Discover the secret history behind the headlines. The Mexican drug wars have inspired countless articles, TV shows and movies. From Breaking Bad to Sicario, El Chapo's escapes to Trump's tirades, this is a story we think we know. But there's a hidden history to the biggest story of the twenty-first century. The Dope exposes how an illicit industry that started with farmers, families and healers came to be dominated by cartels, kingpins and corruption. Benjamin T Smith traces an unforgettable cast of characters from the early twentieth century to the modern day, whose actions came to influence Mexico as we now know it. There's Enrique Fernandez, the borderlands trafficker who became Mexico's first major narco and one of the first victims of the war on drugs; Eduardo 'Lalo' Fernandez, Mexico's most prominent heroin chemist and first major cocaine importer; Leopoldo Salazar Viniegra, the brilliant doctor and Marxist who tried (and failed) to decriminalize Mexico's drugs; and Harry Anslinger, the head of the Federal Bureau of Narcotics whose sensationalist strategies paved the way for U.S. interference and the extraordinary levels of violence in Mexico today. The Dope is the epic saga of how violence and corruption came to plague modern Mexico, and the first book to make sense of the political and economic big picture of the Mexican drug wars.

The great founding figures of organized crime in the 20th century were born and bred in New York City, and the city was the basis of their operations. Beginning with Prohibition and going on through many illegal activities the mob became a major force and its tentacles reached into virtually every enterprise, whether legal or illegal: gambling, boxing, labor racketeering, stock fraud, illegal unions, prostitution, food service, garment manufacturing, construction, loan sharking, hijacking, extortion, trucking, drug dealing - you name it the mob controlled it. The men who organized crime in America were the sons of poor immigrants. They were hungry for success and would use whatever means available to achieve their goals. They were not interested in religious identity and ethnic identity. Their syndicate of criminals was made up, primarily of Italians and Jews, but also Irish and black gangsters who could further their ambitions. Their sole objective was always the same - money. It began with Arnold Rothstein, who not only helped to fix the 1919 World Series, but who also mentored and financed the individuals who would control organized crime for decades. Individuals such as Frank Costello, Lucky Luciano, Bugsy Siegel, Joe Adonis, and Meyer Lansky, who would then follow suit setting up other criminal organizations. They established rules of governance, making millions of dollars for themselves and their cohorts. All the organized crime bosses and their cohorts had the same modus operandi: they were far-seeing opportunists who took advantage of every illegal opportunity that came their way for making money. Big Apple Gangsters: The Rise and Decline of the Mob in New York reveals just how influential the mob in New York City was during the 20th century. Jeffrey Sussman entertainingly digs into the origins of organized crime in the 20th century by looking at the corporate activity that dominated this one city and how these entrepreneurial bosses supported successful criminal enterprises in other cities. He also profiles many of the colorful gangsters who followed in the footsteps of gangland's original founders. Throughout the book Sussman provides fascinating portraits of a who's who of gangland. His narrative moves excitingly and entertainingly through the pivotal events and history of organized crime, explaining the birth, growth, maturation, and decline of various illegal enterprises in New York. He also profiles those who prosecuted the mob and won significant verdicts that ended many careers, responsible for bringing many organized crime figures to their knees and then delivering a series of coups de grace - such as Burton Turkus, Thomas Dewey, Robert Kennedy, and Rudolph Giuliani.

The cover illustration of Mafia: Penge & politik pa Sicilien 1950-1994 represents a picture of Antonio Salvo. Salvo was a Mafioso, but he did not traffic in narcotics, he did not run weapons, he did not kill anyone, and he did not take part in the 'ordinary' Mafia activities. Antonio Salvo was a business man, one of the wealthiest business men in Sicily. He took an interest in all important lines of business and had close political connections at the highest levels in Rome. Antonio Salvo represented another, but not less important side of the Mafia. He was a central part of the far-reaching network of economic and political interests that dominated Sicily through decades. All the threads of the network came together in one place: the Mafia.

Murder Inc. is the latest blockbuster by Ireland's most respected crime writer and journalist, Paul Williams. Murder Inc. is the definitive account of how organized crime exploded in Limerick from the 1990s and in the noughties. It describes the depravity and decadence of the gangs, their deadly rivaliries, and their reigns of terror over the community in which they lived. Finally, Williams traces the faultlines that eventually led to the implosion of the gangs and their defeat. Drawing on his vast inside knowledge of the criminal underworld, an unparalleled range of contacts and eye witness interviews, Paul Williams provides a chilling insight into the mobsters and events that corroded entire neighbourhoods and devastated countless lives.

COSA NOSTRA is the compelling story of the Sicilian mafia, the world's most famous, most secretive and most misunderstood criminal fraternity. The mafia has been given many names since it was founded one hundred and forty years ago: the Sect, the Brotherhood, the Honoured Society, and now Cosa Nostra. Yet as times have changed, the mafia's subtle and bloody methods have remained the same. Now, for the first time, COSA NOSTRA reconstructs the complete history of the Sicilian mafia from its origins to the present day, from the lemon groves and sulphur mines of Sicily, to the streets of Manhattan. COSA NOSTRA is a definitive history, rich in atmosphere, and with the narrative pace of the best detective fiction, and has been updated to make it the most vital contemporary account of the mafia ever published. The mob genre has finally grown up.

Philadelphia's 'Black Mafia' could be used as primary reading in deviance and organized crime courses. Academicians in the fields of criminology, sociology, history, political science and African-American Studies will find the book compelling and important. This book provides the first sociological analysis to date of Philadelphia's infamous "Black Mafia" which has organized crime (with varying degrees of success) in predominantly African-American sections of the city dating back to the late 1960's.
Philadelphia's 'Black Mafia':

-is a first step in developing both data and sophisticated theoretical propositions germane to the ongoing study of organized crime;
-uses primary source documents, including confidential law enforcement files, court transcripts and interviews;
-explores the group's activities in detail, depicting some of the most notorious crimes in Philadelphia's history;
-thoroughly examines the organization of the Black Mafia and the group's alliances, conspiracies and conflicts;
-challenges many of the current historical and theoretical assumptions regarding organized crime.

From Los Angeles and New York to Chicago and Miami, street gangs are regarded as one of the most intractable crime problems facing our cities, and a vast array of resources is being deployed to combat them. This book chronicles the astounding self-transformation of one of the most feared gangs in the United States into a social movement acting on behalf of the dispossessed, renouncing violence and the underground economy, and requiring school attendance for membership.

What caused the Almighty Latin King and Queen Nation of New York City to make this remarkable transformation? And why has it not happened to other gangs elsewhere? David C. Brotherton and Luis Barrios were given unprecedented access to new and never-before-published material by and about the Latin Kings and Queens, including the group's handbook, letters written by members, poems, rap songs, and prayers. In addition, they interviewed more than one hundred gang members, including such leaders as King Tone and King Hector. Featuring numerous photographs by award-winning photojournalist Steve Hart, the book explains the symbolic significance for the gang of hand gestures, attire, rituals, and rites of passage. Based on their inside information, the authors craft a unique portrait of the lives of the gang members and a ground-breaking study of their evolution.

In the post-Cold war period new security threats have arisen in Western Europe. Amongst these, organized crime and illegal immigration are acknowledged to represent significant security challenges. The European Union and Internal Security analyses the nature of these challenges and investigates how the EU has been evolving to counter them. Written by experts in the fields of political science and law, this book addresses a hitherto neglected area of study.

With the advent of Aboriginal street gangs such as Indian Posse, Manitoba Warriors, and Native Syndicate, Winnipeg garnered a reputation as the "gang capital of Canada." Yet beyond the stereotypes of outsiders, little is known about these street gangs and the factors and conditions that have produced them. "Indians Wear Red" locates Aboriginal street gangs in the context of the racialized poverty that has become entrenched in the colonized space of Winnipeg's North End. Drawing upon extensive interviews with Aboriginal street gang members as well as with Aboriginal women and elders, the authors develop an understanding from "inside" the inner city and through the voices of Aboriginal people - especially street gang members themselves. While economic restructuring and neo-liberal state responses can account for the global proliferation of street gangs, the authors argue that colonialism is a crucial factor in the Canadian context, particularly in western Canadian urban centres. Young Aboriginal people have resisted their social and economic exclusion by acting collectively as "Indians." But just as colonialism is destructive, so too are street gang activities, including the illegal trade in drugs. Solutions lie not in "quick fixes" or "getting tough on crime" but in decolonization: re-connecting Aboriginal people with their cultures and building communities in which they can safely live and work.

'A gripping murder mystery and a vivid recreation of Paris under German Occupation.' ANDREW TAYLOR *WINNER OF THE HWA GOLD CROWN AWARD FOR BEST HISTORICAL FICTION* *SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD* 'Terrific' SUNDAY TIMES, Best Books of the Month 'A thoughtful, haunting thriller' MICK HERRON 'Sharp and compelling' THE SUN * * * * * Paris, Friday 14th June 1940. The day the Nazis march into Paris, making headlines around the globe. Paris police detective Eddie Giral - a survivor of the last World War - watches helplessly on as his world changes forever. But there is something he still has control over. Finding whoever is responsible for the murder of four refugees. The unwanted dead, who no one wants to claim. To do so, he must tread carefully between the Occupation and the Resistance, between truth and lies, between the man he is and the man he was. All the while becoming whoever he must be to survive in this new and terrible order descending on his home... * * * * * 'Lloyd's Second World War Paris is rougher than Alan Furst's, and Eddie Giral, his French detective, is way edgier than Philip Kerr's Bernie Gunther ... Ranks alongside both for its convincingly cloying atmosphere of a city subjugated to a foreign power, a plot that reaches across war-torn Europe and into the rifts in the Nazi factions, and a hero who tries to be a good man in a bad world. Powerful stuff.' THE TIMES 'A tense and gripping mystery which hums with menace and dark humour as well as immersing the reader in the life of occupied Paris' Judges, HWA GOLD CROWN AWARD 'Excellent ... In Eddie Giral, Lloyd has created a character reminiscent of Philip Kerr's Bernie Gunther, oozing with attitude and a conflicted morality that powers a complex, polished plot. Historical crime at its finest.' VASEEM KHAN, author of Midnight at Malabar House 'Monumentally impressive ... A truly wonderful book. If somebody'd given it to me and told me it was the latest Robert Harris, I wouldn't have been surprised. Eddie Giral is a wonderful creation.' ALIS HAWKINS 'A terrific read - gripping and well-paced. The period atmosphere is excellent.' MARK ELLIS 'The best kind of crime novel: gripping, thought-provoking and moving. In Detective Eddie Giral, Chris Lloyd has created a flawed hero not just for occupied Paris, but for our own times, too.' KATHERINE STANSFIELD

What is human trafficking? Despite legislative developments and national and international interventions, we still lack firm definitions, estimates of its full extent, effective responses to perpetrators and sound survivor care. This volume critically examines the competing discourses surrounding human trafficking, the conceptual basis of global responses and the impact of these horrific acts worldwide.

'Action-packed, gripping, and wildly entertaining . . . Amen Alonge is a powerful new voice in thriller writing and a talent to watch' ADAM HAMDY Meet Pretty Boy. Vengeance is on his mind. His real name: Unknown His code of conduct: Don't be a pawn in someone else's game. Never underestimate the enemy. Above all, survive. There is no glory in death. His mission: It's been ten years since Pretty Boy left the big city - today he's back. No one knows why, but it's clear that revenge is on his mind: he is determined to make the person responsible for his exile from the London scene finally pay. But his plans seem derailed when he takes possession of a bracelet, unaware that its original owner has set a high price for its safe return. Suddenly, the hunter becomes the hunted and Pretty Boy will have to find out if it is indeed a 'good day to die'. Jam-packed with action, an unforgettable cast of characters and peppered with dry humour, A Good Die To Die marks the arrival of a fresh and exciting new voice in thriller writing.

'Brilliant seaside noir, the action play[s] out at cracking pace in the rough and seedy resort' Sunday Times Crime Club 'Be prepared to immerse yourself in Great Yarmouth's murky underworld with this great thriller' Five Stars, The Sun - 'Book of the Week' For the first time in years, Tatiana Goodwin feels in control. She has survived events which would make most people give up and go into hiding. Yet Tati is still here, surrounded by her loyal family and even daring to expand the Goodwin empire. But when her son Ben gets kidnapped by a rival gang and the blame lies with her, the ghosts of Tati's past catch up and she begins to crumble. Now, it is down to the ever-loyal Frank to do everything he can to get Ben back and keep the family together. Frank has been in this business for a long time - he knows who to confide in and who will give up the information he so desperately needs. But what he doesn't realise is that there is a new threat in town, and all those old trusted sources are answering to a different power. Tati needs to wake up fast to the fact that it is not just their empire on the line - their lives are at serious risk, and only a heartbreaking sacrifice can save them. More praise for the series so far: 'The Godfather in Great Yarmouth' Ian Rankin 'An atmospheric and riveting tale' Guardian * * * * * The Sun 'Harry Brett writes a fun plot with witty elegance' The Times 'Fearsomely good' Nicci French 'A 21st century Long Good Friday' Tony Parsons 'Taut and atmospheric' Eva Dolan 'Gripping, compelling, original crime drama' Dreda Say Mitchell 'Darkly brooding and atmospheric' M.J. McGrath 'Time to Win redraws the landscape of British noir' Stav Sherez 'A tour de force' William Ryan 'I loved Time to Win' Julia Crouch 'Gritty and stark' Sunday Mirror

In the post-Cold War era, economic globalization has resulted in the buying and selling of human beings. Poverty, social instability, lawlessness, gender biases, and ethnic hostility have entrapped millions in the world of modern day slavery, with the result that human trafficking is one of the fastest growing criminal industries in the world. Every year, men, women, and children from across the globe are transported within or across borders for the purpose of forced labor and sexual exploitation. Despite the plethora of journalistic articles written on human trafficking there is a need for more rigorous academic analysis of the phenomenon. Although groups from many different ideologies have embraced policies to end human trafficking, there are still many gaps and unanswered questions, particularly with regard to the amount of, and nature of the phenomenon. This book provides an insight into the complexity of human trafficking by addressing both how the scope of globalization impacts the sex industry and forced labor, and how vulnerability is a growing cause of human trafficking, affecting traditional diasporic and migratory patterns. This book was originally published as a special issue of the Journal of Intercultural Studies.

Digital Pirates examines the unauthorized creation, distribution, and consumption of movies and music in Brazil. Alexander Sebastian Dent offers a new definition of piracy as indispensable to current capitalism alongside increasing global enforcement of intellectual property (IP). Complex and capricious laws might prohibit it, but piracy remains a core activity of the twenty-first century. Combining the tools of linguistic and cultural anthropology with models from media studies and political economy, Digital Pirates reveals how the dynamics of IP and piracy serve as strategies for managing the gaps between texts-in this case, digital content. Dent's analysis includes his fieldwork in and around Sao Paulo with pirates, musicians, filmmakers, police, salesmen, technicians, policymakers, politicians, activists, and consumers. Rather than argue for rigid positions, he suggests that Brazilians are pulled in multiple directions according to the injunctions of international governance, localized pleasure, magical consumption, and economic efficiency. Through its novel theorization of "digital textuality," this book offers crucial insights into the qualities of today's mediascape as well as the particularized political and cultural norms that govern it. The book also shows how twenty-first century capitalism generates piracy and its enforcement simultaneously, while producing fraught consumer experiences in Latin America and beyond.

'A gripping true crime mystery... a must-read' Greg Grandin, Pulitzer Prize-winning author of The End of Myth 'An essential book' Joe Jackson, author of The Thief at the End of the World Deep in the heart of the Amazon, an entire region has lived under the control of one notorious land baron: Joselio de Barros. Joselio cut a grisly path to success: having arrived in the jungle with a shady past, he quickly made a name for himself as an invincible thug who grabbed massive tracts of public land, burned down the jungle and executed or enslaved anyone trying to stop him. Enter Dezinho, the leader of a small but robust farm workers' union fighting against land grabs, ecological destruction, and blatant human rights abuses. When Dezinho was killed in a shocking assassination, the local community held its breath. Would Joselio, whom everyone knew had ordered the hit, finally be brought to account? Or would authorities look the other way, as they had hundreds of times before? Dezinho's widow, Dona Joelma, was not about to let that happen. After his murder, she stepped into the spotlight, orchestrating a huge push to bring national media attention to the injustices in the Amazon. Set against the backdrop of Bolsonaro's devastating cuts to environmental protections, Brazil's rapidly changing place in the geopolitical spectrum, and the Amazon's crucial role in climate change, Masters of the Lost Land is both a gripping epic into one of the last wild places on Earth and an urgent illustration of how people are fighting for - and winning - justice for their futures and the environment.

A collection of ten papers, some about organized crime in the Netherlands published over the past five years, and others more recent studies of the cross-border species. They discuss business crime-enterprises in the Netherlands, relations with legitimate industry, implications for crime risks in an

"Fighting the Mafia" is his dramatic tale of witness and survival, of his effort to expose Mafia infiltration of the highest levels of Italy's national politics, and of the movement he helped build-in the schools and churches, and at the ballot box - to recapture Sicilian culture and inspire a renaissance of democracy.

When we think of the Italian Mafia, we think of Marlon Brando, Tony Soprano, and the Corleones--iconic actors and characters who give shady dealings a mythical pop presence. Yet these sensational depictions take us only so far. The true story of the Mafia reveals both an organization and mindset dedicated to the preservation of tradition. It is no accident that the rise of the Mafia coincided with the unification of Italy and the influx of immigrants into America. The Mafia means more than a horse head under the sheets--it functions as an alternative to the state, providing its own social and political justice. Combining a nuanced history with a unique counternarrative concerning stereotypes of the immigrant, Salvatore Lupo, a leading historian of modern Italy and a major authority on its criminal history, has written the definitive account of the Sicilian Mafia from 1860 to the present. Consulting rare archival sources, he traces the web of associations, both illicit and legitimate, that have defined Cosa Nostra during its various incarnations. He focuses on several crucial periods of transition: the Italian unification of 1860 to 1861, the murder of noted politician Notarbartolo, fascist repression of the Mafia, the Allied invasion of 1943, social conflicts after each world war, and the major murders and trials of the 1980s. Lupo identifies the internal cultural codes that define the Mafia and places these codes within the context of social groups and communities. He also challenges the belief that the Mafia has grown more ruthless in recent decades. Rather than representing a shift from "honorable" crime to immoral drug trafficking and violence, Lupo argues the terroristic activities of the modern Mafia signify a new desire for visibility and a distinct break from the state. Where these pursuits will take the family adds a fascinating coda to Lupo's work.