Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Originating from the Williamsburg neighbourhood of Brooklyn, each oil colour is milled in small batches to bring out the best qualities of the pigment used. Williamsburg's oil paints have gathered an international presence while preserving the handmade integrity of the paint. Tubes are available 37 ml and 150 ml sizes. This is a 37ml tube of Williamsburg Oil Paint in Bismuth Vanadate Yellow.

Still handground in the Blockx tradition with slowly rotating stone mills, these extra-fine artists' colours are made from the finest selection of pigments and oil.Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself.All colours have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast.

Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying.

Pigments: PW4

Still handground in the Blockx tradition with slowly rotating stone mills, these extra-fine artists' colours are made from the finest selection of pigments and oil.Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself.All colours have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast.

Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying.

Pigments: PBr7

Opacity: Semi-opaque

Ground With: Linseed Oil

Still handground in the Blockx tradition with slowly rotating stone mills, these extra-fine artists' colours are made from the finest selection of pigments and oil.Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself.All colours have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast.

Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying.

Pigments: PB15:3

Opacity: Transparent

Ground With: Poppyseed Oil

Transparent Earth Red: This is a truly transparent version of Venetian Red. Add a small measure of a cool red like Alizarin Permanent or Diox Purple to adjust color for Indian Red.Pigment: Transparent Mars Red (PR 101)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, TRANSPARENT

pdf=Gamblin Artists Oil Transparent Earth Red and Asphaltum Data Sheet.pdf Gamblin Artists Oil Transparent Earth Red and Asphaltum Data Sheet

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Cranfield Artists' Oil Paints are made with the finest grade pigments and the purest refined oils to create colours that are vibrant and luminous.

Made by skilled artisans using a recipe that is as natural and true as possible, they are made with a "lighter touch" to preserve and reveal the beauty of individual pigments.With a buttery texture that is admired in quality British oil colours the world over, each paint responds easily to an artist's brush or knife and handles beautifully. The pigments in Cranfield Artists' Oil Paints are chosen to offer optimal lightfast values with great colour intensity.

The pigments in this range carry the ACMI accreditation AP or CL and ASTM lightfast levels 1 or 2.

Cranfield Artists' Oil Paints are made with the finest grade pigments and the purest refined oils to create colours that are vibrant and luminous.

Made by skilled artisans using a recipe that is as natural and true as possible, they are made with a "lighter touch" to preserve and reveal the beauty of individual pigments.With a buttery texture that is admired in quality British oil colours the world over, each paint responds easily to an artist's brush or knife and handles beautifully. The pigments in Cranfield Artists' Oil Paints are chosen to offer optimal lightfast values with great colour intensity.

The pigments in this range carry the ACMI accreditation AP or CL and ASTM lightfast levels 1 or 2.

Cranfield Artists' Oil Paints are made with the finest grade pigments and the purest refined oils to create colours that are vibrant and luminous.

Made by skilled artisans using a recipe that is as natural and true as possible, they are made with a "lighter touch" to preserve and reveal the beauty of individual pigments.With a buttery texture that is admired in quality British oil colours the world over, each paint responds easily to an artist's brush or knife and handles beautifully. The pigments in Cranfield Artists' Oil Paints are chosen to offer optimal lightfast values with great colour intensity.

The pigments in this range carry the ACMI accreditation AP or CL and ASTM lightfast levels 1 or 2.

Cranfield Artists' Oil Paints are made with the finest grade pigments and the purest refined oils to create colours that are vibrant and luminous.

Made by skilled artisans using a recipe that is as natural and true as possible, they are made with a "lighter touch" to preserve and reveal the beauty of individual pigments.With a buttery texture that is admired in quality British oil colours the world over, each paint responds easily to an artist's brush or knife and handles beautifully. The pigments in Cranfield Artists' Oil Paints are chosen to offer optimal lightfast values with great colour intensity.

The pigments in this range carry the ACMI accreditation AP or CL and ASTM lightfast levels 1 or 2.

Cranfield Artists' Oil Paints are made with the finest grade pigments and the purest refined oils to create colours that are vibrant and luminous.

Made by skilled artisans using a recipe that is as natural and true as possible, they are made with a "lighter touch" to preserve and reveal the beauty of individual pigments.With a buttery texture that is admired in quality British oil colours the world over, each paint responds easily to an artist's brush or knife and handles beautifully. The pigments in Cranfield Artists' Oil Paints are chosen to offer optimal lightfast values with great colour intensity.

The pigments in this range carry the ACMI accreditation AP or CL and ASTM lightfast levels 1 or 2.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin. A bluer version of Michael Harding Cobalt Teal.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin. A traditional Lake pigment, extracted from the common madder plant Rubia Tinctorum. A favoured colour of the Old Masters.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin. A bluer version of Michael Harding Cobalt Teal.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin. A traditional historic colour, this rich and dark Indigo is excellent for sultry skies or for ways to enhance greys and shadows.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.

Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.

Still handground in the Blockx tradition with slowly rotating stone mills, these extra-fine artists' colours are made from the finest selection of pigments and oil.Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself.All colours have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast.

Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying.

Pigments: PG36, Copper Phtalocyanine

Opacity: Opaque

Ground With: Poppyseed Oil

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: ArylideClassification: Synthetic OrganicColour Index: PY74 (11741)Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IIProduct Code: 0818Series: 2

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic iron oxide-Synthetic iron oxide

Colour Index: PY42-PR101

Colour index number: 77492-n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural Umber

Colour index number: a.s.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Pigment classification : Barium manganate

Colour index : PB33

Colour index number : n.a. 77112

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Semi-transparent