This title proposes a fundamental revaluation of the central poet
of British Romanticism. By looking at the later Wordsworth's
ekphrastic writings about visual art and his increased awareness of
the printed dimension of his work, and by relating these
innovations to Wordsworth's sense that he was writing for
posterity, Simonsen calls attention to what is uniquely exciting
about this neglected body of work, and argues that it complicates
traditional understandings of Wordsworth based on his so-called
Great Decade.
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