Heaven's missing more than just one angel! We're counting over sixty that have gone AWOL, just to end up in this array! Angel Lust 2 flies into the sky and brings an all-new collection of heavenly guardians down to Earth for we merest of mortals to enjoy! These are the best sort of angels - the kind with a little devil in them, as seen by artists like Candia, Buci, Danilo, Flores, LeBlanc, Marachi, Sosa, and more. Say your prayers and have some breath mints ready!

Ifa Brand never felt satisfied as a model. The dissatisfaction stemmed from not being able to represent her true identity: 'I fell "between styles": alternative but not alternative enough; fetish but not in a typical sense. I also disliked photographers telling me how I should look, pose, behave; telling me no to red lips, no to precious lingerie and all the things I loved.' In 2017, she decided to go her own way. She saw photography as an opportunity to be her own creative director, to follow her own storylines, and to explore her own vision of sensuality, eroticism and fetish. Hers is a quest for personal empowerment through the art of self-portraiture: 'I find it very important to present a strong, independent woman. There needs to be an element of being untouchable. The message to the viewer is: yes you can look but solely on my terms.'

Sportive gentlemen, lascivious ladies: Since the earliest days of photography, people have been getting up to all manner of rannygazoo in front of the lens. This collection presents the finest highlights from the collection of New Yorker Mark Rotenberg, who began collecting antique smut after finding a stash of vintage erotic pictures in a Brooklyn dumpster and now owns a 95,000 strong collection of archive pornography dating from between 1860 and 1960. Flick through these pages and witness the fitness of our forebears as they romp, cavort, and frolic with unabashed energy and glee. From early monochromes of daringly dropped drawers and seductively waxed handlebar mustaches, to Kodachromes of cheery, twin-peaked pin-up beauties in the 1950s, this fine collection spans the sublimely sensual and the ridiculous. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

TEXTURES synthesises research in history, fashion, art, and visual culture to reassess the "hair story" of peoples of African descent. A fraught topic for African-Americans and others in the Diaspora, artists, barbers, and activists address the topic of Black hair,both the historical perceptions and its ramifications for self and society today. TEXTURES explores the breadth of Black artists' perspectives on hair vis-a-vis beauty, pride, and politics. Barbers and activists address Black hair, from historical perceptions to its challenges today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired with masterworks from artists like David Hammons, Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. The exhibition & catalogue are inspired by Drs. Ellington and Underwood who research preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.

Figure Drawing for Artists: Making Every Mark Count is not a typical drawing instruction book; it explains the two-step process behind juggernauts like DreamWorks, WB and Disney. Though there are many books on drawing the human figure, none teach how to draw a figure from the first few marks of the quick sketch to the last virtuosic stroke of the finished masterpiece, let alone through a convincing, easy-to-understand method. That changes now! In Figure Drawing for Artists: Making Every Mark Count, award-winning fine artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in art and how to use them as the basis for their own success. Embark on a drawing journey and discover how these twin pillars of support are behind everything from the Venus De Milo, to Michelangelo's Sibyl, to George Bellow's Stag at Sharkey's, and how they're the fundamental tools for animation studios around the world. Not to mention how the best comic book artists since the beginnings of the art form use them whether they know it or not. Figure Drawing for Artists: Making Every Mark Count sketches out the same two-step method taught to the artists of DreamWorks, Warner Brothers, and Disney Animation, so pick up a pencil and get drawing. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

Shows how Charles V used music and ritual to reinforce his image and status as the most important and powerful sovereign in Europe. The presentation of Charles V as universal monarch, defender of the faith, magnanimous peacemaker, and reborn Roman Emperor became the mission of artists, poets, and chroniclers, who shaped contemporary perceptions of him and engaged in his political promotion. Music was equally essential to the making of his image, as this book shows. It reconstructs musical life at his court, by examining the compositions which emanated from it, the ordinances prescribing its rituals and ceremonies, and his prestigious chapel, which reflected his power and influence. A major contribution, offering new documentary material and bringing together the widely dispersed information on the music composed to mark the major events of Charles's life. It offers.a very useful insight into music as one of many elements that served to convey the notion of the emperor-monarch in the Renaissance. TESS KNIGHTON Mary Ferer is Associate Professor at the College of Creative Arts, West Virginia University.

Although mastery of the representation of the human figure was central to art making as early as the fifteenth century in Europe, in the nineteenth-century French imagination the artist's model became identified as a distinct social type and cultural trope. This study of the artist's model in Paris between 1830 and 1870 incorporates three histories: a social history of professional models, a cultural history of models as social types, and an art history of representations of the model in elite and popular visual culture. It takes as its starting point the artist-model transaction: demonstrating that stereotypes of 'the model' that figured in the public imagination were framed both by gender and ethnicity, the book develops a nuanced typology of different types of models. Interwoven with the analysis of the constructed identities of models are accounts of the lives of particular models and the histories of the urban population groups from which they emerged. The Invention of the Model: Artists and Models in Paris, 1830-1870 is an adept exploration of a major issue in nineteenth-century art which will be of interest not only to art historians, but also to social and French cultural historians.

A delightful journey through Pennsylvania Dutch Country. Explore the tourist-magnet town of Intercourse, PA, in full color This souvenir book will prove a nostaligic tour for all who have been there, and a motivational force to anyone else. Comes in two versions, this one with a cover that displays the area, the other with a novelty cover.

The representation of children in modern European visual culture has often been marginalized by Art History as sentimental and trivial. For this reason the subject of childhood in relation to art and its production has largely been ignored. Confronting this dismissal, this unique collection of essays raises new and unexpected issues about the formation of childhood identity in the nineteenth century and makes a significant contribution to the development of inter-disciplinary studies within this area. Through a range of stimulating and insightful case studies, the book charts the development of the Romantic ideal of childhood, starting with Rousseau's Emile, and attends to its visual, social and psychological transformations during the historical period from which Freud's psychoanalytic theories eventually emerged. Foremost scholars such as Anne Higonnet, Carol Mavor, Susan Casteras and Linda A. Pollock uncover the means by which children became an important conduit for prevailing social anxieties and demonstrate that the apparently 'timeless' images of them that proliferated at the time should be understood as complex cultural documents. Over 50 illustrations enhance this rich and fascinating volume.

This compelling book is the result of a project intended to visually communicate the hardships endured by Iraqi communities. Utilizing art materials donated to camps by the Ruya Foundation for Contemporary Culture in Iraq, these 350 drawings were created by some of the country's 1.8 million refugees, providing a necessary outlet for their immense suffering and struggles associated with being temporarily displaced from their vocations as lawyers, teachers, farmers, and mothers. Originally presented as an exhibition at the 2015 Venice Biennale, this publication features a large group of these drawings exclusively selected by the artist and activist Ai Weiwei. Harnessing the power of visual art as a means for both personal expression and socio-political awareness, this innovative book represents the humanistic effort to provide a voice for the underrepresented and their unimaginable strife. Mercatorfonds is donating all profits from the sale of this book to the refugee camps in Iraq. Distributed for Mercatorfonds

The "Dictionary of Artists' Models" aims to be an extensive reference work to identify and contextualize the lives and art history of individual artist's models. Another aim is to provide a much-needed body of research that can serve both as a reference tool and also as a springboard for further investigation of this frequently neglected subject. This dictionary provides information on over 200 artists' models, from the Renaissance to the present day. Most entries are illustrated and consist of a short biography, a selected list of further reading, and a signed interpretive essay. Each essay includes information about the model's life, the artists that they sat for, and discusses their specific contribution to the artist's work. These essays, on models as diverse as Costanza della Sommaia Doni, Cadamour, and Elizabeth Hollander, and written by experts in their field, should give the reader a richer understanding of the model's relevance to art historical study.

Drawing the Nude is an exciting approach to drawing the human body. Divided into three parts, on structure, anatomy and observation, it introduces a set of principles and develops a treasury of ideas for the artist to follow. Whilst recognizing the importance of observation, it focuses more on a conceptual understanding of the construction of the body in anatomical terms. In doing so, it encourages the cultivation of more informed observation and accommodates those who work from memory, imagination and invention.

Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.

Facing China is an exploration of the portrait arts in China from the dynastic to the modern and contemporary, in painting, sculpture, photography and video. The book focuses on truth and memory in the portraiture process, from encounters between subject, portrait and artist, to broader familial, social and political arenas. It also examines the influence of location on portrait production, reception and display, from tombs, ancestral shrines, temples, gardens, and palace halls to public and private spaces. Featuring 150 fine illustrations, with 100 in colour, Facing China has much to say to specialists in the field as well as general readers interested in Chinese art.

This book seeks to put the bodies back into modern art. In a series of thematic historical studies, Mirzoeff argues that the perfect body of modern art theory can only exist in visual form. Studies include the work of Picasso, Manet and Madonna.

Through its provocative examination of feminist and Marxist approaches to women's art and female representations, this book challenges the widespread belief that Marxism has nothing valuable to contribute to women's studies. The author argues that, from the French Revolution through to the present, gender and class have shaped visual imagery. She shows how Marxist theory can function to question some of the premises of feminist art histories and to provide a more accurate understanding of the meaning(s) of visual imagery.

At the close of the eighteenth century, women began to discover a new sense of freedom, adventure, and self-determination, simply by walking in public unaccompanied. Previously, solitary walks by women were considered unseemly. An unaccompanied hike in the country was beyond imagination; to promenade by oneself on city boulevards was unthinkable. This book features evocative paintings of women doing just that, by a range of artists, from the late eighteenth to the early twentieth century, among them British portraitist Thomas Gainsborough, the scandalous Gustave Courbet, Impressionist Gustave Caillebotte, American masters Winslow Homer and John Singer Sargent, and Nabi artist Felix Vallotton. With paintings act her guide, Karin Sagner takes us on a visual journey through this vital yet oft-overlooked aspect of women's emancipation, from the promenades of the nobility to everyday walks in the city, on gentle strolls in the country or hikes up mountain summits. Quotes by luminaries like the Marquise de Sevigne, Jane Austen, and Simone de Beauvoir gracefully support her points. A thoughtful gift for graduates, teachers, or Mother's Day, this subtle but profound book is not only an illuminating history but a beautiful art historical survey and an inspirational guide.

The British painter Francis Bacon (1909-1992) is famed for his idiosyncratic mode of depicting the human figure. Thirty years after his death, his working methods remain underexplored. New research on the Francis Bacon Studio Archive at Hugh Lane Gallery, Dublin, sheds light on the genesis of his works, namely the photographic source material he collected in his studios, on which he consistently based his paintings. The book brings together the artist's pictorial springboards for the first time, delineating and interpreting recurring patterns and methods in his preparatory work and adoption of photographic material. In addition, it correctly locates 'chance' as a driving force in Bacon's working method and qualifies the significance of photography for the painter.

Numbering some 1,500 individual items and housed at over 80 historic properties across England, Wales and Northern Ireland, the collection of portrait miniatures cared for by the National Trust is considered to be one of the most significant in the world. Numbering some 1,500 individual items and housed at over 80 historic properties across England, Wales and Northern Ireland, the collection of portrait miniatures cared for by the National Trust is considered to be one of the most significant in the world. As a whole, these precious works of art represent the highest standard of artistry and provide a history of miniature painting in Britain. They range from Holbein's 1533 portrait of A Man Holding a Pink at Upton House in Warwickshire through to Wainwright's portrait of Evelyn Ward (1916), painted several decades after the advent of photography had begun to supersede the art of the miniature. This comprehensive catalogue, featuring every miniatures in the National Trust's care, is being prepared in volumes, divided by region. The first volume, covering Northern Ireland, was published in July 2003. This second volume looks at miniatures from the Trust's historic houses in the counties of Cornwall, Devon and Somerset, including those that recently came to the Trust as part of its acquisition of the magnificent Victorian mansion of Tyntesfield, south of Bristol.

The eternal conflict between heaven and hell has never so much fun to look at! See angels and devils in female form, fighting for supremacy (and sometimes getting a little friendlier than they should!) If you like your girl fights in BIBLICAL proportions, this latest entry into the Gallery Girls series will certainly be heavenly hellish!

This richly illustrated publication explores the lasting influence of Gainsborough's Blue Boy on British art and culture Marking the return of Gainsborough's Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting's fame grew and full-length portraits by Gainsborough and his contemporaries became much sought after by wealthy American collectors. The sale of The Blue Boy to the American railroad magnate and collector Henry E. Huntington in 1921 was unsurprisingly viewed as a national tragedy-emblematic of a shift in economic and cultural power. However, its afterlife, as a permanent ambassador for British art, has undoubtedly fed into ideas of Britain and Britishness-its history, society, culture and character-that still resonate today. Including a select group of paintings that demonstrate the profound influence of Sir Anthony van Dyck and the old master tradition on Gainsborough's practice and identity, Gainsborough's Blue Boy will examine this masterpiece within the context of the National Gallery's collection. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London January 25-May 15, 2022