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Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Romanticism

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Fuseli and the Modern Woman - Fashion, Fantasy, Fetishism (Paperback) Loot Price: R720
Discovery Miles 7 200
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Fuseli and the Modern Woman - Fashion, Fantasy, Fetishism (Paperback): David Solkin

Fuseli and the Modern Woman - Fashion, Fantasy, Fetishism (Paperback)

David Solkin; Jonas Beyer, Mechthild Fend, Ketty Gottardo

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List price R892 Loot Price R720 Discovery Miles 7 200 | Repayment Terms: R67 pm x 12* You Save R172 (19%)

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This catalogue accompanies the first exhibition devoted to a fascinating group of drawings by the Anglo-Swiss Henry Fuseli (1741-1825), one of eighteenth-century Europe's most idiosyncratic, original and controversial artists. Best known for his notoriously provocative painting The Nightmare, Fuseli energetically cultivated a reputation for eccentricity, with vividly stylised images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, others dismissed him as a charlatan, or as completely mad. Fuseli's contemporaries might have thought him even crazier had they been aware that in private he harboured an obsessive preoccupation with the figure of the modern woman, which he pursued almost exclusively in his drawings. Where one might have expected idealised bodies with the grace and proportions of classical statues, here instead we encounter figures whose anatomies have been shaped by stiff bodices, waistbands, puff ed sleeves, and pointed shoes, and whose heads are crowned by coiffures of the most bizarre and complicated sort. Often based on the artist's wife Sophia Rawlins, the women who populate Fuseli's graphic work tend to adopt brazenly aggressive attitudes, either fixing their gaze directly on the viewer or ignoring our presence altogether. Usually they appear on their own, in isolation on the page; sometimes they are grouped together to form disturbing narratives, erotic fantasies that may be mysterious, vaguely menacing, or overtly transgressive, but where women always play a dominant role. Among the many intriguing questions raised by these works is the extent to which his wife Sophia was actively involved in fashioning her appearance for her own pleasure, as well as for the benefit of her husband. By bringing together more than fi fty of these studies (roughly a third of the known total), The Courtauld Gallery will give audiences an unprecedented opportunity to see one of the finest Romantic-period draughtsmen at his most innovative and exciting. Visitors to the show and readers of the lavishly illustrated catalogue will further be invited to consider how Fuseli's drawings of women, as products of the turbulent aftermath of the American and French Revolutions, speak to concerns about gender and sexuality that have never been more relevant than they are today. The exhibition showcases drawings brought together from international collections, including the Kunsthaus in Zurich, the Auckland Art Gallery in New Zealand, and from other European and North American institutions.

General

Imprint: Paul Holberton Publishing
Country of origin: United Kingdom
Release date: October 2022
Editors: David Solkin
Authors: Jonas Beyer • Mechthild Fend • Ketty Gottardo
Dimensions: 260 x 215 x 18mm (L x W x T)
Format: Paperback
Pages: 168
ISBN-13: 978-1-913645-29-8
Categories: Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Romanticism
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Exhibition catalogues and specific collections
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
LSN: 1-913645-29-0
Barcode: 9781913645298

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