The popular collectible dinnerware lines of our time are highlighted in this new book, principally Fiesta and Lu-Ray, plus other lines that are often confused with one another. Accompanied by a price guide and over 500 color illustrations, author Mark Gonzalez highlights the companies and the lines they produced. Look back at a previous time (1930s to 1960s) when bold dinnerware in Fiesta-type colors (red, cobalt, yellow, green, maroon, turquoise) and pastel glazes were "in" with consumers. American-made, solid-colored dinnerware features a wide array of shapes, in dozens of colors, made over approximately four decades.

This volume focuses on the migration and acculturation of images in Jewish culture and how that reflects intercultural exchange. Gender aspects of Jewish art are also highlighted, as is the role of images in interreligious encounters. Other topics covered include the history, codicology, and iconography of a Haggadah produced in the late fifteenth century.

In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats-a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era-particularly Rembrandt-this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries-including Albrecht Durer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine-the book demonstrates the indelible mark that Van Dyck left on the genre. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (03/05/16-08/07/16)

India's Punjab is the land of the five rivers, five (Punj) rivers (Aab) - Ravi, Satluj, Chenab, Beas and Jhelum. It is also the birthplace of Max Kandhola's family, who historically were landowners, with connections to farming, agriculture and also to the military. Max Kandhola decided to go back to Punjab after completing his project "Illustration of Life" (2002) in which he documented his father's last moments of life, and reflected on issues within Sikh ritual, immortality and death. Over the last four years, he has visited the region as part of a continuing project to map family history through an odyssey of ancestral narratives, exploring memory, diaspora and identity. For him it is a land which is unfamiliar, yet it provides both a context and a beginning. Kandhola's journey began in Nurmahal, in the district of Jalandhar, from which most of his family originally came. Using this as a starting point he travelled from the centre of Punjab outwards.

The glittering gem that is the City of Gold is brilliantly captured in artists’ graphite. The greyscale carbon does not mute the dazzling sparkle of the city founded on gold but, rather, sets it ablaze in a myriad of stark contrasts; black and white, masculine and feminine, positive and negative. It speaks to the observer and reader in a delightful style that is, at once, light-hearted, informative and compelling.

Gold in Graphite – Jozi Sketchbook is a beautiful collection of sketches of some of Johannesburg’s celebrated as well as forgotten masterpieces. Done by a single artist, it is accompanied by well-crafted prose and poetry.

The artist beckons the reader to emerge from the ideologies that prevent us from engaging with the city, her people and her buildings. Each sketch takes us on a journey through time and transformation, where we discover our city and fall in love with her. Through this voyage we exult in an affair that is oblivious to the perceived crime and violence that deter ordinary people from developing a relationship with the city. While our rainbow nation rejoices in the common ground that binds us, our most celebrated city reflects division and class. Breaking through these barriers starts with an exploration of the city and an appreciation of her past with an optimistic look to her future.