Epic Land is a celebration in pictures and words of the arresting beauty of the landscapes of Namibia and of the centrality of land in the culture, history, politics and daily lives of its people. The book seeks to uncover the rare essence that marks the landscape of Namibia apart from all others.

Few countries in the world are richer than Namibia in its canvas of natural beauty. The landscape is one of rich and often harsh contrast with many changing moods. A journey through its landscape is infinitely rewarding. Within this book this progression is depicted. The dramatic scenery of remote deserts, mountains, mystical trees and stormy shores are the equal of any.

Through her captivating photographs and absorbing text, Amy Schoeman shares with the reader the strange beauties of her life’s passion. The superb photographs capture the life of the desert, its forms and colours, and the moods of its ever-changing landscapes.

Make totally wick-ed soy-wax candles with this awesome kit!

Teens can make a 3-shaped, ombre stack candle as well as a beautiful dual-coloured sun and moon candle with the supplies in the kit.

They can also learn how to make 2 more projects, all with step-by-step instructions and photos, and general expert candle-making techniques they can apply to their next candle adventures!

Features:

• 16-page book
• 3 shaped candle moulds (for ombre stack)
• 1 sun and moon candle mould
• 180gr pillar-blend soy wax beads
• 2 weighted wicks
• 0.5gr lavender mica powder

Willem Pretorius is een van ons voorste skilders wat die Suid-Afrikaanse platteland vasvat met soortgelyke patos as Walter Meyer, aan wie alle skilders in hierdie genre hulde bring. Sy skilderye is amper foto-realisties maar inspireer tog ʼn sekere gevoel van nostalgie na ʼn verlore onskuld, na die sogenaamde goeie ou dae wat nie vir almal goed was nie. Daar is ook ʼn afstandelikheid, ʼn gebrek aan kommentaar: Die landskap spreek vir homself.

Die boek bevat kleurafdrukke, professioneel gefotografeer, van sy 50 jongste werke, ʼn goeie mengsel van sy gebruiklike onderwerpe: huise, treine, versaakte swembaddens, landskappe, ou karre en gekrokte bakkies, plattelandse winkels, huise en dorpstonele, ensovoorts.

Elke skildery is begelei deur ʼn skryfsel van ʼn bekende skrywer, musikant, digter of skilder. Dis nie ʼn beskrywing of tegniese ontleding van die skildery nie, eerder vry assosiasie, ʼn kort kortverhaal, ʼn herinneringskets. Elk is ongeveer 500 woorde en beslaan dus nie meer as een bladsy nie; die bladsy langs die skildery wat dit geïnspireer het.

An irresistible romp through the history of magic, from alchemy to unicorns, ancient witchcraft to Harry's Hogwarts - packed with unseen sketches and manuscript pages from J.K. Rowling, magical illustrations from Jim Kay and weird, wonderful and inspiring artefacts that have been magically released from the archives at the British Library.

This spellbinding book takes readers on a journey through the Hogwarts curriculum, including Herbology, Defence Against the Dark Arts, Astronomy, Divination and more. Discover the truth behind making the Philosopher's Stone, create your very own potion and uncover the secret of invisible ink. Learn all about the history of mandrake roots and dragons, discover what witches really used their brooms for, pore over incredible images of actual mermaids and read about real-life potions, astronomers and alchemists. The perfect gift for aspiring witches and wizards and any Harry Potter fan.

Celebrating twenty years of Harry Potter magic, and produced in association with the British Library to support their major exhibition, Harry Potter: A History of Magic.

Inkleurboeke vir volwassenes is steeds baie gewild en daar is eindelose opsies om van te kies en keur. Inligting oor selfdoentegnieke wanneer dit by inkleur kom, is egter nie so volop beskikbaar nie. In hierdie boek deel inkleurkunstenaar, Monique Day-Wilde, alles van die kies van papier, potlode en ander inkleurmateriale, tot die teorie van kleur en kleurvermenging. Sy deel ook basiese en meer gevorderde tegnieke vir spesiale effekte, en wat jy dan met jou inkleurprente kan doen. Leer oor skadutegnieke met enkele of 'n verskeidenheid kleure, afskerming, meng- en vryftegnieke, skep van tekstuur, interessante maniere om groot agtergronde te vul, byvoeging van blinkgoed, stempels met bosseleervloeistof en selfs die gebruik van potloodskaafsels. Daar skuil soveel meer agter inkleurwerk as om net tussen die lyne te hou. Terwyl daar werklik geen regte of verkeerde manier is om in te kleur nie, sal hierdie boek jou help om inkleurwerk te omskep in 'n ervaring wat sal lei tot 'n kunswerk waarop jy kan trots wees - net vir jouself, of om mee te spog by ander.

Learn about paper, colouring materials, colour mixing and basic and advanced colouring techniques.

Colouring books for adults are still all the rage and everybody is spoilt for choice more than ever. How-to information when it comes to colouring is not as prolifically available. In this book colouring artist Monique Day- Wilde tells all, from choosing your paper, pencils and other colouring materials to theory of colour and colour mixing, basic and advanced techniques to special effects and what to do with your coloured pages.

Learn about shading with single or multiple colours, resists, blending and burnishing, creating texture, interesting ways to fill large backgrounds, adding bling, stamping with embossing fluid and using shavings. There is so much more to colouring than just staying between the lines. While there really is no right or wrong way, this book will help you turn it into an experience, resulting in a work of art you will be proud of – just for yourself, or to show around.

The content includes:

• equipment information
• colour, techniques – shading, resists, lift-off, blending, splatter, shavings, inking, special effects, using texture plates
• how to do faces, hair, fur and large
• backgrounds
• ▪ how to display your pages

When South African Joanne Lefson took on a piglet at her animal shelter, the young sow proceeded to eat everything in her stable but a paint brush. In a flash of inspiration, Joanne attempted to introduce the pig to the art of painting - and thus Pigcasso was born.

Starting out with a humble canvas on the sanctuary wall, Pigcasso's paintings are now owned by the likes of George Clooney, she has a Swatch watch design partnership, a wine label, and has eclipsed the previous world record holder for animal art. She's been commissioned by Nissan and has had exhibitions in Cape Town, Munich and Amsterdam. More than that, Pigcasso's art funds the food and veterinary services for all the animals at the sanctuary.

Pigcasso is the story of this unique pig and of the circumstances that brought her and Joanne together to take the art world by storm and form a unique and unbreakable bond.

Uplifting Scripture is artistically presented on each page with complimentary artwork, offering an opportunity for reflection and receiving encouragement from God's Word while you lose yourself in the tranquillity of colouring.

With the diversity of design styles, you'll have a hard time deciding which page to colour first! Share the joy and invite others to join you - the perforated pages make this a shareable pastime. When you're finished, hang your artwork for constant inspiration.

The glossy hardcover volume features embossed text and designs and a 2.5 cm coil binding.

• Perforated One-Side Printed Sturdy Pages
• Designed for Fun, Serenity, Calmness & Quiet Inspiration
• Includes Gift Tags, Bookmarks & Cards to Colour
• Presentation Page for Gift-Giving
• Scripture on Every Page
• 18 x 26 cm
• 50 Designs Plus Extras

An artist’s canvas reflects the face he chooses to show to the world, but the place in which that art is made is seldom revealed.

Paul Duncan was given unparalleled access into the homes and lives of fifteen of South Africa’s most revered artists. Over countless mugs of coffee or glasses of wine, he listened and observed as they spoke about their lives, loves and the way they make their art. South African Artists At Home takes the reader into some very private spaces, affording us a glimpse of what the artist goes home to at the end of the day.

For some, the work space and home space are irrevocably intertwined. For others, home is a sanctuary. Or perhaps it is the studio that is the sanctuary and home is where ‘real life’ happens.

Either way, if you have an interest in art, artists, and the often bizarre way that making art intersects with living life, you’ll find this book intriguing.

The first major career survey of work by renowned fiber and textile artist Billie Zangewa.

Published to accompany the exhibition presented by the Museum of the African Diaspora (MoAD) in San Francisco, Billie Zangewa: Thread for a Web Begun explores Zangewa’s creation of literal and figurative tapestries of the everyday lives and contemporary intersectional identities of Black women. Through her hand-sewn silk collages, which primarily depict Black women in the domestic sphere, Zangewa reclaims a medium that was once relegated as “women’s work” and delves into the familiarity, beauty, and sociopolitical drivers of the seemingly mundane. Beginning her career in the fashion and advertising industries, Zangewa employs her understanding of textiles to portray personal and universal experiences through domestic interiors, urban landscapes, and portraiture. Through the method of their making and their narrative content, Zangewa’s silk paintings illustrate gendered labor in a sociopolitical context, where the domestic sphere becomes a pretext for a deeper understanding of the construction of identity, questions around gender stereotypes, and racial prejudice.

Edited by Dexter Wimberly, this volume, packaged in a beautiful slipcase, showcases the past 15 years of Zangewa’s work as well as new pieces made for this exhibition, and although many of these decontextualized pieces are autobiographical, all of them portray a sense of intimacy and exploration of identity—connecting the pieces to each other through a larger narrative about Black femininity and tugging on the thread of the viewer’s own lived experience.

This book takes you beyond the traditional boundaries of muted, delicate and translucent watercolour to create rich, vivid images, not only with watercolour on paper, but with other media and materials, while still retaining a watery feel and enhancing and expanding the possible textural effects. The projects showcase a mix of water media in familiar and unconventional, experimental ways. These include paint, ink, coloured pencils and fabric dye, with texture mediums forming part of the repertoire. While watercolour paper is used a fair amount, canvases, board and drafting paper or vellum are also incorporated. Some really simple, structured techniques have been covered, which can be followed step by step to achieve a very similar outcome and are suitable for crafty projects. Readers are also encouraged to use the more spontaneous and less controlled techniques (illustrated step by step), to further their own creative path, develop a sense of adventure, learn to take risks and work with their 'happy accidents'. There are lots of things one can do with unsuccessful work and the author has included ideas for incorporating discarded endeavours into new art work. Filled with fabulous ideas for both artists and crafters, even the absolute beginner will be able to play and experiment along with Water marks.

In December 2017, Walter Meyer was stabbed in the heart with a kitchen knife by his wife, Sophia. Dubbed "South Africa's own van Gogh" and critically acclaimed as the finest landscape artist to emerge from this country in the last century, his brutal death left a deep void.

Written by his brother, Frans, along with rare insights from Walter's rehab journals, Impossible Skies explores the artist's roots, his genius as a painter and a poignant relationship between two brothers.

From former editor of New York magazine Adam Moss, a collection of illuminating conversations examining the very personal, rigorous, complex, and elusive work of making art.

What is the work of art? In this guided tour inside the artist’s head, Adam Moss traces the evolution of transcendent novels, paintings, jokes, movies, songs, and more. Weaving conversations with some of the most accomplished artists of our time together with the journal entries, napkin doodles, and sketches that were their tools, Moss breaks down the work—the tortuous paths and artistic decisions—that led to great art. From first glimmers to second thoughts, roads not taken, crises, breakthroughs, on to one triumphant finish after another.

Featuring: Kara Walker, Tony Kushner, Roz Chast, Michael Cunningham, Moses Sumney, Sofia Coppola, Stephen Sondheim, Susan Meiselas, Louise Glück, Maria de Los Angeles, Nico Muhly, Thomas Bartlett, Twyla Tharp, John Derian, Barbara Kruger, David Mandel, Gregory Crewdson, Marie Howe, Gay Talese, Cheryl Pope, Samin Nosrat, Joanna Quinn & Les Mills, Wesley Morris, Amy Sillman, Andrew Jarecki, Rostam, Ira Glass, Simphiwe Ndzube, Dean Baquet & Tom Bodkin, Max Porter, Elizabeth Diller, Ian Adelman / Calvin Seibert, Tyler Hobbs, Marc Jacobs, Grady West (Dina Martina), Will Shortz, Sheila Heti, Gerald Lovell, Jody Williams & Rita Sodi, Taylor Mac & Machine Dazzle, David Simon, George Saunders, Suzan-Lori Parks

Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929–2014), one of South Africa’s foremost artists. A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release.

Clarke left his job as a dockworker in Simon’s Town to devote himself to art. The wisdom of this decision is reflected in a remarkable career, which extended over some six decades and was acknowledged in the awards of the Order of Ikhamanga (silver) in 2005 and a Lifetime Achievement Award in 2010.

Listening To Distant Thunder: The Art Of Peter Clarke recounts an artist’s life in the context of the social history of South Africa from the 1940s onwards. His images reflect the social disruption of the Cape Flats, and the trauma of his community’s forced removal from Simon’s Town to the bleak apartheid township of Ocean View. Yet Clarke’s images have avoided bitterness, and his work is a perceptive scrutiny and celebration of life in all its aspects.

Illustrated with over 200 reproductions and photographs, this book was researched and written by well-known South African art historians Philippa Hobbs and Elizabeth Rankin, in close collaboration with the artist over almost seven years.

Perfect for those who enjoy the creative and meditative pastimes of arts and crafts, Metallic Rock Painting will teach you how to create eye-catching works of art that will stylishly shine and glimmer.

Join author and mandala-stone artist Katie Cameron as she guides you step-by-step through the process of making eight luminous metallic designs, providing tips, tricks and handy hints along the way that will allow you to dot, paint, and create shiny rock artwork like a pro.

Taking inspiration from the wondrous lustre of metallic paint, Katie’s original designs will delight all who see them. From the simple but stunning Bubble design, to the gorgeous Dragon Egg, to the intricate and phenomenal Enchanted Urchin Amulet, these creations will be ideal for displaying in your home or garden, or making a spectacular gift for a loved one.

With step-by-step instructions and accompanying photographs for every design, you will be creating your own radiant works of art in no time. What's Included:

- 24-page book

- 4 large river stones

- 4 metallic paints

- 1 black paint

- 1 paint brush

- 1 dotting tool

Create retro neon artwork that's truly electric with this funky rock painting kit!

Let author and artist Amanda Rogers guide you through creating 8 glowing rock painting projects that perfectly capture the style and nostalgia of retro neon lights and lettering.

Featuring a 24-page book plus rocks, paints, brushes and dotting tools, you'll be creating your own electrifying rock art to keep or share in no time!

Hailed as the Queen of Creativity, Julia Cameron is the authority on artistic wisdom and has transformed the lives of millions around the world. Guiding readers to the heart of their practice, here she presents her indispensable Artist's Way toolkit of Morning Pages, Artist Dates, Walks and Guidance, along with never-before-seen insights and affirmations designed to spark purpose.

Laying out the Artist's Way philosophy into a precise and accessible collection of ready-to-use steps, readers will access their inner voice, experience deeper intuition and ultimately meet themselves - and others - on the pathway to self-discovery. Used together as part of a spiritual practice, these tools form the bedrock of artistic expression and illuminate the way for any creative journey.

The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. From formal concerns such as Kopienkritic (copy criticism) to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies. This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.

Why does the Mona Lisa have an uneven smile? Was Picasso's Demoiselles d'Avignon an exploration of Satanism? Why did Michelangelo depict so many left-handed archers? Why did the British Queen look so different when Annie Liebowitz lit her from her left side in a recent official portrait? The answer to all these questions lies in a hidden symbolic language in the visual arts: that of the perceived differences between the left and right sides of the body. It is a symbolism that has been interpreted by artists through the centuries, and that can be uncovered in many of our greatest masterpieces, but that has been long forgotten about or misunderstood by those concerned with the history of art and the human body. The Sinister Side reveals the key, and sheds new light on some of the greatest art from before the Renaissance to the present day. Traditionally, in almost every culture and religion, the left side has been regarded as inferior - evil, weak, worldly, feminine - while the right is good, strong, spiritual and male. But starting in the Renaissance, this hierarchy was questioned and visualised as never before. The left side, in part because of the presence of the heart, became the side that represented authentic human feelings, especially love. By the late nineteenth century, with the rise of interest in the occult and in spiritualism, the left side had become associated with the taboo and with the unconscious. Exploring how works of art reflect our changing cultural ideas about the natural world, human nature, and the mind, James Halls'Sinister Side is the first book to detail the richness and subtlety of left-right symbolism in art, and to show how it was a catalyst for some of the greatest works of visual art from Botticelli and Van Eyck to Vermeer and Dali.

Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atrocities. Later visual representations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding. This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and questions about mass-cultural representations of the Holocaust. David Bathrick is Emeritus Professor of German at Cornell University, Brad Prager is Associate Professor of German at the University of Missouri, and Michael D. Richardson is Associate Professor of German at Ithaca College.

Sandra Blow (1925-2006) is among the most important British artists of the later twentieth century. During a time of rapid change in the art world, her commitment to abstract painting resulted in a large and diverse body of work of distinctive power and subtlety. Michael Bird's fascinating survey of Sandra Blow's life and art is now available for the first time in a handsome paperback edition. Compiled in collaboration with the artist during the last years of her life, it provides a definitive overview of her career. The book is lavishly illustrated throughout with a fully representative selection of Blow's work. In this highly readable account, Michael Bird looks in depth at Blow's evolving studio practice and the personal nature of her abstract vision. He places Blow's achievement firmly within the wider context of British and international art movements of the post-war period and late twentieth century. He also casts new light on the role played in her life by Alberto Burri and Roger Hilton, two influences she acknowledged to be crucial to her art. Through close attention to Blow's working methods, this book provides a unique insight into her creative process. It reveals the intensity of emotional engagement and technical experimentation that lie behind the apparent spontaneity of her vivid handling of materials, colour and form.

The Book of Small is a collection of thirty-six short stories about a childhood in a town that still had vestiges of its pioneer past. Emily Carr tells stories about her family, neighbours, friends and strangers-who run the gamut from genteel people in high society to disreputable frequenters of saloons-as well as an array of beloved pets. All are observed through the sharp eyes and ears of a young and ever-curious girl. Carr's writing is a disarming combination of charm and devastating frankness.

The Pronomos Vase is the single most important piece of pictorial evidence for ancient theatre to have survived from ancient Greece. It depicts an entire theatrical chorus and cast along with the celebrated musician Pronomos, in the presence of their patron god, Dionysos. In this collection of essays, illustrated with nearly 60 drawings and photographs, leading specialists from a variety of disciplines tackle the critical questions posed by this complex hub of evidence. The discussion covers a wide range of perspectives and issues, including the artist's oeuvre; the pottery market; the relation of this piece to other artistic, and especially celebratory, artefacts; the political and cultural contexts of the world that it was produced in; the identification of figures portrayed on it: and the significance of the Pronomos Vase as theatrical evidence. The volume offers not only the most recent scholarship on the vase but also some ground-breaking interpretations of it.

This Maclean of Duart genuine tartan cloth large notebook is made with genuine British tartan cloth. It measures 21cm x 13cm, and has 192 pages of 80gsm cream paper, with left page plain, right page ruled. Cloth supplied by tailors and kilt makers Kinloch Anderson. With a ribbon marker, inner note pocket, elastic enclosure, history of tartan leaflet, and colourful bookmark with a brief history of the Maclean of Duart tartan. Presented in a clear acetate bag. The Maclean of Duart tartan is red with black, and touches of yellow, white and blue. The Macleans claim descent from Gillean of the Battleaxe, a kinsman of Fergus Mor, the sixth-century-ruler of the ancient kingdom of Dalriada. Lands given to the clan chief included the isle of Mull, off the west coast of Scotland. During the 16th century the Campbells emerged as the most powerful clan in the West Highlands. Several marriages took place between the Macleans and the Campbells. Septs of the Maclean clan include Beaton, Black, Dowart, Dowie, Duart, Garvie, Gillan, Lane, Lean, Leith, MacBeth, MacCormick, MacFadyen, Macgeachan, MacVey, Patten and Rankin. Scientists, thinkers and writers in the Scottish Enlightenment used 'commonplace notebooks' to record thoughts and ideas. Many British writers such as Virginia Woolf and Arthur Conan Doyle continued to use them. Tartan belongs to Scottish heritage and culture, and thrives today both at home and overseas. There are now over 7,000 tartans officially recorded in the Scottish Register of Tartans located within the National Archive of Scotland. Waverley Books (Waverley Scotland) are delighted to innovate on the commonplace notebook idea with the Waverley tartan notebooks bound in genuine tartan cloth supplied by kilt makers and tailors Kinloch Anderson, Edinburgh.