His first volume of voluptuous vixens snugly bound and trussed up created more than a few raised eyebrows (and trips to the local rope store!) Vincent Stephens has been hard at work creating an all-new collection of wickedly wild and winsome ladies, cuffed, shackled, and generally all tied up wearing nothing but a knowing smile! This second volume - subtitled "Tighter and Harder" gives bondage art fans a freshly built stage on which to enjoy all new fantasies! And you thought all that nylon cord was just for tying down canvas covers in the winter - silly boy! You can do a HELL of a lot more interesting things, and Mr. Stephens shows you the way!

Yo ho, indeed! Here's a magnificent gallery of exquisite lady pirate portraits by one of the great erotic pin-up artists working today -- Stefano Mazzotti. His photo-realism blends seamlessly with the fantasy of beautiful brigands (brigandettes?) fully prepared to attack your mast and swarm your deck in search of treasure, pleasure, and yes -- BOOTY! From his works in the "Velvet Love" series, as well as "Tatz: Sin on Skin", Mazzotti is turning into one of the hottest, most requested talents in the SQP mega-pool of illustrators! We're delighted to present this latest collection of brand new works. Eye-patch and peg-leg not required to thoroughly enjoy this book, although you will let out with the occasional "ARRRRRRR"!

There are innovators who blaze trails to show the way forward, and creative genius Bob Larkin is certainly one of them. His magazine and paperback covers are both legendary and iconic. From "Conan" to "Star Wars", "Doc Savage" to "The Hulk", there are few pop culture touchstones that artist Bob Larkin hasn't brought his unique and powerful style of illustration to. This full colour retrospective of over 100 paintings also includes an introduction by Joe Jusko and an afterword by Alex Ross.

The trip to Hell is paved with so many delightful distractions! Namely - the smokey-eyed seductresses that lead the way to eternal damnation. Ahh...being bad was never this much fun! Our second descent to the lower circles feature the illustrative talents of Perez, DeSimone, Marachi, Sosa, Pelaez, Arantza, and other lost souls. Sinful cover painting by Arantza.

This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Elisabeth Vigee-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.

Tiny creatures who live in the deepest parts of the forest, their magic is not meant to be seen by the eyes of mere mortals, but fairies are a playful lot, and occasionally they let themselves be seen, wearing little more than gossamer wings and a winsome smile! In this second collection of nymphs and elvettes, we get more folklore fairies with artwork by Pelaez, Aldo Perez, Diego Florio, Brian LeBlanc, and many other myth merchants! Outstanding cover painting by Pelaez.

Stefano Mazzotti and Vincenzo Silvestroni, that wild duo that put massive heat in the "Velvet Love" series, is back again with a new collection of blistering images and concepts! Tattoos are the subject - ink on girls to be more specific! A showcase of young ladies are illustrated, and then illustrated upon, each relating their own unique story as to the whys and where's (like which part of their most personal real estate is about to get a forever makeover!). Let's face it - tattoos are hot, and cute girls who want them are even hotter! The "Velvet Love" team is certainly up to the challenge of making all this happen - the resulting book is jaw-dropping perfection!

Three young and seemingly wholesome teachers do what they can to take care of their pupils, but school budgets being what they are, sometimes these ladies have to do much more for the student body! Artist/writer Enrique Villagran merrily trots back to school to learn a few more lessons concerning hands-on biology and hot-and-sticky 101! Third in the series, this professor of popular culture also tells the tale of two female students in search of forbidden romance, and a vacation to the tropics that turns out to be much steamier than was described by the travel agent! Mr. Villagran has a sly and rude sense of humor, and an eye for erotic detail second to none! The first two volumes of this series are constant best-sellers for SQP, so the third time is definitely the charm!

This book analyzes the philosophical origins of dualism in portraiture in Western culture during the Classical period, through to contemporary modes of portraiture. Dualism - the separation of mind from body - plays a central part in portraiture, given that it supplies the fundamental framework for portraiture's determining problem and justification: the visual construction of the subjectivity of the sitter, which is invariably accounted for as ineffable entity or spirit, that the artist magically captures. Every artist that has engaged with portraiture has had to deal with these issues and, therefore, with the question of being and identity.

Cabinet cards were America's main format for photographic portraiture throughout the last quarter of the nineteenth century. Standardized at 61/2 x 41/4 inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one's portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle-class Americans' sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers to feel emotionally connected with those portrayed. The experience even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards forecast the snapshot and today's ubiquitous photo sharing. Organized by senior curator John Rohrbach, Acting Out is the first ever in-depth examination of the cabinet card phenomena. Full-color plates include over 100 cards at full size, providing a highly entertaining collection of these early versions of the selfie and ultimately demonstrating how cabinet cards made photography modern. Published in association with the Amon Carter Museum of American Art. Exhibition dates: Amon Carter Museum of American Art: August 15-November 1, 2020 Los Angeles County Museum of Art (LACMA): August 8-November 7, 2021

The follow-up title to the hit title, Drawing Cutting Edge Comics which has been translated into 7 languages, this drawing tutorial shows artists how to draw the exaggerated musculature of super-sized figures in action poses. The guesswork is taken out of figuring out which muscles show through to the surface and how muscles appear through clothing. This instructional manual even gives both the Latin and the common term for particular body parts such as scapula/shoulder blade. Hart covers all aspects of extreme anatomy. The book opens by providing detailed diagrams of all of the various muscle groups, including chest, back, shoulder, arm, and leg muscles. Then he covers many of the various extreme comic book types including good guy, bad guy, insane guy, punk, genius, and brute for men; and the heroine, bad gal, trashy gal, seductress, fighter babe, and cyber chick for women. As an added bonus, this book closes with two invaluable sections to all aspiring comic book artists. One provides a roadmap of all the steps an artist must take if he or she is going to get started in the comic book business, and advice on how the comic book business works. The second section features interviews with people from two of the most significant companies in the world of comics, Marvel Comics and Dark Horse!

This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette's inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess's many portrait commissions and the rich character of her private collections, which included works by some of the period's leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.

With this, his fourth book, American photographer Richard Murrian smashes through the boundries of fantasy, and together with a new band of celestial beauties, takes us on an electrifyingly erotic visual journey into passion and desire.

Design creative characters inspired by real people. Let Mike Mattesi show you how to use life drawing to discover the poses, features and personalities which form the basis of character and then build, develop and 'PUSH' your drawings to new heights of dramatic and visual impact for believable characters audiences can relate to. Packed with color illustrations and photographs of the models who inspired them. With step-by-step explanation of how the characters were developed and exercises for you to sharpen your skills this is everything you need to bring your characters to life.

How to Make the Body: Difference, Identity, and Embodiment brings together contemporary and historical readings of the body, exploring the insights and limits of established and emerging theories of difference, identity, and embodiment in a variety of German contexts. The engaging contributions to this volume utilize and challenge cutting-edge approaches to scholarship on the body by putting these approaches in direct conversation with canonical texts and objects, as well as with lesser-known yet provocative emerging forms. To these ends, the chapter authors investigate "the body" through detailed studies across a wide variety of disciplines and modes of expression: from advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms. Thus, this volume showcases the ways in which the body as such cannot be taken for granted and surmises that the body continues to undergo constant--and potentially disruptive--diversification and transformation.

The spry and devilishly creative pin-up elder-statesman Archie Dickens is back with a new compendium of cuties to delight an appreciative public. A contemporary of such artistic greats as Elvgren and Vargas, Mr. Dickens is still kicking, still making naughty portraits of young ladies in various states of undress - all with a sly smile and an innocent demeanor. Each illustration features a delightful damsel doing something perfectly ordinary, but in such an extraordinary way! Whether on the phone, on the beach, or on the prowl, Dickens makes these girls shine!

Rob Wareing has built a formidable international reputation as a portrait artist. This is his first book, and here he draws on over 40 years' experience to provide a complete guide to painting portraits in oils. In Rob's view, the most effective way to capture character is by working from life rather than photographs, and to follow the alla prima method to create a painting in one sitting. Starting with a fascinating overview of the subject, Rob then guides the reader through the materials he uses, explains how to pose and light the sitter, and how to prepare the work area before starting to paint. This is followed by detailed coverage of design and composition, the importance of proportions, and the painting process itself - from colour mixing through to finishing a painting without over-working. With clear, step-by-step demonstrations and numerous examples of the author's work throughout, this book provides both an expert guide to portrait painting and a unique insight into the working methods of one of the world's leading portrait painters.

Man Ray, surrealist master and exponent of the Dada movement, managed to reinvent not only the photographic language, but also the representation of the body and face, as well as the genres of the nude and the portrait themselves. This book brings together around 200 photographs produced from the 1920s right up to his death in 1976, all featuring female subjects.Through rayographs, solarisations and double exposures, the female body undergoes a continual metamorphosis of forms and meanings, becoming an abstract form, an object of seduction, classical memory or realistic portrait, in endless playful and refined variations. Among the protagonists of his shots are Lee Miller, Berenice Abbott, Dora Maar and Juliet, a lifelong companion, to whom is dedicated the amazing The Fifty Faces of Juliet portfolio (1943-1944). But these women were, in turn, great artists: as evidence is presented here a corpus of works dating back to the time - between the 1930s and '40s - of their most direct association with Man Ray and with the environment of the Dada avant-garde and Parisian surrealism. This volume offers a wide survey of one of the most exuberant periods of the 20th century, with authentic masterpieces of photographic art such as the Electricite portfolios (1931) and the very rare Les mannequins. Resurrection des mannequins (1938). Text in English and Italian.

The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.
Coming out of this dedicated movement, "Portrait Painting Atelier" is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters' technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features.
Richly illustrated with the work of preeminent masters such as Millet, Gericault, and van Gogh, as well as some of today's leading portrait artists--and featuring seven detailed step-by-step portrait demonstrations--"Portrait Painting Atelier" is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

Contents:
1. Naked truths about classical art: An introduction 2. 'Ways of seeing' women in antiquity: An introduction to feminism in classical archaeology and ancient art history 3. Female beauty and male violence in early Italian society 4. divesting the female breast of clothes in classical sculpture 5. When painters execute a murderess: the representation of clytemnestra on attic vases 6. Sappho in attic vase painting 7. Gender and sexuality in the Parthenon frieze 8. Naked and limbless: Learning about the feminine body in ancient Athens 9. Nursing mothers in classical art 10. Making a world of difference: Gender, Asymmetry, and the Greek nude 11. The only happy couple: Hermaphrodites and gender 12. Violent stages in two Pompeian houses: Imperial taste, aristocratic response and messages of male control 13. Epilogue: gender and desire