Transportable Environments explores aspects of the historical and theoretical basis for portable architecture and provides an insight into the wide range of functions that it is used for today, the varied forms that it takes and the concerns and ideas for its future development. Written by a team of international commentators, this volume provides a state-of-the-art survey of this specialist area and will be of interest to a wide range of professionals across the construction and design industries.

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Virginia Woolf, figurehead of the Bloomsbury Group and an innovative writer whose experimental style and lyrical prose ensured her position as one of the most influential of modern novelists, was also firmly anchored in the reality of the houses she lived in and those she visited regularly. Detailed and evocative accounts appear in her letters and diaries, as well as in her fiction, where they appear as backdrops or provide direct inspiration. Hilary Macaskill examines the houses that meant the most to Woolf, including: 22 Hyde Park Gate, London - where Virginia Woolf was born in 1882 Talland House, St Ives, Cornwall - the summer home of Virginia's family until 1895 46 Gordon Square, Bloomsbury, London - the birthplace of the Bloomsbury Group - Virginia lived here from 1904 to 1912 Hogarth House, Richmond, London - where the newly married Woolfs set up home and founded the Hogarth Press Asheham House, East Sussex - the summer home of the Woolfs, 1912-1919 52 Tavistock Square, London - a return to Bloomsbury, the heart of London Monk's House, Rodmell, East Sussex - where Virginia lived from 1919 until her death in 1941

Whether in town or country, James Gorst's buildings are defined by a combination of modern thinking and an ingrained respect for craftsmanship and bespoke detailing, with equal weight given to architectural form and engaging, vibrant interiors, full of texture and life. This is the first monograph on his work. In many respects, the timeless character of Gorst's work is rooted in the architect's own journey. Starting out as a neo-classicist, Gorst ultimately became frustrated by the restrictions and historicism of the classical approach and reinvented himself as a dedicated modernist, yet continued to place particular emphasis on a love of proportion, scale, symmetry and detailing. Ranging from rural projects which reflect the vernacular traditions of the surrounding countryside, including large contemporary country houses like RIBA award-winning Ironstone House, to others which creatively reinvent and add to period properties, along with new and innovative urban homes, all are defined by a particular ambition to be innovative, fresh and one of a kind. Each of Gorst's houses represents a particular journey, informed by the client and their needs, the context of the site and a response to landscape and setting, which is often reflected in his choice of natural textures and materials.

Did homes in ancient Greece have kitchens and bathrooms? If so, why have archaeologists had such troubles finding their remains? What did the concepts of "home "and "house" mean to the ancient Greeks? This book offers an illuminating reappraisal of domestic space in classical Greece. Beginning with the premise that we must cease to view the classical Greek house through the lens of contemporary Western notions, Janett Morgan provides a fresh evaluation of what home meant to different communities in the ancient Greek world. By employing textual analysis alongside archaeological scholarship, "The Classical Greek House" seeks to explain some of the contradictions that previous approaches have left unresolved. Of value to students and academics alike, Morgan's work offers an exciting new perspective on relations between men and women, public and private, and between home and city in the ancient world.

Queering the Interior problematizes the familiar space of 'home'. It deploys a queer lens to view domestic interiors and conventions and uncovers some of the complexities of homemaking for queer people.Each of the book's six sections focuses on a different room or space inside the home. The journey starts with entryways, and continues through kitchens, living spaces, bedrooms, bathrooms, and finally, closets and studies. In each case up to three specialists bring their disciplinary expertise and queer perspectives to bear. The result is a fascinating collection of essays by scholars from literary studies, geography, sociology, anthropology, history and art history. The contributors use historical and sociological case studies; spatial, art and literary analyses; interviews; and experimental visual approaches to deliver fresh, detailed and grounded perspectives on the home and its queer dimensions. A highly creative approach to the analysis of domestic spaces, Queering the Interior makes an important contribution to the fields of gender studies, social and cultural history, cultural studies, design, architecture, anthropology, sociology, and cultural geography.

MacKay-Lyons Sweetapple Architects, the influential and award-winning firm based in Halifax, Nova Scotia, have an international reputation. Producing a wide range of projects both in Canada and further afield, they work in a sophisticated modern vernacular idiom, drawing inspiration from a rich local heritage of building types and reinterpreting them according to the best practices of 21st-century architecture. It is above all for their dignified and beautiful houses perched on the wild, rocky coasts of Nova Scotia that the firm is recognized. Overlooking the Atlantic Ocean, this remarkable body of work is based around a number of plan types that answer to the particular local climate: open to the sun but sheltered from the winds, and built using traditional materials that are allowed to weather, these dwellings embody the architects' engagement with their unique surroundings and material culture. This new monograph covers MacKay-Lyons Sweetapple Architects' complete work. Introductions by renowned architectural writers set the scene, while individual projects are illustrated through evocative photographs and detailed plans and drawings. What emerges is a celebration of an architecture that is both practical and deeply poetic.

Japanese houses today have to contend with unique factors that condition their design, from tiny plots in crowded urban contexts to ever-present seismic threats. These challenges encourage their architects to explore alternating ideas of stability and ephemerality in various ways, resulting in spaces that are as fascinating as they are idiosyncratic. Their formal innovation and attention to materials, technology and measures to coax in light and air while maintaining domestic privacy make them cutting-edge residences that suggest new ways of being at home. Contemporary Japanese architecture has emerged as a substantial force on the international scene ever since Kenzo Tange won the Pritzker Prize in 1987. This overview of 50 recent houses powerfully demonstrates Japan's enduring commitment to design innovation.

"With a new epilogue"
Richly illustrated with houses large and small, old and new, with photographs, plans, and cutaway drawings, this is a book for people who want a house but who may not know what they really need, or what they have a right to expect.
The authors establish the basis for good building by examining houses in the small Massachusetts town of Edgartown; in Santa Barbara, California, where a commitment was made to re-create an imaginary Spanish past; and in Sea Ranch, on the northern California coast, where the authors attempt to create a community. These examples demonstrate how individual houses can express the care, energies, and dreams of the people who live in them, and can contribute to a larger sense of place.

Cities of Repetition provides a comprehensive graphic documentation and analysis of the largest Hong Kong housing estates built by private developers, from the late 1960s through to the early 2000s. Original drawings and diagrams illustrate and compare the ultra-dense, mass-produced, highly repetitive built environments in which hundreds of thousands of Hong Kong residents live. This book studies the practicalities of urban design in limited space, but also the effects of structure, routine, and replication on the human psyche. Its array of colour and black-and-white images will immerse the reader in Hong Kong's uniquely repetitive cityscape.

'The unrelenting tension of this well-crafted debut kept me whizzing through the book . . . I loved the tension, the secrets and the satisfying, unexpected conclusion' KL Slater In a converted Georgian townhouse in south west London, three families live under one roof. The large flat that takes up the top two floors is home to the Harlow family: happily married Paul and Steph, and their bubbly teenage daughter Freya. The smaller first floor flat is rented by Emma, who spends most of her time alone, listening to people coming in and out of the building. And the basement flat belongs to Chris, a local driving instructor, who prefers to keep his personal life private from the neighbours. But their lives are all upended when Freya vanishes. As the police become involved and a frantic Paul and Steph desperately search for answers, they begin to realise that the truth behind their daughter's disappearance may lie closer to home than they were expecting. When everyone has something to hide, can you ever really know those closest to you? Or will some secrets be taken to the grave?

An exquisitely photographed collection of the great houses and mansions of the South.
In the tradition of Rizzoli's "Historic Houses of the Hudson Valley" and "Great Houses of New England," "Great Houses of the South" features a stunning array of newly photographed homes that range over three centuries and are distinctive examples of the architecture of the region. While in popular imagination the "Southern Style" is embodied in the classic Southern plantation house with its Greek Revival detailing--its stately white columns, wide porch, and symmetrical shape--the houses themselves are much more various and engaging, as shown in this important volume. From stately Stanton Hall of Natchez, Mississippi, one of the most magnificent and palatial residences of antebellum America; to Longue Vue House and Gardens of New Orleans, the luxurious Classical Revival-style home of Edgar and Edith Stern; to the fabled Biltmore of Asheville, North Carolina, the opulent French Renaissance-inspired chateau and Gilded Age estate of George Washington Vanderbilt, this lavish volume is comprehensive in scope and a landmark work of enduring interest to homeowners, architects, architecture historians, and all those who love fine architecture.

House design in Britain and Ireland is guided by climate, landscape and local resources just as much as the centuries-old traditions that have influenced architectural shape and form. Today's best-known and emerging architects interpret their briefs with imaginative flair: they are transforming houses for the next generation of families by blending their renewed vigour for a local aesthetic with new materials and trends. Many of the new houses featured in British & Irish Modern reflect the architect's focus on redefining local expectations for form by beautifully juxtaposing the traditional with contemporary structures, thus forging a new vernacular. Architects across this region are wholeheartedly seeking opportunities to re-use existing structures in myriad ways, resulting in surprising and remarkably unique renditions of old houses and buildings made new. Shown in stunning, full-colour photographic detail are hundreds of pages of new and renovated houses, cottages and even converted barns nestled in misty rural valleys, including new and retrofitted modern inner-city terraces and townhouses that make the best use of available space. Houses are selected for levels of comfort, use of materials, and dramatic expression of traditional and contemporary architecture, as well as houses that capitalise on longer and warmer summers imposed by changing weather patterns in this corner of the globe. Houses are designed with indoor spaces and intimate courtyards for play and recreation that draw in light and shield from the extreme weather elements yet maintain an eye on sustainability and affordability. British & Irish Modern reveals a rich array of works that showcase how architecture in Britain and Ireland today has much to teach the world about creative, high-calibre design, innovative application of materials, and cautious but clever reliance on resources.

The German Catholic immigrants who founded St. John the Baptist parish on the central Minnesota prairie effected a remarkable transfer of tradition to their new environment. Fred W. Peterson reveals how they inherited folk culture, aesthetic values, and religious beliefs which were directly embodied in the brick farmhouses, dairy farms, and churches they built between 1858 and 1915. Building Community, Keeping the Faith is compelling reading for students of architecture, religion, immigration, and ethnicity -- indeed for anyone interested in the complex influence European culture exerted on the development of America.

Georgia O'Keeffe spent almost 40 years of her life in the American Southwest. Her two houses in New Mexico; at Ghost Ranch and Abiquiu and the landscapes around them became essential elements in her paintings. The mountains and arroyos, the skulls and the Jimson weeds, a ladder against a wall, a door; all transformed by her genius into a quintessentially American art. Astonishingly, the history of these houses has never before been written. In this volume, Barbara Buhler Lynes and Agapita Judy Lopez create a vibrant picture of O'Keeffe at home. Drawing on O'Keeffe's correspondence, Lynes and Lopez set forth their fascinating story. An essay by architect Beverly Spears describes the distinctive characteristics of adobe architecture and its construction, and the many individuals involved with the house are identified. An appendix provides valuable information about the materials used in resorting the Abiquiu house. Photographs made especially for this book show the houses as they are today, plus dozens of photographs made by major photographers during her life show her living in the houses. Photographs of her painting and specific architectural components of the Abiquiu house are also included. These photographs and their accompanying texts offer for the first time a compelling picture of O'Keeffe's life in New Mexico, how each house satisfied different aspects of the artist's personal and professional needs and how O'Keeffe gradually transformed these Spanish Pueblo Revival style houses to reflect her modernist aesthetic.

Bungalow Bliss, first published in 1971, was a book of house designs that buyers could use to build a home for themselves affordably. It first appeared two years before Ireland was to join the EEC as a self-published catalogue by Jack Fitzsimons from his Kells Art Studios in County Meath. He and his wife designed and collated it and printed it locally. Fitzsimons sold these books out of his car to newsagents, petrol garages and bookshops. Over the course of thirty years, Fitzsimons sold over a quarter of a million copies of his catalogue. The first edition contained twenty designs – the final edition contained two hundred and sixty. This guidebook of how to build your own home radically transformed housing in Ireland. Now, for the first time, author and structural engineer Adrian Duncan looks at the cultural impact that Bungalow Bliss and the accessible bungalow design had on the housing market, the Irish landscape, and on the individual families who made these bungalows their homes.

As slums were cleared after the Blitz, there was a pressing need for housing. Successive governments championed prefabrication as a speedy solution. The resulting bungalows with slightly pitched roofs, pretty gardens and all the mod cons became home to hundreds of thousands of people around the country, often those who had not previously had the luxury of hot running water or a fridge. No wonder, then, that they became so loved. These squat little homes were meant to last just a decade - a mere stopgap as the country got back on its feet - but many of the prefabs are still standing, with residents often fighting to hold on to them. There has been growing public interest in these fast-disappearing houses, and the communities they fostered.. The book recounts residents' first hand experiences - from the first time they laid eyes on their prefabs to their attempts to hold on to their "little castles" beyond their designated "temporary" timeframe. The authors look at the success of post-war prefab housing in the wider context of British social housing. The book also looks at architectural innovation and imaginative design in the field of prefabrication and clever solutions being put forward to solve the housing crisis of today. Fewer and fewer prefabs remain - but you can still spot them here and there, sitting cosily among their big brick-built neighbours, a lesson in thoughtful design, community building and what it means to have a house to call your own.

The Idea of the Cottage in English Architecture is a history of the late Georgian phenomenon of the architect-designed cottage and the architectural discourse that articulated it. It is a study of small buildings built on country estates, and not so small buildings built in picturesque rural settings, resort towns and suburban developments. At the heart of the English idea of the cottage is the Classical notion of retreat from the city to the countryside. This idea was adopted and adapted by the Augustan-infused culture of eighteenth-century England where it gained popularity with writers, artists, architects and their wealthy patrons who from the later eighteenth century commissioned retreats, gate-lodges, estate workers' housing and seaside villas designed to 'appear as cottages'. The enthusiasm for cottages within polite society did not last. By the mid-nineteenth century, cottage-related building and book publishing had slowed and the idea of the cottage itself was eventually lost beneath the Tudor barge-boards and decorative chimneystacks of the Historic Revival. And yet while both designer and consumer have changed over time, the idea of the cottage as the ideal rural retreat continues to resonate through English architecture and English culture.

Can we get a feeling of spaciousness and well-being in an apartment when the available space is very limited? This book shows that not only is it possible, but often the solutions turn the house itself into a unique and singular space. These types of projects are also a challenge for architects, since they require bringing into play all their ingenuity, technique, and talent.

Current design of apartment buildings is facing challenges of philosophy and form. Past approaches no longer sustain new demands and require innovative thinking. The need for a new outlook is propelled by fundamental changes that touch upon environmental, economic, cultural and social aspects that led to the writing of this book. The depletion of non-renewable natural resources and climate change are a few of the environmental challenges that prompted designers to reconsider conceptual approaches in favour of ones that promote a better suitability between buildings and their environments. Concepts that minimize the buildings carbon footprint, passive solar gain, net-zero structures and water harvesting system are some of the contemporary strategies that architects and builders are integrating into their thought processes and design. Increasing costs of material, labour, land and infrastructure have posed economic challenges with affordability being paramount among them. The need to do with less brings about concepts that include adaptable dwellings, and smaller-sized yet quality-designed housing. Social challenges are also drawing attention. As the 'baby-boom' generation plans now for retirement, housing an elderly population will take priority. Walkable communities, aging in place, live-work residences, and multigenerational living are some of the concepts considered. The book offers information on contemporary design concepts and illustrates them with plans and photographs of outstanding international examples.

This sumptuous book showcases, through beautiful photography, 18 new residential houses and apartments. Each one is gifted with breathtaking sea views. Features projects from all over the world, including Spain, Greece, New Zealand, Belgium, the USA, Denmark, Ibiza, and South Africa.

Critic and historian Mercedes Daguerre presents 20 innovative houses by 20 leading contemporary architects and explores how domestic architecture has responded to the changing nature of family life. Featured architects include established stars such as Dutch architect Rem Koolhaas, Tadao Ando of Japan and Glenn Murcutt of Australia as well as a number of emerging practices. Case study houses are drawn from all over the world and span a diverse range of geographical settings from inner city Manhattan to the sand dunes of Victoria in Australia.