Luise White brings the force of her historical insight to bear on the many war memoirs published by white soldiers who fought for Rhodesia during the 1964–1979 Zimbabwean liberation struggle.

In the memoirs of white soldiers fighting to defend white minority rule in Africa long after other countries were independent, the author finds a robust and contentious conversation about race, difference, and the war itself. These are writings by men who were ambivalent conscripts, generally aware of the futility of their fight—not brutal pawns flawlessly executing the orders and parroting the rhetoric of a racist regime. Moreover, most of these men insisted that the most important aspects of fighting a guerrilla war—tracking and hunting, knowledge of the land and of the ways of African society—were learned from black playmates in idealized rural childhoods.

In these memoirs, African guerrillas never lost their association with the wild, even as white soldiers boasted of bringing Africans into the intimate spaces of regiment and regime.

The first account from a prisoner of war in the Russia-Ukraine conflict. A shocking, hugely powerful memoir by British-born Ukrainian marine Aiden Aslin, who spent six months in Russian captivity.

Aiden Aslin joined the Ukrainian marines in 2018, compelled to defend his adopted homeland from the growing threat of Russian invasion. In February 2022, as Russia mounted a full-scale offensive, Aiden and his unit were stationed at the frontline at Mariupol. Pinned down at a Mariupol steelworks, after a month-long siege and running out of supplies, Aiden was part of the mass surrender of over a thousand Ukrainian troops, in April 2022. Then his real ordeal began.

Singled out for his British passport, Aiden was interrogated, tortured, stabbed, turned into a propaganda zombie, tried by a kangaroo court and then sentenced to death. A victim of a catalogue of abuses of international law, Aiden struggled to cling on to any hope of survival. Certain that he was going to be executed, he was eventually freed in a prisoner exchange and permitted to return home.

In Putin's Prisoner, Aiden will tell the full, harrowing story of his time fighting in Putin's war, of his six months in Russian captivity, and of his hardened resolve to defend the freedoms of the people of Ukraine.

On October 7, Israeli territory around the Erez border of Gaza Strip was invaded by Hamas’s Al-Qassam Brigades, killing over 1,000 people. In response to this, the people of Gaza have been subjected to nearly eight months of wholesale genocide. Over 36,000 civilians have been killed, an estimated million made homeless and displaced, tens of thousands injured, and an entire population traumatised. Never in living history has such an atrocity been perpetrated in plain sight of the world’s leaders and mainstream media, who have all managed to give it their complete backing. Images and video clips of hourly horrors and tragedies have spread around the world, combatted by fake news propagated not by dark conspiratorial corners on the web, but by corporate media outlets and politicians.

Baseless Israeli propaganda and deliberately-biased framing has been fed to journalists and repeated, without question, on the front pages of the world’s newspapers and in the mouths of TV pundits and politicians.

One of the few voices of Gaza to make it out into Western media has been that of writer Atef Abu Saif, whose edited diary entries have been occasionally serialised in The New York Times, Washington Post, Le Monde and elsewhere. Here, the complete, unedited diaries show the journey of a man who arrived in Gaza just a few days before October 7 as a government minister and ended the period, like most other Palestinians, living in a tent in a refugee camp.

What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends?

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives.

In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.

A bold, urgent appeal from the acclaimed columnist and political commentator, addressing one of the most important issues of our time.

In Peter Beinart’s view, one story dominates Jewish communal life: that of persecution and victimhood. It is a story that erases much of the nuance of Jewish religious tradition and warps our understanding of Israel and Palestine. After Gaza, where Jewish texts, history, and language have been deployed to justify mass slaughter and starvation, Beinart argues, Jews must tell a new story. After this war, whose horror will echo for generations, they must do nothing less than offer a new answer to the question: What does it mean to be a Jew?

Beinart imagines an alternate narrative, which would draw on other nations’ efforts at moral reconstruction and a different reading of Jewish tradition. A story in which Israeli Jews have the right to equality, not supremacy, and in which Jewish and Palestinian safety are not mutually exclusive but intertwined. One that recognizes the danger of venerating states at the expense of human life.

Being Jewish After the Destruction of Gaza is a provocative argument that will expand and inform one of the defining conversations of our time. It is a book that only Peter Beinart could write: a passionate yet measured work that brings together his personal experience, his commanding grasp of history, his keen understanding of political and moral dilemmas, and a clear vision for the future.

Equally skilled in different trades than in the art of love, the Italian prisoners-of-war (POWs) who were incarcerated in South Africa during the Second World War are a source of great fascination to this day.

The first Italian POWs arrived in the Union of South Africa in early 1941, most of them being held in Zonderwater Camp outside Cullinan or in work camps across the country. The government of Jan Smuts saw them as a source of cheap labour that would contribute to harvesting schemes, road-building projects such as the old Du Toit’s Kloof Pass between Paarl and Worcester and even to prickly-pear eradication schemes.

Prisoners of Jan Smuts recounts the stories of survival and shenanigans of the Italian POWs in the Union through the eyes of five prisoners who had documented their experiences in memoirs and letters. While many POWs seemed to appreciate the opportunities to gain new skills, others clung to the Fascist ideas they had grown up with and refused to work.

Many opted to remain in South Africa once the war had ended, forging quite a legacy. These included sculptor Edoardo Villa, who left an important mark in the local and international art world, and businessman Aurelio Gatti, who built an ice-cream empire whose gelato was to delight generations of South Africans.

An unforgettable testament to hope and the bonds of brotherhood, Miracle reveals the untold story of the boys who escaped the gas chamber in Auschwitz, the only known group of Holocaust survivors to walk away from the jaws of the Nazi killing machine.

Early on the morning of October 10, 1944, eight-hundred boys, aged between 13 and 17, were taken out of Block 11 at Auschwitz. The night before, during a visit by Dr Josef Mengele, their identification cards had been stamped with a solitary German word – gestorben – 'died' in English. They were then marched by 25 bayonet-wielding SS men to Crematorium 5, stripped, and herded into a gas chamber.

This book is the story of a true-life miracle of the fifty-one boys who were pulled from that gas chamber – the only Holocaust survivors known to have escaped such a close brush with the Nazi killing machine – and given a second chance at life. A life, of course, that would be so horrifically snatched from those around them.

Based on the first-hand testimonies of six of the boys, six survivors whose stories are shared in this book for the very first time, Miracle interweaves the lives of the boys and the grander sweep of history in which they were held. The result is an unforgettable tale of hope, faith and fortitude in the face of one of the worst crimes against humanity.

Historian Karen Horn painstakingly tracked down a number of former POWs in which their interviews reveal rich narratives of hardship, endurance, humour, longing and self-discovery. Instead of fighting, these men adapted to another war, one which was fought on the inside of many prison camps.

In their interviews, all the POWs expressed surprise at being asked to share their experiences of almost 70 years earlier.They returned home in 1945 to a country which soon afterwards tried its utmost to promote national amnesia with regard to the country’s participation in the war.

With great insight and empathy, Karen Horn shines a light on a neglected corner of South African history. Karen Horn is a lecturer at Stellenbosch University.

The incredible, bestselling memoir of survival, hope and empowerment.

In 1944, sixteen-year-old ballerina Edith Eger was sent to Auschwitz. Separated from her parents on arrival, she endures unimaginable experiences, including being made to dance for the infamous Josef Mengele. When the camp is finally liberated, she is pulled from a pile of bodies, barely alive.

The horrors of the Holocaust didn't break Edith. In fact, they helped her learn to live again with a life-affirming strength and a truly remarkable resilience.

The Choice is her unforgettable story. It shows that hope can flower in the most unlikely places.

The incredible true story of Louis Zamperini, now a major motion picture directed by Angelina Jolie. THE INTERNATIONAL NUMBER ONE BESTSELLER In 1943 a bomber crashes into the Pacific Ocean. Against all odds, one young lieutenant survives. Louise Zamperini had already transformed himself from child delinquent to prodigious athlete, running in the Berlin Olympics. Now he must embark on one of the Second World War's most extraordinary odysseys. Zamperini faces thousands of miles of open ocean on a failing raft. Beyond like only greater trials, in Japan's prisoner-of-war camps. Driven to the limits of endurance, Zamperini's destiny, whether triumph or tragedy, depends on the strength of his will ... Now a major motion picture, directed by Angelina Jolie and starring Jack O' Connell.

From the award-winning writer and thinker, an essential reckoning with the war in Gaza, its historical conditions, and moral and geopolitical ramifications.

Memory of the Holocaust, the ultimate atrocity of Europe’s civil wars and the paradigmatic genocide, has shaped the Western political and moral imagination in the postwar era. Fears of its recurrence have been routinely invoked to justify Israel’s policies against Palestinians. But for most people around the world – the ‘darker peoples’, in W. E. B. Du Bois’s words – the main historical memory is of the traumatic experiences of slavery and colonialism, and the central event of the twentieth century is decolonisation – freedom from the white man’s world.

The World After Gaza takes the war in the Middle East, and the bitterly polarised reaction to it within as well as outside the West, as the starting point for a broad reevaluation of two competing narratives of the last century: the West’s triumphant account of victory over Nazi and communist totalitarianism, and the spread of liberal capitalism, and the global majority's frequently thwarted vision of racial equality. At a moment when the world’s balance of power is shifting and a long-dominant Western minority no longer commands the same authority and credibility, it is critically important to enter the experiences and perspectives of the majority of the world’s population.

As old touchstones and landmarks crumble, only a new history with a sharply different emphasis can reorient us to the world and worldviews now emerging into the light. In this concise, powerful and pointed treatise, Mishra reckons with the fundamental questions posed by our present crisis – about whether some lives matter more than others, why identity politics built around memories of suffering is being widely embraced and why racial antagonisms are intensifying amid a far-right surge in the West, threatening a global conflagration. The World After Gaza is an indispensable moral guide to our past, present and future.

Social psychologist James Waller uncovers the internal and external factors that can lead ordinary people to commit extraordinary acts of evil. Waller offers a sophisticated and comprehensive psychological view of how anyone can potentially participate in heinous crimes against humanity. He
outlines the evolutionary forces that shape human nature, the individual dispositions that are more likely to engage in acts of evil, and the context of cruelty in which these extraordinary acts can emerge. Eyewitness accounts are presented at the end of each chapter. In this second edition, Waller
has revised and updated eyewitness accounts and substantially reworked Part II of the book, removing the chapter about human nature and evolutionary adaptations, and instead using this evolutionary perspective as a base for his entire model of human evil.

Genocide is a phenomenon that continues to confound scholars, practitioners, and general readers. Notwithstanding the carnage of the twentieth century, our understanding of genocide remains partial. Disciplinary boundaries have inhibited integrative studies and popular, moralizing accounts have hindered comprehension by advancing simple truths in an area where none are to be had. Genocide: A Reader lays the foundations for an improved understanding of genocide. With the help of 150 essential contributions, Jens Meierhenrich provides a unique introduction to the myriad dimensions of genocide and to the breadth and range of critical thinking that exists concerning it. This innovative anthology offers genre-defining as well as genre-bending selections from diverse disciplines in law, the social sciences, and the humanities as well as from other fields. A wide-ranging introductory chapter on the study and history of genocide accompanies the carefully curated and annotated collection. By revisiting the past of genocide studies and imagining its future, Genocide: A Reader is an indispensable resource for novices and specialists alike.

"Waging a counterinsurgency war and justified by claims of 'an agreement between Guatemala and God, ' Guatemala's Evangelical Protestant military dictator General Rios Montt incited a Mayan holocaust: over just 17 months, some 86,000 mostly Mayan civilians were murdered. Virginia Garrard-Burnett dives into the horrifying, bewildering murk of this episode, the Western hemisphere's worst twentieth-century human rights atrocity. She has delivered the most lucid historical account and analysis we yet possess of what happened and how, of the cultural complexities, personalities, and local and international politics that made this tragedy. Garrard-Burnett asks the hard questions and never flinches from the least comforting answers. Beautifully, movingly, and clearly written and argued, this is a necessary and indispensable book."
-- Francisco Goldman, author of The Art of Political Murder: Who Killed the Bishop?
"Virginia Garrard-Burnett's Terror in the Land of the Holy Spirit is impressively researched and argued, providing the first full examination of the religious dimensions of la violencia - a period of extreme political repression that overwhelmed Guatemala in the 1980s. Garrard-Burnett excavates the myriad ways Christian evangelical imagery and ideals saturated political and ethical discourse that scholars usually treat as secular. This book is one of the finest contributions to our understanding of the violence of the late Cold War period, not just in Guatemala but throughout Latin America."
--Greg Grandin, Professor of History, New York University
Drawing on newly-available primary sources including guerrilla documents, evangelical pamphlets, speech transcripts, and declassified US government records, Virginia Garrard-Burnett provides aa fine-grained picture of what happened during the rule of Guatelaman president-by-coup Efrain Rios Montt. She suggests that three decades of war engendered an ideology of violence that cut not only vertically, but also horizontally, across class, cultures, communities, religions, and even families. The book examines the causality and effects of the ideology of violence, but it also explores the long duree of Guatemalan history between 1954 and the late 1970s that made such an ideology possible. More significantly, she contends that self-interest, willful ignorance, and distraction permitted the human rights tragedies within Guatemala to take place without challenge from the outside world."

This study deals with the phenomenon of genocide denialism, and in particular how it operates in the context of the genocide against the Tutsi. The term genocide denialism denotes that we are not dealing with a single act or type of (genocide) denial but with a more elaborate process of denial that involves a variety of denialist and denial-like acts that are part of the process of genocide. From this study it becomes clear that the process of genocide thrives on a more elaborate denial dynamic than recognized in expert literature until now. This study consists of three parts. The first theoretical part analyses what the elements of denial and genocide entail and how they are (inter)related. The exploration results in a typology of genocide denialism. This model clarifies the different functions denial performs throughout the process of genocide. It furthermore explains how actors engage in denial and on which rhetorical devices speech acts of denial rely. The second part of the study focuses on denial in practice and it analyses how denial operates in the particular case of the genocide against the Tutsi. The analysis reveals a complex denial dynamic: not only those who perpetrated the genocide are involved in its denial, but also certain Western scholars, journalists, lawyers, etc. The latter were originally not involved in the genocide but recycle (elements of) the denial discourse of the perpetrators. The study addresses the implications of such recycling and discusses whether these actors actually have become involved in the genocidal process. This sheds light on the complex relationship between genocide and denial. The insights gained throughout the first two parts of this study have significant implications for many other actors that through their actions engage with the flow of meaning concerning the specific events in Rwanda or genocide in general. The final part of this study critically reflects on the actions of a variety of actors and their significance in terms of genocide denialism. These actors include scholars from various fields, human rights organisations, the ICTR, and the government of Rwanda. On a more fundamental level this study critically highlights how the revisionist scientific climate, in which knowledge and truth claims are constantly questioned, is favourable to genocide denialism and how the post-modern turn in academia has exacerbated this climate. Ultimately, this study reveals that the phenomenon of genocide denial involves more than perpetrators denying their genocidal crimes and the scope of actors and actions relevant in terms of genocide denialism is much broader than generally assumed.

We Shall Suffer There chronicles the experiences of Hong Kong's Prisoners of War and civilian internees from their capture by the Japanese in December 1941, to -- for those fortunate or resourceful enough to survive -- liberation, rescue, and repatriation.

With a blend of narrative and analysis, this book explores the extent to which mercenaries have been used, from Sumer to Rome, and the reasons governments hired them when they could conscript native citizens.

This book provides the first comprehensive legal analysis of the twelve war crimes trials held in the American zone of occupation between 1946 and 1949, collectively known as the Nuremberg Military Tribunals (NMTs). The judgments the NMTs produced have played a critical role in the development of international criminal law, particularly in terms of how courts currently understand war crimes, crimes against humanity, and the crime of aggression. The trials are also of tremendous historical importance, because they provide a far more comprehensive picture of Nazi atrocities than their more famous predecessor, the International Military Tribunal at Nuremberg (IMT). The IMT focused exclusively on the 'major war criminals'-the Goerings, the Hesses, the Speers. The NMTs, by contrast, prosecuted doctors, lawyers, judges, industrialists, bankers-the private citizens and lower-level functionaries whose willingness to take part in the destruction of millions of innocents manifested what Hannah Arendt famously called 'the banality of evil'.
The book is divided into five sections. The first section traces the evolution of the twelve NMT trials. The second section discusses the law, procedure, and rules of evidence applied by the tribunals, with a focus on the important differences between Law No. 10 and the Nuremberg Charter. The third section, the heart of the book, provides a systematic analysis of the tribunals' jurisprudence. It covers Law No. 10's core crimes-crimes against peace, war crimes, and crimes against humanity-as well as the crimes of conspiracy and membership in a criminal organization. The fourth section then examines the modes of participation and defenses that the tribunals recognized. The final section deals with sentencing, the aftermath of the trials, and their historical legacy.

Steve Joubert had always wanted to be a pilot and the only way he could afford to do so, was to join the South African Air Force in the late 1970s.

As an adventurous young man with a wicked sense of humour, he tells of the many amusing escapades he had as a trainee pilot. But soon he is sent to fight in the Border War in northern Namibia (then South West Africa) where he is exposed to the carnage of war. The pilots of the Alouette helicopters were witness to some of the worst scenes of the Border War. Often, they were the first to arrive after a deadly landmine accident.

In the fiercest battles their gunships regularly supplied life-saving air cover to troops on the ground.

On 2 September 1944, a German Wehrmacht Liaison Officer was captured by the Russians in Bucharest. His name was Lieutenant-Colonel Heinz-Helmut von Hinckeldey and he was to remain a "war convict" of the Soviets until 1955. For 11 years, Heinz-Helmut von Hinckeldey had to endure the deprivation - both physical and psychological - of imprisonment; the filth and squalor of the cells, in which he was kept; the agony of isolation and repeated self-examination; and the pain of ignorance, of not knowing if his motherland (Germany) still existed or whether those he loved, ever realized that he was alive. The personal Story that, like countless others, would never have been told, had it not been for the admiration and fascination built up over time by the Author, Charles Wood

a Call Them the Happy Yearsa recounts at first hand the first 40 years of the life of Barbara Everard in her own words, augmented, now in this second edition, with her elder son, Martina s boyhood memories of some of those years. From a privileged early childhood as a daughter of a wealthy Sussex farming family, Barbara grew up through the depression desperate to become an artist, an ambition that she achieved with award-winning success as one of the worlda s foremost botanical artists. But this followed some years of colonial life in Malaya and the horrors of war both in Singapore and England, described in graphic detail as is her husband, Raya s story as a Japanese PoW on the infamous Siam railway.

A Times Literary Supplement Book of the Year A riveting account of a forgotten holocaust: the slaughter of over one hundred thousand Ukrainian Jews in the aftermath of the Russian Revolution. In the Midst of Civilized Europe repositions the pogroms as a defining moment of the twentieth century. 'Exhaustive, clearly written, deeply researched' - The Times 'A meticulous, original and deeply affecting historical account' - Philippe Sands, author of East West Street Between 1918 and 1921, over a hundred thousand Jews were murdered in Ukraine by peasants, townsmen, and soldiers who blamed the Jews for the turmoil of the Russian Revolution. In hundreds of separate incidents, ordinary people robbed their Jewish neighbors with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them, and killed them. Largely forgotten today, these pogroms - ethnic riots - dominated headlines and international affairs in their time. Aid workers warned that six million Jews were in danger of complete extermination. Twenty years later, these dire predictions would come true. Drawing upon long-neglected archival materials, including thousands of newly discovered witness testimonies, trial records, and official orders, acclaimed historian Jeffrey Veidlinger shows for the first time how this wave of genocidal violence created the conditions for the Holocaust. Through stories of survivors, perpetrators, aid workers, and governmental officials, he explains how so many different groups of people came to the same conclusion: that killing Jews was an acceptable response to their various problems.

A moving, immersive, and humanising essay collection charting the daily lives, struggles, and dreams of young people in Gaza.

A teenage girl stares at her roof, hoping it won’t collapse over her head. A young student searches the Internet for photos of libraries around the world, hoping he’ll be able to visit them one day. Another walks around the city, taking notes of all the buildings she dreams of repairing.

These are the stories of young people from Gaza, born under Israeli occupation and blockade. They are people who have endured unspeakable struggles and losses, who keep fighting to be recognised not as numbers, but as human beings with hopes, dreams and lives worth living.

We Are Not Numbers was founded in 2014 to give voice to the youth of Gaza. In this collection, vital, urgent and full of heart, spanning over ten years to the present moment, we gain an unparalleled insight into the past, as well as the current and next generation of Palestinian leaders, artists, scientists and scholars and imagine where we might go from here.

Paul and Charlotte Bondy were refugees from Hitler caught up in Churchill's policy of mass internment. Paul was detained at the Alien Internment Camp at Huyton, near Liverpool, from late June to early December 1940. During this time his only contact with his wife and young daughter was by post. As this young married couple struggled to overcome the vicissitudes of war and exile to maintain some semblance of family life, they wrote to each other regularly. The letters, postcards and telegrams reproduced here are a unique example of a complete WW2 Internment Correspondence.