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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Human figures depicted in art
'Angel Song' does for halos and wings what it did for all those forest cuties in Fairy Song - show them off in all their radiant glory! "Angel Song" features an international cast of artists who depict these heavenly messengers in loving detail. From Renaissance classic to pin-up pretty, and every style in-between, these paintings reflect the varied natures of man's relationship with these winged wonders! The volume includes the artwork of Dave Nestler, Pelaez, Arantza, Maraschi, Sosa, and many more! Get to see why heaven is such a beautiful place, and why people are just dying to get there!
The face of John Wesley (1703-91), the Methodist leader, became one of the most familiar images in the English-speaking and transatlantic worlds through the late eighteenth and nineteenth centuries. After the dozen or so painted portraits made during his lifetime came numbers of posthumous portraits and moralising 'scene paintings', and hundreds of variations of prints. It was calculated that six million copies were produced of one print alone - an 1827 portrait by John Jackson R.A. as frontispiece for a hymn book. Illustrated by nearly one hundred images, many in colour, with a comprehensive appendix listing known Wesley images, this book offers a much-needed comprehensive and critical survey of one of the most influential religious and public figures of eighteenth-century Britain. Besides chapters on portraits from the life and after, scene paintings and prints, it explores aspects of Wesley's (and Methodism's) attitudes to art, and the personality cult which gathered around Wesley as Methodism expanded globally. It will be of interest to art historians as a treatment of an individual sitter and subject, as well as to scholars engaged in Wesley and Methodist studies. It is also significant for the field of material studies, given the spread and use of the image, on artefacts as well as on paper.
At last, the third and final phase of this sumptuous feast of female passions is ready for its up close and very personal premiere The stunning artwork of Stefano Mazzotti has made this series the stand-out in sapphic desire and stunning detail With a running commentary by Silvio Andrei, this third book sets girl on girl on GIRL Whoa That's a 33% increase in girlage
Jinky Coronado takes her Asian schoolgirl namesake into three worlds of incredible adventures in her ongoing series "Banzai Girls." In this deluxe gallery, we get to see sexy Jinky in swimsuits, lingerie, and of course that perennial favorite - the schoolgirl uniform - all the while fighting bizarre creatures Art by Jinky Coronado, with color by Katrina MaeHao & MIchael Kelleher
'Incisive and provocative ... a sensitive and probing critique' The New York Times 'Essential reading ... gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gorrill, author of Women Can't Paint A bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ... Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles. In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power. Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision. 'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times 'It felt like the scales were falling from my eyes as I read it.' The Herald
For centuries, erotic art has brought together the intense passions of both artistic expression and human sexuality. This volatile mixture continues to draw a full spectrum of reactions, from ecstasy to outrage. Above all, it provokes an unquenchable curiosity that lures us into the mysterious realm of forbidden art. Featured here, in beautiful color, are over 500 works of erotic art. Through drawings, paintings, and sculpture, these visions of erotica span diverse countries, cultures, centuries, and lifestyles. Whether it is controversial, humorous, lovely, deviant, mythical, or even instructional, each piece was created within the boundaries of its own social context, and provides a candid, thought-provoking glimpse into another time and place.
Whether your favourite medium is digital, traditional, or a mix of both, Stockholm-based Feefal will have used it to explore her unique world of anthropomorphised figures, animals in dream-like settings, and cool-girl magic. Her spooky-cute style has been a constant throughout her career, amassing 870K dedicated Instagram followers who not only adore her art, but are always keen to know the stories and inspiration behind it. Now for the first time, Feefal has written a beautifully produced book, her work printed on high-quality paper, providing the chance to not only show what she does, but also how. 3dtotal Publishing excels at helping artists to communicate both the motivations behind their unique creativity, and the technical tips and tricks they use. Feefal shares the early influences that put her on the path to becoming the professional character designer she is today, including those of her Swedish-Japanese upbringing. In doing so, the ideas behind paintings such as Lamp Shade Lady, Understanding the Hahahaki Disease (a fictional ailment caused by unrequited love) and Momento Mori are explained. With galleries of curated classics intertwined with step-by-step tutorials and fascinating insights into her creative process, Feefal's work is as intriguing as it is spellbinding.
The illustrator Andrew Loomis (1892-1959) is revered among artists
- including comics superstar Alex Ross - for his mastery of figure
drawing and clean, Realist style.
An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists.
*** 'Figure Drawing is structured like an art school course and is every bit as rewarding.' Artists and Illustrators Informative and instructive, this comprehensive guide will give you all the tools you need to draw the human figure, from life and from a screen. While many books focus on just one aspect of figure drawing, this manual unites the skills of observation, expression and understanding in one coherent approach. Beginning with the key principles of observation, Figure Drawing will help you to build a strong foundation of skills to make well-observed, proportionally accurate drawings. As the book progresses you will explore processes and exercises that move beyond the purely observed to express the gesture, form and substance of your model. Photographic and illustrative examples throughout the book support your learning at every step. Clear step-by-step tutorials provide a practical understanding of the key materials, skills and ideas in figure drawing. A comprehensive anatomical reference section, broken down into manageable zones, deepens your knowledge of the human form. The book is a Swiss-bound paperback, designed to lie flat when open and in use.
From its establishment in 1648 until its disbanding in 1793 after the French Revolution, the Academie Royale de Peinture et de Sculpture was the centre of the Parisian art world. Taking the reader behind the scenes of this elite bastion of French art theory, education, and practice, this engaging study uncovers the fascinating histories - official and unofficial - of that artistic community. Through an innovative approach to portraits - their values, functions, and lives as objects - this book explores two faces of the Academie. Official portraits grant us insider access to institutional hierarchies, ideologies, rituals, customs, and everyday experiences in the Academie's Louvre apartments. Unofficial portraits in turn reveal hidden histories of artists' personal relationships: family networks, intimate friendships, and bitter rivalries. Drawing on both art-historical and anthropological frames of analysis, this book offers insightful interpretations of portraits read through and against documentary evidence from the archives to create a rich story of people, places, and objects. Theoretically informed, rigorously researched, and historically grounded, this book sheds new light on the inner workings of the Academie. Its discoveries and compelling narrative make an invaluable and accessible contribution to our understanding of this pre-eminent European institution and the social lives of artists in early modern Paris.
The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated and developed in more recent media, such as film and television, make her one of the most familiar and popular of all British monarchs.This collection of essays examines the diversity of the queen's extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches and alchemical treatises. The collection broadens current critical thinking about Elizabeth, as each of the essays contributes to the debate about the ways in which the queen's developing iconicity was not simply a celebratory mode, but also encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects.
In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats-a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era-particularly Rembrandt-this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries-including Albrecht Durer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine-the book demonstrates the indelible mark that Van Dyck left on the genre. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (03/05/16-08/07/16) |
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