Cleo Mussi is a true original taking an innovative path to expressing her own ideas, by creating gestural, figurative mosaics from repurposed ceramic tableware. Working within the folk tradition, Cleo creates elegant, decorative and political pieces that incorporate the inherent properties gleaned from patterns, marks, forms, colour and text into a world of contemporary narratives. These works reflect modern ideas, with both humour and a lightness of touch. Cleoa s work ranges from small intimate pieces to large scale installations of up to 100, life-size works; her mosaics are in private collections worldwide, as well as in many public spaces throughout the UK.

In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century. Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, reads Maggie Nelson and Sally Rooney, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time. We're often told that art can't change anything. Laing argues that it can. Art changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.

Friends and Crushes focuses on the flirtatious, romantic, and dramatic characters that run throughout manga stories; from lessons on romantic poses to flirtatious and dreamy expressions to irresistible character types, this book covers everything readers need to go from manga fans to manga artists. After an introduction to these elements, readers will have a chance to follow along Hart's in-depth step-by-steps, and will even be invited to draw on their own, right in the book's pages.

Hierdie boek neem jou verby die tradisionele voorkoms van ligte, sagte en bykans deurskynende waterverfwerk. Leer hoe om ryk, lewendige beelde te skep nie net met waterverf op papier nie, maar ook met ander mediums en materiaal. Jy behou die waterige gevoel, maar versterk en verbreed die moontlike tekstureringseffek. Die projekte toon hoe verskeie watermediums op bekende dog onkonvensionele maniere gebruik kan word. Verf, ink, kleurpotlode en lapkleursel vorm die kleurkomponent, terwyl tekstuurmediums deel van die repertoire uitmaak. Heelwat projekte is op waterverfpapier, maar skilderdoek, karton en velyn of natrekpapier kom ook voor. Daar is baie eenvoudige gestruktureerde tegnieke wat stap-vir-stap gevolg kan word om 'n baie soortgelyke voorkoms te skep vir handwerkprojekte. Maar lesers word ook aangemoedig om met meer spontane en minder gekontroleerde tegnieke (ook stapsgewys geillustreer) hulle eie skeppende weg te volg en avontuurlustig te wees, risiko's te loop en met hulle gelukkige 'ongelukke' te werk. Minder suksesvolle werk kan op baie verskillende maniere ingespan word en die boek bevat idees oor hoe sulke werk met nuwe kunswerk geinkorporeer kan word. Water-(verf-)kuns is propvol wonderlike idees vir kunstenaars en handwerkers en selfs groentjies sal wil saamspeel en eksperimenteer.

?????? One of Britain's leading contemporary photographers, Nick Waplington is known for photographing British social scenery and his life and close circle of friends and family in East London, where he lives and works. ?????? Double Dactyl accompanies his solo exhibition of the same name at The Whitechapel Gallery, London. ?????? Waplington first came to public notice with Living Room (1991), a photographic portrait based on the everyday lives of two close-knit families in Nottingham, England. ?????? Since then he has often worked in book form. Double Dactyl expands on previous work, now referencing the grand traditions of history painting, classical mythology and landscape photography. ?????? This new work also explores notions of photographic "reality," by working with constructed and manipulated images taken from his own large format photographs. ?????? Double Dactyl features 56 colour reproductions of this new body of work, its surreal and often subtle use of manipulation confirming Waplington's idiosynchratic approach to contemporary photographic practice. Nick Waplington has exhibited internationally including at Deitch Projects, New York, The Philadelphia Mudeum of Modern Art and the 2001 Venice Biennale. He lives and works in London. Also Published by Trolley You Love Life (2005) Learn How To Die The Easy Way (2001)