looks like poison, but his wife isn't the only one who had reason to kill him. Brighton, 1965 When theatrical impresario Bert Billington is found dead in his retirement home, no one suspects foul play. But when the postmortem reveals that he was poisoned, suspicion falls on his wife, eccentric ex-Music Hall star Verity Malone. Frustrated by the police response to Bert's death and determined to prove her innocence, Verity calls in private detective duo Emma Holmes and Sam Collins. This is their first real case, but as luck would have it they have a friend on the inside: Max Mephisto is filming a remake of Dracula, starring Seth Billington, Bert's son. But when they question Max, they feel he isn't telling them the whole story. Emma and Sam must vie with the police to untangle the case and bring the killer to justice. They're sure the answers must lie in Bert's dark past and in the glamorous, occasionally deadly, days of Music Hall. But the closer they get to the truth, the more danger they find themselves in... *********** PRAISE FOR THE MIDNIGHT HOUR 'An intricately plotted whodunnit' Daily Mail 'Griffiths writes with verve and wit' Irish Times 'An entertaining period murder mystery' Irish Independent 'Layered with a gripping plot' Belfast Telegraph A Sunday Times bestseller w/c 24/04/2022
Golden Hill and The Alienist meet Gangs of New York in this sweeping historical crime drama set in 18th century New York. New York, 1799: Justy Flanagan, lawyer, soldier, policeman, has returned to his native city, bloodied and battered after fighting in the Irish Rebellion against the English. Determined to hunt down the man who murdered his father, his inquiries lead him to Wall Street and the fledgling stock market there. But as his investigations into the past move ahead, the horrific murders of young slave women in the present start to occupy his time. Convinced that there is a link between his father's murder, the deaths of the young women, and a massive fraud that nearly destroyed New York's economy, Justy can trust no one. As the conspiracy deepens, it becomes clear that those involved will stop at nothing to keep their secrets. Justy is forced to choose: will he betray his father's memory, compromise his integrity, and risk the lives of his closest friends, to get to the bottom of a tale so dangerous, it could change the landscape of America forever?
The fifth John Grey historical mystery 1668. John Grey is now a Justice of the Peace and lives in the manor house he has inherited on his mother's death with his new wife, Aminta. As the village is cut off from the rest of the world by a heavy snowfall, George Barwell is discovered dead in the woods. Grey is called to examine the horribly disfigured body amidst the rumours that the attack has been the work of the Devil as the victim had been cursed by reputed witch Alice Mardike just days before his violent death. As Barwell's father-in-law leads the villagers into kidnapping Alice and throwing her into the millpond to see if she floats as a witch or drowns as an innocent woman, Grey agrees to investigate the murder: his main suspect is the very man leading the witch hunt. But if Grey can't solve the mystery of George Barwell's death within a week, Mardike will be tried for witchcraft - and the sentence has already been decided . . . Praise for L.C. Tyler 'Wit and witchcraft in a snowbound seventeenth century Essex make a potent combination in The Bleak Midwinter, a welcome addition to L.C. Tyler's fine John Grey series of crime novels' Simon Brett, bestselling author of the Blotto and Twinks series 'Unusually accomplished' Helen Dunmore 'I enjoyed The Bleak Midwinter enormously. Len Tyler writes with great charm and wit, and there were parts that made me laugh out loud' Susanna Gregory 'Tyler juggles his characters, story, wit and clever one liners with perfect balance' The Times 'A cracking pace, lively dialogue, wickedly witty one-liners salted with sophistication . . . Why would we not want more of John Grey?' The Bookbag 'A dizzying whirl of plot and counterplot' Guardian 'I was seduced from John Grey's first scene' Ann Cleeves
Sister Fidelma returns in DEATH OF A HERETIC, the thirty-third Celtic mystery by Peter Tremayne, acclaimed author of THE HOUSE OF DEATH, THE SHAPESHIFTER'S LAIR and BLOOD IN EDEN. If you love Ellis Peters, you'll be gripped by DEATH OF A HERETIC and the Sister Fidelma series. IRELAND AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests' hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the King of Franks. Sister Fidelma is asked by Abbot Cuan to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started. Thrown into a world of treachery and jealousy, where religious beliefs are vehemently disputed, Fidelma and her companions, Eadulf and Enda, face a barrier of deceit. The abbey, a leading ecclesiastical teaching institution as well as a conhospitae, housing both men and women, is divided into factions. Can Abbot Cuan trust Prioress Suanach, who is in charge of the sisterhood? Can the professors trust each other as well as their students? Moreover, can suspicion be levelled at the builders working on the abbey under their dominant Master Builder, Sitae? As more deaths follow, Fidelma must use her wit and ingenuity to unravel the complexities of this intricate mystery.
DCI Monika Paniatowski faces an old enemy - and makes a fatal mistake with the potential to poison her whole career. Jordan Gough is an important man. He's the town's biggest benefactor. He is the proprietor of the Whitebridge Evening Telegraph. He owns the local football team. He is also, DCI Monika Paniatowski thinks, as bent as a corkscrew - and if she had any evidence, she'd put him away like a shot. A single encounter with him as a young detective sergeant left an impression she's never forgotten. And neither, she is certain, has he. So when Jordan calls and demands to speak to Monika - and only Monika - she is on immediate high alert. He claims someone's trying to kill him, but why has he destroyed the evidence? Why turn for help to an officer he hates? Certain she's the target of a twisted practical joke, Monika makes a terrible mistake - one that could destroy everything she holds dear. The fourteenth DCI Monika Paniatowski mystery is a powerful and dark tale of revenge, secrets and lies, which grips you tight as it reveals twist after stunning twist. |
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