During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. "Swingin' the Dream" explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since.
""Swingin' the Dream" is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."--Jonathan Yardley, "Washington Post Book World"
"An absorbing read for fans and an insightful view of the impact of an important homegrown art form."--"Publishers Weekly"
" A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."--Tony Russell, "Times Literary Supplement"

Recognizing the need for bilingual hymnal and service materials within Korean Presbyterian congregations, the 207th General Assembly (1995) of the Presbyterian Church (U.S.A.) mandated the creation of a resource to meet the needs of local congregations and to promote authentic Korean compositions and traditional Korean tunes. This new Korean-English hymnal is now available as a worship resource for intergenerational, bilingual, and ecumenical use.

This is an extremely thorough 4 volume guide to the regimental march tunes and other parade music which inspired loyalty, pride and battlefield motivation for generations of Germans over three centuries. Built around a translation of the previously unpublished works of two great German military music historians, the late Lieutenant Colonel Joachim Toeche-Mittler and Lieutenant Colonel (Retd) Werner Probst, it describes the history of every march in the official collections sanctioned by successive kings of Prussia, German Emperors, and later by Chief Inspectors of Music of the German Republic and Third Reich. This work is no apology or eulogy for a militaristic culture now long gone amongst the German people, but a description of the international and home sources for the march repertoire, and the personalities involved in composing, commissioning, and dedicating marches to the leading personalities of the age, and their adoption as regimental music by the fighting units of Prussia and the other Old German States, Imperial Germany, and the later German Reich and Post War Republics of East and West Germany. The series will provide information about how the regimental bandsmen and signaller musicians on fife, drum and bugle paraded and performed this repertoire, the manufacture and embellishments of their instruments, Schellenbaum 'Jingling Johnnies' and Drum Majors' Staffs, and their employment and deployment in the ranks of the fighting units on parade and in battle. After a short introduction, Volume 1 concentrates on the vast official Royal Prussian collection of'regimental' and 'neutral' quick marches. Translated from previously unpublished original research by the late Luftwaffe Lt. Col. Joachim Toeche-Mittler, it provides a definitive description for each march, its composer, and how and by whom it was used, in many cases on campaign as well as on parade. With only one exception before 1914, every Prussian, and most non-Prussian regiments, had their regimental march from within this collection.

Why was the partridge in the pear tree? Who was Good King Wenceslas? And what are the pagan origins behind 'The Holly and the Ivy'? Discover the hidden stories behind our best-loved Christmas carols, from their earliest incarnations in the Middle Ages and their banning under the Puritans to the wassailing traditions of the nineteenth century and the carols that united soldiers on the Western Front during the First World War. This fascinating book charts the history of one of Christmas' longest-running traditions and is sure to appeal to all those who love the festive season.

The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the 21st century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.

A diverse collection of seasonal organ music for manuals only, covering the church's year from Advent to Epiphany. The pieces are drawn internationally from across the centuries and include a mixture of established repertoire, attractive new arrangements, and four newly commissioned pieces. The collection is technically accessible and provides approachable repertoire for all church musicians, making it an attractive companion to The Oxford Book of Christmas Organ Music.

Music, Education, and Religion: Intersections and Entanglements explores the critical role that religion can play in formal and informal music education. As in broader educational studies, research in music education has tended to sidestep the religious dimensions of teaching and learning, often reflecting common assumptions of secularity in contemporary schooling in many parts of the world. This book considers the ways in which the forces of religion and belief construct and complicate the values and practices of music education-including teacher education, curriculum texts, and teaching repertoires. The contributors to this volume embrace a range of perspectives from a variety of disciplines, examining religious, agnostic, skeptical, and atheistic points of view. Music, Education, and Religion is a valuable resource for all music teachers and scholars in related fields, interrogating the sociocultural and epistemological underpinnings of music repertoires and global educational practices.

The Oxford Book of Easy Flexible Anthems caters for church choirs of all types and sizes, enabling them to have at their fingertips easy music for every occasion. The collection presents flexibility of scoring in a constructive and realistic way, with particular provision for unison or two-part singing, while not forgetting SATB choirs, and a focus on ease of learning and performance. With complete coverage of the Church's year, and a fabulous range of accessible, quality material, this is a vital resource for all church choirs.

In this volume fifteen musicologists from five countries present new findings and observations concerning the production, distribution and use of music manuscripts and prints in seventeenth-century Europe. A special emphasis is laid on the Duben Collection, one of the largest music collections of seventeenth-century Europe, preserved at the Uppsala University Library. The papers in this volume were initially presented at an international conference at Uppsala University in September 2006, held on the occasion of the launching of The Duben Collection Database Catalogue on the Internet. For the first time, the entire collection had been made acessible worldwide, covering a vast number of musical and philological aspects of all items in the collection.

"The Complete Book of Hymns" brings to life the stories behind more than 600 hymns and worship songs. With background on the composer, the inspiration behind the lyrics, scriptural references for devotional consideration, and a sampling of the song lyrics, this book brings forth the message of these great songs of the faith like never before!