Transportable Environments explores aspects of the historical and theoretical basis for portable architecture and provides an insight into the wide range of functions that it is used for today, the varied forms that it takes and the concerns and ideas for its future development. Written by a team of international commentators, this volume provides a state-of-the-art survey of this specialist area and will be of interest to a wide range of professionals across the construction and design industries.

eBook available with sample pages: 0203023854

Whether in town or country, James Gorst's buildings are defined by a combination of modern thinking and an ingrained respect for craftsmanship and bespoke detailing, with equal weight given to architectural form and engaging, vibrant interiors, full of texture and life. This is the first monograph on his work. In many respects, the timeless character of Gorst's work is rooted in the architect's own journey. Starting out as a neo-classicist, Gorst ultimately became frustrated by the restrictions and historicism of the classical approach and reinvented himself as a dedicated modernist, yet continued to place particular emphasis on a love of proportion, scale, symmetry and detailing. Ranging from rural projects which reflect the vernacular traditions of the surrounding countryside, including large contemporary country houses like RIBA award-winning Ironstone House, to others which creatively reinvent and add to period properties, along with new and innovative urban homes, all are defined by a particular ambition to be innovative, fresh and one of a kind. Each of Gorst's houses represents a particular journey, informed by the client and their needs, the context of the site and a response to landscape and setting, which is often reflected in his choice of natural textures and materials.

Explore 400 of the world's most innovative and influential architect-designed houses created since the early 20th century

Throughout history, houses have presented architects the world over with infinite opportunities to experiment with new methods and materials for domestic living.

Houses: Extraordinary Living celebrates the incredible diversity and beauty of the house as never before, from Modernist icons to feats of technological, material, and spatial innovation in the 21st century.

The 400 houses in this collection are organized in curated pairings, with each entry featuring an evocative image and an engaging description. Styles presented include Modernism, Postmodernism, Brutalism, Regionalism, Deconstructivism, and International Style. Houses are from countries and locations worldwide that are famed for their houses, such as Australia and Japan, the Case Study Houses in Los Angeles, New Canaan in Connecticut, and Fire Island in New York.

Explore the creative imaginations of hundreds of internationally renowned architects past and present, as well as dozens of awe-inspiring houses by lesser-known and emerging talents. Iconic architects of the twentieth century, including Le Corbusier, Mies van der Rohe, and Marcel Breuer, as well as the very best of contemporary architects working around the world today, such as Tadao Ando, Grafton, and Steven Holl are included.

Houses: Extraordinary Living is the perfect gift for designers and architects, and anyone interested in where - and how - people live

'The unrelenting tension of this well-crafted debut kept me whizzing through the book . . . I loved the tension, the secrets and the satisfying, unexpected conclusion' KL Slater In a converted Georgian townhouse in south west London, three families live under one roof. The large flat that takes up the top two floors is home to the Harlow family: happily married Paul and Steph, and their bubbly teenage daughter Freya. The smaller first floor flat is rented by Emma, who spends most of her time alone, listening to people coming in and out of the building. And the basement flat belongs to Chris, a local driving instructor, who prefers to keep his personal life private from the neighbours. But their lives are all upended when Freya vanishes. As the police become involved and a frantic Paul and Steph desperately search for answers, they begin to realise that the truth behind their daughter's disappearance may lie closer to home than they were expecting. When everyone has something to hide, can you ever really know those closest to you? Or will some secrets be taken to the grave?

Marjorie Merriweather Post was an extraordinary person for her time, not only for being the head of a major US corporation but also for overseeing elegant and well-run residences and amassing collections of astounding beauty. Encompassing portraiture, imperial Russian tableware, Faberge creations, stunning garments and jewellery, books, and rare objects in gold, silver, enamel, porcelain, ivory, and glass, Post s works of art were acquired with intelligence and savvy. As a collector, she was inspired by past royal and aristocratic patrons as well as countries that she adored: France, Russia, England, and Austria. This publication illustrates the evolution of Post s collections, as well as her interaction with a multitude of designers, dealers, artists, artisans, and architects with whom she worked. The backdrops for her treasures residences in New York (a 54-room triplex apartment), the Adirondacks (Camp Topridge), Palm Beach (Mar-A-Lago), Washington DC (Hillwood), and on Long Island, among others are depicted with period and newly commissioned photography. Post was actively involved with the international art world of her time, and her taste and lifestyle had an effect on her family members and many admirers. Recent scholarship focusing on the highlights of her trove of exquisite objects, including Western European and Russian paintings, decorative arts, jewellery, and costume, shed new light on Post s legacy as a twentieth-century collector.

Bestselling Van Life author Foster Huntington shares his experiences - as well as others - living by his own rules in this aspirational book filled with awe-inspiring photographs of unique homes in unexpected places. After spending three years on the road living in a camper van, Foster Huntington continued his unconventional lifestyle by building a two-story treehouse. Foster, like many others, are finding freedom, tranquility, and adventure in living off the grid in unconventional homes. Perfect for fans of Van Life and Cabin Porn and those who yearn for a simpler existence, Off Grid Life showcases unique dwellings from all around the world. Organized into sections like tree houses, tiny houses, shipping containers, yurts, boathouses, barns, vans, and more, the 250 aspirational photographs feature enviable settings like stunning beaches, dramatic mountains and picturesque forests. Also included are images of fully designed interiors with kitchens and sleeping quarters as well as interviews with solo dwellers, couples, and families who are living lives off the beaten path.

Queering the Interior problematizes the familiar space of 'home'. It deploys a queer lens to view domestic interiors and conventions and uncovers some of the complexities of homemaking for queer people.Each of the book's six sections focuses on a different room or space inside the home. The journey starts with entryways, and continues through kitchens, living spaces, bedrooms, bathrooms, and finally, closets and studies. In each case up to three specialists bring their disciplinary expertise and queer perspectives to bear. The result is a fascinating collection of essays by scholars from literary studies, geography, sociology, anthropology, history and art history. The contributors use historical and sociological case studies; spatial, art and literary analyses; interviews; and experimental visual approaches to deliver fresh, detailed and grounded perspectives on the home and its queer dimensions. A highly creative approach to the analysis of domestic spaces, Queering the Interior makes an important contribution to the fields of gender studies, social and cultural history, cultural studies, design, architecture, anthropology, sociology, and cultural geography.

Cities of Repetition provides a comprehensive graphic documentation and analysis of the largest Hong Kong housing estates built by private developers, from the late 1960s through to the early 2000s. Original drawings and diagrams illustrate and compare the ultra-dense, mass-produced, highly repetitive built environments in which hundreds of thousands of Hong Kong residents live. This book studies the practicalities of urban design in limited space, but also the effects of structure, routine, and replication on the human psyche. Its array of colour and black-and-white images will immerse the reader in Hong Kong's uniquely repetitive cityscape.

Japanese houses today have to contend with unique factors that condition their design, from tiny plots in crowded urban contexts to ever-present seismic threats. These challenges encourage their architects to explore alternating ideas of stability and ephemerality in various ways, resulting in spaces that are as fascinating as they are idiosyncratic. Their formal innovation and attention to materials, technology and measures to coax in light and air while maintaining domestic privacy make them cutting-edge residences that suggest new ways of being at home. Contemporary Japanese architecture has emerged as a substantial force on the international scene ever since Kenzo Tange won the Pritzker Prize in 1987. This overview of 50 recent houses powerfully demonstrates Japan's enduring commitment to design innovation.

Over the course of the long 18th century, many of England’s grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities. Increasingly accessible to tourists, and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. Touring and Publicizing England's Country Houses in the Long Eighteenth Century examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists’ diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century, and an extraordinary and controversial influence in British culture today, country-house tourism is a topic of rich debate for students, scholars and patrons of the heritage sector.

"With a new epilogue"
Richly illustrated with houses large and small, old and new, with photographs, plans, and cutaway drawings, this is a book for people who want a house but who may not know what they really need, or what they have a right to expect.
The authors establish the basis for good building by examining houses in the small Massachusetts town of Edgartown; in Santa Barbara, California, where a commitment was made to re-create an imaginary Spanish past; and in Sea Ranch, on the northern California coast, where the authors attempt to create a community. These examples demonstrate how individual houses can express the care, energies, and dreams of the people who live in them, and can contribute to a larger sense of place.

Frustrated with complicated and restrictive green-building certification programs and the under-enforced building code, a group of architects and builders in Portland, Maine, came up with the idea of the Pretty Good House. What, they asked, should you include in a house that does right for its inhabitants and the planet, but that does not go beyond reasonable environmental or financial payback? In a nutshell, a Pretty Good House is a house that's as small as possible (remember The Not So Big House?); it is simple and durable, but also well designed; it uses wood and plant-derived products as construction materials; it includes photovoltaic panels or is PV-ready; it should be insulated and air-sealed well enough that heating and cooling systems can be minimal, and, above all, it is affordable, healthy, responsible, and resilient.

Ancient Greek Houses and Households Chronological, Regional, and Social Diversity Edited by Bradley A. Ault and Lisa C. Nevett "The volume represents a significant step towards a deeper and more nuanced understanding of Greek houses and households."--"BMCR" "An excellent update on new finds in the domestic sphere in Greece and a cautious start to the development of new theories and methods for addressing the archaeological and textual evidence."--"Classical Outlook" Seeking to expand both the geographical range and the diversity of sites considered in the study of ancient Greek housing, "Ancient Greek Houses and Households" takes readers beyond well-established studies of the ideal classical house and now-famous structures of Athens and Olynthos. Bradley A. Ault and Lisa C. Nevett have brought together an international team of scholars who draw upon recent approaches to the study of households developed in the fields of classical archaeology, ancient history, and anthropology. The essays cover a broad range of chronological, geographical, and social contexts and address such topics as the structure and variety of households in ancient Greece, facets of domestic industry, regional diversity in domestic organization, and status distinctions as manifested within households. "Ancient Greek Houses and Households" views both Greek houses and the archeological debris found within them as a means of investigating the basic unit of Greek society: the household. Through this approach, the essays successfully point the way toward a real integration between material and textual data, between archeology and history. Contributors include William Aylward (University of Wisconsin, Madison), Nicholas Cahill (University of Wisconsin, Madison), Manuel Fiedler (Freie Universitat, Berlin), Franziska Lang (Humboldt Universitat, Berlin), Monike Trumper (Universitat Heidelberg), and Barbara Tsakirgis (Vanderbilt University, Nashville). Bradley A. Ault is Associate Professor of Classics at the University at Buffalo, of the State University of New York. He is the author of "The Houses: The Organization and Use of Domestic Space, Excavations at Ancient Halieis," Vol. 2. Lisa C. Nevett teaches in the Departments of Classical Studies and the History of Art at the University of Michigan. She is the author of "House and Society in the Ancient Greek World" and "Domestic Space in Classical Antiquity." 2005 200 pages 6 x 9 45 illus. ISBN 978-0-8122-3875-4 Cloth $59.95s 39.00 World Rights Archaeology, Classics, Architecture Short copy: Expanding both the geographical range and the diversity of sites considered in the study of ancient Greek housing, "Ancient Greek Houses and Households" views Greek houses and the archaeological artifacts found within them as a means of investigating the basic unit of Greek society: the household.

The German Catholic immigrants who founded St. John the Baptist parish on the central Minnesota prairie effected a remarkable transfer of tradition to their new environment. Fred W. Peterson reveals how they inherited folk culture, aesthetic values, and religious beliefs which were directly embodied in the brick farmhouses, dairy farms, and churches they built between 1858 and 1915. Building Community, Keeping the Faith is compelling reading for students of architecture, religion, immigration, and ethnicity -- indeed for anyone interested in the complex influence European culture exerted on the development of America.

House design in Britain and Ireland is guided by climate, landscape and local resources just as much as the centuries-old traditions that have influenced architectural shape and form. Today's best-known and emerging architects interpret their briefs with imaginative flair: they are transforming houses for the next generation of families by blending their renewed vigour for a local aesthetic with new materials and trends. Many of the new houses featured in British & Irish Modern reflect the architect's focus on redefining local expectations for form by beautifully juxtaposing the traditional with contemporary structures, thus forging a new vernacular. Architects across this region are wholeheartedly seeking opportunities to re-use existing structures in myriad ways, resulting in surprising and remarkably unique renditions of old houses and buildings made new. Shown in stunning, full-colour photographic detail are hundreds of pages of new and renovated houses, cottages and even converted barns nestled in misty rural valleys, including new and retrofitted modern inner-city terraces and townhouses that make the best use of available space. Houses are selected for levels of comfort, use of materials, and dramatic expression of traditional and contemporary architecture, as well as houses that capitalise on longer and warmer summers imposed by changing weather patterns in this corner of the globe. Houses are designed with indoor spaces and intimate courtyards for play and recreation that draw in light and shield from the extreme weather elements yet maintain an eye on sustainability and affordability. British & Irish Modern reveals a rich array of works that showcase how architecture in Britain and Ireland today has much to teach the world about creative, high-calibre design, innovative application of materials, and cautious but clever reliance on resources.

This small house on the sea in a small city near Rome is one of the most amazing experiments made by the Italian architect. Strictly connected to the landscape, such as the Adalberto Libera's casa Malaparte in Capri, this building captures the landmarks of the Roman coast through small deformations in its composition. This particular research inspected by the Architect that, at the first glance, could remember an expressionist gesture, is instead a very interesting work on how to evolve the modern Italian architecture in a "contemporary" way avoiding that nostalgic behaviour taken by many members of Modern Italian Rationalist Architecture Movement (MIAR). As usual this book looks inside, outside and around this building as a "lecture" held by the writer.

Housing is an essential, but complex, product, so complex that professionals involved in its production, namely, architects, real estate developers and urban planners, have difficulty agreeing on "good" housing outcomes. Less-than-optimal solutions that have resulted from a too narrow focus on one discipline over others are familiar: high design that is costly to build that makes little contribution to the public realm, highly profitable but seemingly identical "cookie-cutter" dwellings with no sense of place and well-planned neighborhoods full of generically designed, unmarketable product types. Differing roles, languages and criteria for success shape these perspectives, which, in turn, influence attitudes about housing regulation. Real estate developers, for example, prefer projects that can be built "as-of-right" or "by-right," meaning that they can be approved quickly because they meet all current planning, zoning and building code requirements. Design-focused projects, heretofore "by-design," by contrast, often require time to challenge existing regulatory codes, pursuing discretionary modifications meant to maximize design innovation and development potential. Meanwhile, urban planners work to establish and mediate the threshold between by-right and by-design processes by setting housing standards and determining appropriate housing policy. But just what is the right line between "by-right" and "by-design"? By-Right, By-Design provides a historical perspective, conceptual frameworks and practical strategies that cross and connect the diverse professions involved in housing production. The heart of the book is a set of six cross-disciplinary comparative case studies, each examining a significant Los Angeles housing design precedent approved by-variance and its associated development type approved as of right. Each comparison tells a different story about the often-hidden relationships among the three primary disciplines shaping the built environment, some of which uphold, and others of which transgress, conventional disciplinary stereotypes.

The twentieth century offered up countless visions of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanised home or the notion that technology might free us from home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today the future that architects and designers once predicted, or has 'home' proved resistant to radical change? Home Futures: Living in Yesterday's Tomorrow -accompanying a major Design Museum exhibition of the same title-explores a number of different attitudes toward domestic life, tracing the social and technological developments that have driven change in the home. It proposes that we are already living in yesterday's tomorrow, just not in the way anyone predicted. This book begins with a lavishly illustrated catalogue portraying the 'home futures' of the twentieth century and beyond, from the work of Ettore Sottsass and Joe Colombo to Google's recent forays into the smart home. The catalogue is followed by a reader consisting of newly commissioned essays by writers such as Dan Hill and Justin McGuirk, which explore the changes in the domestic realm in relation to space, technology, society, economy and psychology.

MacKay-Lyons Sweetapple Architects, the influential and award-winning firm based in Halifax, Nova Scotia, have an international reputation. Producing a wide range of projects both in Canada and further afield, they work in a sophisticated modern vernacular idiom, drawing inspiration from a rich local heritage of building types and reinterpreting them according to the best practices of 21st-century architecture. It is above all for their dignified and beautiful houses perched on the wild, rocky coasts of Nova Scotia that the firm is recognized. Overlooking the Atlantic Ocean, this remarkable body of work is based around a number of plan types that answer to the particular local climate: open to the sun but sheltered from the winds, and built using traditional materials that are allowed to weather, these dwellings embody the architects' engagement with their unique surroundings and material culture. This new monograph covers MacKay-Lyons Sweetapple Architects' complete work. Introductions by renowned architectural writers set the scene, while individual projects are illustrated through evocative photographs and detailed plans and drawings. What emerges is a celebration of an architecture that is both practical and deeply poetic.