How does a craft reinvent itself as `traditional' following cultural, social and political upheaval? In the township of Dingshu, Jiangsu province of China, artisans produce zisha or Yixing teapots that have been highly valued for centuries. Yet in twentieth-century socialist imagination, handicrafts were an anomaly in a modern society. The Maoist government had clear ambitions to transform the country by industrialization, replacing craft with mechanized methods of production. Four decades later, some of the same artisans identified as `backward' handicraft producers in the 1950s and made to join workers' cooperatives, were now encouraged to set up private workshops, teach their children and become entrepreneurs. By the 2000s ceramic production in Dingshu is booming and artisans are buying their first cars, often luxury brands. However, many involvements of the Chinese state are apparent, from the control of raw materials, to the inscription of the craft on China's national list of intangible cultural heritage. In this perceptive study, Gowlland argues that this re-evaluation of heritage is no less inherently political than the collectivism of the communist regime. Reflecting that the craft objects, although produced in very different contexts, have remained virtually the same over time and that it is the artisans' subjectivities that have been transformed, he explores the construction of mastery and its relationship to tradition and authenticity, bringing to the fore the social dimension of mastery that goes beyond the skill of simply making things, to changing the way these things are perceived, made and talked about by others.

Colours of Art takes the reader on a journey through history via 80 carefully curated artworks and their palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success. Colour allows artists to express their individuality, evoke certain moods and portray positive or negative subliminal messages. And throughout history the greatest of artists have experimented with new pigments and new technologies to lead movements and deliver masterpieces. But as something so cardinal, we sometimes forget how poignant colour palettes can be, and how much they can tell us. When Vermeer painted The Milkmaid, the amount of ultramarine he could use was written in the contract. How did that affect how he used it? When Turner experimented with Indian Yellow, he captured roaring flames that brought his paintings to life. If he had used a more ordinary yellow, would he have created something so extraordinary? And how did Warhol throw away the rulebook to change what colour could achieve? Structured chronologically, Colours of Art provides a fun, intelligent and visually engaging look at the greatest artistic palettes in art history - from Rafael's use of perspective and Vermeer's ultramarine, to Andy Warhol's hot pinks and Lisa Brice's blue women. Colours of Art offers a refreshing take on the subject and acts as a primer for artists, designers and art lovers who want to look at art history from a different perspective.

The glittering gem that is the City of Gold is brilliantly captured in artists’ graphite. The greyscale carbon does not mute the dazzling sparkle of the city founded on gold but, rather, sets it ablaze in a myriad of stark contrasts; black and white, masculine and feminine, positive and negative. It speaks to the observer and reader in a delightful style that is, at once, light-hearted, informative and compelling.

Gold in Graphite – Jozi Sketchbook is a beautiful collection of sketches of some of Johannesburg’s celebrated as well as forgotten masterpieces. Done by a single artist, it is accompanied by well-crafted prose and poetry.

The artist beckons the reader to emerge from the ideologies that prevent us from engaging with the city, her people and her buildings. Each sketch takes us on a journey through time and transformation, where we discover our city and fall in love with her. Through this voyage we exult in an affair that is oblivious to the perceived crime and violence that deter ordinary people from developing a relationship with the city. While our rainbow nation rejoices in the common ground that binds us, our most celebrated city reflects division and class. Breaking through these barriers starts with an exploration of the city and an appreciation of her past with an optimistic look to her future.

Includes all of the pupil book plus additional instructions on each lesson for the teacher. An outline of each lesson helps in presenting the lesson. Answers to workbook exercises are included.