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Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > General

Bosch and Bruegel - From Enemy Painting to Everyday Life - Bollingen Series XXXV: 57 (Hardcover, Bollingen Series XXXV: 57):... Bosch and Bruegel - From Enemy Painting to Everyday Life - Bollingen Series XXXV: 57 (Hardcover, Bollingen Series XXXV: 57)
Joseph Leo Koerner
R1,644 R1,203 Discovery Miles 12 030 Save R441 (27%) Ships in 10 - 15 working days

In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

Thinking 3D - Books, Images and Ideas from Leonardo to the Present (Hardcover): Daryl Green, Laura Moretti Thinking 3D - Books, Images and Ideas from Leonardo to the Present (Hardcover)
Daryl Green, Laura Moretti
R1,139 R946 Discovery Miles 9 460 Save R193 (17%) Ships in 10 - 15 working days

During the Renaissance, artists and illustrators developed the representation of truthful three-dimensional forms into a highly skilled art. As reliable illustrations of three-dimensional subjects became more prevalent, they also influenced the way in which disciplines developed: architecture could be communicated much more clearly, mathematical concepts and astronomical observations could be quickly relayed, observations of the natural world moved towards a more realistic method of depiction. Through essays on some of the world's greatest artists and thinkers (Leonardo da Vinci, Euclid, Andreas Vesalius, William Hunter, Johannes Kepler, Andrea Palladio, Galileo Galilei, among many others), this book tells the story of the development of the techniques used to communicate three-dimensional forms on the two-dimensional page and contemporary media. It features Leonardo da Vinci's groundbreaking drawings in his notebooks and other manuscripts, extraordinary anatomical illustrations, early paper engineering including volvelles and tabs, beautiful architectural plans and even views of the moon. With in-depth analysis of over forty manuscripts and books, 'Thinking 3D' also reveals the impact that developing techniques had on artists and draughtsmen throughout time and across space.

Architectural Invention in Renaissance Rome - Artists, Humanists, and the Planning of Raphael's Villa Madama (Hardcover):... Architectural Invention in Renaissance Rome - Artists, Humanists, and the Planning of Raphael's Villa Madama (Hardcover)
Yvonne Elet
R2,474 R2,293 Discovery Miles 22 930 Save R181 (7%) Ships in 10 - 15 working days

Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.

Godefridus Schalcken - A Dutch Painter in Late Seventeenth-Century London (Hardcover, 0): Wayne Franits Godefridus Schalcken - A Dutch Painter in Late Seventeenth-Century London (Hardcover, 0)
Wayne Franits
R2,516 Discovery Miles 25 160 Ships in 10 - 15 working days

Schalcken, London, Dutch painting, early modern art

Art and Religious Reform in Early Modern Europe (Paperback): Bridget Heal, Joseph Leo Koerner Art and Religious Reform in Early Modern Europe (Paperback)
Bridget Heal, Joseph Leo Koerner
R659 Discovery Miles 6 590 Ships in 10 - 15 working days

The religious turmoil of the sixteenth century constituted a turning point in the history of Western Christian art. The essays presented in this volume investigate the ways in which both Protestant and Catholic reform stimulated the production of religious images, drawing on examples from across Europe and beyond. * Eight essays by leading scholars in the field * Brings art historians and historians into productive dialogue * Broad chronology, from the sixteenth to the eighteenth century * Broad geographical coverage * Richly illustrated

Leonardo da Vinci, Painter - The Complete Works (Paperback): Silvana Editoriale Leonardo da Vinci, Painter - The Complete Works (Paperback)
Silvana Editoriale
R885 R699 Discovery Miles 6 990 Save R186 (21%) Ships in 10 - 15 working days

Offers an exhaustive account of this unique human, artistic and intellectual adventure through a comprehensive and up-to-date art historical analysis of Leonardo's work. Accompanied by spectacular illustrations. In the Quattrocento, an era when the representation of the human figure was dominated by timeless images based on Botticelli's example, Leonardo worked with light and colour to achieve a modelling that would restore three-dimensionality to the face and soften the rigours of perspective in a misty landscape, no longer a mere backdrop but a vivid pictorial transposition of careful scientific studies and refined psychological analyses. In Leonardo's pictures, it is the changing atmospheric conditions that complement and breathe life into the delicate rendering of the forms and the emotional experiences of the subjects. Thus the artist created powerfully expressive religious pictures and secular portraits that have a modern and disquieting quality in which the faces are true 'windows of the soul', highlighting a silent psychological dialogue between the painting's subject and the observer. Artistic innovations are sustained by a new sensitivity, as well as by study of the refraction of colour, to which much space is dedicated in the Florentine master's theoretical writings. The present book offers an exhaustive account of this unique human, artistic, and intellectual adventure through a comprehensive and up-to-date art historical analysis of Leonardo's work accompanied by spectacular illustrations.

The Chepman and Myllar Prints - Digitised Facsimiles with introduction, headnote and transcription (Digital): Sally Mapstone The Chepman and Myllar Prints - Digitised Facsimiles with introduction, headnote and transcription (Digital)
Sally Mapstone
R726 Discovery Miles 7 260 Ships in 10 - 15 working days

In 1508 the partnership of Andrew Myllar and Walter Chepman brought printing to Scotland. Their early publications brought into print works by two of medieval Scotland's most celebrated poets, Robert Henryson and William Dunbar, Walter Kennedy and Robert Henryson; they also contain less well-known but important poems and prose in Scots and in English by other writers. The prints feature a wide variety of genres: romance; fable; advice to princes; chivalric treatise; lyric; dream vision; along with a classic example (by Dunbar and Walter Kennedy) of the Scots genre of `flyting', a stylised but scurrilous exchange of poetic insults. In celebration of the anniversary, the Scottish Text Society, in association with the National Library for Scotland, has published a DVD of prints produced by Chepman and Myllar in or close to 1508, containing digitised facsimiles of each of the twenty printed items. Each facsimile is accompanied by a headnote, explaining the print's literary significance and technical features, and a transcription. There is also an introduction by the general editor, SALLY MAPSTONE, which sets the Chepman and Myllar press within the context of early sixteenth-century Scotland and Scottish book history. The edition thus gives readers informative access to Scotland's earliest texts; easily navigable, it will become a vital teaching and research tool. CONTRIBUTORS: PRISCILLA BAWCUTT, A.S.G. EDWARDS, JANET HADLEY WILLIAMS, RALPH HANNA, BRIAN HILLYARD, LUUK HOUWEN, EMILY LYLE, SALLY MAPSTONE, JOANNA MARTIN, NICOLE MEIER, RHIANNON PURDIE

Scale and the Incas (Hardcover): Andrew James Hamilton Scale and the Incas (Hardcover)
Andrew James Hamilton
R1,539 R1,178 Discovery Miles 11 780 Save R361 (23%) Ships in 10 - 15 working days

A groundbreaking work on how the topic of scale provides an entirely new understanding of Inca material culture Although questions of form and style are fundamental to art history, the issue of scale has been surprisingly neglected. Yet, scale and scaled relationships are essential to the visual cultures of many societies from around the world, especially in the Andes. In Scale and the Incas, Andrew Hamilton presents a groundbreaking theoretical framework for analyzing scale, and then applies this approach to Inca art, architecture, and belief systems. The Incas were one of humanity's great civilizations, but their lack of a written language has prevented widespread appreciation of their sophisticated intellectual tradition. Expansive in scope, this book examines many famous works of Inca art including Machu Picchu and the Dumbarton Oaks tunic, more enigmatic artifacts like the Sayhuite Stone and Capacocha offerings, and a range of relatively unknown objects in diverse media including fiber, wood, feathers, stone, and metalwork. Ultimately, Hamilton demonstrates how the Incas used scale as an effective mode of expression in their vast multilingual and multiethnic empire. Lavishly illustrated with stunning color plates created by the author, the book's pages depict artifacts alongside scale markers and silhouettes of hands and bodies, allowing readers to gauge scale in multiple ways. The pioneering visual and theoretical arguments of Scale and the Incas not only rewrite understandings of Inca art, but also provide a benchmark for future studies of scale in art from other cultures.

Bruegel. The Complete Paintings - 40th Anniversary Edition (Hardcover): Jurgen Muller Bruegel. The Complete Paintings - 40th Anniversary Edition (Hardcover)
Jurgen Muller 1
R635 R525 Discovery Miles 5 250 Save R110 (17%) Ships in 10 - 15 working days

The life and times of Pieter Bruegel the Elder (c. 1526/30-1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He then increasingly turned to painting, working for the cultural elite of Antwerp and Brussels. Rather than idealizing reality, he bravely confronted the issues of his day, addressing the horrors of religious warfare and taking a critical stand against the institution of the Church. To this end, Bruegel developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions. This book is derived from our XXL monograph, which saw TASCHEN undertake a comprehensive photographic survey of the artist's oeuvre. The result boasts exceptional details and reproductions, unveiling Bruegel's larger-than-life universe with unprecedented clarity. This volume, in celebration of our 40th anniversary, presents all 40 paintings, accompanied by enlarged details and accessible, immersive texts. About the series TASCHEN turns 40 this year! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. In 2020, we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Reformations - From High Renaissance to Mannerism in the new West of religious contention and colonial expansion (Paperback):... Reformations - From High Renaissance to Mannerism in the new West of religious contention and colonial expansion (Paperback)
Christopher Tadgell
R1,415 Discovery Miles 14 150 Ships in 10 - 15 working days

Unprecedented in scope, this fifth volume in the Architecture in Context series traces the rediscovery of Classical ideas and the emergence of the great artists and architects of late 15th- and early 16th-century Italy that led to the cultural peak characterized as the High Renaissance. It begins with a definition of Mannerism, the seminal development from the High Renaissance and the Baroque, associated with such dominant and influential figures as Raphael, Michelangelo, Vignola, Romano and Palladio. The political context within which Mannerism and its variants developed - from the Reformation to the outbreak of the Thirty Years' War - is outlined before the major figures and achievements of Italian architecture in the period are explored in great depth and breadth. The journey then moves to France and architects and thinkers such as Pierre Lescot, Philibert de l'Orme, J.A. du Cerceau and Salomon de Brosse. These two major traditions - with the intercession of architects from the Netherlands who had ideas of their own - had a huge impact in central Europe, the ideas spreading across a vast area including modern-day Germany, Austria and Poland. After a digression to the notably eclectic England of Elizabeth I and James I, where pioneers such as Robert Smythson were overshadowed by the towering figure of Inigo Jones, Reformations ends with a survey of architecture in the Iberian peninsula and the colonies of Spain and Portugal, where the powerful influence of the Italian masters met a strong vernacular tradition. Profusely illustrated and with many specially drawn plans, this is a wide-ranging and detailed guide to the architecture of a period that continues to fascinate and engage us today.

Art and Technology in Early Modern Europe (Paperback): Richard Taws, Genevieve Warwick Art and Technology in Early Modern Europe (Paperback)
Richard Taws, Genevieve Warwick
R664 Discovery Miles 6 640 Ships in 10 - 15 working days

In 12 essays by a distinguished group of art historians, Art and Technology in Early Modern Europe explores the relationship between artistic and technological advances from the Renaissance to the Industrial Revolution. * Provides a broad definition of technology for this period and addresses the influence of technological shifts on the history of early modern art * Covers c.1420-1820, the time period between the advent of the printed image and that of the photographically produced image * Discusses a wide range of early modern artists tools, instruments, skills, and techniques and their historical applications * Highlights a frequently overlooked aspect of research within art history that yields substantial insights into the analysis of the making and viewing of art

European Art and the Wider World 1350-1550 (Paperback): Kathleen Christian, Leah Clark European Art and the Wider World 1350-1550 (Paperback)
Kathleen Christian, Leah Clark
R576 R520 Discovery Miles 5 200 Save R56 (10%) Ships in 10 - 15 working days

Inspired by recent approaches to the field, the book reexamines the field of Renaissance art history by exploring the art of this era in the light of global connections. It considers the movement of objects, ideas and technologies and its significance for European art and material culture, analysing images through the lens of cultural encounter and conflict. -- .

El Greco - Carnets d'Expo (Decouvertes Hors-Series) (Hardcover): Charlotte Chastel-Rousseau El Greco - Carnets d'Expo (Decouvertes Hors-Series) (Hardcover)
Charlotte Chastel-Rousseau
R277 R230 Discovery Miles 2 300 Save R47 (17%) Ships in 10 - 15 working days

The last great master of the Renaissance, Domenikos Theotokopoulos (1541-1614), known as El Greco, 'The Greek', holds a singular place in the history of art. Born in Crete, trained in the Byzantine tradition, El Greco continued his apprenticeship in Italy, in contact with Venetian aesthetics and Roman mannerism. It was in Spain, where he settled in the 1570s and where he imported his Italian influences (Titian, Tintoretto, Michelangelo) that he revealed the extent of his talents. In Toledo, he painted both secular and altar paintings, such as his masterpiece, The Burial of the Count of Orgaz.

The Appearance of Witchcraft (Hardcover): Charles Zika The Appearance of Witchcraft (Hardcover)
Charles Zika
R3,226 Discovery Miles 32 260 Ships in 10 - 15 working days

Fascinating and highly informative, The Appearance of Witchcraft explores how visual representations of witchcraft contributed to the widespread acceptance of witch beliefs in sixteenth-century Europe and helped establish the preconditions for the widespread persecution of witches.

Focusing on the visual contraction, or figure of the witch, and the activity of witchcraft, Zika places the study in the context of sixteenth-century withcraft and demonological theory, and in the turbulent social and religious changes of the period.

Zika argues that artists and printers used images to relate witchcraft theories, developed by theologians and legitimated by secular authorities, to a whole range of contemporary discourses on women and gender roles, sexuality, peasant beliefs and medical theories of the body. He also examines the role of artist as mediators between the ideas of the elite and the ordinary people.

For students of medieval history or anyone interested in the appearance of witchcraft, this will be an enthralling and invaluable read.

Green Worlds in Early Modern Italy - Art and the Verdant Earth (Hardcover, 0): Leopoldine Prosperetti, April Oettinger, Karen... Green Worlds in Early Modern Italy - Art and the Verdant Earth (Hardcover, 0)
Leopoldine Prosperetti, April Oettinger, Karen Hope Goodchild
R2,899 Discovery Miles 28 990 Ships in 10 - 15 working days

Renaissance landscape, Italian Renaissance painting, ornament in Renaissance art, cultural history of green, the pastoral

Sienese Painting after the Black Death - Artistic Pluralism, Politics, and the New Art Market (Paperback): Judith Steinhoff Sienese Painting after the Black Death - Artistic Pluralism, Politics, and the New Art Market (Paperback)
Judith Steinhoff
R861 Discovery Miles 8 610 Ships in 10 - 15 working days

This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change affect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture's changing needs. Steinhoff presents both detailed case studies as well as a broader view of trends in artistic practice and patronage. She offers a new approach to interpreting artistic style in the Trecento, arguing that artists and patrons alike understood the potential of style as a vehicle that conveys specific meanings.

Wabi-Sabi for Artists, Designers, Poets & Philosophers - For Artists, Designers, Poets and Designers (Paperback): Leonard Koren Wabi-Sabi for Artists, Designers, Poets & Philosophers - For Artists, Designers, Poets and Designers (Paperback)
Leonard Koren
R367 R296 Discovery Miles 2 960 Save R71 (19%) Ships in 7 - 11 working days

This is an updated version of the enduring classic that first introduced the concept of "imperfect beauty" to the West. Text, images, and book design seamlessly meld into a wabi-sabi-like experience.

"Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete . . .
. . . wabi-sabi could even be called the "Zen of things," as it exemplifies many of Zen's core spiritual-philosophical tenets . . .
Wabi-sabi is the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West . . .
Wabi-sabi, in its purest, most idealized form, is precisely about the delicate traces, the faint evidence, at the borders of nothingness . . ."

Author Leonard Koren was trained as an architect but never built anything--except an eccentric Japanese tea house--because he found large, permanent objects too philosophically vexing to design. Instead he created "WET: The Magazine of Gourmet Bathing," one of the premier avant-garde magazines of the 1970s. Subsequently Koren has produced unusual books about design- and aesthetics-related subjects. Koren resides in both America and Japan. For more information, visit www.leonardkoren.com.

Three Studies - Masolino and Masaccio, Caravaggio and His Forerunners, Carlo Braccesco (Hardcover, Trans. from the Italian... Three Studies - Masolino and Masaccio, Caravaggio and His Forerunners, Carlo Braccesco (Hardcover, Trans. from the Italian ed.)
Roberto Longhi; Translated by David Tabbat, David Jacobson
R448 R361 Discovery Miles 3 610 Save R87 (19%) Ships in 10 - 15 working days

Roberto Longhi (1890 - 1970) is regarded by Italians as their most important art critic, art historian, and prose stylist of this century, with unsurpassed powers of observation and description. This book is a new English version of the third edition (1963) of Longhi's seminal work on the Renaissance painter Piero della Francesca, with an introduction by Metropolitan Museum of Art curator Keith Christiansen. In the New York Review of Books, Francis Haskell wrote, Roberto Longhi is "the most brilliant Italian art historian of our century and a stylist of intoxicating powers . . . few of his very idiosyncratic works have been translated into English; but thanks to the enterprise of the Sheep Meadow Press, this situation is at last being remedied."

The Matter of Art - Materials, Practices, Cultural Logics, C.1250-1750 (Paperback): Christy Anderson, Anne Dunlop, Pamela H.... The Matter of Art - Materials, Practices, Cultural Logics, C.1250-1750 (Paperback)
Christy Anderson, Anne Dunlop, Pamela H. Smith
R554 Discovery Miles 5 540 Ships in 10 - 15 working days

Materials carried the meaning of early modern art. Transformed and crafted from the matter of nature, art objects were the physical embodiment of both the inherent qualities of materials and the forces of culture that used, refined and produced them. The study of materials offers a new approach to this important period in the history of art, science and culture, linking the close study of painting, sculpture and architecture to much wider categories of the everyday and the exotic. Drawing on research and models from anthropology, material culture and the history of art, scholars in The matter of art explore topics as diverse as Inka stonework, gold in panel painting, cork platforms for shoes, and the Christian Eucharist. -- .

Piero della Francesca (Hardcover): Anna Maria Maetzke Piero della Francesca (Hardcover)
Anna Maria Maetzke
R780 R632 Discovery Miles 6 320 Save R148 (19%) Ships in 10 - 15 working days

Widely considered the central figure of fifteenth-century painting, Piero della Francesca is also the most modern of all Renaissance painters. To our post-Cubist eyes, Piero's most famous work, his fresco cycle "The Legend of the True Cross" at Arezzo in Tuscany, conjures nothing so much as Cezanne's Mont Sainte-Victoire paintings; his serene articulations of architecture and perspective bring other modern traditions and painters to mind, such as Giorgio de Chirico. But it was Philip Guston--a major exponent of Piero in the twentieth century--who most eloquently identified what magnetizes us in Piero: "A different fervor, grave and delicate, moves in the daylight of his pictures. Without our familiar passions, he is like a visitor to earth, reflecting on distances, gravity and positions of essential forms." Piero's exquisitely subtle palette has meant that he has not been well served by past monographs, which have been scant enough: the last two major overviews, by Ronald Lightbown and Carlo Bertelli, were both published in 1992. This new monograph, benefiting from subsequent advances in color reproduction, therefore constitutes the first in 20 years. Its 150 color plates reproduce all of his works, from the classic "Baptism of Christ" (1450) at the National Gallery in London to the astounding frescos done for Sigismundo Malatesta at the Tempio Malatestiano in Rimini. Particular focus is given to the "Legend of the True Cross" fresco cycle at the Basilica of St. Francis in Arezzo.
Piero della Francesca (1415-1492) was born in the town of Borgo Santo Sepolcro in Tuscany, where, in 1442, he was commissioned to paint the altarpiece of the town's church. Two years later he was at work on Malatesta's legendary Tempio in Rimini (where he may have first met Leon Battista Alberti). In 1485 he authored a famous treatise on geometry, and in his last years went blind.

Theodore de Bry. America (Hardcover): Michiel Van Groesen, Larry E. Tise Theodore de Bry. America (Hardcover)
Michiel Van Groesen, Larry E. Tise
R2,906 R1,949 Discovery Miles 19 490 Save R957 (33%) Ships in 10 - 15 working days

When Flemish engraver and publisher Theodore de Bry issued the first volume of his America series in 1590, the New World was, for most Europeans, truly novel. Gleaned from the travel accounts of adventurers like Thomas Harriot, Sir Francis Drake, and Sir Walter Raleigh, De Bry's magnificent engravings brought the new continent and its inhabitants to an enraptured audience across the Atlantic. From "Virginia" (today's North Carolina) and Florida through Central America and down into Patagonia, the first nine volumes of America depict scenery and encounters between native Americans and Europeans, revealing the latter's perceptions of the former. Portrayals of European discovery and native American customs were based on the explorers' reports as well as De Bry's own imagination, he himself never having traveled to the New World. Although based in Frankfurt, De Bry laid the foundations of the series while in London, collaborating with artists John White and Jacques Le Moyne, whose original watercolors he adapted for the opening two volumes. With his sons, De Bry formed a family enterprise known for exquisite copper engravings and high-quality illustrations unrivaled in their mastery. The legacy of America is profound, coloring Europe's earliest visions of the Atlantic world. Countless European illustrations would, throughout the following centuries, draw inspiration from the spectacular collection. TASCHEN's edition pays homage to De Bry's finesse, reprinting all 218 plates from the first nine volumes alongside their respective frontispieces and continental maps. Volumes I to VI are based on the original hand-colored editions held at the John Hay and John Carter Brown Libraries at Brown University in Providence; volumes VII to IX are from the Staats- und Stadtbibliothek in Augsburg, Germany.Exceptionally rare even at the time of their completion, De Bry's hand-colored America can finally be admired by all, in XXL resolution.

Art of Law: Three Centuries of Justice Depicted (Paperback): Vanessa Pauman Art of Law: Three Centuries of Justice Depicted (Paperback)
Vanessa Pauman
R859 R673 Discovery Miles 6 730 Save R186 (22%) Ships in 10 - 15 working days

Featuring 20 top pieces from the collection of the Groeninge Museum in Bruges, combined with more than 80 exquisite works from collections around the world, this book sheds new light on the depiction of justice from the 15th to the 17th century. This book provides an historical approach that will appeal to both the expert and the art lover. The inclusion of famous pieces, such as The Judgment of Cambyses by Gerard David and The Last Judgment by Pieter Pourbus and Jan Provoost, make this book an homage to art as well as to the practices of law in society.

British Paintings in The Metropolitan Museum of Art, 1575-1875 (Hardcover): Katharine Baetjer British Paintings in The Metropolitan Museum of Art, 1575-1875 (Hardcover)
Katharine Baetjer
R1,999 R1,818 Discovery Miles 18 180 Save R181 (9%) Ships in 10 - 15 working days

This is the first comprehensive publication on English, Scottish, Welsh, and Irish paintings and pastels by artists born before 1841in the collection of The Metropolitan Museum of Art. Ranging in date from the late 16th through the third quarter of the 19th century, the 140 works included are by such major artists as Peake, Lely, Hogarth, Reynolds, Gainsborough, Lawrence, Turner, Constable, and Burne-Jones. While the collection is particularly rich in portraiture, it also contains genre paintings and landscapes. Each painting is reproduced in color and carries full cataloguing data as well as a generous selection of comparative illustrations, among them pendants, related paintings, and prints.

Fantastic Ornaments (Paperback): Lienard Fantastic Ornaments (Paperback)
Lienard
R173 R150 Discovery Miles 1 500 Save R23 (13%) Ships in 10 - 15 working days

Swirling with gargoyles, devils, dragons, griffins, and other images that haunt both dreams and nightmares, this otherworldly assortment features illustrations from a rare 19th-century volume. Images include cartouches, frames, doors, trophies, cabinets, friezes for textiles and wallpaper, decorative scutcheons, stone balustrades, arabesques, roof cornices, and much more.

Citizen Portrait - Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales (Hardcover): Tarnya Cooper Citizen Portrait - Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales (Hardcover)
Tarnya Cooper
R1,300 R1,199 Discovery Miles 11 990 Save R101 (8%) Ships in 10 - 15 working days

For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility--not just for themselves as individuals, but for their entire class or industry.

In "Citizen Portrait," Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art.

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