Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600
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Death, Torture and the Broken Body in European Art, 1300-1650 (Hardcover, New Ed)
Loot Price: R3,894
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Death, Torture and the Broken Body in European Art, 1300-1650 (Hardcover, New Ed)
Series: Visual Culture in Early Modernity
Expected to ship within 12 - 17 working days
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Bodies mangled, limbs broken, skin flayed, blood spilled: from
paintings to prints to small sculptures, the art of the late Middle
Ages and early modern period gave rise to disturbing scenes of
violence. Many of these torture scenes recall Christ's Passion and
its aftermath, but the martyrdoms of saints, stories of justice
visited on the wicked, and broadsheet reports of the atrocities of
war provided fertile ground for scenes of the body's desecration.
Contributors to this volume interpret pain, suffering, and the
desecration of the human form not simply as the passing fancies of
a cadre of proto-sadists, but also as serving larger social
functions within European society. Taking advantage of the
frameworks established by scholars such as Samuel Edgerton,
Mitchell Merback, and Elaine Scarry (to name but a few), Death,
Torture and the Broken Body in European Art, 1300-1650 provides an
intriguing set of lenses through which to view such imagery and
locate it within its wider social, political, and devotional
contexts. Though the art works discussed are centuries old, the
topics of the essays resonate today as twenty-first-century Western
society is still absorbed in thorny debates about the ethics and
consequences of the use of force, coercion (including torture), and
execution, and about whether it is ever fully acceptable to write
social norms on the bodies of those who will not conform.
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