Atrocity. Genocide. War crime. Crime Against Humanity. Such atrocity labels have been popularized among international lawmakers but with little insight offered into how and when these terms are applied and to what effect. What constitutes an event to be termed a genocide or war crime and what role does this play in the application of legal proceedings? Markus P. Beham, through an interdisciplinary and comparative approach, unpicks these terms to uncover their historical genesis and their implications for international criminal law initiatives concerned with atrocity. The book uniquely compares four specific case studies: Belgian colonial exploitation of the Congo, atrocities committed against the Herero and Nama in German South-West Africa, the Armenian genocide and the man-made Ukrainian famine of the 1930s. Encompassing international law, legal history, and discourse analysis, the concept of 'atrocity labelling' is used to capture the meaning underlying the work of international lawyers and prosecutors, historians and sociologists, agenda setters and policy makers.

Prison Pens presents the memoir of a captured Confederate soldier in northern Virginia and the letters he exchanged with his fiancee during the Civil War. Wash Nelson and Mollie Scollay's letters, as well as Nelson's own manuscript memoir, provide rare insight into a world of intimacy, despair, loss, and reunion in the Civil War South. The tender voices in the letters combined with Nelson's account of his time as a prisoner of war provide a story that is personal and political, revealing the daily life of those living in the Confederacy and the harsh realities of being an imprisoned soldier. Ultimately, through the juxtaposition of the letters and memoir, Prison Pens provides an opportunity for students and scholars to consider the role of memory and incarceration in retelling the Confederate past and incubating Lost Cause mythology.,br> This book will be accompanied by a digital component: a website that allows students and scholars to interact with the volume's content and sources via an interactive map, digitized letters, and special lesson plans.

This innovative collection offers one of the first analyses of criminologies of the military from an interdisciplinary perspective. While some criminologists have examined the military in relation to the area of war crimes, this collection considers a range of other important but less explored aspects such as private military actors, insurgents, paramilitary groups and the role of military forces in tackling transnational crime. Drawing upon insights from criminology, this book's editors also consider the ways the military institution harbours criminal activity within its ranks and deals with prisoners of war. The contributions, by leading experts in the field, have a broad reach and take a truly global approach to the subject.

This important book analyzes nuclear weapon and energy policies in Asia, a region at risk for high-stakes military competition, conflict, and terrorism. The contributors explore the trajectory of debates over nuclear energy, security, and nonproliferation in key countries-China, India, Japan, Pakistan, South Korea, Taiwan, Vietnam, and other states in the Association of Southeast Asian Nations (ASEAN). Arguing against conventional wisdom, the contributors make a convincing case that domestic variables are far more powerful than external factors in shaping nuclear decision making. The book explores what drives debates and how decisions are framed, the interplay between domestic dynamics and geopolitical calculations in the discourse, where the center of gravity of debates lies in each country, and what this means for regional cooperation or competition and U.S. nuclear energy and nonproliferation policy in Asia.

This book explores the diverse ways in which Holocaust representations have influenced and structured how other genocides are understood and represented in the West. Rebecca Jinks focuses in particular on the canonical 20th century cases of genocide: Armenia, Cambodia, Bosnia, and Rwanda. Using literature, film, photography, and memorialisation, she demonstrates that we can only understand the Holocaust's status as a 'benchmark' for other genocides if we look at the deeper, structural resonances which subtly shape many representations of genocide. Representing Genocide pursues five thematic areas in turn: how genocides are recognised as such by western publics; the representation of the origins and perpetrators of genocide; how western witnesses represent genocide; representations of the aftermath of genocide; and western responses to genocide. Throughout, the book distinguishes between 'mainstream' and other, more nuanced and engaged, representations of genocide. It shows how these mainstream representations - the majority - largely replicate the representational framework of the Holocaust, including the way in which mainstream Holocaust representations resist recognising the rationality, instrumentality and normality of genocide, preferring instead to present it as an aberrant, exceptional event in human society. By contrast, the more engaged representations - often, but not always, originating from those who experienced genocide - tend to revolve around precisely genocide's ordinariness, and the structures and situations common to human society which contribute to and become involved in the violence.

'Zekameron' comes from 'Zek' meaning prisoner and is a word-play on Boccaccio's Decameron. 'He came back from interrogation looking like death. Some people look better than he did when they're being put in their coffin. "What happened then? Did they stick any other articles of the Criminal Code on you? Or break your jaw?" "Nothing like that. I've got toothache..." The 100 tales in Zekameron are based on the 14th Century Decameron, but Znak is closer to Beckett than to Boccaccio. Banality and brutality vie with the human ability to overcome oppression. Znak's stories in different voices chart 100 days in prison in Belarus today. The tone is laconic, ironic; the humour sparse. The stories bear witness to resistance and self-assertion and the genuine warmth and appreciation of fellow prisoners.