Award-winning illustrator Gabriel Campanario first introduced his approach to drawing in "The Art of Urban Sketching," a showcase of more than 500 sketches and drawing tips shared by more than 100 urban sketchers around the world. Now, he drills down into specific challenges of making sketches on location, rain or shine, quickly or slowly, and the most suitable techniques for every situation, in "The Urban Sketching Handbook" series.

It's easy to overlook that ample variety of characters that walk the streets everyday. From neighbors, dog walkers and shoppers to dancers and joggers, the people that move through the cities and towns are fascinating subjects to study and sketch. In "The Urban Sketching Handbook: People and Motion" Gabriel lays out keys to help make the experience of drawing humans and movements fun and rewarding. Using composition, depth, scale, contrast, line and creativity, sketching out citizens and the way they move has never been more inspirational and entertaining. This guide will help you to develop your own creative approach, no matter what your skill level may be today. As much as "The Urban Sketching Handbook: People and Motion" may inspire you to draw more individuals, it can also help to increase your appreciation of the folks around you. Drawing our postal workers, shopkeeps and neighbors, is a great way to show your appreciation and creativity.

Over 100 global artists working with collage, as chosen by a team of art experts - an indispensable who's who of the most exciting and innovative names working in the medium Collage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Organised in an A-Z sequence by artist, the book features both well-known collagists including Njideka Akunyili Crosby; Ellen Gallagher; Peter Kennard; Linder, Christian Marclay; Wangechi Mutu; Deborah Roberts; Martha Rosler; and Mickalene Thomas, and a plethora of lesser-known names deserving of greater attention. Taking a broad definition - from analog cut-and-paste compositions and photomontages to digital composed imagery and animations - Vitamin C+ showcases 108 living artists who employ collage as a central part of their visual-art practice, as selected by 69 leading experts, including museum directors, curators, critics, and collectors. The survey also features an engaging and informative introduction by Yuval Etgar, an internationally renowned expert in the area. The 69 expert nominators include: Cecilia Alemani; Iwona Blazwick; David Campany; Raphael Chikukwa; Patrick Elliott; Max Hollein; Hettie Judah; Christine Macel; Roxana Marcoci; Duro Olowu; Scott Rothkopf; Russell Tovey; Zoe Whitley; and Heidi Zuckerman. Artists include: Njideka Akunyili Crosby; Kader Attia; Adam Broomberg; Sara Cwynar; Moyna Flannigan; Ellen Gallagher; Lauren Halsey; Lyle Ashton Harris; Thomas Hirschhorn; Peter Kennard; Justine Kurland; Linder; Christian Marclay; Wangechi Mutu; Frida Orupabo; Heather Philipson; Tabita Rezaire; Deborah Roberts; Martha Rosler; Dee Shapiro; Eva Stenram; John Stezaker; Mickalene Thomas; Kara Walker; and Billie Zangewa.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

An adult coloring book that's sure to spark joy all year-round! My Favorite Things: A Delightful Color by Number Collection features more than 40 designs of all your favorite things, including birds, butterflies, balloons, sea life, Christmas ornaments, colored eggs, and so much more. An easy and creative way to relax after a long day, each design includes a suggested color palette with easy-to-follow instructions so you can sit back, color, and smile. With dozens of coloring pages that require no mess and no guesswork, this coloring book is the ultimate way to destress and appreciate all the little things you love! Designs are printed on a single side of high-quality, extra-thick paper with perforated edges for easy removal and display.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Packed with information and tips on materials and techniques, the book is a visual delight as well as a practical. Best-selling authors Tracy Boomer and Deborah Morbin said in their first book that they would decoupage the sky if they could reach it. Since then it's become even easier to decorate just about anything you can imagine with decoupage by making use of serviettes and the variety of special mediums for applying them to different base materials. With a text once again written with the infectious enthusiasm and humour that contributed to record sales on both their earlier books Tracy and Debbie guide you through the basics, share the results of their extensive experimenting with you by way of useful hints and tips, and tell you how to complete more than 30 projects using serviette decoupage. Decoupage with serviettes brings you as close to instant results as can be with some of the projects in this book taking no more than a couple of hours to complete. Packed with information and tips on materials and techniques, the book is a visual delight as well as a practical craft book with a wealth of innovative and original ideas. Projects have been carefully selected to cover a variety of base materials; each project is beautifully illustrated with specially commissioned photographs; steps are explained with easy to follow instructions; suggested alternatives help you create unique items; projects include paper tole and elevated images.

The River People is a revelation of poetry, art (sculptures and beadworks), songs, interactive teachings, quotations, counsel, stories and reflections. Barbara Fairhead offers us a work that combines memoir and testimony with recent questions and learnings. The book is a gift of an uncompromising creative spirit, determined to be faithful to the last to the sacred sovereignty of her visions, dreams and experiences.

A multi-genre limited-edition Art Book that contains professional photographs of Fairhead’s original bead and sculpture artworks as well as poetry, songs, memoir, and reflections. Incorporates the introduction to the earlier edition of Word and Bead by the late Stephen Watson and a foreword to this edition by Ian McCallum.

Printed on high quality matt art paper, thread sewn with cover flaps in a landscape format.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Host of public television's Mark Kistler's Imagination Station, shows young artists the cool and fun way to draw in 3-D!

Hey, you! Open this book and learn how to draw in three dimensions! Mark Kistler's Imagination Station has thirty-six exciting drawing adventures. Mark teaches you the different skills you need in order to create such masterpieces as:

* Dinosaurs in the Sky
* The Cool Cloud Colony
* The Magnificent Moon Base
* The Delightful Diving Dolphins
* Professional Pollution Patrollers
* Super Solar System
* And thirty other excellent adventures that will have you drawing like this:

There's also a special guide for parents and teachers at the end of the book.

Jonathan Richardson (1667-1745) was one of 18th-century England's most significant cultural figures. A leading portrait painter and influential art theorist, he also amassed one of the period's greatest collections of drawings. But there was another, highly unusual dimension to his pursuits. In 1728, at the age of 61 and shortly before his retirement from professional life, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these works were unguarded explorations of his own character. In one of the most astonishing projects of self-examination ever undertaken by an artist, for over a decade Richardson repeatedly drew his own face. His self-portrait drawings are usually dated precisely, and they document, from month to month, his changing state of mind as much as his appearance. Many were drawn in chalks on large sheets of blue paper, from his reflection in the mirror. Some of these are bold and psychologically penetrating, while others, in which he regards his ageing features with gentle but unflinching scrutiny, are deeply touching. A further group of self-portraits is drawn with graphite on small sheets of fine vellum, and in these Richardson often presents himself in inventive and humorous ways, such as in profile, all'antica, as though on the face of a coin or medal; or crowned with bays, like a celebrated poet. Sometimes, too, he copies his image from oil paintings made decades earlier, in order to recall his appearance as a younger man. In this extraordinary series of self-portraits, Richardson offers a candid insight into his mind and personality. Together, these drawings create nothing less than a unique and compelling visual autobiography. This publication - which accompanies the first ever exhibition devoted to Richardson's self-portrait drawings, held in the new Gilbert and Ildiko Butler Drawings Gallery at the Courtauld - tells the story of these remarkable works Jonathan Richardson (1667-1745) was one of 18th-century England's most significant cultural figures. A leading portrait painter and influential art theorist, he also amassed one of the period's greatest collections of drawings. But there was another, highly unusual dimension to his pursuits. In 1728, at the age of 61 and shortly before his retirement from professional life, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these works were unguarded explorations of his own character. In one of the most astonishing projects of self-examination ever undertaken by an artist, for over a decade Richardson repeatedly drew his own face. His self-portrait drawings are usually dated precisely, and they document, from month to month, his changing state of mind as much as his appearance. Many were drawn in chalks on large sheets of blue paper, from his reflection in the mirror. Some of these are bold and psychologically penetrating, while others, in which he regards his ageing features with gentle but unflinching scrutiny, are deeply touching. A further group of self-portraits is drawn with graphite on small sheets of fine vellum, and in these Richardson often presents himself in inventive and humorous ways, such as in profile, all'antica, as though on the face of a coin or medal; or crowned with bays, like a celebrated poet. Sometimes, too, he copies his image from oil paintings made decades earlier, in order to recall his appearance as a younger man. In this extraordinary series of self-portraits, Richardson offers a candid insight into his mind and personality. Together, these drawings create nothing less than a unique and compelling visual autobiography. This publication - which accompanies the first ever exhibition devoted to Richardson's self-portrait drawings, held in the new Gilbert and Ildiko Butler Drawings Gallery at the Courtauld - tells the story of these remarkable works and puts them into the context of his other activities at this period of his life - in particular the self-searching poems he wrote during the same years and often on the same days as he made the drawings. An introductory essay is followed by focused discussions of each work in the exhibition. This part of the book explores the materials and techniques Richardson used, whether working in chalks on a large scale or creating exquisitely refined drawings on vellum. It will also reveal how Richardson modeled some of his portraits on old master prints and drawings, including works in his own collection by Rembrandt and Bernini. The publication brings together the Courtauld Gallery's fine collection of Richardson's drawings with key works in the British Museum, the National Portrait Gallery and the Fitzwilliam Museum.

This stunning book showcases the bold and original work of Royal Designer Tony Meeuwissen. The artist also writes about his life at the drawing board and the inspiration and ideas behind his imagery. From the foreword by Peter Marren: Welcome to this gallery of the work of a most individual and lovable artist. Many will have seen Tony Meeuwissen's work without knowing the artist, for it has appeared in so many decorative forms from books to playing cards, from magazine and sheet music covers to postage stamps. His work was described by the designer Mike Dempsey as 'inventive, intensely detailed and full of wit and beauty'. Penguin Books art director David Pelham praised him as an artist with the eye of an illustrator and the mind of a designer, one able to solve visual problems with 'remarkable originality, skill and panache.' To my eye Tony's work is always affi rmative even in its darker moments. It is playful but not saccharine, clever but not conceited. It always wears a wry smile. Tony learned his craft in the market place of commercial art. He learned how to handle a wide range of media to develop graphic ideas while also discovering the beauty of typefaces. In the process he evolved his very distinctive artistic language, his own way of seeing the world: colourful, eye-catching, beautifully executed, his work is a product of his unique vision. He loves drawing animals, birds, insects and natural phenomena, but usually with a characteristic twist: shape-changing fantastical animals, a nuthatch hatching from a nut, a praying mantis in bishop's vestments saying grace over a butterfly. On the memorable Christmas stamps he designed for the Royal Mail in 1983, the Three Kings are represented by chimney pots and the continents of the world by melting snow slipping from an umbrella. His is a universe where nothing is quite what it seems, where proverbs morph into pictures and names turn out to have diff erent meanings. Words and rhymes increase this pleasurable sense of an alternate world with its own logic and rules. Tony Meeuwissen eschews computer-aided methods preferring his drawing board, his pencils and his paintbox. He has managed to inhabit the world of commercial art for more than half a century without ever becoming commercial himself. His work is always uncompromisingly his own: the product of a unique imagination coupled with the skills and standards of a perfectionist. Here for the fi rst time the full range of his work is presented. Like the door to the magical garden in Alice, turn the golden key and enter.

In this fiercely fun technique book, renowned zendoodle artist Kass Hall shows the reader how to express herself loud and proud, creating art journal pages full of visual punch! Through clear step-by-step techniques, the reader will simultaneously play and learn as she discovers ways create her own collage papers (using the Gelli Plate, stencils, paint, stamps and more), develop visually grabbing handwritten fonts, create expressive faces, add fine details in colored pencil, pen work and more, including graphic processes for working in black and white and color all over!

Enter New York Times bestselling author Marjorie Sarnat's dazzling world of delightful house pets ready to be colored and adored! It's raining cats and dogs! People love their animals, and more than eighty million people in the United States alone are pet-owners. These loveable companions are members of the family, trusted and cherished confidants. People love to take their pictures, talk about them, and dress them up! Fun is never in short supply with a pet. Now, decorate your favorite four-legged friend within the pages of a coloring book. Designed by the bestselling coloring book artist Marjorie Sarnat, the book features an overflowing kennel with forty-nine amusing and intricate line illustrations. These specially crafted designs include a dazzling herd of friendly animals! They are adorned with florals, patterns, and dizzying design motifs that will engage your own inner animal and get your creativity off and running. These pages are perforated and printed on one side, allowing colorists to remove and display their finished designs easily. Whether you prefer to flex your creative capabilities with cats, dogs, pot-bellied pigs, or other animals, Marjorie Sarnat's Pampered Pets offers a fascinating and fun coloring experience with a plethora of pets!

An illustrated biography, this book is the life story of Rachel Cassels Brown, children's illustrator and etcher.

With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols - they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life - the spiritualism, moralism and the wit - within the carvings still found in churches today.

Expressive Sketchbooks shares a host of creative ideas and prompts, tools and techniques, methods for working around obstacles and barriers, and tons of visual inspiration to help you grow in your sketchbooking practice. An expressive sketchbook is a place for you to explore, express, and enjoy your own innate creativity on your own terms. It is a safe playground for the imagination-a place to mess about, play, and experiment-and to gain confidence in your abilities as you develop your skills. Expressive Sketchbooks offers techniques and creative exercises that incorporate mark making, watercolor, mixed media, collage, words and text, and more. It unpacks some of the obstacles and barriers that you may face along the way and offers wisdom and encouragement to help you decide why and how to start your sketchbook and how to develop and expand your artistic practice. This book is packed with ideas and exercises, including: Exploratory drawing exercises How to utilize color in your sketchbook How to create dynamic and varied sketchbook pages How to find inspiration in nature and in your everyday life Ways to mix media and art supplies Ways to kickstart your creativity How to find and develop a process that feels personal to you Through this book, you'll find out what lights you up, what makes you curious and fascinated, and what makes you expansive. Discover how to magnify your creativity and enliven your art skills by using an expressive sketchbook as your daily companion.

"Fascinating and lucid . . . a stunningly illustrated and illuminating life of a singular painter." - Sue Roe, Wall Street Journal "Not just another art history book, no title in recent memory recalls with such exactitude the style of an era that, in retrospect, has become increasingly golden. . . . The book and its prose shimmer." - New York Times "Never before have Sargent's talents been so gloriously displayed as they are here. Quite simply, this Abbeville edition is a stunner, a book as satisfyingly extravagant as a Sargent portrait." - Christian Science Monitor "The spontaneity, elegance, and grace that characterize Sargent's work are everywhere evident on these large, luminous pages. . . . A visual delight, well written." - Art and Antiques The classic monograph on a much-loved artist-reissued in a spectacular oversize format In the early work of John Singer Sargent (1856-1925), Henry James saw "the slightly 'uncanny' spectacle of a talent which on the threshold of its career has nothing more to learn." Sargent's talent, nay, genius was indeed uncanny, sustained with equal intensity through his famed society portraits, like the scandalous Madame X; his full-size showpieces, like The Daughters of Edward Darley Boit; his thousands of watercolours executed en plein air from Venice to Corfu to Maine to Montana; and his ambitious mural decorations for the public monuments of Boston. In Carter Ratcliff, Sargent has found a biographer and critic nearly his match in style and subtlety. Ratcliff expertly evokes the expatriate American milieu into which the artist was born, and offers penetrating insights into every phase of his career, every aspect of his work. Now, for the first time, this landmark monograph is offered in a special oversize format, with all of its 310 illustrations reproduced in stunning full colour, many at full-page size, allowing the reader to appreciate the master's every brushstroke. This new edition of John Singer Sargent will be a treasured reference for artists and an unalloyed delight for art lovers.