Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
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Titian, the Della Rovere Dynasty, and His Portrait of Guidobaldo II (Hardcover)
Loot Price: R495
Discovery Miles 4 950
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Titian, the Della Rovere Dynasty, and His Portrait of Guidobaldo II (Hardcover)
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Loot Price R495
Discovery Miles 4 950
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The Klesch portrait by Titian of Guidobaldo II with his son
Francesco Maria represents the duke of Urbino in his full power as
supreme commander of papal troops, with his heir next to him. This
rare, full-length double portrait has only recently been attributed
to Titian after undergoing extensive analyses and restoration,
revealing a beautiful painting in non finito manner, with bravura
impasto passages entirely characteristic of the master, all of
which is illustrated and explained in this new book. Titian
provided portraits for the greatest men and women of Europe,
Charles V and Philip II of Spain primary among them. For years the
Klesch portrait was dismissed as a workshop product - partly
because poor condition hid its true quality, but also because it
was not believed that Titian could have deigned to create one for
Guidobaldo, whose father Guidobaldo della Rovere (1514-1574) and
family had a long history of patronizing the artist. Recent
research, however, has thrown Guidobaldo's geopolitical
significance into relief. He was supreme commander of Venice, the
Papal States and then Spain. He sent thousands of soldiers to the
major conflicts of his day, particularly the defense of Malta
(1565) and the Battle of Lepanto (1571) and his engineers were
sought throughout Europe for their ingenuity. In this volume full
of new research, Ian Verstegen reveals that Guidobaldo was not
peripheral but central to Italian politics and was regarded at
several points in history as a key figure who could bring peace or
who could influence major conflicts on the Italian peninsula,
particularly the War of Siena, and then Pope Paul IV's offensive
war against Spain. Anne-Marie Eze gives the first comprehensive
examination of the painting's provenance, outlining the portrait's
vicissitudes and reception at different moments in its near
500-year history, reexamining received wisdom about its past
ownership, and presenting new documentary evidence to expand on and
fill gaps in our knowledge of its whereabouts. Finally, Matthew
Hayes and Ian Kennedy reflect on the technique, date, recent
conservation, and authorship of the painting, proving it to be a
masterpiece that only the great Titian could have created.
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