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Books > Arts & Architecture > Art forms, treatments & subjects
The elegant pen-strokes and visual harmony of Chinese writing,
known as hanzi, have long been admired in the west. Classical
Chinese calligraphy is a popular and valuable art form, and with
the increasing economic and cultural power of China, its writing is
becoming more widely appreciated and understood. In particular, the
deep layers of history and symbolism which exist behind even the
most everyday character have a strong appeal to those seeking
understanding from an alternative philosophy. Chinese Characters:
The Art of Hanzi features the most interesting of the three to four
thousand characters are needed to write modern Chinese. Characters
expressing concepts such as love, peace, respect and happiness are
reproduced in a large format, enabling the reader to trace, scan or
photocopy them for transfer to any other medium. Alongside the
character is an accessible and inspiring explanation of how the
character developed, what the particular strokes symbolize, and its
various different meanings.
Take a fresh look at the world through the lens of a self-confessed
nature-obsessed artist. Asuka Hishiki possesses not only a sense of
profound awe and wonder at the intricacies of the natural world,
but also the talent to communicate it through her paintings.
Recalling the Wunderkammer (literally, 'wonder rooms') of 16th and
17th century European collectors, Asuka Hishiki's Botaniphoria: A
Cabinet of Botanical Curiosities encompasses subjects as diverse as
rotting vegetables, endangered species, mundane weeds and backyard
insects - all treasures to her and transformed into objects of
intense and fragile beauty through her skill with watercolour. Her
work is held in prestigious collections such as The Huntington
Library, Art Museum and Botanical Gardens, California, the Royal
Botanic Gardens, Kew and the Hunt Institute for Botanical
Documentation, Pennsylvania. One of the first people to appreciate
her work said about it, 'your work is not to hang upon a wall in a
bright living room, but to put in a drawer in the study. Then,
alone in the middle of the night, to take out and ponder upon.' In
the best traditions of Wunderkammer, this book is an artfully
arranged collection intended to be pondered upon. From the
interactions of the objects within the paintings, to the quirky
choice of subjects and the realism with which they are portrayed,
they will bear revisiting again and again. As Asuka admits,
painting is her language. She is an extremely adept communicator in
it.
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