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Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900

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The Holland Park Circle - Artists and Victorian Society (Hardcover, New) Loot Price: R1,706
Discovery Miles 17 060
The Holland Park Circle - Artists and Victorian Society (Hardcover, New): Caroline Dakers

The Holland Park Circle - Artists and Victorian Society (Hardcover, New)

Caroline Dakers

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Loot Price R1,706 Discovery Miles 17 060 | Repayment Terms: R160 pm x 12*

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An account of the artists who lived and worked in the Holland Park area of west London in the 19th century. Chief among them were Frederic (Lord) Leighton and Holman Hunt. The group represented art as 'fashion' - they posed at home for society photographers, and the public openings of their studios became part of the London season. Many of them became millionaires in their own lifetimes and exercised an extraordinary sway over the tastes and lifestyles of the rich. The fact that their work is now largely neglected leads one to the inescapable observation that what we are seeing is the prototype of the Hello! set, a century earlier. (Kirkus UK)
The reign of Queen Victoria witnessed a spectacular rise in the visibility, wealth, and prestige of English artists and designers. Leading this resurgence was a group of artists who established their studios in and around the new, fashionable district of London's Holland Park. This book -- the first major study of the Holland Park Circle of artists, architects, and their patrons -- is both an engrossing narrative of their lives, works, and influence and a perceptive analysis of the subtle relationships between high Victorian taste and mercantile values.

The circle was formed around G. F. Watts, who lived at Little Holland House; the handsome and accomplished Frederic Leighton; and their friend Valentine Prinsep. The artists who followed included Luke Fildes, Hamo Thomycroft, William Burges, Marcus Stone, James Jebusa Shannon, and Holman Hunt. Their studio-houses, designed by prominent architects of the era, were featured in architectural journals and society magazines, influencing the external and internal appearance of London's buildings. Caroline Dakers also describes how the artists posed "at home" for society photographs and how their "Show Sundays, " when the public was invited into the studios, became part of the London Season. She presents a fresh perspective on a period when art in England, in the words of Henry James, had become "a great fashion."

General

Imprint: Yale University Press
Country of origin: United States
Release date: November 1999
First published: December 1999
Authors: Caroline Dakers
Dimensions: 265 x 202 x 31mm (L x W x T)
Format: Hardcover
Pages: 312
Edition: New
ISBN-13: 978-0-300-08164-0
Categories: Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > General
Books > Humanities > History > World history > 1750 to 1900
Books > Humanities > History > British & Irish history > General
Books > Humanities > History > History of specific subjects > Social & cultural history
Books > History > British & Irish history > General
Books > History > History of specific subjects > Social & cultural history
Books > History > World history > 1750 to 1900
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LSN: 0-300-08164-2
Barcode: 9780300081640

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