The first book devoted exclusively to the spectroscope
and its use in gemstone identification.

Until 1933 the refractometer and the microscope were the two principal tools in gem testing. Then B.W. Anderson introduced the hand spectroscope which quickly became the third vital instrument for the UK gemmologist. The publication of Anderson s papers in the mid-1950s alerted gem laboratories worldwide to the importance of this instrument. Today its use is universal.

Anderson and his lifelong colleague, Payne, both of the world s first full-time gemmological laboratory, were the pioneers in recognizing the vast potential of the spectroscope for this purpose, and The Spectroscope and Gemmology, as the extensively edited, updated and enlarged version of Anderson s original papers, provides a vital textbook wherever gemmology is used or taught. The distinguished gemmologist R. Keith Mitchell has undertaken the editing and has added chapters on the Pye spectrophotometer and on lasers. He has also reproduced new line drawings of spectra in three aspects to accommodate the prism instrument in both the British version and in that favoured by American gemmologists, and in another version as seen through the diffraction grating instrument.

Written for gemmologists everywhere and incorporating the latest developments this book will prove indispensable to all engaged in gemstone identification.

This guide provides concise, interesting and practical details on uncommon gems that are now being used by designers to create distinctive jewelry. It not only lists the identification properties of the gems, but tells you where they are found, how they are used, why they are unique, how they are priced, and how to care for them. High quality photos show the different colors, cutting styles and varieties of each gem and give you ideas on how each can be used creatively in jewelry. Written in a succinct, user-friendly style, this is a companion book to Newman's "Gemstone Buying Guide" and an ideal reference for jewelers, sales associates, appraisers, gem collectors, gemology students, gem dealers and consumers. The following gems are discussed and illustrated in Rare Gemstones: amblygonite, andalusite, apatite, aragonite, axinite, azurite, benitoite, bixbite, brazilianite, bronzite, calcite, cobaltocalcite, charoite, chrysocolla, cuprite, danburite, diaspore, diopside, dumortierite, enstatite, epidote, fluorite, gaspeite, hauyne, hematite, hemimorphite, howlite, idocrase, jeremejevite, kornerupine, kyanite, larimar, lepidolite, magnesite, marcasite, maw-sit-sit, moldavite, obsidian, pectolite, phenakite, phosphosiderite, prehnite, psilomelane, pyrite, red beryl, rhodochrosite, rhodonite, scapolite, scheelite, seraphinite, serpentine, sodalite, sillimanite, smithsonite, sphalerite, sphene, sugilite, taaffeite, titanite, tugtupite, unakite, variscite, vesuvianite and zultanite.

La Bijouterie Francaise au XIX "e" Siecle by Henri Vever is an indispensable survey of the jewelry produced in Paris from the Empire to the Art Nouveau period. Since it was first published in three volumes nearly one hundred years ago, it has become the definitive source of information for the jewelry profession as well as for those who simply revel in the intricate beauty of fabulous jewels. Now, for the first time, the entire text is available in English in a single volume.

Vever, himself a highly accomplished jeweler, compiled a study that charts the histories of both the humblest and the most famous of his colleagues, including Bapst, Boucheron, Falize, Fontenay, Pouquet, Froment-Meurice, Gaillard, Lalique, Mellerio, and Wiese. This vivid contemporary account is full of data gathered directly from the jewelers themselves or from their descendants. It contains fascinating anecdotes concerning Imperial and Royal commissions together with entertaining tales of workshop practices. In crediting the designers, chasers, engravers, and enamelers who collaborated with the famous jewelry houses, Vever acknowledged the talents of technicians who often worked anonymously. In identifying unrecorded craftsmen, he made his book a unique document.

Political, economic, and industrial developments are discussed, as are their repercussions on society and fashion. With his intimate knowledge of techniques, Vever was able to analyze changes that were continually taking place in manufacturing processes. He also recorded the changing styles in jewelry and their sources of inspiration, ranging from the Antique to the Orient.

A unique feature of this English-language edition is the inclusion for thefirst time of over 130 color illustrations of pieces, many from Vever's collection, which appeared only in black and white in the original.

This book charts the changes in Birmingham's Jewellery Quarter over the last twenty years, and is the first work to look beyond the area's unique early history and the jewellery trade itself. Today the quarter is a vibrant urban village, and here former Jewellery Quarter regeneration director Andy Munro tells the story of its transformation. The regeneration of the area sought to achieve the difficult act of revitalising the area while protecting its unique jewellery trade and heritage. This book offers a fascinating insight into the successes and failures of the initiative and draws on interviews with the many interesting characters who were players in this regeneration game.

This is a full-colour guide to identifying and evaluating alexandrite, andalusite, chrysoberyl, cat's-eye, kyanite, sillimanite, common opal, fire opal, dinosaur gembone, tsavorite, rhodolite, spessartine, demantoid, malaya, grossular, and other garnets. This is the second in a series of books that explores the history, lore, properties, qualities and geographic sources of lesser-known gems. The book shows you with close-up photos how to make visual judgements about clarity, transparency, colour, cut quality and brilliance. It also provides tips on gem care and on detecting imitations and gem treatments. The healing and metaphysical properties of the gems are also addressed. Written for both consumers and professionals, it's easy to read, well-organised, packed with professional colour photographs and full of fascinating information.

A stunning new volume which presents 120 pieces by 50 leading jewellery designers from the 1960s and '70s, including works by John Donald, Arthur King, Andrew Grima and Gilbert Albert. Simply Brilliant presents 120 pieces by 50 leading makers of jewellery in the 1960s and '70s, drawn from the Klosterman collection in Cincinnati. Most, if not all, of the individual makers of this era thought of themselves as artists first, jewellers second, and this magnificent new volume is full of stunning one of a kind pieces which reflect the inventive, ground-breaking attitudes of the era. The book explores the 1961 Goldsmiths Hall exhibition in London and its influence on contemporary jewellery designers such as John Donald, Arthur King, Andrew Grima and Gilbert Albert. The 1961 exhibition brought a new direction in jewellery design to the fore, influencing others - including the major jewellery houses such as Cartier, Bulgari, Chopard and Van Cleef and Arpels - paving the way for an international movement in fashion and design. These jewellery designers created unique pieces, often for individual clients, using non-traditional materials and unusual forms. AUTHOR: Cynthia Amneus is chief curator and curator of Fashion Arts and Textiles at Cincinnati Art Museum. 207 colour illustrations

This book is an essential tourist guide to gemstones in Great Britain. It is a 'how to' manual for hobbyists, frequent travellers and those already in the jewellery trade with little knowledge about British gemstones. I have written it to help you feel more confident about the buying process. The gem trade is rather a secretive industry and this is as true in Britain as anywhere else in the world. There's a vast array of myths, inaccuracies and very deliberate deceptions out there, but don't let that put you off - my clear and jargon-free guidance will allow you to navigate your gemstone buying journey with ease. Whether you are hoping to treat yourself to an extra-special souvenir of your latest adventure, buying supplies for your jewellery-making venture or travelling to learn more about the gemstone industry, what could be more exciting than buying your gemstone in the very country whose earth formed it? This book will give you the vital information you need before making your purchase. In it, I disclose what websites don't tell you. I'll reveal: Who to trust What to look for When to walk away