0
Your cart

Your cart is empty

Browse All Departments
Price
  • R0 - R50 (1)
  • R50 - R100 (5)
  • R100 - R250 (23)
  • R250 - R500 (167)
  • R500+ (1,924)
  • -
Status
Format
Author / Contributor
Publisher

Books > Arts & Architecture > Performing arts > Films, cinema > Individual film directors, film-makers

American Cinema of the 1940s - Themes and Variations (Hardcover): Wheeler Winston Dixon American Cinema of the 1940s - Themes and Variations (Hardcover)
Wheeler Winston Dixon
R2,581 Discovery Miles 25 810 Ships in 12 - 19 working days

The 1940s was a watershed decade for American cinema and the nation. At the start of the decade, Hollywood - shaking off the Depression - launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley. Hollywood then joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy. By the end of the war America was a country transformed. The 1940s closed with the threat of the atom bomb and the beginnings of the Hollywood blacklist. Film Noir reflected the new public mood of pessimism and paranoia. Classic films of betrayal and conflict - Kiss of Death, Force of Evil, Caught, and Apology for Murder - depicted a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians.

Sculpting in Time - Reflections on the Cinema (Paperback, New ed): Andrey Tarkovsky Sculpting in Time - Reflections on the Cinema (Paperback, New ed)
Andrey Tarkovsky; Translated by Kitty Hunter Blair
R890 R843 Discovery Miles 8 430 Save R47 (5%) Ships in 12 - 19 working days

Andrey Tarkovsky, the genius of modern Russian cinema--hailed by Ingmar Bergman as "the most important director of our time"--died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.

In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

The Young Alfred Hitchcock's Moviemaking Master Class 2022 - Learning about Film from the Master of Suspense (Paperback,... The Young Alfred Hitchcock's Moviemaking Master Class 2022 - Learning about Film from the Master of Suspense (Paperback, 3rd Revised edition)
R405 Discovery Miles 4 050 Ships in 10 - 15 working days
Print the Legend - The Life and Times of John Ford (Paperback, Reissue): Scott Eyman Print the Legend - The Life and Times of John Ford (Paperback, Reissue)
Scott Eyman 1
R687 R635 Discovery Miles 6 350 Save R52 (8%) Ships in 10 - 15 working days

Through a career that spanned decades and included dozens of films-among them such American masterpieces asThe Searchers, The Grapes of Wrath, The Quiet Man, Stagecoach, and How Green Was My Valley-John Ford managed to leave as his legacy a body of work that few filmmakers will ever equal. Yet as bold as the stamp of his personality was on each film, he was reticent about his personal life. Basically shy, and intensely private, he was known to enjoy making up stories about himself, some of them based loosely on fact but many of them pure fabrications. Ford preferred instead to let his films speak for him. What mattered to Ford was always what was up there on the screen. Now, in this definitive look at the life and career of one of America's true cinematic giants, noted biographer and critic Scott Eyman, working with the full participation of the Ford estate, has managed to document and delineate both aspects of John Ford's life-the human and the legend.

The Cinema of Stephanie Rothman - Radical Acts in Filmmaking (Hardcover): Alicia Kozma The Cinema of Stephanie Rothman - Radical Acts in Filmmaking (Hardcover)
Alicia Kozma
R3,333 Discovery Miles 33 330 Ships in 10 - 15 working days

The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America's student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman's career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women's filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women's directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women's directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.

The Transformative Cinema of Alejandro Jodorowsky (Hardcover): George Melnyk The Transformative Cinema of Alejandro Jodorowsky (Hardcover)
George Melnyk
R3,257 Discovery Miles 32 570 Ships in 12 - 19 working days

Alejandro Jodorowsky is a theatre director, writer of graphic novels and comics, novelist, poet, and an expert in the Tarot. He is also an auteur filmmaker who garnered attention with his breakthrough film El Topo in 1970. He has been called a "cult" filmmaker, whose films are surreal, hallucinatory, and provocative. The Transformative Cinema of Alejandro Jodorowsky explores the ways in which Jodorowsky's films are transformative in a psychologically therapeutic way. It also examines his signature style, which includes the symbolic meaning of various colors in which he clothes his actors, the use of his own family members in the films, and his casting of himself in leading roles. This total involvement of himself and his family in his auteur films led to his psycho-therapeutic theories and practices: metagenealogy and psychomagic. This book is the only the second book in the English language in print that deals with all of Jodorowsky's films, beginning with his earliest mime film in 1957 and ending with his 2019 film on psychomagic. It also connects his work as a writer and therapist to his films, which themselves attempt to obliterate the line between fantasy and reality.

Shooting to Kill - How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Paperback, New edition):... Shooting to Kill - How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Paperback, New edition)
Christine Vachon, David Edelstein
R493 R460 Discovery Miles 4 600 Save R33 (7%) Ships in 10 - 15 working days

Complete with behind-the-scenes diary entries from the set of Vachon's best-known fillms, Shooting to Kill offers all the satisfaction of an intimate memoir from the frontlines of independent filmmakins, from one of its most successful agent provocateurs -- and survivors. Hailed by the New York Times as the "godmother to the politically committed film" and by Interview as a true "auteur producer," Christine Vachon has made her name with such bold, controversial, and commercially successful films as "Poison," "Swoon," Kids," "Safe," "I Shot Andy Warhol," and "Velvet Goldmine." Over the last decade, she has become a driving force behind the most daring and strikingly original independent filmmakers-from Todd Haynes to Tom Kalin and Mary Harron-and helped put them on the map.

So what do producers do? "What don't they do?" she responds. In this savagely witty and straight-shooting guide, Vachon reveals trheguts of the filmmaking process--rom developing a script, nurturing a director's vision, getting financed, and drafting talent to holding hands, stoking egos, stretching every resource to the limit and pushing that limit. Along the way, she offers shrewd practical insights and troubleshooting tips on handling everything from hysterical actors and disgruntled teamsters to obtuse marketing executives.

Complete with behind-the-scenes diary entries from the sets of Vachon's best-known films, Shooting To Kill offers all the satisfactions of an intimate memoir from the frontlines of independent filmmaking, from one of its most successful agent provocateurs-and survivors.

Time is Money! The Century, Rainbow, and Stern Brothers Comedies of Julius and Abe Stern (hardback) (Hardcover): Thomas Reeder Time is Money! The Century, Rainbow, and Stern Brothers Comedies of Julius and Abe Stern (hardback) (Hardcover)
Thomas Reeder; Foreword by Richard M Roberts; Afterword by Gilbert Sherman
R1,148 Discovery Miles 11 480 Ships in 12 - 19 working days
Sofia Coppola - Interviews (Hardcover): Amy N. Monaghan Sofia Coppola - Interviews (Hardcover)
Amy N. Monaghan
R3,332 Discovery Miles 33 320 Ships in 10 - 15 working days

Sofia Coppola (b. 1971) was baptized on film. After appearing in The Godfather as an infant, it took twenty-five years for Coppola to take her place behind the camera, helming her own adaptation of Jeffery Eugenides's celebrated novel The Virgin Suicides. Following her debut, Coppola was the third woman ever to be nominated for Best Director and became an Academy Award winner for Best Original Screenplay for her sophomore feature, Lost in Translation. She has also been awarded the Golden Lion at the Venice Film Festival and Best Director at Cannes. In addition to her filmmaking, Coppola is recognized as an influential tastemaker. She sequenced the so-called Tokyo dream pop of the Lost in Translation soundtrack like an album, a success in its own right. Her third film, Marie Antoinette, further showcased Coppola's ear for the unexpected needle drop, soundtracking the controversial queen's life with a series of New Romantic bangers popular during the director's adolescence. The conversations compiled within Sofia Coppola: Interviews mark the filmmaker's progression from dismissed dilettante to acclaimed auteur of among the most visually arresting, melancholy, and wryly funny films of the twenty-first century. Coppola discusses her approach to collaboration, Bill Murray as muse, and how Purple Rain blew her twelve-year-old mind. There are interviews from major publications, but Coppola speaks with musician Kim Gordon for indie magazine Bust and Tavi Gevinson, then-adolescent founder of online teen magazine Rookie as well. The volume also features a new and previously unpublished interview conducted with volume editor Amy N. Monaghan. To read these interviews is to witness Sofia Coppola coming into her own as a world-renowned artist.

Costumes for the Films of Andrei Tarkovsky (Paperback, 2nd Adapted edition): Nelli Fomina Costumes for the Films of Andrei Tarkovsky (Paperback, 2nd Adapted edition)
Nelli Fomina; Edited by Fedor Ermoshin, Anastasija Nikitina
R874 Discovery Miles 8 740 Ships in 12 - 19 working days
Ingmar Bergman at the Crossroads - Between Theory and Practice (Hardcover): Maaret Koskinen, Louise Wallenberg Ingmar Bergman at the Crossroads - Between Theory and Practice (Hardcover)
Maaret Koskinen, Louise Wallenberg
R3,264 Discovery Miles 32 640 Ships in 12 - 19 working days

Ingmar Bergman's rich legacy as film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergman's collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman's work from their unique perspectives. In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergman's longtime collaborators Katinka Farago and Mans Reutersward, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman studies in new directions.

I Am Music - My Journey With Dimash Kudaibergen: THE BEST SINGER IN THE WORLD (Second Edition) (Hardcover): Pamela Mcgee... I Am Music - My Journey With Dimash Kudaibergen: THE BEST SINGER IN THE WORLD (Second Edition) (Hardcover)
Pamela Mcgee Wilkinson
R865 Discovery Miles 8 650 Ships in 10 - 15 working days
The Making of Andrey Zvyagintsev's Film Elena (Paperback): Andrey Zvyagintsev, Oleg Negin, Mikhail Krichman The Making of Andrey Zvyagintsev's Film Elena (Paperback)
Andrey Zvyagintsev, Oleg Negin, Mikhail Krichman
R477 Discovery Miles 4 770 Ships in 12 - 19 working days
Salo, or the 120 Days of Sodom - Pier Paolo Pasolini: Pocket Movie Guide (Hardcover): Jeremy Mark Robinson Salo, or the 120 Days of Sodom - Pier Paolo Pasolini: Pocket Movie Guide (Hardcover)
Jeremy Mark Robinson
R810 Discovery Miles 8 100 Ships in 12 - 19 working days
Louis Malle - Interviews (Hardcover): Christopher Beach Louis Malle - Interviews (Hardcover)
Christopher Beach
R3,332 Discovery Miles 33 320 Ships in 10 - 15 working days

A filmmaker whose work exhibits a wide range of styles and approaches, Louis Malle (1932-1995) was the only French director of his generation to enjoy a significant career in both France and the United States. Although Malle began his career alongside members of the French New Wave like Francois Truffaut, Jean-Luc Godard, and Claude Chabrol, he never associated himself with that group. Malle is perhaps best known for his willingness to take on such difficult or controversial topics as suicide, incest, child prostitution, and collaboration with the Nazis during World War II. His filmography includes narrative films like Zazie dans le Metro, Murmur of the Heart, Atlantic City, My Dinner with Andre, and Au revoir les enfants, as well as several major documentaries. In the late 1970s, Malle moved to the United States, where he worked primarily outside of the Hollywood studio system. The films of his American period display his keen outsider's eye, which allowed him to observe diverse aspects of American life in settings that ranged from turn-of-the-century New Orleans to present-day Atlantic City and the Texas Gulf Coast. Louis Malle: Interviews covers the entirety of Malle's career and features seventeen interviews, the majority of which are translated into English here for the first time. As the collection demonstrates, Malle was an extremely intelligent and articulate filmmaker who thought deeply about his own choices as a director, the ideological implications of those choices, and the often-controversial themes treated in his films. The interviews address such topics as Malle's approach to casting and directing actors, his attitude toward provocative subject matter and censorship, his understanding of the relationship between documentary and fiction film, and the differences between the film industries in France and the US. Malle also discusses his sometimes-challenging work with such actors as Brigitte Bardot, Pierre Blaise, and Brooke Shields, and sheds new light on the making of his films.

Looking For Muriel (hardback) - A Journey Through and Around the Alain Resnais Film (Hardcover): Darren Arnold Looking For Muriel (hardback) - A Journey Through and Around the Alain Resnais Film (Hardcover)
Darren Arnold
R889 Discovery Miles 8 890 Ships in 12 - 19 working days
Roger Corman's New World Pictures (1970-1983) - An Oral History Volume 1 (hardback) (Hardcover): Stephen B. Armstrong Roger Corman's New World Pictures (1970-1983) - An Oral History Volume 1 (hardback) (Hardcover)
Stephen B. Armstrong
R970 Discovery Miles 9 700 Ships in 12 - 19 working days
Barbara Hammer - Pushing Out of the Frame (Hardcover): Sarah Keller Barbara Hammer - Pushing Out of the Frame (Hardcover)
Sarah Keller
R2,912 Discovery Miles 29 120 Ships in 10 - 15 working days

Barbara Hammer: Pushing Out of the Frame by Sarah Keller explores the career of experimental filmmaker and visual artist Barbara Hammer. Hammer first garnered attention in the early 1970s for a series of films representing lesbian subjects and subjectivity. Over the five decades that followed, she made almost a hundred films and solidified her position as a pioneer of queer experimental cinema and art. In the first chapter, Keller covers Hammer's late 1960s-1970s work and explores the tensions between the representation of women's bodies and contemporary feminist theory. In the second chapter, Keller charts the filmmaker's physical move from the Bay Area to New York City, resulting in shifts in her artistic mode. The third chapter turns to Hammer's primarily documentary work of the 1990s and how it engages with the places she travels, the people she meets, and the histories she explores. In the fourth chapter, Keller then considers Hammer's legacy, both through the final films of her career-which combine the methods and ideas of the earlier decades-and her efforts to solidify and shape the ways in which the work would be remembered. In the final chapter, excerpts from the author's interviews with Hammer during the last three years of her life offer intimate perspectives and reflections on her work from the filmmaker herself. Hammer's full body of work as a case study allows readers to see why a much broader notion of feminist production and artistic process is necessary to understand art made by women in the past half century. Hammer's work-classically queer and politically feminist-presses at the edges of each of those notions, pushing beyond the frames that would not contain her dynamic artistic endeavors. Keller's survey of Hammer's work is a vital text for students and scholars of film, queer studies, and art history.

The Films of Jess Franco (Hardcover): Antonio Lazaro Reboll, Ian Olney The Films of Jess Franco (Hardcover)
Antonio Lazaro Reboll, Ian Olney
R2,632 Discovery Miles 26 320 Ships in 10 - 15 working days

The Films of Jess Franco looks at the work of Jesus ""Jess"" Franco (1930-2013), one of the most prolific and madly inventive filmmakers in the history of cinema. He is best known as the director of jazzy, erotically charged horror movies featuring mad scientists, lesbian vampires, and women in prison, but he also dabbled in a multitude of genres from comedy to science fiction to pornography. Although he built his career in the ghetto of low-budget exploitation cinema, he managed to create a body of work that is deeply personal, frequently political, and surprisingly poetic. Editors Antonio Lazaro-Reboll and Ian Olney have assembled a team of scholars to examine Franco's offbeat films, which command an international cult following and have developed a more mainstream audience in recent years. Arguing that his multifaceted, paradoxical cinema cannot be pinned down by any one single approach, this edited volume features twelve original essays on Franco's movies written from a variety of different perspectives. This collection does not avoid the methodologies most commonly used in the past to analyze Franco's work-auteur criticism, genre criticism, and cult film criticism-yet it does show how Franco's films complicate these critical approaches. The contributors open up fresh avenues for academic inquiry by considering his oeuvre from a range of viewpoints, including transnational film studies, cinephilia studies, and star studies. The Films of Jess Franco seeks to address the scholarly neglect of this legendary cult director and to broaden the conversation around the director's work in ways that will be of interest to fans and academics alike.

My Best Friend's Birthday - The Making of a Quentin Tarantino Film (hardback) (Hardcover): Andrew J. Rausch My Best Friend's Birthday - The Making of a Quentin Tarantino Film (hardback) (Hardcover)
Andrew J. Rausch
R977 Discovery Miles 9 770 Ships in 10 - 15 working days
Kasi Lemmons - Interviews (Hardcover): Christina N Baker Kasi Lemmons - Interviews (Hardcover)
Christina N Baker
R3,289 Discovery Miles 32 890 Ships in 10 - 15 working days

Beginning with her critically acclaimed independent feature film Eve's Bayou (1997), writer-director Kasi Lemmons's mission has been to push the boundaries that exist in Hollywood. With Eve's Bayou, her first feature film, Lemmons (b. 1961) accomplished the rare feat of creating a film that was critically successful and one of the highest-grossing independent films of the year. Moreover, the cultural impact of Eve's Bayou endures, and in 2018 the film was added to the Library of Congress's National Film Registry as a culturally, historically, or aesthetically significant film. Lemmons's directing credits also include The Caveman's Valentine, Talk to Me, Black Nativity, and, most recently, Harriet, making Lemmons one of the most prolific and long-standing women directors in Hollywood. As a black woman filmmaker and a self-proclaimed black feminist, Lemmons breaks the mold of what is expected of a filmmaker in Hollywood. She began her career in Hollywood as an actor, with roles in numerous television series and high-profile films, including Spike Lee's School Daze and Jonathan Demme's Academy Award-winning The Silence of the Lambs. This volume collects fifteen interviews that illuminate Lemmons's distinctive ability to challenge social expectations through film and actualize stories that broaden expectations of cinematic black femaleness and maleness. The interviews reveal Lemmons's passion to create art through film, intimately linked to her mission to protest culturally and structurally imposed limitations and push the boundaries imposed by Hollywood.

Mario Bava - The Artisan as Italian Horror Auteur (Hardcover): Leon Hunt Mario Bava - The Artisan as Italian Horror Auteur (Hardcover)
Leon Hunt
R3,436 Discovery Miles 34 360 Ships in 12 - 19 working days

How do we approach a figure like Mario Bava, a once obscure figure promoted to cult status? This book takes a new look at Italy's 'maestro of horror' but also uses his films to address a broader set of concerns. What issues do his films raise for film authorship, given that several of them were released in different versions and his contributions to others were not always credited? How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered? This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. Featuring new analysis of cult classics like Kill, Baby ... Kill (1966) and Five Dolls for an August Moon (1970), Mario Bava: The Artisan as Italian Horror Auteur sheds light on a body of films that were designed to be ephemeral but continue to fascinate us today.

Humphrey Jennings - Film-maker, Painter, Poet (Paperback, 2nd edition): Marie-Louise Jennings Humphrey Jennings - Film-maker, Painter, Poet (Paperback, 2nd edition)
Marie-Louise Jennings
R954 Discovery Miles 9 540 Ships in 12 - 19 working days

Humphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jennings's fascinating career in all its aspects with the aid of documents from the Jennings family archive. Situating Jennings's work in the world of his contemporaries, and illuminating the qualities by which his films are now recognised, Humphrey Jennings: Film-Maker, Painter, Poet explores the many insights and cultural contributions of this truly remarkable artist.

Arthur Penn - American Director (Second Edition) (hardback) (Hardcover): Nat Segaloff Arthur Penn - American Director (Second Edition) (hardback) (Hardcover)
Nat Segaloff; Foreword by Jonathan Demme
R1,087 Discovery Miles 10 870 Ships in 12 - 19 working days
Elia Kazan - A Life (Paperback): Elia Kazan Elia Kazan - A Life (Paperback)
Elia Kazan
R996 R887 Discovery Miles 8 870 Save R109 (11%) Ships in 10 - 15 working days

Elia Kazan's varied life and career is related here in his autobiography. He reveals his working relationships with his many collabourators, including Harold Clurman, Lee Strasberg, Clifford Odets, Arthur Miller, Tennessee Williams, Marilyn Monroe, Marlon Brando, James Dean, John Steinbeck and Darryl Zanuck, and describes his directing "style" as he sees it, in terms of position, movement, pace, rhythm and his own limitations. Kazan also retraces his own decision to inform for the House Un-American Activities Committee, illuminating much of what may be obscured in McCarthy literature.

Free Delivery
Pinterest Twitter Facebook Google+
You may like...
Depression and Globalization - The…
Carl Walker Hardcover R1,605 Discovery Miles 16 050
Prisoners Of Jan Smuts - Italian…
Karen Horn Paperback R330 R279 Discovery Miles 2 790
Legal Principles for Combatting…
Daniel Adeoye Leslie Hardcover R4,837 Discovery Miles 48 370
Handbook on Optimizing Patient Care in…
Amresh Shrivastava, Avinash De Sousa, … Hardcover R4,160 Discovery Miles 41 600
Bonaparte's Wedding
Dulat Issabekov Hardcover R527 Discovery Miles 5 270
Civil War Baton Rouge, Port Hudson and…
Dennis J. Dufrene Paperback R553 R507 Discovery Miles 5 070
David Walliams Annual 2025 - With…
David Walliams Hardcover R295 R250 Discovery Miles 2 500
Research Handbook on International Law…
Gerd Oberleitner Hardcover R6,556 Discovery Miles 65 560
What I Can Be From A-Z
Vanessa Forte Hardcover R605 Discovery Miles 6 050
Eukaryome Impact on Human Intestine…
Nancy Guillen Hardcover R4,633 Discovery Miles 46 330

 

Partners