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Books > Law > English law > Private, property, family > Intellectual property law
The law is of great significance to you as a writer. It can work to your advantage or to your disadvantage. It can help you or hinder you. The best way to ensure that you get the most out of the law is to have knowledge of it. With this book you will learn what rights you have as a writer and how to enjoy them, and what obligations you have and how to comply with them. You will discover how to avoid legal pitfalls and in the event that you find yourself in a legal entanglement, how to remedy the situation. Specifically, this book will show you: what copyright is and how the law protects you; how to preserve your copyright and avoid infringing that of others; what libel is and how it can affect you; how to avoid libellous writing and defend yourself from legal action should the need arise; what is required for a binding contract, and how to enter into and get out of one with your publisher; how to understand advances, royalties and rights; how to deal with your literary estate; and what other legal issues may arise and how to manage them. With the help of this book you will become confident in your knowledge of the law as it applies to you before, during and after publication.
The need to attribute disputed utterance constantly arises, sometimes as a matter of legal urgency (contested 'confessions' or other documents), sometimes as the focus of fierce scholarly debate (was that new story just discovered really by D.H. Lawrence? QSUM finds not), sometimes as a popular diversion (whose words were on the 'Royal Tapes'?) It is in such situations that a scientific method of attribution - one which is objective - becomes desirable. The cumulative sum technique for authorship attribution (Cusum or QSUM, as the analytic procedure is now known) is just such a method. Invented in 1988 by Andre Q. Morton, long recognised as the foremost authority on the subject, QSUM is fully explained with copious illustrations. The technique works cross time and genre, and has already been used to solve several attribution problems. It has obvious uses in legal work, past and present (did Derek Bentley really make that confession? - again, QSUM finds not).
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