Flatervrye mosaïek projekte soos plantbakke, meubels en ornamente vir jou tuin

• Van eenvoudige projekte soos sierpanele tot ’n sprankelende waterverfraaiing en ’n mosaïektafelblad

• Uitvoerige bespreking van tegnieke, volledige aanwysings, patrone en wenke om ’n professionele afwerking te verseker

Mosaïek is ’n een van die duursaamste kuns vorme in die wêreld, wat dit perfek maak om die ruimte buite jou huis te versier. Die projekte in Mosaïek vir jou tuin is geskik vir alles, van ’n klein terras tot ’n groot tuin en wys jou hoe om jou buitenshuise ruimte op die mees bekoorlike, unieke en blywende manier te versier.

Die uitgebreide tegniek-afdeling toon hoe om die regte teëls vir jou omgewing te kies, asook hoe om dit te gebruik. Die groot verskeidenheid teëls wat vandag in die handel beskikbaar is, is beter as ooit tevore en hierdie boek benut dié skatkis nuwe materiaal, onder andere versierde teëls, of selfs goedkoop (dog outentieke) bladgoudteëls ten volle. Namate jy vorder, kan jy jou kreatiwiteit ontwikkel met wenke vir bypassende teël- en kleurskemas wat jou in staat stel om die projekte effektief aan te pak en kunswerke te skep wat heeltemal eie is aan jou en jou tuin.

Al 25 projekte is geskik vir beginners en strek van eenvoudige dekoratiewe stukke, soos die betowerende kindervoetspore en skoenlapperklippe, tot praktiese en stewige weerbestande stukke soos die geruite trompe l’oeil-tafelblad en bekoorlike plantbakke wat veral in die vaal wintermaande sal bydra tot die kleur in jou tuin. Sommige projekte, soos die kershouer, kan binne twee uur voltooi word.

Cleo Mussi is a true original taking an innovative path to expressing her own ideas, by creating gestural, figurative mosaics from repurposed ceramic tableware. Working within the folk tradition, Cleo creates elegant, decorative and political pieces that incorporate the inherent properties gleaned from patterns, marks, forms, colour and text into a world of contemporary narratives. These works reflect modern ideas, with both humour and a lightness of touch. Cleoa s work ranges from small intimate pieces to large scale installations of up to 100, life-size works; her mosaics are in private collections worldwide, as well as in many public spaces throughout the UK.

This title features 25 exciting projects to create, using glass, tiles and marble. The ancient art of mosaic-making celebrated in inspirational designs and practical projects. It offers complete step-by-step instructions for 25 original and innovative mosaic projects. It features a gallery of inspirational examples of the finest mosaics from contemporary artists. It is a comprehensive guide - from getting started to advanced designs - with everything you need to know about materials, tools, adhesives and how to use them, and all the techniques you will need. It is the definitive modern approach to a traditional craft. It is a fascinating approach to mosaics, shown in over 300 specially commissioned photographs, which clearly illustrate each stage. Mosaic-making is a classic art that uses marble, vitreous glass and smalti. As well as using traditional materials, mosaics can be made with crockery, tiles, mirrored glass and metal. It is this versatility, as well as its decorative qualities, which makes the craft so appealing. The principles of mosaic-making are easy to master, and this book gives practical advice on all the basic techniques. A comprehensive introduction details all the materials you will need to produce exquisite mosaics, from the traditional to the contemporary, including expert advice on adhesives and tools. There are 25 exciting projects to create, including stylish and functional objects as diverse as a patterned firescreen, an abstract table top, an Aztec-style trinket box, a Roman-influenced urn, and many other original decorative accessories. With innovative projects and instructional photography, this volume is both a visual source book and practical reference guide to an exciting craft.

An indispensable compendium of technical know-how and troubleshooting tips Just like having a mosaic tutor on call 24 hours a day-this book is packed with handy, time-saving tips and technical knowledge to improve your skills, speed up the learning process, and give your unique mosaics a professional finish. Easy-to-follow step-by-step techniques, photography, and illustrations. Handy, professional quick fixes and solutions for commonly encountered problems. Advice on what to buy and how to use the tools and materials-from ceramic tiles to pebbles, shells, and beads. Tips on design: finding ideas, drawing outlines, order of work, and adding eye-catching details.

A practical project book for 37 indoor and outdoor mosaic pieces, ranging from furniture, frames, pots and other accessories for the home. The projects featured are contemporary but timeless and each project requires the minimum of specialist equipment, artistic ability, time and money.

Roman geometric patterns radiate symmetry and order. Drawing the patterns is not just a question of mechanically copying the work of someone else square by square, but of understanding the underlying structure. The patterns are built up from simple elements which seem to 'grow' and develop in an almost organic or living way. This book is arranged as a series of drawing exercises. There is no better way of appreciating the skill and imagination of those artists than by drawing their designs yourself. To 'feel' how a cross 'grows' into a swastika pattern which then 'grows' into a complex interlocking design is something which can only be experienced at first hand. This second edition incorporates the same "drawing led" approach to learning about the subject and as such is invaluable in using the designs for contemporary mosaic, or pattern, design. New photographs and updated text strengthen this approach further. Ideal for schools, shops in or near Roman remains, and historical and art/design sections of shops.

Transform areas and items in your home into beautiful works of art! Eye-catching and a lot of fun to do, this introductory guide to mosaic art (literally) covers everything, from window sills, wall murals, and coffee tables to flower pots, picture frames, trays, and so many more decorative pieces for both the home and garden! With 16 beautiful projects to create, supply lists, step-by-step photography and captions, helpful tips, and everything you need to know about the materials, tools, and techniques to make colorful works of art, this is the go-to guide for starting a brand new hobby in mosaics!

This is the first book exclusively about L. C. Tiffany's glass mosaic masterpieces, created from 1880 to 1931 at the Tiffany Studios in New York City for clients across the continent. Fascinating and well-researched text combines with over 700 color photographs to showcase Tiffany's magnificent art. Many of the images are published here for the first time, highlighting over 70 luminous installations in private mansions, public buildings, and churches. Beautifully decorated interiors, mausoleums, and domestic rooms are shown along with an explanation of Tiffany's technique of mosaic making and the unique glass he created and used in them. New information identifies the mosaic artists who worked with him. A useful glossary of mosaic and glass terms, chronology of events in L. C. Tiffany's life relating to his mosaic work, and complete listing of the locations of his mosaic masterpieces are provided. This book will enthrall lovers of mosaics, students, and scholars with an interest in Tiffany as well as decorative arts and design.

This study compares text/image interaction as manifested in emblem books (and related forms) and the modern bande dessinee, or French-language comic strip. It moves beyond the issue of defining the emblematic genre to examine the ways in which emblems - and their modern counterparts - interact with the surrounding culture, and what they disclose about that culture. Drawing largely on primary material from the Bibliotheque nationale de France and from Glasgow University Library's Stirling Maxwell Collection of emblem literature, Laurence Grove builds on the ideas of Marshall McLuhan, Elizabeth Eisenstein and, more recently, Neil Rhodes and Jonathan Sawday. Divided into four sections-Theoretics, Production, Thematics and Reception-Text/Image Mosaics in French Culture broaches topics such as theoretical approaches (past and present) to text/image forms, the question of narrative within the scope of text/image creations, and the reuse of visual iconography for diametrically opposed political or religious purposes. The author argues that, despite the gap in time between the advent of emblems and that of comic strips, the two forms are analogous, in that both are the products of a 'parallel mentality'. The mindsets of the periods that popularised these forms have certain common features related to repeated social conditions rather than to the pure evolution over time. Grove's analysis and historical contextualisation of that mentality provide insight into our own popular culture forms, not only the comic strip but also other hybrid media such as advertising and the Internet. His juxtaposition of emblems and the bande dessinee increases our understanding of all such combinations of picture and text.

This title offers stylish ideas for decorating your outside space with over 400 stunning photographs and 25 step-by-step projects. You can transform an outdoor space with inspirational mosaic designs from leading contemporary designers; illustrated with 400 step-by-step photographs and artworks. It features 25 original projects, graded by difficulty, which can be completed in several hours or a over a weekend. It combines practical chapters on making mosaics with detailed instructions on the tools needed, materials, techniques, grouting and finishing, together with design tips and information on planning and siting your work. It includes decorative new ideas for the patio and garden, including urns, bird bowls, number plaques, boules, tables as well as large-scale mosaic installations. Easy-to-follow instructions show how to produce stunning visual effects by mixing glass, mosaic tesserae, tiles, broken crockery and pebbles. The principles of mosaic making are easy to master and this book gives you all the practical advice you will need on the basic techniques and materials, including concise information on the adhesives and tools required. Adding a mosaic will add life and interest to a garden path, transform a patio or cheer up dull old walls. The book contains over 25 exciting projects to create, graded by level of difficulty, and including jazzy china tiles, bright flower pots, cheery wall motifs, an elegant urn in classical style, a stunning glass garden table and a striking metal and tile pond. Each project details the tools and materials needed, with comprehensive instructions, step-by-step photographs and templates where required. This beautiful book will enable the reader to design and make your own mosaic projects to enhance any outdoor space.

Expertly crafted from thousands of tiny and intricately arranged pieces, micromosaics appear at first glance to be miniature paintings. Closer inspection reveals the extraordinary skill of the virtuoso makers, who were able to create exquisite images brimming with drama and atmosphere. Focusing on 30 highlights from the V&A's superlative Rosalinde and Arthur Gilbert Collection, which includes some of the finest examples of micromosaics made, this new book explores the technical aspects of micromosaic construction, its roots in antiquity, their incredible popularity in the last quarter of the eighteenth century, and their evolution through the nineteenth century until the technique virtually vanished in the early 1900s

In the Greek Classical period, the symposium-the social gathering at which male citizens gathered to drink wine and engage in conversation-was held in a room called the andron. From couches set up around the perimeter, symposiasts looked inward to the room's center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the spectre of Dionysos: the god of wine, riding in his chariot or on the back of a panther. In The World Underfoot, Hallie M. Franks takes as her subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, she presents an innovative new interpretation of the mosaic imagery as an active contributor to the symposium as a metaphorical experience. Franks argues that the images on mosaic floors, combined with the ritualized circling of the wine cup and the physiological reaction to wine during the symposium, would have called to mind other images, spaces, or experiences, and in doing so, prompted drinkers to reimagine the symposium as another kind of event-a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.

This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation. The drawings and watercolours catalogued and illustrated here are all in the Royal Collection, Windsor Castle, and are mostly by the artist Antonio Eclissi. The reproductions are generally in full colour, and frequently accompanied by illustrations showing the actual decoration in situ. The introductory essays outline the important phases of Cassiano dal Pozzo's career, discuss the history and significance of the 'Paper Museum', and explore the Christian tradition in seventeeth-century Rome. The Catalogue Raisonnee analyses each drawing in the greatest detail. This volume, the first to appear in the series, will be of special interest to archaeologists and medievalists engaged in the study of Rome's Early Christian churches, since many of the buildings, mosaics and paintings are now no longer extant. This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the Paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation.

The Boxford Mosaic has been described as the most spectacular and innovative Roman mosaic ever found in Britain. Yet it lay hidden beneath a Berkshire field for some 1,600 years until it was fully uncovered in the Summer of 2019. Dating from around 350 AD and set amid the ruins of a villa, the mosaic depicts tales of famous heroes from Greek mythology. Hercules slays the half-man, half-horse Centaur. Pelops wins the hand of a king's daughter by sabotaging the wheel linchpin of his racing chariot. And the handsome Bellerophon kills the fire-breathing Chimaera monster with the help of his flying horse Pegasus - a legend that became our very own St George and the Dragon. The full description of this artistic masterpiece and its excavation, by local enthusiasts working under professional supervision, is told here by the three who played key roles in the operation. JOY APPLETON is Chairwoman of the Boxford History Project. MATT NICHOL is a leading archaeologist with Cotswold Archaeology. ANTHONY BEESON is one of the UK's leading authorities on mosaics and Roman and Greek architecture. He is also the archivist of the Association for Roman Archaeology.

Saints and Spectacle examines the origins and reception of the Middle Byzantine program of mosaic decoration. This complex and colorful system of images covers the walls and vaults of churches with figures and compositions seen against a dazzling gold ground. The surviving eleventh-century churches with their wall and vault mosaics largely intact, Hosios Loukas, Nea Moni and Daphni in Greece, pose the challenge of how, when and where this complex and gloriously conceived system was created. Using an interdisciplinary approach, Connor explores the urban culture and context of church-building in Constantinople, capital of the Byzantine Empire, during the century following the end of Iconoclasm, of around 843 to 950. The application of an innovative frame of reference, through ritual studies, helps recreate the likely scenario in which the medium of mosaics attained its highest potential, in the mosaiced Byzantine church. For mosaics were enlisted to convey a religious and political message that was too nuanced to be expressed in any other way. At a time of revival of learning and the arts, and development of ceremonial practices, the Byzantine emperor and patriarch were united in creating a solution to the problem of consolidating the Greek Orthodox Byzantine Empire. It was through promoting a vision of the unchallengeable authority residing in God and his earthly representative, the emperor. The beliefs and processional practices affirming the protective role of the saints in which the entire city participated, were critical to the reception of this vision by the populace as well as the court. Mosaics were a luxury medium that was ideally situated aesthetically to convey a message at a particularly important historical moment-a brilliant solution to a problem that was to subtly unite an empire for centuries to come. Supported by a wealth of testimony from literary sources, Saints and Spectacle brings the Middle Byzantine church to life as the witness to a compelling and fascinating drama.

A leading figure in contemporary art since the early 1970s, Chuck Close is internationally renowned for his monumentally scaled portrait paintings, based on photographs. Close likes to push the boundaries of different techniques, processes and materials, working with various collaborators to achieve his vision. His first public artwork, Subway Portraits, featured a series of 12 mosaic and tile artworks, was commissioned by the New York Metropolitan Transportation Authority Arts & Design program in 2017. This book presents Chuck Close's new series of mosaic artworks as well as related works, such as prints, tapestries and photographs. It also documents the production process of these works by fabricators Mosaika Art and Design and Magnolia Editions, as well as the 12 works they produced for the 86th St. Subway Station at Second Avenue in New York City. Text in English and Italian.

In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.

In the times when the Ukrainian art sphere was regulated by the Soviet institutions, local monumental and decorative arts existed at the frontier of the Party's propaganda and the artistic thirst to experiments. Nowadays, Ukrainian mosaics are wrested out of the architectural context of the country in both literal and metaphorical ways. The artworks are liquidated from the buildings they were specifically created for and indiscriminately despised as ideological pieces of no value. Furthermore, in legal terms mosaics are not defined as objects of art that makes them unguarded in the face of the decommunization process. Initially incepted as a guide, this book is an equally beneficial companion for the journey through space (in the context of the geographical area of modern Ukraine) and hitchhiking through time (in terms of Ukrainian cultural history). It incorporates the selection of Ukrainian mosaics which undermines the simplified perspective on the Soviet art heritage in Ukraine. The volume is generously supplemented with unique photographs of the documentary photographer Yevgen Nikiforov who continues the research, initially presented in the book Decommunized: Ukrainian Soviet Mosaics (2017). Together with the art historian Polina Baitsym who reveals striking linkages of the mosaics' plots with broader historical context, he will guide you through the testimonies of the genuine creativity of Ukrainian monumental artists which managed to flourish on the most infertile soil.

Mosaics reached their fullest development under the Romans who used them to decorate the floors of their houses and public buildings. This book gives a comprehensive and fully illustrated history of mosaics in the Greek and Roman world, and studies their development over a thousand years throughout the Roman Empire. Chapters are devoted to technique, to the role of mosaics in architecture, and to their social implications and the role of patrons. This book is the only complete study in depth of this rich material.

This book covers the development of mosaics in Britain from the invasion to the end of Roman Britain. The technical side of the art form is covered as well as prefabrication. It covers those mosaics based in towns as well as more rural locations. Many of the mosaics have been lost but are recorded in coloured engravings. The author has a large collection of illustrations of both existing and lost mosaic pavements. The uniqueness of some British depictions of such well known characters as Orpheus are also explored here. Reconstructions by the author of some sections of figured mosaics based on examples found elsewhere in the empire are included. The author's recent work on the newly discovered Boxford mosaic, that is the most important mosaic found in Britain for over 50 years, is explored here for the first time. Anthony Beeson is the former archivist of the Association for the Study and Preservation of Roman Mosaics, a member of the board of trustees of the Association for Roman Archaeology and The Roman Baths Foundation, a prolific writer of papers on Roman art and architecture and has lectured on the subject of Roman mosaics.

This book first examines the figure of Orpheus in Graeco-Roman art and culture before exploring how he has been employed in late antique mosaic. Wide-ranging with lots of line-drawings and photographs.

The C4th Roman Rotunda church in Thessaloniki is the most important monument of the early Christian era. In this comprehensive monograph, Hjalmar Torp presents the findings of his life-long archaeological and iconographic research on the Rotunda. He explores the archaeological data, the various phases of the architecture, and the chronological issues of the monument. The nuanced descriptions of the mosaics, their colours and their techniques are based on a detailed scaffold review and survey. The iconography of the mosaics is then analyzed and interpreted in conjunction with historical and theological sources; the building of the palatine church and its sumptuous decoration is attributed to an initiative by Theodosius the Great. This slip-cased set of two books, abundantly documented and richly illustrated, is a unique testimony on the Rotunda. Volume One: text. Volume Two: Illustrations. 500 illustrations, many in colour. This book is only available in French.