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Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900

Art History And Anthropology - Modern Encounters, 1870?1970 (Paperback): Peter Probst, Joseph Imorde Art History And Anthropology - Modern Encounters, 1870–1970 (Paperback)
Peter Probst, Joseph Imorde
R1,540 R1,179 Discovery Miles 11 790 Save R361 (23%) Ships in 5 - 10 working days

An in-depth and nuanced look at the complex relationship between two dynamic fields of study.

While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a skeptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970.

Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists—often in the contested arena of “primitive art.” It examines the roles of a range of figures, including the art historian–anthropologist Aby Warburg, the modernist artist Tarsila do Amaral, the curator-impresario Leo Frobenius, and museum directors such as Alfred Barr and René d’Harnoncourt. Entering the current debates on decolonizing the past, this collection of essays prompts reflection on future relations between these two fields.

Letters to Camondo - 'Immerses you in another age' Financial Times (Paperback): Edmund De Waal Letters to Camondo - 'Immerses you in another age' Financial Times (Paperback)
Edmund De Waal
R240 R192 Discovery Miles 1 920 Save R48 (20%) Ships in 5 - 10 working days

From the author of the bestselling phenomenon The Hare with Amber Eyes As you may have guessed by now, I am not in your house by accident. I know your street rather well. The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle epoque high society. They were also targets of anti-Semitism. Count Moise de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 'Illuminating... A wonderful tribute to a family and to an idea' Guardian 'Letters to Camondo immerses you in another age... Dazzling' Financial Times

Galison Christmas Carolers Jigsaw Puzzle in Square Box (1000 Piece): Galison Galison Christmas Carolers Jigsaw Puzzle in Square Box (1000 Piece)
Galison
R441 R356 Discovery Miles 3 560 Save R85 (19%) Ships in 12 - 17 working days

Celebrate the holidays with Christmas Carolers Square Boxed 1000 Piece Puzzle from Galison. Piece together to reveal a classic scene of friends and family charoling in the snow by Louise Cunningham. - Assembled puzzle size: 20 x 27'' - Box: 8 x 8 x 2.5'' - Contains informational insert about artist and image

Constable - A Portrait (Hardcover): James Hamilton Constable - A Portrait (Hardcover)
James Hamilton
R780 R640 Discovery Miles 6 400 Save R140 (18%) Ships in 9 - 15 working days

ONE OF THE TIMES AND SUNDAY TIMES' BEST BOOKS FOR 2022 'Eye-opening and full of surprises . . . A treasure' Sunday Times 'A biography as rich with colourful characters as any novel' Telegraph John Constable, the revolutionary nineteenth-century painter of the landscapes and skies of southern England, is Britain's best-loved but perhaps least understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of colour. What we learn from his landscapes is that Constable had sharp local knowledge of Suffolk, a clarity of expression of the skyscapes above Hampstead, an understanding of the human tides in London and Brighton, and a rare ability in his late paintings of Salisbury Cathedral to transform silent suppressed passion into paint. Yet Constable was also an active and energetic correspondent. His letters and diaries - there are over one thousand letters from and to him - reveal a man of passion, opinion and discord, while his character and personality is concealed behind the high shimmering colour of his paintings. They reveal too the lives and circumstances of his brothers and his sisters, his cousins and his aunts, who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex, troubled man, and explodes previous mythologies about this timeless artist, and establishes him in his proper context as a giant of European art.

The Cosmopolitan Interior - Liberalism and the British Home, 1870-1914 (Hardcover): Judith A. Neiswander The Cosmopolitan Interior - Liberalism and the British Home, 1870-1914 (Hardcover)
Judith A. Neiswander
R1,091 Discovery Miles 10 910 Ships in 12 - 17 working days

Literature on domestic interior decoration first emerged as a popular genre in Britain during the 1870s and 1880s, as middle-class readers sought decorating advice from books, household manuals, women's magazines, and professional journals. This intriguing book examines that literature and shows how it was influenced by the widespread liberalism of the middle class. Judith Neiswander explains that during these years liberal values-individuality, cosmopolitanism, scientific rationalism, the progressive role of the elite, and the emancipation of women-informed advice about the desirable appearance of the home. In the period preceding the First World War, these values changed dramatically: advice on decoration became more nationalistic in tone and a new goal was set for the interior-"to raise the British child by the British hearth." Neiswander traces this evolving discourse within the context of current writing on interior decoration, writing that is much more detached from social and political issues of the day. Published for the Paul Mellon Centre for Studies in British Art

Living with the Royal Academy - Artistic Ideals and Experiences in England, 1768-1848 (Hardcover, New Ed): Sarah Monks Living with the Royal Academy - Artistic Ideals and Experiences in England, 1768-1848 (Hardcover, New Ed)
Sarah Monks
R4,137 Discovery Miles 41 370 Ships in 9 - 15 working days

Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art's increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be 'liberated' in the wake of the Pre-Raphaelite Brotherhood's emergence in 1848 - this volume investigates the Academy's varied impact upon the lives, experiences and ideals of its diverse artistic communities.

English Victorian Churches - Architecture, Faith, & Revival (Hardcover): James Stevens Curl English Victorian Churches - Architecture, Faith, & Revival (Hardcover)
James Stevens Curl
R1,490 Discovery Miles 14 900 Ships in 12 - 17 working days

Victorian churches were often of high quality, reflecting in physical terms the intense theological debates of the time. This highly-illustrated book by a leading authority describes many of the finest examples. Many churches were built in England during the reign of Queen Victoria: most were in various varieties of Gothic Revival. Often exquisitely furnished, they were visible expressions of the presence and importance of religion at the time. Their architectural qualities reflected aspirations of clergy, laity, and individual benefactors. The finest were the results of passionate commitment to an architecture soundly based on scholarly studies known as Ecclesiology. James Stevens Curl places English churches of the period in their complex social and denominational settings, giving comprehensive accounts of the religious atmosphere and controversies of the times. He charts the progress and development of the Gothic Revival, explains differences in the architecture of various denominations, outlines the influences of the chief protagonists involved, and describes the demands made on craftsmen and industry to produce the materials, furnishings, and fittings necessary in making some of the finest buildings ever created in England. He reveals something of the individuals and events that shaped the religious climate of the epoch, while specially commissioned illustrations reveal the rich variety found in Victorian churches.

Mindful Knitting - 35 Creative and Calming Patterns to Reduce Stress and Soothe the Mind (Paperback): Chloé Elizabeth Birch Mindful Knitting - 35 Creative and Calming Patterns to Reduce Stress and Soothe the Mind (Paperback)
Chloé Elizabeth Birch
R379 Discovery Miles 3 790 Ships in 12 - 17 working days

35 meditative knitting patterns that use colour, repetition and texture to help you unwind and destress. The relaxing rhythm and hand movements of knitting make it the perfect activity to absorb your attention and distract you from unwanted thoughts. As well as being beautiful makes, these 35 projects are specially designed to be a form of mindfulness practice. Suitable for beginners through to experienced knitters, the patterns will help you stitch away stress by incorporating calming repetition and different textures, as well as mood-boosting bright colours and soothing pastel shades. Many of the projects make ideal gifts, bringing you satisfaction and positivity as you knit them for other people. There are also homewares including a mandala pillow and a meditation garland so that you can create an inspiring environment, as well as cosy accessories and garments to allow you to focus on yourself. All of the techniques and stitches you will need are explained with easy-to-follow instructions and step-by-step artworks. Let the click of the needles and the rhythm of the stitches help you to be in the moment, bringing you calmness and a sense of wellbeing.

India in Art in Ireland (Paperback): Kathleen James-Chakraborty India in Art in Ireland (Paperback)
Kathleen James-Chakraborty
R1,348 Discovery Miles 13 480 Ships in 12 - 17 working days

India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.

The World of Mucha - A Journey to Two Fairylands: Paris and Czech (English, Japanese, Paperback): Hiroshi Unno The World of Mucha - A Journey to Two Fairylands: Paris and Czech (English, Japanese, Paperback)
Hiroshi Unno
R867 R702 Discovery Miles 7 020 Save R165 (19%) Ships in 12 - 17 working days
Theories of Art - 2. From Winckelmann to Baudelaire (Paperback, Rev. ed): Moshe Barasch Theories of Art - 2. From Winckelmann to Baudelaire (Paperback, Rev. ed)
Moshe Barasch
R1,266 Discovery Miles 12 660 Ships in 12 - 17 working days


In serveying how painting and sculpture were considered through the early 18th to the mid-19th century, this volume traces the development of modernism in art and theory.

Van Gogh - Capolavori dal Kroeller-Muller Museum (Hardcover): Maria Teresa Benedetti, Francesca Villanti Van Gogh - Capolavori dal Kroeller-Muller Museum (Hardcover)
Maria Teresa Benedetti, Francesca Villanti
R1,056 R858 Discovery Miles 8 580 Save R198 (19%) Ships in 10 - 15 working days
History's Beauties - Women and the National Portrait Gallery, 1856-1900 (Paperback): Lara Perry History's Beauties - Women and the National Portrait Gallery, 1856-1900 (Paperback)
Lara Perry
R1,264 Discovery Miles 12 640 Ships in 12 - 17 working days

The 'beauties' - women of note - who were welcomed to the National Portrait Gallery's early collection were those whose lives and portraits were recognized as significant to the 'civil, ecclesiastical and literary history of the nation'. This brief was interpreted to include figures as diverse as the devout Lady Margaret Beaufort, and the entertaining Lady Emma Hamilton. History's Beauties, the first detailed study of this collection, maps a culture of femininity that reframes the Victorian fascination with women's domestic and sentimental presence by locating it within a Parliament-centred 'national' culture. Including an essay on the Gallery's Trustees, the book traces the translation of their governors' culture to a public institution through discussions of three themes in the National Portrait Gallery's collection of women's portraits: portraits of the Royal family and the cult of legitimacy in antiquities and in national identity; the educated woman as model of domestic and national cultivation; and finally the role of female beauty in defining social and artistic power in nineteenth-century Britain. The first monograph study of gender in a major museum, History's Beauties engages themes of gender, national identity, class cultures, and aesthetics in Victorian England to interpret the National Portrait Gallery's fascinating collection.

Miniatures (Paperback): Richard Walker Miniatures (Paperback)
Richard Walker
R48 Discovery Miles 480 Ships in 12 - 17 working days

The Ashmolean collection of miniatures was begun in the 17th century by the Tradescants, father and son, gardeners to Charles I and Henrietta Maria. Among its most generous benefactors was the Reverend Bentinck Hawkins, chaplain to the Dukes of Cambridge and an insatiable 19th-century collector. The miniatures, mostly of very high quality, range from the Tudor and Stuart era to Victorian times, and include specially distinguished works by Isaac Oliver, Cooper, Zincke, Smart, Cosway and Engleheart.

Redoute. The Book of Flowers. 40th Ed. (English, French, German, Hardcover, Multilingual edition): H. Walter Lack Redoute. The Book of Flowers. 40th Ed. (English, French, German, Hardcover, Multilingual edition)
H. Walter Lack 1
R833 R695 Discovery Miles 6 950 Save R138 (17%) Ships in 9 - 15 working days

Flower painter Pierre-Joseph Redoute (1759-1840) devoted himself exclusively to capturing the diversity of flowering plants in watercolor paintings which were then published as copper engravings, with careful botanical descriptions. The darling of wealthy Parisian patrons including Napoleon's wife Josephine, he was dubbed "the Raphael of flowers," and is regarded to this day as a master of botanical illustration. This collection brings our best-selling XL-sized edition to a smaller, more convenient format, still gathering some of the finest color engravings from Redoute's illustrations of Roses, Lilies, and Choix des plus belles fleurs et quelques branches des plus beaux fruits (Selection of the Most Beautiful Blooms and Branches with the Finest Fruits). Offering a vibrant overview of Redoute's admixture of accuracy and beauty, it is also a privileged glimpse into the magnificent gardens and greenhouses of a bygone Paris. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Henry van de Velde: The Artist as Designer - From Art Nouveau to Modernism (Paperback): Richard Hollis Henry van de Velde: The Artist as Designer - From Art Nouveau to Modernism (Paperback)
Richard Hollis
R665 Discovery Miles 6 650 Ships in 9 - 15 working days
Certain Artists (Paperback): Certain Artists (Paperback)
R278 Discovery Miles 2 780 Ships in 12 - 17 working days
Bon Mots and Grotesques (Paperback): Aubrey Beardsley, Matthew Sturgis Bon Mots and Grotesques (Paperback)
Aubrey Beardsley, Matthew Sturgis
R296 Discovery Miles 2 960 Ships in 12 - 17 working days

'To critics who said that the full-lipped so-called 'Beardsley mouth', which adorned many of his women, was 'inexpressive and ugly', the artist countered, 'Well, let them criticise. It's my mouth and not theirs. I like big mouths. People like the little mouth - the "Dolly Varden" mouth, if that describes it better. A big mouth is the sign of character and strength. Look at Ellen Terry with her great, strong mouth. In fact, I haven't any patience with small-mouthed people.' 'The popular idea of a picture is something told in oil or writ in water to be hung on a room's wall or in a picture gallery to perplex an artless public.' 'To my mind, there is nothing so depressing as a Gothic cathedral. I hate to have the sun shut out by the saints.' 'What a nice ample creature George Sand is: like a wonderful old cow with all her calves.' And other witty, urbane insights on life, art, and culture, illustrated with selected drawings from his Grotesques series.

Monet: Water Lilies - The Complete Series (Hardcover): Jean Dominique Rey, Denis Rouart Monet: Water Lilies - The Complete Series (Hardcover)
Jean Dominique Rey, Denis Rouart
R663 R535 Discovery Miles 5 350 Save R128 (19%) Ships in 12 - 17 working days
Matisse. Cut-outs. 40th Ed. (Hardcover): Xavier-Gilles Neret, Gilles Neret Matisse. Cut-outs. 40th Ed. (Hardcover)
Xavier-Gilles Neret, Gilles Neret
R798 R661 Discovery Miles 6 610 Save R137 (17%) Ships in 9 - 15 working days

Toward the end of his monumental career as a painter, sculptor, and lithographer, an elderly, sickly Matisse was unable to stand and use a paintbrush for long. In this late phase of his life-he was almost 80 years of age-he developed the technique of "carving into color," creating bright, bold paper cut-outs. Though dismissed by some contemporary critics as the folly of a senile old man, these gouaches decoupees (gouache cut-outs) in fact represented a revolution in modern art, a whole new medium that reimagined the age-old conflict between color and line. This edition of the first volume of our original award-winning XXL book provides a thorough historical context to Matisse's cut-outs, tracing their roots to his 1930 trip to Tahiti and continuing through to his final years in Nice. It includes many photos of Matisse, as well as some rare images by Henri Cartier-Bresson and the filmmaker F. W. Murnau, with texts by Matisse, publisher E. Teriade, the poets Louis Aragon, Henri Michaux, and Pierre Reverdy, and Matisse's son-in-law Georges Duthuit. In their deceptive simplicity, the cut-outs achieved both a sculptural quality and an early minimalist abstraction, which would profoundly influence generations of artists to come. Exuberant, multi-hued, and often grand in scale, these works are true pillars of 20th-century art, and as bold and innovative to behold today as they were in Matisse's lifetime. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Artistic Responses to Travel in the Western Tradition (Paperback): Sarah J. Lippert Artistic Responses to Travel in the Western Tradition (Paperback)
Sarah J. Lippert
R1,221 Discovery Miles 12 210 Ships in 9 - 15 working days

In an era when ease of travel is greater than ever, it is also easy to overlook the degree to which voyages of the body - and mind - have generated an outpouring of artistry and creativity throughout the ages. Exploration of new lands and sensations is a fundamental human experience. This volume in turn provides a stimulating and adventurous exploration of the theme of travel from an art-historical perspective. Topical regions are covered ranging from the Grand Tour and colonialism to the travels of Hadrian in ancient times and Georgia O'Keeffe's journey to the Andes; from Vasari's Neoplatonic voyages to photographing nineteenth-century Japan. The scholars assembled consider both imaginary travel, as well as factual or embellished documentation of voyages. The essays are far-reaching spatially and temporally, but all relate to how art has documented the theme of travel in varying media across time and as illustrated and described by writers, artists, and illustrators. The scope of this volume is far-reaching both chronologically and conceptually, thereby appropriately documenting the universality of the theme to human experience.

The Impressionist Era - The Story of Scotland's French Masterpieces (Paperback): Frances Fowle The Impressionist Era - The Story of Scotland's French Masterpieces (Paperback)
Frances Fowle
R544 Discovery Miles 5 440 Ships in 12 - 17 working days

A vibrant, colourful and beautiful book that introduces readers to Impressionism and Post-Impressionism. It explains the difference between the two movements and the main artists associated with each. Illustrations are drawn from the renowned and outstanding collection of French art held by the National Galleries of Scotland and they include a number of rarely seen works. This book tells the fascinating stories of how key paintings and drawings found their way into the collection. Artists include Monet, Millet, Gauguin, Bastien-Lepage, Charles Jacque, Troyon, Corot, Degas, Seurat, Van Gogh, Cezanne, Vuillard, Bonnard, Derain, Matisse, Legros and Rodin.

John James Audubon - The Nature of the American Woodsman (Paperback): Gregory Nobles John James Audubon - The Nature of the American Woodsman (Paperback)
Gregory Nobles
R671 Discovery Miles 6 710 Ships in 12 - 17 working days

John James Audubon's The Birds of America stands as an unparalleled achievement in American art, a huge book that puts nature dramatically on the page. With that work, Audubon became one of the most adulated artists of his time, and America's first celebrity scientist. In this fresh approach to Audubon's art and science, Gregory Nobles shows us that Audubon's greatest creation was himself. A self-made man incessantly striving to secure his place in American society, Audubon made himself into a skilled painter, a successful entrepreneur, and a prolific writer, whose words went well beyond birds and scientific description. He sought status with the "gentlemen of science" on both sides of the Atlantic, but he also embraced the ornithology of ordinary people. In pursuit of popular acclaim in art and science, Audubon crafted an expressive, audacious, and decidedly masculine identity as the "American Woodsman," a larger-than-life symbol of the new nation, a role he perfected in his quest for transatlantic fame. Audubon didn't just live his life; he performed it. In exploring that performance, Nobles pays special attention to Audubon's stories, some of which-the murky circumstances of his birth, a Kentucky hunting trip with Daniel Boone, an armed encounter with a runaway slave-Audubon embellished with evasions and outright lies. Nobles argues that we cannot take all of Audubon's stories literally, but we must take them seriously. By doing so, we come to terms with the central irony of Audubon's true nature: the man who took so much time and trouble to depict birds so accurately left us a bold but deceptive picture of himself.

Rival Sisters, Art and Music at the Birth of Modernism, 1815-1915 (Hardcover, New edition): James H. Rubin Rival Sisters, Art and Music at the Birth of Modernism, 1815-1915 (Hardcover, New edition)
James H. Rubin
R3,965 Discovery Miles 39 650 Ships in 12 - 17 working days

Introducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange-from rivalry to inspiration to collaboration-between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900. This collection puts forward a more complex history of the relationship between art and music than has been described in earlier works, including an intermixing of models and distinctions between approaches to them. Individual essays from art history, musicology, and literature examine the growing influence of art upon music, and vice versa, in the works of Berlioz, Courbet, Manet, Fantin-Latour, Rodin, Debussy, and the Pre-Raphaelites, among other artists.

Pre-Raphaelite Masculinities - Constructions of Masculinity in Art and Literature (Hardcover, New Ed): Serena Trowbridge Pre-Raphaelite Masculinities - Constructions of Masculinity in Art and Literature (Hardcover, New Ed)
Serena Trowbridge
R3,923 Discovery Miles 39 230 Ships in 12 - 17 working days

Drawing on recent theoretical developments in gender and men's studies, Pre-Raphaelite Masculinities shows how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement. Paying particular attention to the representation of non-normative or alternative masculinities, the contributors take up the multiple versions of masculinity in Dante Gabriel Rossetti's paintings and poetry, masculine violence in William Morris's late romances, nineteenth-century masculinity and the medical narrative in Ford Madox Brown's Cromwell on His Farm, accusations of 'perversion' directed at Edward Burne-Jones's work, performative masculinity and William Bell Scott's frescoes, the representations of masculinity in Pre-Raphaelite illustration, aspects of male chastity in poetry and art, TannhAuser as a model for Victorian manhood, and masculinity and British imperialism in Holman Hunt's The Light of the World. Taken together, these essays demonstrate the far-reaching effects of the plurality of masculinities that pervade the art and literature of the Pre-Raphaelite Brotherhood.

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