Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Human figures depicted in art
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The Sinister Side - How left-right symbolism shaped Western art (Hardcover)
Loot Price: R524
Discovery Miles 5 240
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The Sinister Side - How left-right symbolism shaped Western art (Hardcover)
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List price R556
Loot Price R524
Discovery Miles 5 240
You Save R32 (6%)
Expected to ship within 12 - 17 working days
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Why does the Mona Lisa have an uneven smile? Was Picasso's
Demoiselles d'Avignon an exploration of Satanism? Why did
Michelangelo depict so many left-handed archers? Why did the
British Queen look so different when Annie Liebowitz lit her from
her left side in a recent official portrait? The answer to all
these questions lies in a hidden symbolic language in the visual
arts: that of the perceived differences between the left and right
sides of the body. It is a symbolism that has been interpreted by
artists through the centuries, and that can be uncovered in many of
our greatest masterpieces, but that has been long forgotten about
or misunderstood by those concerned with the history of art and the
human body. The Sinister Side reveals the key, and sheds new light
on some of the greatest art from before the Renaissance to the
present day. Traditionally, in almost every culture and religion,
the left side has been regarded as inferior - evil, weak, worldly,
feminine - while the right is good, strong, spiritual and male. But
starting in the Renaissance, this hierarchy was questioned and
visualised as never before. The left side, in part because of the
presence of the heart, became the side that represented authentic
human feelings, especially love. By the late nineteenth century,
with the rise of interest in the occult and in spiritualism, the
left side had become associated with the taboo and with the
unconscious. Exploring how works of art reflect our changing
cultural ideas about the natural world, human nature, and the mind,
James Halls'Sinister Side is the first book to detail the richness
and subtlety of left-right symbolism in art, and to show how it was
a catalyst for some of the greatest works of visual art from
Botticelli and Van Eyck to Vermeer and Dali.
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