Luise White brings the force of her historical insight to bear on the many war memoirs published by white soldiers who fought for Rhodesia during the 1964–1979 Zimbabwean liberation struggle.

In the memoirs of white soldiers fighting to defend white minority rule in Africa long after other countries were independent, the author finds a robust and contentious conversation about race, difference, and the war itself. These are writings by men who were ambivalent conscripts, generally aware of the futility of their fight—not brutal pawns flawlessly executing the orders and parroting the rhetoric of a racist regime. Moreover, most of these men insisted that the most important aspects of fighting a guerrilla war—tracking and hunting, knowledge of the land and of the ways of African society—were learned from black playmates in idealized rural childhoods.

In these memoirs, African guerrillas never lost their association with the wild, even as white soldiers boasted of bringing Africans into the intimate spaces of regiment and regime.

On October 7, Israeli territory around the Erez border of Gaza Strip was invaded by Hamas’s Al-Qassam Brigades, killing over 1,000 people. In response to this, the people of Gaza have been subjected to nearly eight months of wholesale genocide. Over 36,000 civilians have been killed, an estimated million made homeless and displaced, tens of thousands injured, and an entire population traumatised. Never in living history has such an atrocity been perpetrated in plain sight of the world’s leaders and mainstream media, who have all managed to give it their complete backing. Images and video clips of hourly horrors and tragedies have spread around the world, combatted by fake news propagated not by dark conspiratorial corners on the web, but by corporate media outlets and politicians.

Baseless Israeli propaganda and deliberately-biased framing has been fed to journalists and repeated, without question, on the front pages of the world’s newspapers and in the mouths of TV pundits and politicians.

One of the few voices of Gaza to make it out into Western media has been that of writer Atef Abu Saif, whose edited diary entries have been occasionally serialised in The New York Times, Washington Post, Le Monde and elsewhere. Here, the complete, unedited diaries show the journey of a man who arrived in Gaza just a few days before October 7 as a government minister and ended the period, like most other Palestinians, living in a tent in a refugee camp.

What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends?

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives.

In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.

A bold, urgent appeal from the acclaimed columnist and political commentator, addressing one of the most important issues of our time.

In Peter Beinart’s view, one story dominates Jewish communal life: that of persecution and victimhood. It is a story that erases much of the nuance of Jewish religious tradition and warps our understanding of Israel and Palestine. After Gaza, where Jewish texts, history, and language have been deployed to justify mass slaughter and starvation, Beinart argues, Jews must tell a new story. After this war, whose horror will echo for generations, they must do nothing less than offer a new answer to the question: What does it mean to be a Jew?

Beinart imagines an alternate narrative, which would draw on other nations’ efforts at moral reconstruction and a different reading of Jewish tradition. A story in which Israeli Jews have the right to equality, not supremacy, and in which Jewish and Palestinian safety are not mutually exclusive but intertwined. One that recognizes the danger of venerating states at the expense of human life.

Being Jewish After the Destruction of Gaza is a provocative argument that will expand and inform one of the defining conversations of our time. It is a book that only Peter Beinart could write: a passionate yet measured work that brings together his personal experience, his commanding grasp of history, his keen understanding of political and moral dilemmas, and a clear vision for the future.

Equally skilled in different trades than in the art of love, the Italian prisoners-of-war (POWs) who were incarcerated in South Africa during the Second World War are a source of great fascination to this day.

The first Italian POWs arrived in the Union of South Africa in early 1941, most of them being held in Zonderwater Camp outside Cullinan or in work camps across the country. The government of Jan Smuts saw them as a source of cheap labour that would contribute to harvesting schemes, road-building projects such as the old Du Toit’s Kloof Pass between Paarl and Worcester and even to prickly-pear eradication schemes.

Prisoners of Jan Smuts recounts the stories of survival and shenanigans of the Italian POWs in the Union through the eyes of five prisoners who had documented their experiences in memoirs and letters. While many POWs seemed to appreciate the opportunities to gain new skills, others clung to the Fascist ideas they had grown up with and refused to work.

Many opted to remain in South Africa once the war had ended, forging quite a legacy. These included sculptor Edoardo Villa, who left an important mark in the local and international art world, and businessman Aurelio Gatti, who built an ice-cream empire whose gelato was to delight generations of South Africans.

Historian Karen Horn painstakingly tracked down a number of former POWs in which their interviews reveal rich narratives of hardship, endurance, humour, longing and self-discovery. Instead of fighting, these men adapted to another war, one which was fought on the inside of many prison camps.

In their interviews, all the POWs expressed surprise at being asked to share their experiences of almost 70 years earlier.They returned home in 1945 to a country which soon afterwards tried its utmost to promote national amnesia with regard to the country’s participation in the war.

With great insight and empathy, Karen Horn shines a light on a neglected corner of South African history. Karen Horn is a lecturer at Stellenbosch University.

A gripping and explosive account of Vladimir Putin's tyranny, charting his rise from spy to tsar, exposing the events that led to his invasion of Ukraine and his assault on Europe.

In Killer in the Kremlin, award-winning journalist John Sweeney takes readers from the heart of Putin's Russia to the killing fields of Chechnya, to the embattled cities of an invaded Ukraine.

In a disturbing exposé of Putin's sinister ambition, Sweeney draws on thirty years of his own reporting - from the Moscow apartment bombings to the atrocities committed by the Russian Army in Chechnya, to the annexation of Crimea and a confrontation with Putin over the shooting down of flight MH17 - to understand the true extent of Putin's long war.

Drawing on eyewitness accounts and compelling testimony from those who have suffered at Putin's hand, we see the heroism of the Russian opposition, the bravery of the Ukrainian resistance, and the brutality with which the Kremlin responds to such acts of defiance, assassinating or locking away its critics, and stopping at nothing to achieve its imperialist aims.

In the midst of one of the darkest acts of aggression in modern history - Russia's invasion of Ukraine - this book shines a light on Putin's rule and poses urgent questions about how the world must respond.

The incredible true story of Louis Zamperini, now a major motion picture directed by Angelina Jolie. THE INTERNATIONAL NUMBER ONE BESTSELLER In 1943 a bomber crashes into the Pacific Ocean. Against all odds, one young lieutenant survives. Louise Zamperini had already transformed himself from child delinquent to prodigious athlete, running in the Berlin Olympics. Now he must embark on one of the Second World War's most extraordinary odysseys. Zamperini faces thousands of miles of open ocean on a failing raft. Beyond like only greater trials, in Japan's prisoner-of-war camps. Driven to the limits of endurance, Zamperini's destiny, whether triumph or tragedy, depends on the strength of his will ... Now a major motion picture, directed by Angelina Jolie and starring Jack O' Connell.

This study deals with the phenomenon of genocide denialism, and in particular how it operates in the context of the genocide against the Tutsi. The term genocide denialism denotes that we are not dealing with a single act or type of (genocide) denial but with a more elaborate process of denial that involves a variety of denialist and denial-like acts that are part of the process of genocide. From this study it becomes clear that the process of genocide thrives on a more elaborate denial dynamic than recognized in expert literature until now. This study consists of three parts. The first theoretical part analyses what the elements of denial and genocide entail and how they are (inter)related. The exploration results in a typology of genocide denialism. This model clarifies the different functions denial performs throughout the process of genocide. It furthermore explains how actors engage in denial and on which rhetorical devices speech acts of denial rely. The second part of the study focuses on denial in practice and it analyses how denial operates in the particular case of the genocide against the Tutsi. The analysis reveals a complex denial dynamic: not only those who perpetrated the genocide are involved in its denial, but also certain Western scholars, journalists, lawyers, etc. The latter were originally not involved in the genocide but recycle (elements of) the denial discourse of the perpetrators. The study addresses the implications of such recycling and discusses whether these actors actually have become involved in the genocidal process. This sheds light on the complex relationship between genocide and denial. The insights gained throughout the first two parts of this study have significant implications for many other actors that through their actions engage with the flow of meaning concerning the specific events in Rwanda or genocide in general. The final part of this study critically reflects on the actions of a variety of actors and their significance in terms of genocide denialism. These actors include scholars from various fields, human rights organisations, the ICTR, and the government of Rwanda. On a more fundamental level this study critically highlights how the revisionist scientific climate, in which knowledge and truth claims are constantly questioned, is favourable to genocide denialism and how the post-modern turn in academia has exacerbated this climate. Ultimately, this study reveals that the phenomenon of genocide denial involves more than perpetrators denying their genocidal crimes and the scope of actors and actions relevant in terms of genocide denialism is much broader than generally assumed.

Sacred Justice is a cross-genre book that uses narrative, memoir, unpublished letters, and other primary and secondary sources to tell the story of a group of Armenian men who organized Operation Nemesis, a covert operation created to assassinate the Turkish architects of the Armenian Genocide. The leaders of Operation Nemesis took it upon themselves to seek justice for their murdered families, friends, and compatriots. Sacred Justice includes a large collection of previously unpublished letters, found in the upstairs study of the author's grandfather, Aaron Sachaklian, one of the leaders of Nemesis, that show the strategies, personalities, plans, and dedication of Soghomon Tehlirian, who killed Talaat Pasha, a genocide leader; Shahan Natalie, the agent on the ground in Europe; Armen Garo, the center of Operation Nemesis; Aaron Sachaklian, the logistics and finance officer; and others involved with Nemesis. Marian Mesrobian MacCurdy tells a story that has been either hidden by the necessity of silence or ignored in spite of victims' narratives-the story of those who attempted to seek justice for the victims of genocide and the effect this effort had on them and on their families. Ultimately, this volume reveals how the narratives of resistance and trauma can play out in the next generation and how this resistance can promote resilience.

'The thing that haunts me most to this day is that blokes were dying and I could do bugger all about it - do you look after the bloke who you know is going to die or the bloke who's got a chance?' - Australian ex-POW doctor, 1999 During World War II, 22 000 Australian military personnel became prisoners of war under the Japanese military. Over three and a half years, 8000 died in captivity, in desperate conditions of forced labour, disease and starvation. Many of those who returned home after the war attributed their survival to the 106 Australian medical officers imprisoned alongside them. These doctors varied in age, background and experience, but they were united in their unfailing dedication to keeping as many of the men alive as possible. This is the story of those 106 doctors - their compassion, bravery and ingenuity - and their efforts in bringing back the 14 000 survivors. 'You are unfortunate in being prisoners of a country whose living standards are much lower than yours. You will often consider yourselves mistreated, while we think of you as being treated well.' - Japanese officer to Australian POWs, 1943

With a blend of narrative and analysis, this book explores the extent to which mercenaries have been used, from Sumer to Rome, and the reasons governments hired them when they could conscript native citizens.

a Call Them the Happy Yearsa recounts at first hand the first 40 years of the life of Barbara Everard in her own words, augmented, now in this second edition, with her elder son, Martina s boyhood memories of some of those years. From a privileged early childhood as a daughter of a wealthy Sussex farming family, Barbara grew up through the depression desperate to become an artist, an ambition that she achieved with award-winning success as one of the worlda s foremost botanical artists. But this followed some years of colonial life in Malaya and the horrors of war both in Singapore and England, described in graphic detail as is her husband, Raya s story as a Japanese PoW on the infamous Siam railway.

Colditz Castle: a forbidding Gothic tower on a hill in Nazi Germany. You may have heard about the prisoners and their daring and desperate attempts to escape, but that's only part of the real story.

In Colditz: Prisoners of the Castle, bestselling historian Ben Macintyre takes us inside the walls of the most infamous prison in history to meet the real men behind the legends. Heroes and bullies, lovers and spies, captors and prisoners living cheek-by-jowl for years in a thrilling game of cat and mouse - and all determined to escape by any means necessary.

Deeply researched and full of incredible stories, this is a tale of ordinary people facing extraordinary circumstances - and will change how you think about Colditz forever.

On 2 September 1944, a German Wehrmacht Liaison Officer was captured by the Russians in Bucharest. His name was Lieutenant-Colonel Heinz-Helmut von Hinckeldey and he was to remain a "war convict" of the Soviets until 1955. For 11 years, Heinz-Helmut von Hinckeldey had to endure the deprivation - both physical and psychological - of imprisonment; the filth and squalor of the cells, in which he was kept; the agony of isolation and repeated self-examination; and the pain of ignorance, of not knowing if his motherland (Germany) still existed or whether those he loved, ever realized that he was alive. The personal Story that, like countless others, would never have been told, had it not been for the admiration and fascination built up over time by the Author, Charles Wood

Horace 'Jim' Greasley was twenty years of age in the spring of 1939 when Adolf Hitler invaded Czechoslovakia and latterly Poland. There had been whispers and murmurs of discontent from certain quarters and the British government began to prepare for the inevitable war. After seven weeks training with the 2nd/5th Battalion Leicester, he found himself facing the might of the German army in a muddy field south of Cherbourg, in Northern France, with just thirty rounds of ammunition in his weapon pouch. Horace's war didn't last long. He was taken prisoner on 25th May 1940 and forced to endure a ten week march across France and Belgium en-route to Holland.

Horace survived...barely...food was scarce; he took nourishment from dandelion leaves, small insects and occasionally a secret food package from a sympathetic villager, and drank rain water from ditches. Many of his fellow comrades were not so fortunate. Falling by the side of the road through sheer exhaustion and malnourishment meant a bullet through the back of the head and the corpse left to rot. After a three day train journey without food and water, Horace found himself incarcerated in a prison camp in Poland. It was there he embarked on an incredible love affair with a German girl interpreting for his captors.

He experienced the sweet taste of freedom each time he escaped to see her, yet incredibly he made his way back into the camp each time, sometimes two, three times every week. Horace broke out of the camp then crept back in again under the cover of darkness after his natural urges were fulfilled. He brought food back to his fellow prisoners to supplement their meagre rations. He broke out of the camp over two hundred times and towards the end of the war even managed to bring radio parts back in. The BBC news would be delivered daily to over 3,000 prisoners. This is an incredible tale of one man's adversity and defiance of the German nation.

Providing an intellectual biography of the challenging concept of genocide from inception to present day, this topical Handbook takes an interdisciplinary approach to shed new light on the events, processes, and legacies in the field. Reaching beyond the traditional study of canonical genocides and related pathologies of behaviour, this Handbook strives to spell out the multiple dimensions of genocide studies as an academic realm. In doing so, it incorporates a vast range of methods and disciplines, including historiography, archival research, listening to testimony, philosophical inquiry, film studies, and art criticism. Contributors address a broad array of episodes, including genocides of indigenous populations in the Americas and Africa, the Armenian genocide, the Holocaust, twentieth century genocides in Indonesia, Cambodia, Rwanda, Bosnia, and twenty-first century genocides in Iraq, Myanmar, and China. By developing a cross-disciplinary framework, this Handbook showcases the diversity that comprises the field and creates a rich understanding of the origin, effects, and legacy of genocide. With a wide variety of perspectives, this Handbook will prove an invigorating read for students and scholars of international and human rights, public policy, and political geography and geopolitics, particularly those interested in genocide studies and the UN Genocide Convention.

This comprehensive Research Handbook examines the key drivers of the arms trade, mapping the main trends in Asia, Europe, the Middle East, Africa and Latin America. It also explores the principal defence markets internationally, including the US, China, India, Russia and the UK in greater detail. Across twenty-six chapters, international experts assess the central drivers of the arms trade, such as the insecurities of small states in an increasingly realist world of power politics, the continued presence of conflict, technological change and the presence of corruption. Analysing critical issues from the future of air and naval power and their implications for the trade to the impact of emerging technology and the prospects for arms control, the chapters raise a number of central issues as to the challenges and future direction of the arms trade. The Research Handbook concludes that defence spending and procurement have remained paramount and on a general upward trend since the Cold War, particularly in Asia and the Middle East. This Research Handbook will be a valuable resource for academics and students of international relations, security studies and political science. Its global approach will also be beneficial for arms policy analysts and defence professionals.

Paul and Charlotte Bondy were refugees from Hitler caught up in Churchill's policy of mass internment. Paul was detained at the Alien Internment Camp at Huyton, near Liverpool, from late June to early December 1940. During this time his only contact with his wife and young daughter was by post. As this young married couple struggled to overcome the vicissitudes of war and exile to maintain some semblance of family life, they wrote to each other regularly. The letters, postcards and telegrams reproduced here are a unique example of a complete WW2 Internment Correspondence.

'Zekameron' comes from 'Zek' meaning prisoner and is a word-play on Boccaccio's Decameron. 'He came back from interrogation looking like death. Some people look better than he did when they're being put in their coffin. "What happened then? Did they stick any other articles of the Criminal Code on you? Or break your jaw?" "Nothing like that. I've got toothache..." The 100 tales in Zekameron are based on the 14th Century Decameron, but Znak is closer to Beckett than to Boccaccio. Banality and brutality vie with the human ability to overcome oppression. Znak's stories in different voices chart 100 days in prison in Belarus today. The tone is laconic, ironic; the humour sparse. The stories bear witness to resistance and self-assertion and the genuine warmth and appreciation of fellow prisoners.

This Research Handbook provides a broad yet detailed treatment of international arms control law. It takes stock of existing arms control agreements, addresses current challenges and aims to indicate avenues for the future development of this distinct branch of public international law. Split across nine thematic parts, this comprehensive Handbook goes beyond the pure encyclopaedic approach by providing analytical and doctrinal guidance. Chapters provide extensive analysis of international arms control law, addressing both conventional weapons and new technologies, contextualising arms control law and politics through identifying actors, forums and regulatory approaches. The impressive list of contributors also explore geographical zones of arms control including Africa, Asia, Europe and Latin America. Investigating both complex theoretical and recent practical approaches into arms control law, this Research Handbook will be an ideal read for interested students and academics as well as practitioners involved in conflict, security and international law.

Integrating comparative empirical studies with cutting-edge theory, this dynamic Handbook provides a comprehensive overview of the study and practice of peacekeeping. Han Dorussen brings together a diverse range of contributions which represent the most recent generation of peacekeeping research, embodying notable shifts in the kinds of questions asked as well as the data and methods employed. The Handbook explores questions concerning the deployment of peacekeepers, the policies and activities undertaken by peacekeeping operations (PKOs), the intended and unintended consequences of peacekeeping activities, and controversies related to post-conflict crime, sexual and gender-based violence in peacekeeping, and the environmental impact of PKOs. Chapters further investigate the distinctions between UN and non-UN-led PKOs, the specific mandates under which peacekeeping operates, and the different roles of military, police, and police and civilian peacekeepers. Concluding with an evaluation of the state of the art of current peacekeeping literature, the Handbook leads the way in developing a coherent agenda for future research. The Handbook will be an essential resource for a cross-disciplinary audience of academics and students interested in IR and conflict resolution. Policymakers involved in peacekeeping and peacebuilding, as well as NGOs operating within (post-) conflict settings, will also benefit from its assessment of recent developments in peacekeeping research.

My grandfather, Frank Carollo, was a prisoner of war in the infamous POW camp Stalag 17 B during World War II. During these dark days, he managed to keep a diary of his experiences, depicting everyday life within, through beautiful short stories, poetry, and drawings. Now years later, I've taken his accounts, adding background details from friends and family, to create a memoir of hope, love, and survival; a story of one man's life before, during, and after being confined within one of the most notorious of Nazi camps. 20% of the profits from each book sold will be donated to the national Alzheimer's Association, in memory of Frank Carollo.

Van al die gebeure in die Kaapkolonie gedurende die Tweede Vryheidsoorlog het die teregstelling van Hans Lötter, asook dié van kmdt. Gideon Scheepers, die meeste emosie onder Afrikaners ontketen. Lötter en sy mederebelle in die Kolonie het die verbeelding van die plaaslike bevolking aangegryp en die Britte maande lank hoofbrekens besorg. Sy gevangeneming, verhoor en teregstelling deur ’n Britse vuurpeloton op Middelburg, Kaap, het groot woede en verontwaardiging veroorsaak en hom verewig as Boeremartelaar in die Afrikaner-volksoorleweringe. Nou word sy boeiende verhaal vir die eerste keer volledig vertel.