Much has changed since Craft Art In South Africa was published in 2002. This follow-up edition highlights the renewed sense of creativity and inspiration that is sweeping across the country against all odds.

South African craft artists proliferate in these precarious economic times and maintain their artistic integrity with perseverance and passion. This book showcases the versatility and skill of some of the many artists working in South Africa today.

It takes pride in the wide variety of tactile craft art works created, and explores the interdisciplinary nature of creativity through the examination of beading, basket weaving, ceramics, fibre art, glass sculpture, metal and wirework, recycling, and wood carving. It rejoices in the sharing of skills between cultures, and in the sharing of creative knowledge towards upliftment and employment. But above all, it celebrates the craft artists themselves and honours their sheer ingenuity.

Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.

Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck

Thomas Cole was a nineteenth-century artist known for his Romantic depictions of American landscapes. This wall calendar showcases 12 of his most fantastical, awe-inspiring scenes, including paintings from The Course of Empire and Voyage of Life series, as well as The Oxbow and The Titan's Goblet. Informative text accompanies each work and the datepad features previous and next month's views.

Covering various design styles to suit your existing decor, from country florals to minimalist neutrals to the rich baroque colours and textures. Beautiful photographs of all finished items are accompanied by practical advice on choosing materials and finishes, hints and tips to avoid problems and pitfalls, and further decorating suggestions. Several techniques are included, from decoupage to pewter-work and mosaics, clearly explained with suggested alternatives. Brimful of inspiration and clever ideas, this title will help you add a touch of style and character to your home in no time without breaking the bank.

Vincent van Gogh was a restless soul. He spent his twenties searching for a vocation and once he had determined to become an artist, he remained a traveller, always seeking fresh places for the inspiration and opportunities he needed to create his work. Living with Vincent van Gogh tells the story of the great artist's life through the lens of the places where he lived and worked, including Amsterdam, London, Paris and Provence, and examines the impact of these cityscapes and landscapes on his creative output. Featuring artworks, unpublished archival documents and contemporary landscape photography, this book provides unique insight into one of the most important artists in history.

Published to coincide with a major exhibition at Sir John Soane's Museum, London from October 25th 2013 - January 25th 2014, touring to The Beecroft Art Gallery, Westcliff-on-Sea, England and the British School at Rome. Alan Sorrell attended the Royal College of Art in the mid-1920s in a period that saw the emergence of Edward Bawden, Eric Ravilious, John Piper, Henry Moore and Barnett Freedman. From 1928 to 1932 he was a student at The British School at Rome, Italy; from the 1930s Sorrell painted a large cycle of murals including his celebrated Working Boats from Around the British Coast for the Festival of Britain in 1951. As an airman during the Second World War, Sorrell produced a remarkable series of paintings characterized by a new perspective, broad horizons and tilted aerial views which were to become a hallmark of his post-war reconstruction drawings. He is perhaps best remembered for his archeological illustrations for magazines and books and his reconstruction drawings for the Ministry of Works (later English Heritage, UK). Alan Sorrell's vision was born out of the Romantic British tradition exemplified by Blake, Palmer and their 20th-century disciples. This book makes it possible at last to assess the full scope of Sorrell's work and the underlying poetic vision that runs through it. Comprising a series of essays the book sets out to chart Sorrell's life and achievements, as well as illustrating the range and diversity of his talents, most works having never previously been reproduced.

Hand Drawn Maps is a fun `how to' book about hand drawn cartography. It is introduced by a brief history of maps and map making, followed by five sections covering everything you need to know to make your own maps. Section 1 covers the practicalities, so by the end of it you are equipped to create your own map using compasses, neatlines, cartouche, handlettering, and your own symbols. Section 2 looks at different types of map, from picture and word maps to architectural blueprints and video game maps. Section 3 uses a wide range of examples to show the reader how to create maps of places, from early strip maps used to describe the journeys taken by 18th-century stagecoaches to dungeon and treasure maps. Section 4 covers maps of ideas. There are exercises throughout to enable the reader to build on the knowledge they have just gained. The book is completed by six stand-alone projects.

This is a concise and engaging, yet detailed and informative monograph that explores Gauguin's most Important works. Paul Gauguin (1848-1903) was one of the most important artists of the late 19th century, and one whose work was to have a profound influence on the development of art in the 20th century. He began as an Impressionist, but went on to develop a richly-coloured style in his constant search for pristine originality and unadulterated nature. This concise monograph collects the most important works by Gauguin, not only of his best known paintings of Tahiti in which the artist attempted to reconstruct the perfect life which he had failed to find in reality, but also of many powerful works that reflect the artist's contact with other seminal early modern masters like Van Gogh or Cezanne.

From humble beginnings in Nuenen and Antwerp to his last month in Auvers-sur-Oise, this captivating book on Vincent Van Gogh's life and works is the perfect introduction for all students and art lovers interested in late nineteenth-century and Post-Impressionist art. Featuring fifty of his finest works, each painting and drawing is described and analyzed in beautiful detail, within the context of the period, so that the reader can really understand what the artist was hoping to achieve with each work. Drawing from the many letters that Van Gogh wrote to his brother, friends and others, curator John Cauman provides an enthralling and accessible narrative about the artist and his work, introducing the milieu, key characters and themes and legacy that continues to this day. Among the fifty paintings featured, this book includes The Potato Eaters (1885), Pere Tanguy (1887), Self-Portrait in Front of the Easel (1888), Sunflowers (1888), Cafe Terrace at Night (1888), Bedroom in Arles (1888), Van Gogh's Chair (1888), Portrait of Joseph Roulin (1889), Irises (1889), The Starry Night (1889) and Wheatfield with Crows (1890).

In 1802, at the age of 26, Joseph Mallord William Turner became the youngest ever member of the Royal Academy. A prolific painter and watercolourist, his paintings began by combining great historical themes with the inspired visions of nature, but his experimentation with capturing the effects of light led him swiftly towards an unusual dissolution of forms. Turner was a constant traveller, not only within the British Isles but also throughout Europe, from the Alps to the banks of the Rhine, from northern France to Rome and Venice. His death in 1851 revealed not only his zealously guarded private life but also a will that left both his fortune and more than thirty thousand drawings, watercolours and paintings to the nation. In this profusely illustrated book, Olivier Meslay invites us to follow the development of Turner's incandescent art, a bridge between Romanticism and Impressionism and one of Britain's most remarkable contributions to art history.

Iconic views of Glasgow in the latest of Birlinn's series of colouring books, all featuring Eilidh Muldoon's inimitable artwork. Includes: Glasgow Cathedral * Kelvingrove Museum * Riverside Museum * Gallery of Modern Art * Pollok House * People's Palace * CCA* Tramway * The Lighthouse * Museum of Transport * Glasgow Science Centre * Glasgow Film Theatre * Theatre Royal * SEC Hydro and Finnieston Crane * Oran Mor * Barrowland Ballroom * Ashton Lane * Merchant City * George Square and City Chambers * Buchanan Street * Botanic Gardens * Holmwood House * Templeton on the Green * Tenement House * Kelvingrove Park * Central Station * Glasgow University * The Squinty Bridge Eilidh Muldoon's are ideal for all levels of colouring - plenty of intricate detail for those who like a colouring challenge, yet simple enough for those with less patience to create beautiful colour artwork in a short time.

This enthralling and comprehensive new book on Henri Matisse is an eye-opener for all students and art lovers interested in early twentieth-century art. Taking fifty of Matisse's most iconic works of art, John Cauman provides an accessible narrative about the man and his work, deciphering the themes, methods and intentions of this truly great artist. Chronologically spanning from the late nineteenth century to the mid 1950s, each painting, drawing and mural is described and analysed in beautiful detail, within the context of the period, so that the reader can really understand what the artist was hoping to achieve with each work. The paintings are prefaced by an informative introduction that presents the milieu and key characters that featured in Matisse's life. Among his most famous works, this book includes Luxe, calme et volupte (1904), Le Bonheur de vivre (The Joy of Life) (1905-6), Self-Portrait in a Striped Shirt (1906), Blue Nude (Memory of Biskra) (1907), Bathers by a River (1909-17), Harmony in Red (1908), Dance I (1909), Entrance to the Casbah (1912-13), Pianist and Checker Players (1924), Still Life with a Magnolia (1941), Memory of Oceania (1951-2) and The Snail (1953).

George Stow was a Victorian man of many parts--poet, historian, ethnographer, artist, cartographer, and prolific writer. A geologist by profession, he became acquainted, through his work in the field, with the extraordinary wealth of rock paintings in the caves and shelters of the South African interior. Enchanted and absorbed by them, Stow set out to create a record of this creative work of the people who had tracked and marked the South African landscape decades and centuries before him.
"Unconquerable Spirit "reveals the scope and the beauty of his labors. Stow's paintings are more than just copies of what he found on the rocks. They are interpretations of the art of the San, informed by his own understanding of a particularly turbulent time in South African history and his sense of the tragic demise of the San way of life. This book celebrates his pioneering achievement and reminds us, too, of the richness of the imaginative universe of the San.

This illustrated catalog of Thomas Moran's field sketches includes an interpretive essay tracing the artist's seventy-year career in the field; a chronological, stylistic, and geographical survey of his fieldwork; an illustrated checklist of the 1080 sketches in public collections.
Moran is best known for his work in the American West during the post-Civil War expansion, particularly in what would become Yellowstone, Grand Canyon, and Yosemite national parks. Yet this virtuoso painter and draftsman also traveled in search of inspiration in Pennsylvania, New York's Long Island, Florida, Wisconsin, Mexico, England, Scotland, Wales, France, and Italy, returning repeatedly to favorite subjects. An almost compulsive desire to sketch refined his innate skill as one of America's finest landscape artists.
Most of Moran's known field sketches are reproduced here. As described in the introduction, "their range encompasses summary contour drawings of the spectacular topography of the American West, luminous watercolors that simultaneously fix local color and evoke the artist's rapturous response to the natural world, and fully realized works that nevertheless preserve the intensity of Moran's firsthand experience of his plein air subjects."
No serious formal study of Thomas Moran can be made without reference to this volume.

The garden and landscape designs of America's founding architect. Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson's many notes, letters, and sketches, present a clear and detailed interpretation of his extraordinary accomplishments in the field. Thomas Jefferson, Landscape Architect investigates the many influences on--and of--the Jeffersonian legacy in architecture. Jefferson's personality, friendships, and convictions, complemented by his extensive reading and travels, clearly influenced his architectural work. His fresh approach to incorporating foreign elements into domestic designs, his revolutionary approach to relating the house to the surrounding land, and his profound influences on the architectural character of the District of Columbia are just a few of Jefferson's contributions to the American landscape. Eighteenth-and nineteenth-century maps, plans, and drawings, as well as pictures of the species of trees that Jefferson used for his designs, generously illustrate the engaging narrative in Thomas Jefferson, Landscape Architect.

The artist who created the statue for the Lincoln Memorial, John Harvard in Harvard Yard, and The Minute Man in Concord, Massachusetts, Daniel Chester French (1850-1931) is America's best-known sculptor of public monuments. Monument Man is the first comprehensive biography of this fascinating figure and his illustrious career. Full of rich detail and beautiful archival photographs, Monument Man is a nuanced study of a preeminent artist whose evolution ran parallel to, and deeply influenced, the development of American sculpture, iconography, and historical memory. Monument Man was specially commissioned by Chesterwood / National Trust for Historic Preservation. The release will coincide with the fiftieth anniversary of the opening of Chesterwood, his country home and studio, as a public site and with a major renovation of the Lincoln Memorial. The book includes a comprehensive geographical guide to French's public work.

Celebrated as a painter of light, Joaquin Sorolla (1863-1923) was one of the most successful artists of his time. This is a selection of Sorolla's works, lavishly illustrated, with a short selection of recommended further reading included.

Edgar Degas (1834-1917) was one of the outstanding draughtsmen of the 19th century: drawing was not only a central tenet of his art, but essential to his existence. Through an examination of the artist's drawings and pastels, Christopher Lloyd reveals the development of Degas's style as well the story of his life, including his complicated relationship with the Impressionists. Following a broadly chronological approach, the author discusses the various subject areas, not only the images of dancers (which form over half of Degas's total oeuvre) but also of nudes and milliners, and the less well-known racehorse and landscape drawings. He covers his whole career, from when Degas was copying the Old Masters to learn his craft to when he ceased work in 1912 because of failing eyesight, setting him within the artistic context of the period. Lloyd's extensive research, which includes consulting the artist's detailed notebooks, has resulted in a comprehensive exposition with, at its heart, some 250 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels of timeless appeal.

Originally published in Dutch and translated to Spanish for the fourth centenary celebration of the death of El Greco in 2014, this book is a comprehensive study of the rediscovery of El Greco -- seen as one of the most important events of its kind in art history. The Nationalization of Culture versus the Rise of Modern Art analyses how changes in artistic taste in the second half of the nineteenth century caused a profound revision of the place of El Greco in the artistic canon. As a result, El Greco was transformed from an extravagant outsider and a secondary painter into the founder of the Spanish School and one of the principle predecessors of modern art, increasingly related to that of the Impressionists -- due primarily to the German critic Julius Meier-Graefe's influential History of Modern Art (1914). This shift in artistic preference has been attributed to the rise of modern art but Eric Storm, a cultural historian, shows that in the case of El Greco nationalist motives were even more important. This study examines the work of painters, art critics, writers, scholars and philosophers from France, Germany and Spain, and the role of exhibitions, auctions, monuments and commemorations. Paintings and associated anecdotes are discussed, and historical debates such as El Greco's supposed astigmatism are addressed in a highly readable and engaging style. This book will be of interest to both specialists and the interested art public.

Scottish architect Charles Rennie Mackintosh is renowned for his architectural achievements on a public and domestic scale, interior design, and furniture design. This book reviews his work in context, and considers how his ideas can be interpreted. His handling of colour, use of materials, and graphic approach to form are explored, and photographs show original designs and plans. Inspired by nature, fired by the ideals of the Arts and Crafts movement, rooted in the vernacular traditions of his native region, Mackintosh's genius was to forge an entirely new style for a new age. Radical but intensely personal, his architecture, interiors and furnishings retain all their essential vigour nearly a century after they were first conceived. In this compelling study Elizabeth Wilhide considers Mackintosh's sensitive handling of colour, robust use of materials and graphic approach to form. The abundance of photographs of original schemes still in existence provide direct inspiration. His items of furniture are icons of early modern design and suppliers and listed for those currently in production.

An important study of the work of Felix Vallotton, a prominent member of Les Nabis and a contemporary of Bonnard and Vuillard. Published to accompany exhibitions at the Royal Academy of Arts, London, 30 June - 29 September 2019, and The Metropolitan Museum of Art, New York, 29 October 2019 - 26 January 2020. The Swiss artist Felix Vallotton (1865-1925) was born in Lausanne, but spent much of his working life in France. Closely associated with Pierre Bonnard and Edouard Vuillard, and a fellow member of the avant-garde group Les Nabis, Vallotton has nonetheless sometimes been overshadowed by his more famous contemporaries. Although he produced some of his most important work in Paris in the 1890s, his original and innovative approach persisted throughout his career. Texts by leading authorities look at Vallotton's life, work and reception. Generously illustrated throughout with the finest exemplars of the artist's paintings and prints, this book accompanies a new presentation of Vallotton's oeuvre that aims to re-evaluate his output and legacy, and includes works never seen in public before. Exhibition organised by the Royal Academy of Arts, London, and The Metropolitan Museum of Art, New York, in collaboration with Fondation Felix Vallotton, Lausanne.