Hy sug. “Weet jy wat dink ek? Ek dink jy moenie so hard dink en worrie oor wat Christa sê nie, en ek dink nie jy moet verliefraak van jou lysie afhaal nie.”

Sy wikkel haar net daar uit sy omhelsing los. “Wie sê dis op my lysie!”

“O, ek wéét dis op jou lysie.” Hy glimlag en dan trek hy haar weer terug in sy arms, sy arm om haar middellyf; sy bene onmiddellik weer die ene seekat oor hare. “Toe, hou nou op worrie oor nonsens. Slaap. Jy gaan jou energie moreoggend nodig kry as jy wakkerword.” Met dié druk hy sy lyf teenaan hare. Gits. Sekere dele van sy lyf is nie heeltemal so aan die slaap as wat hy dalk dink nie.

“Hmmm” grom hy in haar nek as hy ook sy lyf se reaksie voel. “Jy gaan dalk jou energie in die middel van die nag al benodig as ek sake so uitkyk!”

Vir ‘n ruk lank lê hulle so – rustig en salig – totdat Meiring die stilte onderbreek. “Mag ek vra waar jy aan jou inspirasie gekom het?”

“Met die ys en als?” vra sy.

“Ja … veral met die als.”

“O, ek het dit op YouTube gesien.”

Daar is ’n oomblik se stilte. “Jy is nie ernstig nie.”

Moet sy hom vertel van die seksghoeroe wat sy ontdek het wat videolesse aanbied oor hoe om ’n man te verlei? Nee, wat.

“Ek grap net. Jou ysidee het my geïnspireer,” sê sy.

Hy soen haar in die nek. “Dan sal ek met meer idees vorendag moet kom.”

Toe Karen se man haar vir ’n jonger weergawe los, besluit sy: Dis tyd om te waag.

’n Vriendin vertel haar van die eienaar van ’n toermaatskappy wat glo ’n bobaasverleier en uitstekende minnaar is …

Hy stem in om Karen uit haar penarie te red en gou beleef sy avonture waarvan sy voorheen net kon droom. Avonture het egter ’n manier om jou onverhoeds te betrap en jou op afdraaipaaie te neem wat jy nooit sien kom het nie.

The Mending of a Broken Vessel chronicles how the yearn to be loved became something that she chased for, the result of which was a promiscuous lifestyle.

It details the journey of rejection, pain, disappointments, abusive relationships, suicide attempts, alcoholism and many ill that the author fell into and survived.

An award-winning historian and journalist tells the very human story of apartheid's afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid's enemies. From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid's enemies.

The political rogue's gallery was known as the "terrorist album," copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; sometimes the goal was elimination. All of the albums were ordered destroyed when apartheid's violent collapse began. But three copies survived the memory purge.

With full access to one of these surviving albums, award-winning South African historian and journalist, Jacob Dlamini investigates the story behind these images: their origins, how they were used, and the lives they changed. Extensive interviews with former targets and their family members testify to the brutal and often careless work of the police. Although the police certainly hunted down resisters, the terrorist album also contains mug shots of bystanders and even regime supporters.

Their inclusion is a stark reminder that apartheid's guardians were not the efficient, if morally compromised, law enforcers of legend but rather blundering agents of racial panic. With particular attentiveness to the afterlife of apartheid, Dlamini uncovers the stories of former insurgents disenchanted with today?s South Africa, former collaborators seeking forgiveness, and former security police reinventing themselves as South Africa's newest export: "security consultants" serving as mercenaries for Western nations and multinational corporations.

The Terrorist Album is a brilliant evocation of apartheid's tragic caprice, ultimate failure, and grim legacy.

Frederik van Zyl Slabbert was a man on a mission, whether as an academic, opposition politician, democratic facilitator or businessman. When he famously led a delegation of leading Afrikaners to Dakar in 1987 to meet the exiled ANC, many saw it as a breakthrough moment, while others felt he had been taken in. And yet his reputation – for honesty, integrity, wit and courage – still towers above many of his contemporaries.

An academic turned politician, Slabbert brought unusual intellectual rigour to Parliament, transforming the upstart Progressive Federal Party into a force that could challenge the National Party. Disillusioned by South African society, he resigned in 1986 to explore democratic alternatives. Sidelined during the democratic transition, he continued to pursue a broad range of initiatives aimed at building democracy, empowering black South Africans and transforming the economy.

Grundlingh offers insights into this most unlikely politician, providing new perspectives on a figure who even today remains an enigma.

Hierdie is 'n biografie in konteks en lees soos 'n roman.

Die jaar is 1700, die plek Amsterdam. Die bruid is 21 jaar oud en inderhaas getroud met 'n wewenaar wat oud genoeg is om haar pa te wees. Wie is die Franse vrou wat kans sien vir 'n pionierslewe op 'n verre voorpos? Marie Buisset is 'n vlugteling, 'n weeskind uit Sedan, Frankryk, gebore tydens die felste Hugenootvervolging. Sy word die stammoeder van die families Du Plessis en Smith in Suid-Afrika. As vroedvrou - later op die loonlys van die VOC - word Marie (later genoem Maria) die hulp van die kwesbares: 'n verkragte meisietjie, 'n tiener wat geboorte gee en verskeie vroue wat deur hul eienaars, minnaars of eggenote verniel is.

Die leser ontmoet talle bekende name in die Suid-Afrikaanse geskiedenis. Dis 'n verhaal van politieke stryd, ontbering, politiek en liefde. Dis 'n storie oor mense en die uitdagings wat hulle aanpak.

Uit skrapse oorblyfsels soos hofverslae, mediese rekeninge, veilings en testament onthul Joan Kruger 'n ryk en boeiende verhaal, vol humor en patos. Wieg: die verhaal van Maria du Plessis, née Buisset, (1679 - 1751) Hugenoot en vroedvrou is a vonds vir historici en lesers wat nuwe lig werp op 'n gedeelde verlede. 'n Kragtoer.

From 1 May 2011 company law in South Africa was dramatically altered: the 1973 Act which had governed companies for the life-times of most business people and lawyers in South Africa was replaced by the Companies Act of 2008, as amended in March 2011.

A new era of company law dawned, and with it a host of new concepts, rights, remedies, obligations, procedures and sanctions were introduced. These fundamentally affect the way that every business operates and the advice and practice of every lawyer, accountant or other professional adviser.

This title, the first to cover the new Act and the new regulations, provides the hand-holding, the insight, and the understanding that business and their advisers require in order not to be wrong-footed by the new regime.

A collection of ten witty, tightly written, upbeat short stories about people making new beginnings after significant losses (the death of their partners, home invasions, etc) set in the upmarket northern suburbs of Johannesburg, like Parkview.

It is filled with memorable characters and incidents.

Will South Africa rise from Zuma's lost decade and turn into an influential global economic powerhouse in the 2020s and 2030s? Or will the country and its government continue down the path of state capture, corrupt leadership and economic downturn?

In this incisive book the country's foremost scenario planner and bestselling author analyses where we are at, predicts where we are headed and tells you what steps to take to make sure you and your family are well prepared for South Africa's future.

How do you feel right now? Are you aware of tension, stiffness or aching? What is your posture like? Do you feel at home in your body? Are you being treated for a condition or disease?

This book is for those who want to:

• Understand how Body stress release works;
• Find explanations for problems of unknown causes (like headaches);
• Find out about reducing pain in the lower back,neck, shoulders and knees;
• Understand how stress affects the body;
• Read about the history, development and credentials of this complementary health technique;
• Read about the experiences of others with Body stress release.

Body stress release is a gentle health technique that works in co-operation with other forms of health-care to bring hope to those with health problems. Body stress release is a technique started in Cape Town in 1987 by Gail and Ewald Meggersee, and it has now spread around the world. It has enhanced and transformed the lives of tens of thousands of people, awakening the awerness that the potential for well-being lies within each of us.

Now filmed as INVICTUS directed by Clint Eastwood, and starring Matt Damon and Morgan Freeman as Nelson Mandela. SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2008 As the day of the final of the 1995 Rugby World Cup dawned, and the Springboks faced New Zealand's all-conquering All Blacks, more was at stake than a sporting trophy. When Nelson Mandela appeared wearing a Springboks jersey and led the all-white Afrikaner-dominated team in singing South Africa's new national anthem, he conquered the hearts of white South Africa. Playing the Enemy tells the extraordinary human story of how that moment became possible. It shows how a sport, once the preserve of South Africa's Afrikaans-speaking minority, came to unify the new rainbow nation, and tells of how - just occasionally - something as simple as a game really can help people to rise above themselves and see beyond their differences.

Martin Retief se hele lewe verander toe sy pa een middag stilhou om aandete te koop. Maar dan ontmoet Martin vir Drikus. Drikus wat aan ’n siekte ly en sy eie zombiefliek wil maak. Wat volg is ’n avontuur vol skouhoenders, skelms, mooi meisies, wiskunde, kammabloed en zombies.

He became obsessed with fish during his early childhood and carried this passion with him throughout his career. Mike Bruton was born in the town where the first living coelacanth was discovered and studied at Rhodes University in South Africa at the same time as the great ichthyologist, Professor JLB Smith, who described ‘old fourlegs’. He subsequently became Director of the Ichthyology Institute established in Smith’s name and pioneered searches for the coelacanth off the coast of southern Africa and in the Western Indian Ocean using the German research submersible, ‘Jago’. Together with colleagues from South Africa, the USA, Canada and Germany he made many new discoveries on the biology of this extraordinary fish and campaigned internationally for its conservation.

Mike’s research on the freshwater fish of Africa and the Middle East lead to entanglements with crocodiles, hippopotami, giant snakes and military operations but also allowed him to contribute to international efforts to conserve wetlands and endangered species. He also made major contributions to our understanding of the ways in which fish are adapted to their watery environments and how they made that epic evolutionary transition from water onto land.

Whether or not you are a fisherman, aquarist or sushi eater, you will be fascinated by these astonishing tales of a man who almost became a fish!

South Africa’s story is often presented as a triumph of new over old, but while formal apartheid was abolished decades ago, stark and distressing similarities persist.

Dr Sizwe Mpofu-Walsh explores the edifice of systemic racial oppression — the new apartheid — that continues to thrive, despite or even because of our democratic system.

When Stephen Clingman was two, he underwent an operation to remove a birthmark under his right eye. The operation failed, and the birthmark returned, but in somewhat altered form.

In this captivating and beguiling book, Clingman takes the fact of that mark – its appearance, disappearance and return – as a guiding motif of memory. This is how we remember the worlds we are born into, how they become a set of images in the mind, surfacing and resurfacing across time and space. South Africa under apartheid was itself governed by the markings of birth – the accidents of colour, race, and skin. But what were the effects on the mind?

Here a further motif comes into play, for in the operation Stephen’s vision was affected, and his eyes came to see differently from one another: divided vision in a divided world. How, in these circumstances, can we come to a deeper kind of vision, how can we achieve wholeness, acceptance, find our place in the midst of turmoil and change?

In an enchanting and cumulative narrative set on three continents, Stephen’s memories make up the hologram of the book’s subtitle. It is a story that is personal, painful, comic, and ultimately uplifting: a book not so much of the coming of age, but the coming of perspective.

Helene de Kock Keur 8 sluit in ’n Oos-Vrystaatse familiesage en een van haar wynlandromans.

In Abel se dogters smag Abel Buitendag se dogters na meer warmte en kontak. Sedert hul ma se dood, toe hulle nog klein was, klou hul pa verbete vas aan dit wat verby is. Maar soos hulle een vir een uit die huis verlaat en deel word van die groter wêreld, gryp die lewe hul met woede en vreugde vas. Hulle ervaar die mooi, en ook die bitterheid, wat liefde bring. Adelien bevind haar skielik op ’n plek waar sy dringend haar eie hart moet leer ken. Bernadette loop ’n pad wat geen vrou ooit self sal kies nie. En Christelle kan eenvoudig nie haar jeugliefde vergeet nie.

Soetwyn vir ’n Sondagkind is die verhaal van ’n jong meisie wat vir die eerste keer voor die kompleksiteite van die lewe te staan kom en in die proses ryp word. Kleintyd al het Nicola besluit dat sy eendag soetwyn gaan maak op haar steifpa se wynplaas. Maar wanneer sy terugkom van haar studie in die buiteland, het dinge verander.

’n Onderwyseres wat op volmaannagte in ’n weerwolf verander.

’n Speelding wat allerhande vreemde dinge begin aanvang.

’n Eksperiment wat jou in ’n insek laat verander.

’n Vakansieplaas waar reuse-vlermuise snags buite rondvlieg.

En ’n grillerige monsterfliek waaruit jy nie maklik ontsnap nie.

Kry jou flits uit, kruip onder die komberse in en maak gereed om lekker te ril en te gril met hierdie GROOT en GRILLERIGE versameling stories. Vir die eerste keer verskyn vyf van Jaco Jacobs se gewildste grilstories saam in een boek. Dit sluit in:

- Troetelgedrog

- Tande

- Nag van die monsters

- Nagvlerke

- Voelers

On a lonely stretch of road a nameless man commits a murder.

The victim is a religious minister on his way to take up a post in a nearby town. When the murderer decides to steal the dead man’s identity, his first official duty is to bury the body, which has just been found near a disused quarry. But the head of the local police takes a close interest in the new minister’s work – watching, listening, slowly circling his prey.

In The Quarry, Damon Galgut brings the power of myth to his tender prose to create a devastating drama that builds to a climax that is almost too much to bear.

In Love In The Time Of Contempt Joanne Fedler won’t tell you how to be the ‘perfect’ parent. She’s not a psychologist or an academic. But she is the mother of two teenagers, and she knows how it feels to be the parent of someone sprouting hair, zits and attitude all over the place.

This is a gritty, hilarious look at the day-to-day interactions with teenagers, and the tussled, frazzled and complex business of remaining mature while supporting someone to become an adult.

Fedler shares her philosophy that we are meant to parent imperfectly – our mistakes are the start of the important conversations we need to have with our kids. She guides us through enduring intermittent bouts of contempt and not taking it personally, picking the fights that are worth having, and surviving the journey from frustration, to confusion, to elation and back again.

Love In The Time Of Contempt is a funny, poignant account of the dramas and delights of parenting teenagers who know it all, who don’t yet have a fully functioning brain and who desperately need us to parent them – just not in the way we’re used to.

Good Morning, Mr Mandela tells the extraordinary story of how Zelda la Grange’s life, beliefs and prejudices were transformed by the greatest statesman of our time.

It is the incredible journey of an awkward, terrified young typist in her twenties who was chosen to become Nelson Mandela’s most loyal servant, spending the greater part of her adult working life travelling with and caring for the man she would come to call ‘Khulu’.

This is a book about love and second chances. It will touch your life and make you believe that every one of us, no matter who we are or what we have done, has the power to change.

Rocco de Witt se argitekspraktyk in Kaapstad doen goed, hy is verloof aan 'n pragtige vrou en hy woon in 'n droomhuis. Maar nou staan oudmakker Gert Malan voor sy deur . . . en die geweld van destyds kom opnuut Rocco se lewe binne. Sy bestaan ontaard in 'n nagmerrie - tot die onvermydelike konfrontasie wat op hom wag, daar op die plasie Nadraai.

Journey into the heart of South Africa’s most exclusive wildlife sanctuaries with award-winning wildlife photographer Gerald Hinde and author Will Taylor. This stunning coffee table book offers unprecedented access to the private game reserves and concessions of the Greater Kruger National Park, showcasing both spectacular photography and intimate stories from decades of wildlife observation.

Through masterful storytelling and extraordinary imagery, the authors reveal the hidden world of these exclusive reserves, from intimate leopard encounters to dramatic predator-prey interactions. The book provides a comprehensive exploration of the area’s rich history, diverse ecosystems, and the delicate balance between conservation and luxury tourism.

This landmark publication offers a unique view into one of Africa’s most exclusive wildlife destinations, combining practical information with extraordinary storytelling and photography to create an essential reference for anyone interested in African wildlife and conservation.

After 32 years, Madam & Eve is still going strong and is back with more hilarious cartoons, looking back at another year of the crazy rollercoaster of daily life and politics in South Africa.

Madam & Eve cartoons appear regularly in the Mail & Guardian, The Star, The Saturday Star, Herald, Mercury, Witness, Daily Dispatch, Cape Times, Pretoria News, Diamond Fields Advertiser, Die Volksblad, EC Today, Kokstad Advertiser and The Namibian.

Madam & Eve is South Africa’s best reminder that we must laugh at ourselves as a society. The perfect gift for anyone wanting to understand South African politics.

The stories in Once Removed traverse the theatres, artist studios and archives that characterise the world of contemporary art and performance. But they also zero in on the homes, private lives, daily journeys and emotional interiorities of the various characters that inhabit them. While the stories in Once Removed draw from the undercurrents of the South African art world, their concerns and evocations are not limited to it.

“Once Removed is for readers who are familiar with the worlds of art and performance, and those for whom it is completely foreign. A reader doesn’t need to be immersed in the world of artists, critics, exhibitors, gallerists or academics to access the collection, and to enjoy the imbalances, precarity, hilarity, and possibilities represented in it,” explains Mann.

Part ironic realism, part experimental surrealism, these stories will matter differently, but equally significantly, to those inside and outside the world they evoke and inhabit.

12 February 2015. The South African secret services block the cellphones of journalists covering Parliament. Opposition party members are violently thrown out of the House. President Jacob Zuma – accused of corruption on a grand scale – laughs uproariously. Where is the country of Nelson Mandela headed?

The institutions of democracy are falling apart or being captured by a narrow and deeply corrupt elite built around Zuma. Its infrastructure is collapsing. Its economy cannot provide succor to the eight million who don’t have jobs. Protests over service delivery are on the rise. Does South Africa have the resolve and the leadership to stem the slide? In a devastating, searing, honest paean to his country, renowned political journalist and commentator Justice Malala forces South Africa to come face to face with the country it has become: corrupt, crime-ridden, compromised and its institutions captured by a selfish political elite that is bent on enriching itself at the expense of the increasingly marginalised masses.

In this deeply personal reflection, Malala’s diagnosis is devastating: South Africa is on the brink. He does not stop there. Malala believes that we have the ingredients to turn things around: our lauded Constitution, our wealth of talent, our history of activism and a democratic trajectory that can be used to stop the rot from setting in. But he has a warning: South Africans need to wake up now, or else they will soon find their country has been stolen.

This is a story about wholeness and holes. The ones inside us and the ones that give us refuge; about the intersection of two lives from different backgrounds and circumstances, pulled together by the pain of loss.

Emanuel is a young refugee from Congo, surviving alone on the streets of Durban after being separated from his mother while escaping the turmoil of conflict. Winter is a reclusive writer whose life has come to a standstill after the loss of her young son, whose disappearance has never been solved.

As their fatelines cross, it is not immediately apparent what the nature of the pull between them is. Emanuel in particular is resistant to Winter's overtures.

It is when she takes him with her to the Antbear Cabin, her writing refuge, that the bond between them slowly begins to form. Painful realisations surface as each recognises in the other a reflection of what they have lost. There, in the cabin of peace overlooking the steep valley of storms, the stories of Winter and Emanuel begin, finally, to reveal themselves. Each must take the difficult journey back through the heart of the wound in order to heal and learn to love - and live - again.