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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Human figures depicted in art
As negentienjarige ryloper in Spanje beland Frank Westerman
toevallig in die dorpie Banyoles, waar ’n opgestopte
“Kalahari-Boesman”, slegs bekend as El Negro, uitgestal word. Sy
indrukke bly hom by – en wanneer hy dekades later weer van El Negro
lees, die keer in ’n Franse koerant, is dit die begin van ’n
ondersoeksreis wat belangrike vrae oor rasopvattings en die
Westerse beskawing na vore bring. Wie was hierdie naamlose man? Wat
se sy opgestopte “museumteenwoordigheid” oor Europese denke oor
slawerny, rassisme en kolonialisme – en bied hy slegs ’n spieel op
’n vergange tyd, of ook op die hede?
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Ian
(Hardcover)
Paul Freeman; Photographs by Paul Freeman
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R2,386
R1,717
Discovery Miles 17 170
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Leonard McComb
(Hardcover)
Richard Davey; Contributions by Anne Lee-Draycott; Interview by Jonathan Casciani; Interview of Anne Lee-Draycott; Photographs by James Gardiner; Designed by …
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R964
Discovery Miles 9 640
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Learn how to confidently draw the human form from head to toe with
this comprehensive, richly illustrated guide. Expert drawing
instructor and storyboard artist Tom Fox knows exactly how to
capture the figure in poses that are both dynamic and true to human
anatomy. The book details the central figure-drawing elements and
techniques that are essential to every artist of every skill level.
From understanding the XYZ axis and basic skeleton, to thinking in
3D space and creating mannequins of all levels of detail, the book
deals with everything the reader needs to know before moving on to
the figure itself. Tom presents in step-by-step details exactly how
to add the muscles and depict truly believable poses. Every part of
the body is presented in detail, with easy-to-follow breakdowns of
the torso, arms, and legs, and the often-tricky head, hands, and
feet. The author also shares insightful, game-changing anatomy
tips, many learned from years of working for major clients in the
entertainment industry and teaching others to draw the human
figure, both in person and online. This combination of experiences
and skills make Tom an outstanding author of this must-have book
for artists in all areas of figure drawing.
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Rock Banned
(Hardcover)
Paul Freeman; Photographs by Paul Freeman
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R2,389
R1,720
Discovery Miles 17 200
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Beauty comes in all shapes and sizes - this collection of female
nudes is a celebration of the artist's view that the rubenesque
female form is beautiful and desirable. The art is soft and
sensual, and displays the larger woman in tasteful relaxed poses
that are at times dreamlike in form.
Sue Clyne is emerging as the UK's leading fantasy artist. She grew
up in the Norfolk countryside of rolling hills and woodlands. Her
school books were littered with doodles and sketches in margins and
on pages. She remains an intuitive artist. She has taken her lead
from a varied selection of great artists including Josephine Wall,
the late Susan Seddon Boulet and Salavador Dali.
This unique book presents works that until now have only rarely
been seen, even in private collections. Paintings, drawings and
sculptures by well known outsider artists and new discoveries, all
of which express deeply personal interpretations of sexual desire
and activity. With texts by the world's leading academic experts in
this field, Raw Erotica presents an essential element in the rich
and varied world of outsider and self-taught art. With texts and
contributions from: * Colin Rhodes, Univ of Sydney, author of
Outsider Art: Spontanious Alternatives * Roger Cardinal, author of
the original book Outsider Art * Jenifer Borum, New York based
authority on self-taught art * Michale Bonesteel, Chicago based
writer and author of Henry Darger * Thomas Roske, Curator, The
Prinzhorn Collection, Heidelberg * Laurent Danchin, Paris author
and French authority on Art Brut * Francois Monin, editor of
Artension magazine, France.
As the book's provocative title indicates, a woman reading was once
viewed as radical. In chapters - such as: Intimate Moments and The
Search for Oneself - Bollmann profiles how a woman with a book was
once seen as idle or suspect and how women have gained autonomy
through reading over the years. Bollmann offers intelligent and
engaging commentary on each work of art in Women Who Read Are
Dangerous, telling us who the subject is, her relationship to the
artist, and even what she is reading. With works ranging from a
1333 Annunciation painting of the angel Gabriel speaking to the
Virgin Mary, book in hand, to 20th-century works, such as a
stunning photograph of Marilyn Monroe reading Ulysses, this
appealing survey provides a veritable slideshow of the many
iterations of a woman and her book; a compelling subject to this
day. An excellent gift for graduates, teachers, or Mother's Day,
this elegant book should appeal to anyone interested in art,
literature, or women's history.
Degas was a celebrity in Britain in his lifetime, thanks originally
to George Moore's pioneering essay, The Painter of Modern Life.
When Degas died Moore reprised the essay with some further
recollections, in part as a riposte to the memoir published by
Degas's great admirer and follower, Walter Sickert. Sickert's
essay, sparkling, engaged, witty and occasionally combative, is
amongst the best of his writings. Together these memoirs represent
some of the most vivid responses to Impressionism in English - as
well as painting an intimate picture of arguably the most important
and most influential - and the most humane - of the painters of the
later 19th century. Hitherto difficult to find, these essays are
reprinted here with an introduction by Anna Gruetzner Robins and
are illustrated with 30 pages of colour plates covering the span of
Degas's dazzling career.
Award-winning illustrator Gabriel Campanario first introduced
his approach to drawing in "The Art of Urban Sketching," a showcase
of more than 500 sketches and drawing tips shared by more than 100
urban sketchers around the world. Now, he drills down into specific
challenges of making sketches on location, rain or shine, quickly
or slowly, and the most suitable techniques for every situation, in
"The Urban Sketching Handbook" series.
It's easy to overlook that ample variety of characters that walk
the streets everyday. From neighbors, dog walkers and shoppers to
dancers and joggers, the people that move through the cities and
towns are fascinating subjects to study and sketch. In "The Urban
Sketching Handbook: People and Motion" Gabriel lays out keys to
help make the experience of drawing humans and movements fun and
rewarding. Using composition, depth, scale, contrast, line and
creativity, sketching out citizens and the way they move has never
been more inspirational and entertaining. This guide will help you
to develop your own creative approach, no matter what your skill
level may be today. As much as "The Urban Sketching Handbook:
People and Motion" may inspire you to draw more individuals, it can
also help to increase your appreciation of the folks around you.
Drawing our postal workers, shopkeeps and neighbors, is a great way
to show your appreciation and creativity.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine
high-quality production with magnificent art. Perfect as a gift,
and an essential personal choice for writers, notetakers,
travellers, students, poets and diarists. Features a wide range of
well-known and modern artists, with new artworks published
throughout the year. BEAUTIFULLY DESIGNED. The highly crafted
covers are printed on foil paper, embossed then foil stamped,
complemented by the luxury binding and rose red end-papers. The
covers are created by our artists and designers who spend many
hours transforming original artwork into gorgeous 3d masterpieces
that feel good in the hand, and look wonderful on a desk or table.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical
features too: a pocket at the back for scraps and receipts; two
ribbon markers to help keep track of more than just a to-do list
and robust ivory text paper. THE ARTIST. Renowned Austrian artist
Gustav Klimt is well known for his richly decorative commissioned
portraits and murals. The Kiss is a prime example of Klimt's
'Golden Phase', in which he began to feature especially sumptuous
ornamentation on a regular basis in his paintings. The couple in
this artwork represent the mystical union of spiritual and erotic
love, and the connection of life and the universe. THE FINAL WORD.
As William Morris said, "Have nothing in your houses that you do
not know to be useful, or believe to be beautiful."
This richly diverse exploration of female artists and
self-portraits is a brilliant and poignant demonstration of
originality in works of haunting variety. The two earliest
self-portraits come from 12th-century illuminated manuscripts in
which nuns gaze at us across eight centuries. In 16th-century
Italy, Sofonisba Anguissola paints one of the longest series of
self-portraits, spanning adolescence to old age. In 17th-century
Holland, Judith Leyster shows herself at the easel as a relaxed,
self-assured professional. In the 18th century, artists from
Elisabeth Vigee-Lebrun to Angelica Kauffman express both passion
for their craft and the idea of femininity; and in the 19th the
salons and art schools at last open their doors to a host of
talented women artists, including Berthe Morisot, ushering in a new
and resonant self-confidence. The modern period demolishes taboos:
Alice Neel painting herself nude at eighty, Frida Kahlo rendering
physical pain, Cindy Sherman exploring identity, Marlene Dumas
dispensing with all boundaries. The full verve of Frances
Borzello's enthralling text, and the hypnotic intensity of the
accompanying self-portraits, is revealed to the full in this
inspiring book.
Whether your favourite medium is digital, traditional, or a mix of
both, Stockholm-based Feefal will have used it to explore her
unique world of anthropomorphised figures, animals in dream-like
settings, and cool-girl magic. Her spooky-cute style has been a
constant throughout her career, amassing 870K dedicated Instagram
followers who not only adore her art, but are always keen to know
the stories and inspiration behind it. Now for the first time,
Feefal has written a beautifully produced book, her work printed on
high-quality paper, providing the chance to not only show what she
does, but also how. 3dtotal Publishing excels at helping artists to
communicate both the motivations behind their unique creativity,
and the technical tips and tricks they use. Feefal shares the early
influences that put her on the path to becoming the professional
character designer she is today, including those of her
Swedish-Japanese upbringing. In doing so, the ideas behind
paintings such as Lamp Shade Lady, Understanding the Hahahaki
Disease (a fictional ailment caused by unrequited love) and Momento
Mori are explained. With galleries of curated classics intertwined
with step-by-step tutorials and fascinating insights into her
creative process, Feefal's work is as intriguing as it is
spellbinding.
"Sirs" begins the missive from our imaginary correspondent. "It's
not that I don't love your original Big Penis Book, but that,
perhaps, I love it too much. I now become anxious leaving the house
without it, and long business trips are simply torture. Couldn't
you make a smaller, less obtrusive edition, still packed with men
whose generative members measure over 8 inches, that doesn't form a
suspiciously large bulge in my carry-on luggage? And while you're
at it, could you make it highly affordable, since my pockets are as
shallow as this premise?" Done! The Little Big Penis Book features
over 150 massively endowed models from the 1940s through the '90s,
including photos by Bob Mizer of AMG, David Hurles of Old Reliable,
Rip Colt of Colt Studio, Craig Calvin Anderson of Sierra Domino,
Hal Roth of Filmco, Jim Jaeger of Third World Studios, Falcon
Studios, Mike Arlen, Fred Bisonnes, Carlos Quiroz, and Charles
Hovland in a compact and inexpensive format. Photos come not just
from the original overstuffed 384-page edition, but from subsequent
Big Penis Calendars, meaning that 30% of the content is unique to
this edition. Add a reduced text to make more room for the stunning
black-and-white and color photos and how could anyone-big, small,
or just right-ask for a better deal?
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Bondi Road
(Hardcover)
Paul Freeman
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R2,374
R1,706
Discovery Miles 17 060
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The fourth book in the Bondi series from photographer Paul Freeman
A unique collective portrait of the United Kingdom during the
national lockdown of 2020. Introduction by The Duchess of
Cambridge. Text by Lemn Sissay MBE. Sunday Times Bestseller. 'Every
bookcase should have this book' 'Beautifully heart-warming' and 'a
keepsake for years to come'. Focused on three key themes - Helpers
and Heroes, Your New Normal and Acts of Kindness, this book
presents a unique portrait of the UK during the 2020 lockdown,
through 100 community photographs. The net proceeds from the sale
of the book will be equally split to support the work of the
National Portrait Gallery and Mind, the mental health charity
(registered 219830) Spearheaded by The Duchess of Cambridge, Patron
of the National Portrait Gallery, Hold Still was an ambitious
community project to create a unique collective portrait of the UK
during lockdown. People of all ages were invited to submit a
photographic portrait, taken in a six-week period during May and
June 2020, focussed on three core themes - Helpers and Heroes, Your
New Normal and Acts of Kindness. From these, a panel of judges
selected 100 portraits, assessing the images on the emotions and
experiences they conveyed. Featured here in this publication, the
final 100 images present a unique and highly personal record of
this extraordinary period in our history of people of all ages from
across the nation. From virtual birthday parties, handmade rainbows
and community clapping to brave NHS staff, resilient keyworkers and
people dealing with illness, isolation and loss. The images convey
humour and grief, creativity and kindness, tragedy and hope -
expressing and exploring both our shared and individual
experiences. Presenting a true portrait of our nation in 2020, this
publication includes a foreword by The Duchess of Cambridge, each
image is accompanied by the story behind the picture told through
the words of the entrants, and further works show the nationwide
outdoor exhibition of Hold Still.
The story of the nude in art in our times, told by a popular art
historian with a rare gift for sharing her passions and ideas. The
representation of the nude in art remained for many centuries a
victory of fiction over fact. Beautiful, handsome, flawless - its
great success was to distance the unclothed body from any
uncomfortably explicit taint of sexuality, eroticism or
imperfection. In this newly updated study, Frances Borzello
contrasts the civilized, sanitized, perfected nude of Kenneth
Clark's classic, The Nude: A Study in Ideal Form (1956), with
today's depictions: raw, uncomfortable, both disturbing and
intriguing. Grittier and more subtle, depicting variously gendered
bodies, the new nude asks awkward questions and behaves
provocatively. It is a very naked nude, created to deal with the
issues and contradictions that surround the body in our time.
Borzello explores the role of the nude in twentieth- and
twenty-first-century art, looking at the work of a wide range of
international artists creating contemporary nudes. Her fascinating
text is complemented by a profusion of well-chosen, unusual and
beautifully reproduced illustrations. The story begins with a tale
of life, death and resurrection - an investigation into how and why
the nude has survived and flourished in an art world that
prematurely announced its demise. Subsequent chapters take a
thematic approach, focusing in turn on Body art and Performance
art, the new perspectives of women artists, the nude in painting,
portraiture and sculpture and in its most extreme and graphic
expressions that intentionally push the boundaries of both art and
our comfort zone. The final chapter illustrates radical
developments in art and culture over the last decade, focusing in
particular on artworks by women, trans artists and artists of
colour. Borzello links these works to their art-historical and
political predecessors, demonstrating the continually unending
capacity of the nude to disrupt traditional hierarchies and gender
categories in life and art.
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