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A Sense of Shock - The Impact of Impressionism on Modern British and Irish Writing (Hardcover)
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A Sense of Shock - The Impact of Impressionism on Modern British and Irish Writing (Hardcover)
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What does modern British and Irish literature have to do with
French impressionist painting? And what does Henry James have to do
with the legal dispute between John Ruskin and J.M.W. Whistler?
What links Walter Pater with Conrad's portrait of a genocidal
maniac in Heart of Darkness? Or George Moore with Irish
nationalism, Virginia Woolf with modern distraction, and Ford Madox
Ford with the Great Depression?
Adam Parkes argues that we must answer such questions if we are to
appreciate the full impact of impressionist aesthetics on modern
British and Irish writers. Complicating previous accounts of the
influence of painting and philosophy on literary impressionism, A
Sense of Shock highlights the role of politics, uncovering new and
deeper linkages. In the hands of such practitioners as Conrad,
Ford, James, Moore, Pater, and Woolf, literary impressionism was
shaped by its engagement with important social issues and political
events that defined the modern age. As Parkes demonstrates, the
formal and stylistic practices that distinguish impressionist
writing were the result of dynamic and often provocative
interactions between aesthetic and historical factors.
Parkes ultimately suggests that it was through this incendiary
combination of aesthetics and history that impressionist writing
forced significant change on the literary culture of its time. A
Sense of Shock will appeal to students and scholars of nineteenth-
and twentieth-century literature, as well as the growing readership
for books that explore problems of literary history and
interdisciplinarity.
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